Emily Dickinson's approving God: divine design and the problem of suffering
"Focusing on Emily Dickinson's poem "Apparently with no surprise," Keane explores the poet's embattled relationship with the deity of her Calvinist tradition, reflecting on literature and religion, faith and skepticism, theology and science in light of continuing confrontati...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Columbia [u.a.]
Univ. of Missouri Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | "Focusing on Emily Dickinson's poem "Apparently with no surprise," Keane explores the poet's embattled relationship with the deity of her Calvinist tradition, reflecting on literature and religion, faith and skepticism, theology and science in light of continuing confrontations between Darwinism and design, science and literal conceptions of a divine Creator"--Provided by publisher. |
| Beschreibung: | "Focusing on Emily Dickinson's poem "Apparently with no surprise," Keane explores the poet's embattled relationship with the deity of her Calvinist tradition, reflecting on literature and religion, faith and skepticism, theology and science in light of continuing confrontations between Darwinism and design, science and literal conceptions of a divine Creator"--Provided by publisher. Includes bibliographical references and index |
| Beschreibung: | XIII, 256 S. |
| ISBN: | 9780826218087 |
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| adam_text |
As much a doubter as a believer, Emily
Dickinson often expressed views about God in
general
—
and God with respect to suffering in
particular. In many of her poems, she contem¬
plates the question posed by countless theolo¬
gians and poets before her: how can one recon¬
cile a benevolent deity with evil in the world?
Examining Dickinson's perspectives on the
role played by a supposedly omnipotent and all-
loving God in a world marked by violence and
pain, Patrick
Keane
initially focuses on her
poem "Apparently with no surprise," in which
frost, a "blonde Assassin," beheads a "happy
Flower," a spectacle presided over by "an
Approving God." This tiny lyric,
Keane
shows,
epitomizes the poet's embattled relationship
with the deity of her
Calvinist
tradition.
Although the problem of suffering is usually
couched in terms of natural disasters or human
injustice, Dickinson found new ways of consid¬
ering it. By choosing a flower as her innocent
"victim," she bypassed standard "answers" to
the dilemma (suffering as justified punishment
for wickedness, or as attributable to the asser¬
tion of free will) in order to focus on the prob¬
lem in its purest symbolic form.
Keane
goes on
to provide close readings of many of Dickinson's
poems and letters engaging God, showing how
she addressed the challenges posed
—
by her
own experience and by an innate skepticism
reinforced by a nascent Darwinism
—
to the
argument from design and the concept of a
benevolent deity.
More than a dissection of a single poem,
Keane's book is a sweeping personal reflection
on literature and religion, faith and skepticism,
theology and science. He traces the evolving
history of the Problem of Suffering from the
Hebrew Scriptures (Job and Ecclesiastes), through
the writings of Paul, Augustine, and Aquinas, to
the most recent theological and philosophical
studies of the problem.
Keane
is interested in
how readers today respond to Emily Dickin¬
son's often combative poems about God; at the
same time, she is located as a poet whose cre¬
ative life coincided with the momentous changes
and challenges to religious faith associated with
Darwin and Nietzsche.
Keane also
considers
Dickinson's poems and letters in the context of
the great Romantic tradition, as it runs from
Milton through Wordsworth, demonstrating
how the work of these poets (perhaps surpris¬
ingly in the case of the latter) helps illuminate
Dickinson's poetry and thought.
Because Dickinson the poet was also Emily
the gardener, her love of flowers was an appro¬
priate vehicle for her observations on mortality
and her expressions of doubt. Emily Dickinson's
Approving God is a graceful study that reveals
not only the audacity of Dickinson's thought
but also its relevance to modern readers. In light
of ongoing confrontations between Darwinism
and design, science and literal conceptions of a
divine Creator, it is an equally provocative read
for students of literature and students of life.
Contents
Acknowledgments
A Note on Dickinson Texts
xi
xiii
Introduction:
A Poem and Its Theological, Scientific, and Political Contexts
Part I
Chapter
1.
The Poem and Images of God
Chapter
2.
Religion and Science:
Einstein's Spinozistic God
Chapter
3.
God and Evolution:
The Contemporary Debate
Chapter
4.
Design, Challenged and Defended
Chapter
5.
Emily Dickinson on Christ and Crucifixion
25
42
58
76
91
Part II
Chapter
6.
