Tezaurul muzical de tradiţie bizantină din Republica Moldova:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | Romanian |
Veröffentlicht: |
Chişinău
Ed. Cartea Moldovei
2007
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Abstract |
Beschreibung: | Zsfassung in russ. Sprache. - Teilw. in kyrill. Schr., russ. |
Beschreibung: | 335 S., [16 Bl.] Ill., graph. Darst. |
ISBN: | 9789975601535 |
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264 | 1 | |a Chişinău |b Ed. Cartea Moldovei |c 2007 | |
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Datensatz im Suchindex
_version_ | 1804138029626949632 |
---|---|
adam_text | Cuvant
înainte
........................................................................................7
De la
autor.
............................................................................................8
Introducere
...........................................................................................10
Capitolul
I
фе
мсхтЈшжа жоѕкж
Фчгяшшя
Din istoria
muzicii
de
tradiţie bizantină
І.
1.
Colecţia manuscriselor muzicale din biblioteca mănăstirii Noul
Neamţ
-
tezaur al moştenirii muzicale de tradiţie bizantină (ANRM, fondul
2119).........................................................................................................24
I.
2.
Descrierea manuscriselor muzicale psaltice din colecţia mănăstirii
Noul Neamţ
..............................................................................................66
I.
3.
Descrierea manuscriselor muzicale psaltice ale lui Andronic din
colecţia nou-nemţeană. (ANRM, fondul
2119,
înv.
4,
dos.
4, 5,6)..........77
Capitolul
II
аж Фосижтя
жиѕкж
ъчгяюшяъ
Teoria şi
textológia
muzicală
II.
1.
Documente ale culturii muzicale de tradiţie bizantină în Moldova
şi Basarabia din colecţia mănăstirii Noul Neamţ. Propedia nou-nemţeană
de laînc. sec. XIX în contextul istoric.
..................................................125
II.
2.
Propedia nou-nemţeană
-
document muzical-teoretic al notaţiei pr
ehrisantice
...............................................................................................136
II.
3.
Aspectul modal al cântărilor colectate de Ieromonahul
Andronic
.................................................................................................163
II.
4.
Repertoriul muzical nemţean de tradiţie bizantină din manuscri¬
sele lui Andronic de la mănăstirea Noul Neamţ
...................................182
И.
5.
Polieleul
în manuscrisele muzicale ale lui Andronic din colecţia
mănăstirii Noul Neamţ
...........................................................................195
încheiere
............................................................................................201
Bibliografie despre manuscrisele muzicale de la mănăstirea Noul
Neamţ
.....................................................................................................205
Bibliografie selectivă
.........................................................................208
Резюме
..............................................................................................220
Summary............................................................................................
222
Abrevieri
............................................................................................224
Lexicon
brevis
al psalţilor din manuscrisele lui Andronic
................228
Index de nume
...................................................................................233
Tabele şi scheme
................................................................................244
Anexe
.................................................................................................247
1.
Componenţa colecţiei muzicale nou-nemţene
...............................247
2.
Clasificarea surselor muzicale ale colecţiei de la Noul Neamţ
......248
3-5.
Descrierea manuscriselor muzicale ale Ieromonahului Andronic
(ANRM, F.
2119,
inv.
4,
dos.
4, 5, 6).....................................................249
6-8.
Indexul alfabetic al cântărilor din manuscrisele muzicale ale
Ieromonahului
Andronic
(ANRM, F.
2119,
inv.
4,
dos.
4, 5, 6).............300
9.
Indexul general al compozitorilor din manuscrisele muzicale ale
Ieromonahului Andronic (ANRM, F.
2119,
inv.
4,
dos.
4, 5, 6).............329
10.
Indexul cântărilor după autori din manuscrisele muzicale ale
Ieromonahului
Andronic
(ANRM, F.
2119,
inv.
4,
dos.
4, 5, 6).............331
11.
Indexul comparativ al compozitorilor din manuscrisele muzicale ale
lui Andronic
............................................................................................334
ZZI
______________
Jrim
Oobantł-Suhomiin. ceZĄUTUiL cnuztCĄl
SUMMARY
Ciobanu-Suhomlin,
Irina.
Tezaurul muzical de tradiţie bizantină
din Republica Moldova (The
Musical
Thesaurus
of Byzantine
Tradition from the Republic of Moldova).
-
Chisinau: Cartea
Moldovei,
2007,336
p.
The book studies the Moldavian musical manuscripts of Byzantine
tradition, proceeding from the collection of the
Noul Neamţ
(New Neamt) Monastery in Bessarabia, which is stored at present in
the National Archive of the Republic of Moldova, fund no.
2119.
