The language of comic narratives: humor construction in short stories
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin [u.a.]
Mouton de Gruyter
2008
|
| Schriftenreihe: | Humor research
9 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | XII, 261 S. |
| ISBN: | 9783110205145 |
Internformat
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| 245 | 1 | 0 | |a The language of comic narratives |b humor construction in short stories |c by Isabel Ermida |
| 264 | 1 | |a Berlin [u.a.] |b Mouton de Gruyter |c 2008 | |
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Datensatz im Suchindex
| _version_ | 1805091188715290624 |
|---|---|
| adam_text |
Contents
List of tables and figures
ix
Foreword
xi
Chapter
1
The concept of humor: history, scope and issues
1
Introduction
1
1.
Matter and manner
1
2.
Taxonomie
systems
3
3.
Lexicological evolution
4
4.
Conceptual satellites of humor
5
4.1.
Laughter
5
4.2.
Wit
8
4.3.
Irony
11
5.
Humor theories
14
5.1.
Disparagement theory
15
5.2.
Release theory
22
5.3.
Incongruity theory
25
6.
Ontogenetics and philogenetics of humor
31
7.
Humor as a communicative act
34
8.
Conclusion
39
Chapter
2
Linguistic resources of humor
41
Introduction
41
1.
Sound
42
1.1.
The phonetic pun
42
1.2.
Mimesis
45
1.3.
Stylistic devices
48
1.3.1.
Rhyme and rhythm
48
1.3.2.
Alliteration and assonance
50
2.
Written form: graphological games
52
3.
Word: morphological play
55
4.
Sentence: syntactic ambiguity
57
5.
Meaning
61
5.1.
Paradigmatic inversion
61
5.2.
The lexical pun
63
5.3.
Sets and scales
66
VI
Contents
5.4.
Mechanisms of
displacement
5.5.
Logical irregularities
5.6.
Nonsense
5.7.
Possible worlds
6.
Conclusion
Chapter
3
Humor as a textual genre: from jokes to comic narratives
Introduction
1.
Semantic script theory of humor
1.1.
The concept of script
1.2.
Combinatorial rules
1.3.
Humor, bona-fide communication and the notion of truth
1.4.
Script overlap and script opposition
1.5.
An example
2.
General theory of verbal humor
2.1.
Knowledge resources
2.2.
Joke variation and KR hierarchy
2.3.
A'general'theory
3.
Cognitive joke model
3.1.
Operational concepts: informativeness and markedness
3.2.
Conditions for joke well-formedness
3.3.
An example
4.
Linguistic approaches to comic narratives
4.1.
Morin's disjunctive articulation
4.2.
Nash's modes of comic expansion
4.3.
Chlopicki's application of script theory to short stories
4.4.
Palmer's semantico-pragmatic framework
4.5.
Holcomb: nodal humor in comic narratives
4.6.
Attardo
's linear model
5.
Conclusion
Chapter
4
Structural principles of narrative humor
Introduction
1.
Narrative dimensions
2.
Structure, model and whole
3.
Cohesion and coherence
4.
Narrative units
68
70
74
76
80
83
83
84
84
85
86
88
89
90
91
93
93
94
94
97
98
99
100
101
103
105
107
108
110
113
113
113
115
116
117
5.
Organization of narrative units
5.1.
Sequencing: horizontal configuration
5.2.
Hierarchy: vertical configuration
5.2.1.
From sentence grammar to story grammar
5.2.2.
The concept of narrative
macrostructure
6.
Limitations of narrative structure analysis
7.
Conclusion
Chapter
5
Pragmatics of the humorous narrative
Introduction
1.
Narration and other modes of discourse
2.
Humorous text and context
2.1.
Situational humor and 'canned' humor
2.2.
Written
varrative
versus conversation
2.3.
Overlapping utterance levels
2.4.
The literary specificity of the humorous short story
3.
The principle of humorous transgression
4.
Breaking the communicative contract
4.1.
Illocutionary ambiguity
4.2.
Humorous '(infelicities'
4.3.
Infringing conversational maxims
4.4.
Predictability and convention
5.
The unsaid in narrative humor
5.1.
Presuppositions
5.2.
Implicatures
6.
Humorous intertextuality: allusion and parody
7.
Narrative, literary and humorous cooperation
8.
Conclusion
Contents
vii
120
121
124
124
126
128
130
131
131
131
132
133
134
136
138
140
142
142
144
146
149
151
153
158
162
164
168
Chapter
6
A model of humorous narratives
171
Introduction
171
1.
A hypothesis
172
2.
A case study: The Lunatic's Tale
( 1975),
by Woody Allen
173
2.1.
Structuring the humorous cycle
174
2.1.1.
Setting the humorous mode: creating an opposition
175
2.1.2.
Developing the humorous mode: recurrence and
predictability
176
2.1.3.
Closing the cycle: informativeness and surprise
179
viii Contents
2.2.