Destroyers and Victims:
"Apparently with no Surprise" and Related Scenarios
107
Chapter
7.
Design and Accident
118
Chapter
8.
Frost, the Blonde Assassin
132
Chapter
9:
Dickinson's Death-Haunted Earthly Paradise
144
Chapter
10.
Flowers, and Thoughts Too Deep for Tears
160
vi
Contents
Chapter
11.
Questioning Divine Benevolence
174
Chapter
12.
The Final Dialectic:
Believing and Disbelieving
191
Conclusion:
Multi-Perspectivism in Interpretation
205
Appendix:
DerekMahon's "A Disused Shed in Co. Wexford"
215
Bibliography
225
Index of First Lines
237
General Index
241 |
| adam_txt |
As much a doubter as a believer, Emily
Dickinson often expressed views about God in
general
—
and God with respect to suffering in
particular. In many of her poems, she contem¬
plates the question posed by countless theolo¬
gians and poets before her: how can one recon¬
cile a benevolent deity with evil in the world?
Examining Dickinson's perspectives on the
role played by a supposedly omnipotent and all-
loving God in a world marked by violence and
pain, Patrick
Keane
initially focuses on her
poem "Apparently with no surprise," in which
frost, a "blonde Assassin," beheads a "happy
Flower," a spectacle presided over by "an
Approving God." This tiny lyric,
Keane
shows,
epitomizes the poet's embattled relationship
with the deity of her
Calvinist
tradition.
Although the problem of suffering is usually
couched in terms of natural disasters or human
injustice, Dickinson found new ways of consid¬
ering it. By choosing a flower as her innocent
"victim," she bypassed standard "answers" to
the dilemma (suffering as justified punishment
for wickedness, or as attributable to the asser¬
tion of free will) in order to focus on the prob¬
lem in its purest symbolic form.
Keane
goes on
to provide close readings of many of Dickinson's
poems and letters engaging God, showing how
she addressed the challenges posed
—
by her
own experience and by an innate skepticism
reinforced by a nascent Darwinism
—
to the
argument from design and the concept of a
benevolent deity.
More than a dissection of a single poem,
Keane's book is a sweeping personal reflection
on literature and religion, faith and skepticism,
theology and science. He traces the evolving
history of the Problem of Suffering from the
Hebrew Scriptures (Job and Ecclesiastes), through
the writings of Paul, Augustine, and Aquinas, to
the most recent theological and philosophical
studies of the problem.
Keane
is interested in
how readers today respond to Emily Dickin¬
son's often combative poems about God; at the
same time, she is located as a poet whose cre¬
ative life coincided with the momentous changes
and challenges to religious faith associated with
Darwin and Nietzsche.
Keane also
considers
Dickinson's poems and letters in the context of
the great Romantic tradition, as it runs from
Milton through Wordsworth, demonstrating
how the work of these poets (perhaps surpris¬
ingly in the case of the latter) helps illuminate
Dickinson's poetry and thought.
Because Dickinson the poet was also Emily
the gardener, her love of flowers was an appro¬
priate vehicle for her observations on mortality
and her expressions of doubt. Emily Dickinson's
Approving God is a graceful study that reveals
not only the audacity of Dickinson's thought
but also its relevance to modern readers. In light
of ongoing confrontations between Darwinism
and design, science and literal conceptions of a
divine Creator, it is an equally provocative read
for students of literature and students of life.
Contents
Acknowledgments
A Note on Dickinson Texts
xi
xiii
Introduction:
A Poem and Its Theological, Scientific, and Political Contexts
Part I
Chapter
1.
The Poem and Images of God
Chapter
2.
Religion and Science:
Einstein's Spinozistic God
Chapter
3.
God and Evolution:
The Contemporary Debate
Chapter
4.
Design, Challenged and Defended
Chapter
5.
Emily Dickinson on Christ and Crucifixion
25
42
58
76
91
Part II
Chapter
6.
Destroyers and Victims:
"Apparently with no Surprise" and Related Scenarios
107
Chapter
7.
Design and Accident
118
Chapter
8.
Frost, the Blonde Assassin
132
Chapter
9:
Dickinson's Death-Haunted Earthly Paradise
144
Chapter
10.