The
musical sources of Byzantine neumatic notation, being the important part
of the library collection, are examined in the different foreshortenings
and the historical-temporary shear: in the organic context of the
multilingual Greco-Slav, Russian, Bulgarian and Romanian library
fund for orthodox musical-vocal literature of the
19*
century, in the
evolutionary aspect of the Byzantine musical tradition of the 17th -19 1
centuries, etc. Three manuscripts (inventory
4,
documents
nos.
4, 5,
6)
of the hieromonk Andronic, future father superior of monastery are
in the center of author s attention. These musical handwriting books
contain the chants for the Night Service and the Vespers, for the Matins
and for three Liturgies including the Funeral Service of Our Lord, God
and Savior Jesus Christ s body as well as the Polychronions.
The Byzantine chant manuscripts with the New Method notation
were made in
20-40
decades of the 19th century in Moldova, in
Secul
monastery as a component part of Neamt Monastery. They are
considered as the representative sources of ecclesiastic music of post-
Byzantine period and as the documents, which fixed the specific part of
the Byzantine musical repertoire, which circulated, beginning from the
first decades after the reform of Byzantine chanting and notation of
1814,
for a period of entire nineteenth century. The manuscripts, which were
written by hieromonk Andronic for the personal needs, nevertheless,
reflected the basic special features of the development process of the
Byzantine musical tradition in the first half of the nineteenth century.
Among them are: learning the results of the Three Teachers reform,
Jriľia Ciobanu-Suhomlin.
CeZĄURUl (TKlZfCĄL
______________223
the national adaptation of theory and music itself, special features of
repertoire and book calligraphy, the bloom of printing, multilingual
aspects, etc. In the study found substantiation the arguments of historical,
paléographie,
stylistic, textological nature, which testify about the
belonging of the manuscripts to the Neamt s musical tradition of post-
Byzantine chanting, reflecting many general trends in the development
of the Byzantine musical heritage of this period.
Together with the manuscripts of psaltic music, is examined the copy
of musical grammar on the Moldavian Cyrillic alphabet, named propedia,
which is dated by the first decades of the nineteenth century. This copy
represents standard model of the genre of the brief musical-theoretical
guide of the eighteenth
-
beginning of the nineteenth centuries. The text
of the source from the New Neamt s collection contains preliminary,
initial information from the theory of Byzantine chant and its notation
of the transition period
-
from the old to the new one. Propedia from the
first autochthonic musical manuscript of Byzantine tradition entitled The
Rumanian Psaltiki by Filothei sin
Agai Jipei
(1713),
translated from the
Greek to the native language, undoubtedly, has served as proto-graph
for discussed grammar.
The manuscript sources of the New Neamt s collection became
occasion for considering the wide circle of questions from the field
of Byzantine musical paleography, system of modes, terminological
problems of the Byzantine theory of music, problem of some genres,
national experience of the adaptation to the centuries-old tradition in
the context of the wide synchronistic shear of orthodox music in the
19th century.
Keywords . New Neamt Monastery, New Neamt s collection of the
manuscripts, Byzantine musical tradition, Byzantine theory of music,
Byzantine modes, psaltic music, Byzantine musical manuscripts,
Byzantine repertoire, Byzantine musical paleography.
|
adam_txt |
Cuvant
înainte
.7
De la
autor.
.8
Introducere
.10
Capitolul
I
фе
мсхтЈшжа жоѕкж
Фчгяшшя
Din istoria
muzicii
de
tradiţie bizantină
І.
1.
Colecţia manuscriselor muzicale din biblioteca mănăstirii Noul
Neamţ
-
tezaur al moştenirii muzicale de tradiţie bizantină (ANRM, fondul
2119).24
I.
2.
Descrierea manuscriselor muzicale psaltice din colecţia mănăstirii
Noul Neamţ
.66
I.
3.
Descrierea manuscriselor muzicale psaltice ale lui Andronic din
colecţia nou-nemţeană. (ANRM, fondul
2119,
înv.
4,
dos.
4, 5,6).77
Capitolul
II
аж Фосижтя
жиѕкж
ъчгяюшяъ
Teoria şi
textológia
muzicală
II.
1.
Documente ale culturii muzicale de tradiţie bizantină în Moldova
şi Basarabia din colecţia mănăstirii Noul Neamţ. Propedia nou-nemţeană
de laînc. sec. XIX în contextul istoric.
.125
II.
2.
Propedia nou-nemţeană
-
document muzical-teoretic al notaţiei pr
ehrisantice
.136
II.
3.
Aspectul modal al cântărilor colectate de Ieromonahul
Andronic
.163
II.
4.
