The rock canon: canonical values in the reception of rock albums
"Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2008
|
| Schriftenreihe: | Ashgate popular and folk music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | 169 S. |
| ISBN: | 9780754662440 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV035080689 | ||
| 003 | DE-604 | ||
| 005 | 20130307 | ||
| 007 | t | ||
| 008 | 081002s2008 xxu |||| 00||| eng d | ||
| 010 | |a 2008008222 | ||
| 020 | |a 9780754662440 |c alk. paper |9 978-0-7546-6244-0 | ||
| 035 | |a (OCoLC)212376012 | ||
| 035 | |a (DE-599)BVBBV035080689 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 |a DE-11 |a DE-355 |a DE-20 | ||
| 050 | 0 | |a ML3890 | |
| 082 | 0 | |a 781.66/117 | |
| 084 | |a LS 48635 |0 (DE-625)110569: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Jones, Carys Wyn |d 1978- |e Verfasser |0 (DE-588)136711405 |4 aut | |
| 245 | 1 | 0 | |a The rock canon |b canonical values in the reception of rock albums |c Carys Wyn Jones |
| 264 | 1 | |a Aldershot [u.a.] |b Ashgate |c 2008 | |
| 300 | |a 169 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Ashgate popular and folk music series | |
| 500 | |a Includes bibliographical references | ||
| 520 | 1 | |a "Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries."--BOOK JACKET. | |
| 648 | 7 | |a Geschichte 1965-2006 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musical canon | |
| 650 | 4 | |a Rock music |x History and criticism | |
| 650 | 0 | 7 | |a Kanon |0 (DE-588)4131583-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rockmusik |0 (DE-588)4115774-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Präferenz |0 (DE-588)4121501-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musiktonträger |0 (DE-588)4244344-1 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Rockmusik |0 (DE-588)4115774-6 |D s |
| 689 | 0 | 1 | |a Musiktonträger |0 (DE-588)4244344-1 |D s |
| 689 | 0 | 2 | |a Kanon |0 (DE-588)4131583-2 |D s |
| 689 | 0 | 3 | |a Geschichte 1965-2006 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Rockmusik |0 (DE-588)4115774-6 |D s |
| 689 | 1 | 1 | |a Musiktonträger |0 (DE-588)4244344-1 |D s |
| 689 | 1 | 2 | |a Präferenz |0 (DE-588)4121501-1 |D s |
| 689 | 1 | |5 DE-604 | |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016748937&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-016748937 | ||
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 09049 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 09047 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 090511 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 09048 |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |f 09046 |
Datensatz im Suchindex
| _version_ | 1804138032817766400 |
|---|---|
| adam_text | THE ROCK CANON
/ JONES, CARYS WYN
: C2008
TABLE OF CONTENTS / INHALTSVERZEICHNIS
DEFINING THE CANON
AESTHETIC CRITERIA AND THE WORK OF ART
CANONICAL NARRATIVES, STRUCTURE AND THE TEST OF TIME
THE CANONICAL VALUES OF ROCK
CANONICAL DISCOURSE AND THE QUESTION OF AUTHORITY IN ROCK
THE ROCK CANON AND THE FUTURE OF CANONS IN OUR CULTURE.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| adam_txt |
THE ROCK CANON
/ JONES, CARYS WYN
: C2008
TABLE OF CONTENTS / INHALTSVERZEICHNIS
DEFINING THE CANON
AESTHETIC CRITERIA AND THE WORK OF ART
CANONICAL NARRATIVES, STRUCTURE AND THE TEST OF TIME
THE CANONICAL VALUES OF ROCK
CANONICAL DISCOURSE AND THE QUESTION OF AUTHORITY IN ROCK
THE ROCK CANON AND THE FUTURE OF CANONS IN OUR CULTURE.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Jones, Carys Wyn 1978- |
| author_GND | (DE-588)136711405 |
| author_facet | Jones, Carys Wyn 1978- |
| author_role | aut |
| author_sort | Jones, Carys Wyn 1978- |
| author_variant | c w j cw cwj |
| building | Verbundindex |
| bvnumber | BV035080689 |
| callnumber-first | M - Music |
| callnumber-label | ML3890 |
| callnumber-raw | ML3890 |
| callnumber-search | ML3890 |
| callnumber-sort | ML 43890 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LS 48635 |
| ctrlnum | (OCoLC)212376012 (DE-599)BVBBV035080689 |
| dewey-full | 781.66/117 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.66/117 |
| dewey-search | 781.66/117 |
| dewey-sort | 3781.66 3117 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1965-2006 gnd |
| era_facet | Geschichte 1965-2006 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03825nam a2200625zc 4500</leader><controlfield tag="001">BV035080689</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130307 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">081002s2008 xxu |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2008008222</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780754662440</subfield><subfield code="c">alk. paper</subfield><subfield code="9">978-0-7546-6244-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)212376012</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV035080689</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-20</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3890</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.66/117</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48635</subfield><subfield code="0">(DE-625)110569:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Jones, Carys Wyn</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)136711405</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The rock canon</subfield><subfield code="b">canonical values in the reception of rock albums</subfield><subfield code="c">Carys Wyn Jones</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Aldershot [u.a.]