Flowers, and Thoughts Too Deep for Tears
160
vi
Contents
Chapter
11.
Questioning Divine Benevolence
174
Chapter
12.
The Final Dialectic:
Believing and Disbelieving
191
Conclusion:
Multi-Perspectivism in Interpretation
205
Appendix:
DerekMahon's "A Disused Shed in Co. Wexford"
215
Bibliography
225
Index of First Lines
237
General Index
241 |
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| spelling | Keane, Patrick J. Verfasser aut Emily Dickinson's approving God divine design and the problem of suffering Patrick J. Keane Columbia [u.a.] Univ. of Missouri Press 2008 XIII, 256 S. txt rdacontent n rdamedia nc rdacarrier "Focusing on Emily Dickinson's poem "Apparently with no surprise," Keane explores the poet's embattled relationship with the deity of her Calvinist tradition, reflecting on literature and religion, faith and skepticism, theology and science in light of continuing confrontations between Darwinism and design, science and literal conceptions of a divine Creator"--Provided by publisher. Includes bibliographical references and index Dickinson, Emily 1830-1886 Criticism and interpretation Dickinson, Emily 1830-1886 Religion Dickinson, Emily 1830-1886 Knowledge Calvinism Dickinson, Emily 1830-1886 (DE-588)118525255 gnd rswk-swf Geschichte 1800-1900 Geschichte Wissen Theology in literature Belief and doubt in literature Religion and literature United States History 19th century Science and literature United States History 19th century Lyrik (DE-588)4036774-5 gnd rswk-swf Gott Motiv (DE-588)4157941-0 gnd rswk-swf USA Dickinson, Emily 1830-1886 (DE-588)118525255 p Lyrik (DE-588)4036774-5 s Gott Motiv (DE-588)4157941-0 s DE-604 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016767986&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016767986&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Keane, Patrick J. Emily Dickinson's approving God divine design and the problem of suffering Dickinson, Emily 1830-1886 Criticism and interpretation Dickinson, Emily 1830-1886 Religion Dickinson, Emily 1830-1886 Knowledge Calvinism Dickinson, Emily 1830-1886 (DE-588)118525255 gnd Geschichte Wissen Theology in literature Belief and doubt in literature Religion and literature United States History 19th century Science and literature United States History 19th century Lyrik (DE-588)4036774-5 gnd Gott Motiv (DE-588)4157941-0 gnd |
| subject_GND | (DE-588)118525255 (DE-588)4036774-5 (DE-588)4157941-0 |
| title | Emily Dickinson's approving God divine design and the problem of suffering |
| title_auth | Emily Dickinson's approving God divine design and the problem of suffering |
| title_exact_search | Emily Dickinson's approving God divine design and the problem of suffering |
| title_exact_search_txtP | Emily Dickinson's approving God divine design and the problem of suffering |
| title_full | Emily Dickinson's approving God divine design and the problem of suffering Patrick J. Keane |
| title_fullStr | Emily Dickinson's approving God divine design and the problem of suffering Patrick J. Keane |
| title_full_unstemmed | Emily Dickinson's approving God divine design and the problem of suffering Patrick J. Keane |
| title_short | Emily Dickinson's approving God |
| title_sort | emily dickinson s approving god divine design and the problem of suffering |
| title_sub | divine design and the problem of suffering |
| topic | Dickinson, Emily 1830-1886 Criticism and interpretation Dickinson, Emily 1830-1886 Religion Dickinson, Emily 1830-1886 Knowledge Calvinism Dickinson, Emily 1830-1886 (DE-588)118525255 gnd Geschichte Wissen Theology in literature Belief and doubt in literature Religion and literature United States History 19th century Science and literature United States History 19th century Lyrik (DE-588)4036774-5 gnd Gott Motiv (DE-588)4157941-0 gnd |
| topic_facet | Dickinson, Emily 1830-1886 Criticism and interpretation Dickinson, Emily 1830-1886 Religion Dickinson, Emily 1830-1886 Knowledge Calvinism Dickinson, Emily 1830-1886 Geschichte Wissen Theology in literature Belief and doubt in literature Religion and literature United States History 19th century Science and literature United States History 19th century Lyrik Gott Motiv USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016767986&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016767986&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT keanepatrickj emilydickinsonsapprovinggoddivinedesignandtheproblemofsuffering |