Repertoriul muzical nemţean de tradiţie bizantină din manuscri¬
sele lui Andronic de la mănăstirea Noul Neamţ
.182
И.
5.
Polieleul
în manuscrisele muzicale ale lui Andronic din colecţia
mănăstirii Noul Neamţ
.195
încheiere
.201
Bibliografie despre manuscrisele muzicale de la mănăstirea Noul
Neamţ
.205
Bibliografie selectivă
.208
Резюме
.220
Summary.
222
Abrevieri
.224
Lexicon
brevis
al psalţilor din manuscrisele lui Andronic
.228
Index de nume
.233
Tabele şi scheme
.244
Anexe
.247
1.
Componenţa colecţiei muzicale nou-nemţene
.247
2.
Clasificarea surselor muzicale ale colecţiei de la Noul Neamţ
.248
3-5.
Descrierea manuscriselor muzicale ale Ieromonahului Andronic
(ANRM, F.
2119,
inv.
4,
dos.
4, 5, 6).249
6-8.
Indexul alfabetic al cântărilor din manuscrisele muzicale ale
Ieromonahului
Andronic
(ANRM, F.
2119,
inv.
4,
dos.
4, 5, 6).300
9.
Indexul general al compozitorilor din manuscrisele muzicale ale
Ieromonahului Andronic (ANRM, F.
2119,
inv.
4,
dos.
4, 5, 6).329
10.
Indexul cântărilor după autori din manuscrisele muzicale ale
Ieromonahului
Andronic
(ANRM, F.
2119,
inv.
4,
dos.
4, 5, 6).331
11.
Indexul comparativ al compozitorilor din manuscrisele muzicale ale
lui Andronic
.334
ZZI
_
'Jrim
Oobantł-Suhomiin. ceZĄUTUiL cnuztCĄl
SUMMARY
Ciobanu-Suhomlin,
Irina.
Tezaurul muzical de tradiţie bizantină
din Republica Moldova (The
Musical
Thesaurus
of Byzantine
Tradition from the Republic of Moldova).
-
Chisinau: Cartea
Moldovei,
2007,336
p.
The book studies the Moldavian musical manuscripts of Byzantine
tradition, proceeding from the collection of the
Noul Neamţ
(New Neamt) Monastery in Bessarabia, which is stored at present in
the National Archive of the Republic of Moldova, fund no.
2119.
The
musical sources of Byzantine neumatic notation, being the important part
of the library collection, are examined in the different foreshortenings
and the historical-temporary shear: in the organic context of the
multilingual Greco-Slav, Russian, Bulgarian and Romanian library
fund for orthodox musical-vocal literature of the
19*
century, in the
evolutionary aspect of the Byzantine musical tradition of the 17th -19"1
centuries, etc. Three manuscripts (inventory
4,
documents
nos.
4, 5,
6)
of the hieromonk Andronic, future father superior of monastery are
in the center of author's attention. These musical handwriting books
contain the chants for the Night Service and the Vespers, for the Matins
and for three Liturgies including the Funeral Service of Our Lord, God
and Savior Jesus Christ's body as well as the Polychronions.
The Byzantine chant manuscripts with the New Method notation
were made in
'20-40
decades of the 19th century in Moldova, in
Secul
monastery as a component part of Neamt Monastery. They are
considered as the representative sources of ecclesiastic music of post-
Byzantine period and as the documents, which fixed the specific part of
the Byzantine musical repertoire, which circulated, beginning from the
first decades after the reform of Byzantine chanting and notation of
1814,
for a period of entire nineteenth century. The manuscripts, which were
written by hieromonk Andronic for the personal needs, nevertheless,
reflected the basic special features of the development process of the
Byzantine musical tradition in the first half of the nineteenth century.
Among them are: learning the results of the "Three Teachers" reform,
Jriľia Ciobanu-Suhomlin.
CeZĄURUl (TKlZfCĄL
_223
the national adaptation of theory and music itself, special features of
repertoire and book calligraphy, the bloom of printing, multilingual
aspects, etc. In the study found substantiation the arguments of historical,
paléographie,
stylistic, textological nature, which testify about the
belonging of the manuscripts to the Neamt's musical tradition of post-
Byzantine chanting, reflecting many general trends in the development
of the Byzantine musical heritage of this period.
Together with the manuscripts of psaltic music, is examined the copy
of musical grammar on the Moldavian Cyrillic alphabet, named propedia,
which is dated by the first decades of the nineteenth century. This copy
represents standard model of the genre of the brief musical-theoretical
guide of the eighteenth
-
beginning of the nineteenth centuries. The text
of the source from the New Neamt's collection contains preliminary,
initial information from the theory of Byzantine chant and its notation
of the transition period
-
from the old to the new one. Propedia from the
first autochthonic musical manuscript of Byzantine tradition entitled The
Rumanian Psaltiki by Filothei sin
Agai Jipei
(1713),
translated from the
Greek to the native language, undoubtedly, has served as proto-graph
for discussed grammar.
