Music and the Irish literary imagination:
"Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively inf...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W. B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw, and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction, and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition ofspeech and song in his poetry, Synge, Shaw, and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing." "Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin, and Janacek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry of music."--BOOK JACKET |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 260 S. |
| ISBN: | 9780199547326 |
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Datensatz im Suchindex
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| adam_text | Titel: Music and the Irish literary imagination
Autor: White, Harry
Jahr: 2008
Contents
Introduction: Words for Music: In Search
of the Irish Omphalos 1
1. The Auditory Imagination of Thomas Moore 35
2. W. B. Yeats and the Music of Poetry 79
3. Why J. M. Synge Abandoned Music 110
4. Opera and Drama: Bernard Shaw and The Brandy
of the Damned 133
5. The Thought-Tormented Music of James Joyce 153
6. Words after Music: Samuel Beckett after Joyce 187
7. Operas of the Irish Mind: Brian Friel and Music 206
8. Words Alone: Seamus Heaney, Music, and the Jurisdiction
of Literary Forms 228
Select Bibliography 244
Index 251
|
| adam_txt |
Titel: Music and the Irish literary imagination
Autor: White, Harry
Jahr: 2008
Contents
Introduction: Words for Music: In Search
of the Irish Omphalos 1
1. The Auditory Imagination of Thomas Moore 35
2. W. B. Yeats and the Music of Poetry 79
3. Why J. M. Synge Abandoned Music 110
4. Opera and Drama: Bernard Shaw and 'The Brandy
of the Damned' 133
5. The 'Thought-Tormented Music' of James Joyce 153
6. Words after Music: Samuel Beckett after Joyce 187
7. Operas of the Irish Mind: Brian Friel and Music 206
8. Words Alone: Seamus Heaney, Music, and the Jurisdiction
of Literary Forms 228
Select Bibliography 244
Index 251 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| callnumber-first | P - Language and Literature |
| callnumber-label | PR8722 |
| callnumber-raw | PR8722.M85 |
| callnumber-search | PR8722.M85 |
| callnumber-sort | PR 48722 M85 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HG 290 HG 433 LQ 84606 |
| ctrlnum | (OCoLC)244293245 (DE-599)BVBBV035101217 |
| dewey-full | 820.9357809415 820.9/35780899162 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 820 - English & Old English literatures |
| dewey-raw | 820.9357809415 820.9/35780899162 |
| dewey-search | 820.9357809415 820.9/35780899162 |
| dewey-sort | 3820.9357809415 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik Musikwissenschaft |
| discipline_str_mv | Anglistik / Amerikanistik Musikwissenschaft |
| edition | 1. publ. |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-2000 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-2000 |
| format | Book |
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| spelling | White, Harry Verfasser aut Music and the Irish literary imagination Harry White 1. publ. Oxford [u.a.] Oxford Univ. Press 2008 XIV, 260 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Harry White examines the influence of music in the development of the Irish literary imagination from 1800 to the present day. He identifies music as a preoccupation which originated in the poetry of Thomas Moore early in the nineteenth century. He argues that this preoccupation decisively influenced Moore's attempt to translate the 'meaning' of Irish music into verse, and that it also informed Moore's considerable impact on the development of European musical romanticism, as in the music of Berlioz and Schumann. White then examines how this preoccupation was later recovered by W. B. Yeats, whose poetry is imbued with music as a rival presence to language. In its readings of Yeats, Synge, Shaw, and Joyce, the book argues that this striking musical awareness had a profound influence on the Irish literary imagination, to the extent that poetry, fiction, and drama could function as correlatives of musical genres. Although Yeats insisted on the synonymous condition ofspeech and song in his poetry, Synge, Shaw, and Joyce explicitly identified opera in particular as a generic prototype for their own work. Synge's formal musical training and early inclinations as a composer, Shaw's perception of himself as the natural successor to Wagner, and Joyce's no less striking absorption of a host of musical techniques in his fiction are advanced in this study as formative (rather than incidental) elements in the development of modern Irish writing." "Music and the Irish Literary Imagination also considers Beckett's emancipation from the oppressive condition of words in general (and Joyce in particular) through the agency of music, and argues that the strong presence of Mendelssohn, Chopin, and Janacek in the works of Brian Friel is correspondingly essential to Friel's dramatisation of Irish experience in the aftermath of Beckett. The book closes with a reading of Seamus Heaney, in which the poet's own preoccupation with the currency of established literary forms is enlisted to illuminate Heaney's abiding sense of poetry of music."--BOOK JACKET Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-2000 gnd rswk-swf Geschichte Musik English literature Irish authors History and criticism English literature Irish authors Musical settings History and criticism English literature 19th century History and criticism English literature 20th century History and criticism Music and literature History 19th century Music and literature History 20th century Music Ireland 19th century History and criticism Music Ireland 20th century History and criticism Englisch (DE-588)4014777-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Irland Irland (DE-588)4027667-3 gnd rswk-swf Irland (DE-588)4027667-3 g Literatur (DE-588)4035964-5 s Englisch (DE-588)4014777-0 s Musik (DE-588)4040802-4 s Geschichte 1800-2000 z DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016769193&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | White, Harry Music and the Irish literary imagination Geschichte Musik English literature Irish authors History and criticism English literature Irish authors Musical settings History and criticism English literature 19th century History and criticism English literature 20th century History and criticism Music and literature History 19th century Music and literature History 20th century Music Ireland 19th century History and criticism Music Ireland 20th century History and criticism Englisch (DE-588)4014777-0 gnd Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd |
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| title | Music and the Irish literary imagination |
| title_auth | Music and the Irish literary imagination |
| title_exact_search | Music and the Irish literary imagination |
| title_exact_search_txtP | Music and the Irish literary imagination |
| title_full | Music and the Irish literary imagination Harry White |
| title_fullStr | Music and the Irish literary imagination Harry White |
| title_full_unstemmed | Music and the Irish literary imagination Harry White |
| title_short | Music and the Irish literary imagination |
| title_sort | music and the irish literary imagination |
| topic | Geschichte Musik English literature Irish authors History and criticism English literature Irish authors Musical settings History and criticism English literature 19th century History and criticism English literature 20th century History and criticism Music and literature History 19th century Music and literature History 20th century Music Ireland 19th century History and criticism Music Ireland 20th century History and criticism Englisch (DE-588)4014777-0 gnd Musik (DE-588)4040802-4 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Geschichte Musik English literature Irish authors History and criticism English literature Irish authors Musical settings History and criticism English literature 19th century History and criticism English literature 20th century History and criticism Music and literature History 19th century Music and literature History 20th century Music Ireland 19th century History and criticism Music Ireland 20th century History and criticism Englisch Literatur Irland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016769193&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT whiteharry musicandtheirishliteraryimagination |