A supra-structural
semantic
Opposition 181
2.2.1.
Lexicality, inference and functionality: criteria of script
identification
181
2.2.2.
Determining the scope and limits of scripts
183
2.2.3.
Lexico-semantic nuclei
184
2.2.4.
Presuppositions and implicatures
186
2.3.
Levels of script opposition
189
2.3.1.
Supra-and infra-scripts
190
2.3.2.
Script hierarchy and hyponymy
193
2.3.3.
Extratextual scripts: allusion
195
2.4.
Stylistic aids to humorous opposition
200
2.4.1.
Register clash
200
2.4.2.
Hyperbole
201
2.4.3.
Irony
203
3.
Conclusion
204
Chapter
7
Extending the analysis
207
Introduction
207
1.
The Norris Plan
(1927)
by Corey Ford: parody
207
2.
On Guard
(1936)
by Evelyn Waugh: black humor
212
3.
You Were Perfectly Fine
( 193 9)
by Dorothy Parker: irony
218
4.
A Shocking Accident
(1972)
by Graham Greene: sarcasm
223
5.
Hotel
des
Boobs
(1986)
by David Lodge: meta-humor
227
6.
Counter-examples
232
7.
Conclusion
234
References
237
Subject index
257 |
| adam_txt |
Contents
List of tables and figures
ix
Foreword
xi
Chapter
1
The concept of humor: history, scope and issues
1
Introduction
1
1.
Matter and manner
1
2.
Taxonomie
systems
3
3.
Lexicological evolution
4
4.
Conceptual satellites of humor
5
4.1.
Laughter
5
4.2.
Wit
8
4.3.
Irony
11
5.
Humor theories
14
5.1.
Disparagement theory
15
5.2.
Release theory
22
5.3.
Incongruity theory
25
6.
Ontogenetics and philogenetics of humor
31
7.
Humor as a communicative act
34
8.
Conclusion
39
Chapter
2
Linguistic resources of humor
41
Introduction
41
1.
Sound
42
1.1.
The phonetic pun
42
1.2.
Mimesis
45
1.3.
Stylistic devices
48
1.3.1.
Rhyme and rhythm
48
1.3.2.
Alliteration and assonance
50
2.
Written form: graphological games
52
3.
Word: morphological play
55
4.
Sentence: syntactic ambiguity
57
5.
Meaning
61
5.1.
Paradigmatic inversion
61
5.2.
The lexical pun
63
5.3.
Sets and scales
66
VI
Contents
5.4.
Mechanisms of
displacement
5.5.
Logical irregularities
5.6.
Nonsense
5.7.
Possible worlds
6.
Conclusion
Chapter
3
Humor as a textual genre: from jokes to comic narratives
Introduction
1.
Semantic script theory of humor
1.1.
The concept of script
1.2.
Combinatorial rules
1.3.
Humor, bona-fide communication and the notion of truth
1.4.
Script overlap and script opposition
1.5.
An example
2.
General theory of verbal humor
2.1.
Knowledge resources
2.2.
Joke variation and KR hierarchy
2.3.
A'general'theory
3.
Cognitive joke model
3.1.
Operational concepts: informativeness and markedness
3.2.
Conditions for joke well-formedness
3.3.
An example
4.
Linguistic approaches to comic narratives
4.1.
Morin's disjunctive articulation
4.2.
Nash's modes of comic expansion
4.3.
Chlopicki's application of script theory to short stories
4.4.
Palmer's semantico-pragmatic framework
4.5.
Holcomb: nodal humor in comic narratives
4.6.
Attardo
's linear model
5.
Conclusion
Chapter
4
Structural principles of narrative humor
Introduction
1.
Narrative dimensions
2.
Structure, model and whole
3.
Cohesion and coherence
4.
Narrative units
68
70
74
76
80
83
83
84
84
85
86
88
89
90
91
93
93
94
94
97
98
99
100
101
103
105
107
108
110
113
113
113
115
116
117
5.
Organization of narrative units
5.1.
Sequencing: horizontal configuration
5.2.
Hierarchy: vertical configuration
5.2.1.
From sentence grammar to story grammar
5.2.2.
The concept of narrative
macrostructure
6.
Limitations of narrative structure analysis
7.
Conclusion
Chapter
5
Pragmatics of the humorous narrative
Introduction
1.
Narration and other modes of discourse
2.
Humorous text and context
2.1.
Situational humor and 'canned' humor
2.2.
Written
varrative
versus conversation
2.3.
Overlapping utterance levels
2.4.
The literary specificity of the humorous short story
3.
The principle of humorous transgression
4.
Breaking the communicative contract
4.1.
Illocutionary ambiguity
4.2.
Humorous '(infelicities'
4.3.
Infringing conversational maxims
4.4.
Predictability and convention
5.
The unsaid in narrative humor
5.1.
Presuppositions
5.2.
Implicatures
6.
Humorous intertextuality: allusion and parody
7.