The manuscript sources of the New Neamt's collection became
occasion for considering the wide circle of questions from the field
of Byzantine musical paleography, system of modes, terminological
problems of the Byzantine theory of music, problem of some genres,
national experience of the adaptation to the centuries-old tradition in
the context of the wide synchronistic shear of orthodox music in the
19th century.
Keywords'. New Neamt Monastery, New Neamt's collection of the
manuscripts, Byzantine musical tradition, Byzantine theory of music,
Byzantine modes, psaltic music, Byzantine musical manuscripts,
Byzantine repertoire, Byzantine musical paleography. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Ciobanu-Suhomlin, Irina |
author_facet | Ciobanu-Suhomlin, Irina |
author_role | aut |
author_sort | Ciobanu-Suhomlin, Irina |
author_variant | i c s ics |
building | Verbundindex |
bvnumber | BV035078469 |
ctrlnum | (OCoLC)294759466 (DE-599)BVBBV035078469 |
era | Geschichte 1600-1900 gnd |
era_facet | Geschichte 1600-1900 |
format | Book |
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geographic | Moldawien (DE-588)4039967-9 gnd |
geographic_facet | Moldawien |
id | DE-604.BV035078469 |
illustrated | Illustrated |
index_date | 2024-07-02T22:06:21Z |
indexdate | 2024-07-09T21:21:42Z |
institution | BVB |
isbn | 9789975601535 |
language | Romanian |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016746746 |
oclc_num | 294759466 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 335 S., [16 Bl.] Ill., graph. Darst. |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Ed. Cartea Moldovei |
record_format | marc |
spelling | Ciobanu-Suhomlin, Irina Verfasser aut Tezaurul muzical de tradiţie bizantină din Republica Moldova Irina Ciobanu-Suhomlin Chişinău Ed. Cartea Moldovei 2007 335 S., [16 Bl.] Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Zsfassung in russ. Sprache. - Teilw. in kyrill. Schr., russ. Geschichte 1600-1900 gnd rswk-swf History and criticism Literature on music Moldova. Moldovian S.S.R. Bessarabia Music Musik Byzantinischer Gesang (DE-588)4304873-0 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Moldawien (DE-588)4039967-9 gnd rswk-swf Moldawien (DE-588)4039967-9 g Byzantinischer Gesang (DE-588)4304873-0 s Musikhandschrift (DE-588)4040847-4 s Geschichte 1600-1900 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016746746&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016746746&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
spellingShingle | Ciobanu-Suhomlin, Irina Tezaurul muzical de tradiţie bizantină din Republica Moldova History and criticism Literature on music Moldova. Moldovian S.S.R. Bessarabia Music Musik Byzantinischer Gesang (DE-588)4304873-0 gnd Musikhandschrift (DE-588)4040847-4 gnd |
subject_GND | (DE-588)4304873-0 (DE-588)4040847-4 (DE-588)4039967-9 |
title | Tezaurul muzical de tradiţie bizantină din Republica Moldova |
title_auth | Tezaurul muzical de tradiţie bizantină din Republica Moldova |
title_exact_search | Tezaurul muzical de tradiţie bizantină din Republica Moldova |
title_exact_search_txtP | Tezaurul muzical de tradiţie bizantină din Republica Moldova |
title_full | Tezaurul muzical de tradiţie bizantină din Republica Moldova Irina Ciobanu-Suhomlin |
title_fullStr | Tezaurul muzical de tradiţie bizantină din Republica Moldova Irina Ciobanu-Suhomlin |
title_full_unstemmed | Tezaurul muzical de tradiţie bizantină din Republica Moldova Irina Ciobanu-Suhomlin |
title_short | Tezaurul muzical de tradiţie bizantină din Republica Moldova |
title_sort | tezaurul muzical de traditie bizantina din republica moldova |
topic | History and criticism Literature on music Moldova. Moldovian S.S.R. Bessarabia Music Musik Byzantinischer Gesang (DE-588)4304873-0 gnd Musikhandschrift (DE-588)4040847-4 gnd |
topic_facet | History and criticism Literature on music Moldova. Moldovian S.S.R. Bessarabia Music Musik Byzantinischer Gesang Musikhandschrift Moldawien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016746746&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016746746&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT ciobanusuhomlinirina tezaurulmuzicaldetraditiebizantinadinrepublicamoldova |