Dead composers, living audiences: the situation of classical music in the twenty-first century
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amherst, NY
Cambria Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index Themes and variations. Diction : a rhapsody ; Singing, creativity and courage ; A modest proposal -- Words, music and meaning. Words and words, words and the world : intertextuality ; Music and words I : musike ; Music and words II : Nietzsche and the birth of tragedy -- Science, music, paradigms, and meaning. Science and paradigms ; Science and music : paradigms and "normal practitioners" ; Einstein and Schoenberg : the move to radical abstraction ; Modernism and the "end" of paradigms -- Modernism and postmodernism : self, difference, and reconciliation. Modernism, postmodernism and the reproduction of distraction ; Self, difference, and reconciliation |
| Beschreibung: | XVI, 358 S. |
| ISBN: | 9781604975581 |
Internformat
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| 300 | |a XVI, 358 S. | ||
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Themes and variations. Diction : a rhapsody ; Singing, creativity and courage ; A modest proposal -- Words, music and meaning. Words and words, words and the world : intertextuality ; Music and words I : musike ; Music and words II : Nietzsche and the birth of tragedy -- Science, music, paradigms, and meaning. Science and paradigms ; Science and music : paradigms and "normal practitioners" ; Einstein and Schoenberg : the move to radical abstraction ; Modernism and the "end" of paradigms -- Modernism and postmodernism : self, difference, and reconciliation. Modernism, postmodernism and the reproduction of distraction ; Self, difference, and reconciliation | ||
| 650 | 4 | |a Music / Philosophy and aesthetics | |
| 650 | 4 | |a Musical canon | |
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Datensatz im Suchindex
| _version_ | 1804138037879242752 |
|---|---|
| adam_text | Table of Contents
Foreword
ix
Preface
xiii
Acknowledgments
XV
Introduction: The Stakes
1
Parti:
Themes and Variations
25
Introduction
27
Chapter
1:
Diction: A Rhapsody
29
Chapter
2:
Singing, Creativity, and Courage
41
Chapter
3:
A Modest Proposal
57
Partii:
Words, Music, and Meaning
71
Introduction
73
Chapter
4:
Words and Words, Words and the World:
Intertextuality
79
Chanter
5?
Mnsip
япгі
Wnrris
1 :
Muxikë
101
viii
Dead Composers, Living Audiences
Chapter
6:
Music and Words
2:
Nietzsche and The Birth of Tragedy
129
Partili:
Science, Music, Paradigms, and Meaning
153
Introduction
155
Chapter
7:
Science and Paradigms
173
Chapter
8:
Science and Music: Paradigms
and Normal Practitioners
201
Chapter
9:
Einstein and
Schoenberg:
The Move
to Radical Abstraction
217
Chapter
10:
Modernism and the End of Paradigms
243
Part IV:
Toward a Symbiosis: Rational and A-Rational
261
Introduction
263
Chapter
11:
Modernism, Postmodernism,
and the Reproduction of Distraction
265
Chapter
12:
Self, Difference, and Reconciliation
289
Conclusion
313
Appendix: Improvising the Future
325
Bibliography
335
Index
349
|
| adam_txt |
Table of Contents
Foreword
ix
Preface
xiii
Acknowledgments
XV
Introduction: The Stakes
1
Parti:
Themes and Variations
25
Introduction
27
Chapter
1:
Diction: A Rhapsody
29
Chapter
2:
Singing, Creativity, and Courage
41
Chapter
3:
A Modest Proposal
57
Partii:
Words, Music, and Meaning
71
Introduction
73
Chapter
4:
Words and Words, Words and the World:
Intertextuality
79
Chanter
5?
Mnsip
япгі
Wnrris
1 :
Muxikë
101
viii
Dead Composers, Living Audiences
Chapter
6:
Music and Words
2:
Nietzsche and The Birth of Tragedy
129
Partili:
Science, Music, Paradigms, and Meaning
153
Introduction
155
Chapter
7:
Science and Paradigms
173
Chapter
8:
Science and Music: Paradigms
and "Normal Practitioners"
201
Chapter
9:
Einstein and
Schoenberg:
The Move
to Radical Abstraction
217
Chapter
10:
Modernism and the "End" of Paradigms
243
Part IV:
Toward a Symbiosis: Rational and A-Rational
261
Introduction
263
Chapter
11:
Modernism, Postmodernism,
and the Reproduction of Distraction
265
Chapter
12:
Self, Difference, and Reconciliation
289
Conclusion
313
Appendix: Improvising the Future
325
Bibliography
335
Index
349 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T22:08:15Z |
| indexdate | 2024-07-09T21:21:49Z |
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| spelling | Phillips, Gerald Lynn Verfasser aut Dead composers, living audiences the situation of classical music in the twenty-first century Gerald L. Phillips Amherst, NY Cambria Press 2008 XVI, 358 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Themes and variations. Diction : a rhapsody ; Singing, creativity and courage ; A modest proposal -- Words, music and meaning. Words and words, words and the world : intertextuality ; Music and words I : musike ; Music and words II : Nietzsche and the birth of tragedy -- Science, music, paradigms, and meaning. Science and paradigms ; Science and music : paradigms and "normal practitioners" ; Einstein and Schoenberg : the move to radical abstraction ; Modernism and the "end" of paradigms -- Modernism and postmodernism : self, difference, and reconciliation. Modernism, postmodernism and the reproduction of distraction ; Self, difference, and reconciliation Music / Philosophy and aesthetics Musical canon Musik Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd rswk-swf Musikästhetik (DE-588)4040808-5 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016752375&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Phillips, Gerald Lynn Dead composers, living audiences the situation of classical music in the twenty-first century Music / Philosophy and aesthetics Musical canon Musik Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd |
| subject_GND | (DE-588)4040808-5 |
| title | Dead composers, living audiences the situation of classical music in the twenty-first century |
| title_auth | Dead composers, living audiences the situation of classical music in the twenty-first century |
| title_exact_search | Dead composers, living audiences the situation of classical music in the twenty-first century |
| title_exact_search_txtP | Dead composers, living audiences the situation of classical music in the twenty-first century |
| title_full | Dead composers, living audiences the situation of classical music in the twenty-first century Gerald L. Phillips |
| title_fullStr | Dead composers, living audiences the situation of classical music in the twenty-first century Gerald L. Phillips |
| title_full_unstemmed | Dead composers, living audiences the situation of classical music in the twenty-first century Gerald L. Phillips |
| title_short | Dead composers, living audiences |
| title_sort | dead composers living audiences the situation of classical music in the twenty first century |
| title_sub | the situation of classical music in the twenty-first century |
| topic | Music / Philosophy and aesthetics Musical canon Musik Music Philosophy and aesthetics Musikästhetik (DE-588)4040808-5 gnd |
| topic_facet | Music / Philosophy and aesthetics Musical canon Musik Music Philosophy and aesthetics Musikästhetik |
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