Narrative, literary and humorous cooperation
8.
Conclusion
Contents
vii
120
121
124
124
126
128
130
131
131
131
132
133
134
136
138
140
142
142
144
146
149
151
153
158
162
164
168
Chapter
6
A model of humorous narratives
171
Introduction
171
1.
A hypothesis
172
2.
A case study: The Lunatic's Tale
( 1975),
by Woody Allen
173
2.1.
Structuring the humorous cycle
174
2.1.1.
Setting the humorous mode: creating an opposition
175
2.1.2.
Developing the humorous mode: recurrence and
predictability
176
2.1.3.
Closing the cycle: informativeness and surprise
179
viii Contents
2.2.
A supra-structural
semantic
Opposition 181
2.2.1.
Lexicality, inference and functionality: criteria of script
identification
181
2.2.2.
Determining the scope and limits of scripts
183
2.2.3.
Lexico-semantic nuclei
184
2.2.4.
Presuppositions and implicatures
186
2.3.
Levels of script opposition
189
2.3.1.
Supra-and infra-scripts
190
2.3.2.
Script hierarchy and hyponymy
193
2.3.3.
Extratextual scripts: allusion
195
2.4.
Stylistic aids to humorous opposition
200
2.4.1.
Register clash
200
2.4.2.
Hyperbole
201
2.4.3.
Irony
203
3.
Conclusion
204
Chapter
7
Extending the analysis
207
Introduction
207
1.
The Norris Plan
(1927)
by Corey Ford: parody
207
2.
On Guard
(1936)
by Evelyn Waugh: black humor
212
3.
You Were Perfectly Fine
( 193 9)
by Dorothy Parker: irony
218
4.
A Shocking Accident
(1972)
by Graham Greene: sarcasm
223
5.
Hotel
des
Boobs
(1986)
by David Lodge: meta-humor
227
6.
Counter-examples
232
7.
Conclusion
234
References
237
Subject index
257 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
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| discipline | Sprachwissenschaft Anglistik / Amerikanistik Literaturwissenschaft |
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| id | DE-604.BV035085609 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T22:08:49Z |
| indexdate | 2024-07-20T09:51:45Z |
| institution | BVB |
| isbn | 9783110205145 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016753794 |
| oclc_num | 244628299 |
| open_access_boolean | |
| owner | DE-384 DE-355 DE-BY-UBR DE-12 DE-19 DE-BY-UBM DE-20 DE-739 DE-11 DE-188 |
| owner_facet | DE-384 DE-355 DE-BY-UBR DE-12 DE-19 DE-BY-UBM DE-20 DE-739 DE-11 DE-188 |
| physical | XII, 261 S. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Mouton de Gruyter |
| record_format | marc |
| series | Humor research |
| series2 | Humor research |
| spelling | Ermida, Isabel 1968- Verfasser (DE-588)136532705 aut The language of comic narratives humor construction in short stories by Isabel Ermida Berlin [u.a.] Mouton de Gruyter 2008 XII, 261 S. txt rdacontent n rdamedia nc rdacarrier Humor research 9 Humor in literature Short story Authorship Humor (DE-588)4026170-0 gnd rswk-swf Kurzgeschichte (DE-588)4033842-3 gnd rswk-swf Kurzgeschichte (DE-588)4033842-3 s Humor (DE-588)4026170-0 s DE-604 Humor research 9 (DE-604)BV009019062 9 text/html http://deposit.dnb.de/cgi-bin/dokserv?id=3147903&prov=M&dok_var=1&dok_ext=htm Inhaltstext Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016753794&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ermida, Isabel 1968- The language of comic narratives humor construction in short stories Humor research Humor in literature Short story Authorship Humor (DE-588)4026170-0 gnd Kurzgeschichte (DE-588)4033842-3 gnd |
| subject_GND | (DE-588)4026170-0 (DE-588)4033842-3 |
| title | The language of comic narratives humor construction in short stories |
| title_auth | The language of comic narratives humor construction in short stories |
| title_exact_search | The language of comic narratives humor construction in short stories |
| title_exact_search_txtP | The language of comic narratives humor construction in short stories |
| title_full | The language of comic narratives humor construction in short stories by Isabel Ermida |
| title_fullStr | The language of comic narratives humor construction in short stories by Isabel Ermida |
| title_full_unstemmed | The language of comic narratives humor construction in short stories by Isabel Ermida |
| title_short | The language of comic narratives |
| title_sort | the language of comic narratives humor construction in short stories |
| title_sub | humor construction in short stories |
| topic | Humor in literature Short story Authorship Humor (DE-588)4026170-0 gnd Kurzgeschichte (DE-588)4033842-3 gnd |
| topic_facet | Humor in literature Short story Authorship Humor Kurzgeschichte |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=3147903&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016753794&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV009019062 |
| work_keys_str_mv | AT ermidaisabel thelanguageofcomicnarrativeshumorconstructioninshortstories |