</subfield><subfield code="b">Ashgate</subfield><subfield code="c">2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">169 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Ashgate popular and folk music series</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries."--BOOK JACKET.</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1965-2006</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical canon</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Rock music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kanon</subfield><subfield code="0">(DE-588)4131583-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rockmusik</subfield><subfield code="0">(DE-588)4115774-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Präferenz</subfield><subfield code="0">(DE-588)4121501-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiktonträger</subfield><subfield code="0">(DE-588)4244344-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rockmusik</subfield><subfield code="0">(DE-588)4115774-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musiktonträger</subfield><subfield code="0">(DE-588)4244344-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kanon</subfield><subfield code="0">(DE-588)4131583-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1965-2006</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Rockmusik</subfield><subfield code="0">(DE-588)4115774-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Musiktonträger</subfield><subfield code="0">(DE-588)4244344-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Präferenz</subfield><subfield code="0">(DE-588)4121501-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016748937&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-016748937</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09049</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09047</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09046</subfield></datafield></record></collection> |
| id | DE-604.BV035080689 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T22:07:00Z |
| indexdate | 2024-07-09T21:21:45Z |
| institution | BVB |
| isbn | 9780754662440 |
| language | English |
| lccn | 2008008222 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016748937 |
| oclc_num | 212376012 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-355 DE-BY-UBR DE-20 |
| owner_facet | DE-12 DE-11 DE-355 DE-BY-UBR DE-20 |
| physical | 169 S. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Ashgate |
| record_format | marc |
| series2 | Ashgate popular and folk music series |
| spelling | Jones, Carys Wyn 1978- Verfasser (DE-588)136711405 aut The rock canon canonical values in the reception of rock albums Carys Wyn Jones Aldershot [u.a.] Ashgate 2008 169 S. txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Includes bibliographical references "Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries."--BOOK JACKET. Geschichte 1965-2006 gnd rswk-swf Musical canon Rock music History and criticism Kanon (DE-588)4131583-2 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Präferenz (DE-588)4121501-1 gnd rswk-swf Musiktonträger (DE-588)4244344-1 gnd rswk-swf Rockmusik (DE-588)4115774-6 s Musiktonträger (DE-588)4244344-1 s Kanon (DE-588)4131583-2 s Geschichte 1965-2006 z DE-604 Präferenz (DE-588)4121501-1 s LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016748937&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jones, Carys Wyn 1978- The rock canon canonical values in the reception of rock albums Musical canon Rock music History and criticism Kanon (DE-588)4131583-2 gnd Rockmusik (DE-588)4115774-6 gnd Präferenz (DE-588)4121501-1 gnd Musiktonträger (DE-588)4244344-1 gnd |
| subject_GND | (DE-588)4131583-2 (DE-588)4115774-6 (DE-588)4121501-1 (DE-588)4244344-1 |
| title | The rock canon canonical values in the reception of rock albums |
| title_auth | The rock canon canonical values in the reception of rock albums |
| title_exact_search | The rock canon canonical values in the reception of rock albums |
| title_exact_search_txtP | The rock canon canonical values in the reception of rock albums |
| title_full | The rock canon canonical values in the reception of rock albums Carys Wyn Jones |
| title_fullStr | The rock canon canonical values in the reception of rock albums Carys Wyn Jones |
| title_full_unstemmed | The rock canon canonical values in the reception of rock albums Carys Wyn Jones |
| title_short | The rock canon |
| title_sort | the rock canon canonical values in the reception of rock albums |
| title_sub | canonical values in the reception of rock albums |
| topic | Musical canon Rock music History and criticism Kanon (DE-588)4131583-2 gnd Rockmusik (DE-588)4115774-6 gnd Präferenz (DE-588)4121501-1 gnd Musiktonträger (DE-588)4244344-1 gnd |
| topic_facet | Musical canon Rock music History and criticism Kanon Rockmusik Präferenz Musiktonträger |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016748937&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT jonescaryswyn therockcanoncanonicalvaluesinthereceptionofrockalbums |