Charlotte Brontë: Jane Eyre: [a reader's guide to essential criticism]
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2009
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Readers' guides to essential criticism
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 181 S. |
| ISBN: | 9780230518162 0230518168 9780230518155 023051815X |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements x
Introduction
1
CHAPTER ONE
4
Victorian Responses: Power and Popularity;
Coarseness and Criticism
This chapter covers critical assessments of Jane Eyre in the Victorian period. The
first section looks at the earliest reviews of the novel, when the identity of the author
was unknown, showing that the plot, style, and influence of Jane Eyre were, from
the first, the subject of politicised debate between admirers and detractors. The
chapter then looks at how Jane Eyre s reception changed after mid-century, when
Charlotte Bronte s tragic personal history became widely known. It closes with
late nineteenth-century assessments that assimilate Jane Eyre into their accounts
of literary history, often with a mixture of admiration and condescension.
CHAPTER TWO
30
Jane Eyre s T: From Humanism to Deconstruction
This chapter, divided into three sections, explores the twentieth-century movement
from humanist, through formalist, to deconstructive readings of Jane Eyre. It
examines changing approaches to Bronte s prose style and to a central critical
challenge that Jane Eyre poses, the intense subjectivity of its first person narration.
The chapter details the increasing attention paid to the formal construction of
the text, its imagery and verbal art. It shows how critical trends shifted in the
course of the century from regarding Jane s viewpoint as identical with Charlotte
Bronte s and her history as a triumph of self-determination, to regarding Jane as a
potentially unreliable, unstable, and elusive figure, whose self remains shadowy.
CHAPTER THREE
62
An Iconic Text: Feminist and Psychoanalytic Criticism
This chapter discusses the rich history of feminist readings of Jane Eyre. It starts
with Virginia
Woolf s
treatment of Charlotte
Brontë
in A Room of One s Own
(1929).
It then explores seminal feminist accounts of the novel from the
1960s
and
1970s
by figures including
Adrienne
Rich,
Helene Moglen,
Maurianne Adams, Elaine
Showalter,
and Sandra Gilbert and Susan Gubar, outlining the debate between
those who consider Jane a heroine of liberation and those who view her as a
VII
VIII CONTENTS
compromised character, reflective of women s limited opportunities and divided
selfhood. The chapter explores ways in which psychoanalytic criticism and
feminist criticism have often informed one another. Finally, it considers how recent
feminist critics negotiate potential tensions between feminist reading and other
critical approaches to the text and how modern accounts of gender and sexuality
in the novel have incorporated work on Victorian masculinities, race, and class.
CHAPTER FOUR
90
Caste Typing: Marxist and Materialist Criticism
This chapter looks at Marxist and materialist responses to Jane Eyre. Beginning
with Raymond Williams s account in The English Novel from Dickens to Lawrence
(1970)
of Jane Eyre as part of a literary movement pitting social passion against
the heartlessness of industrial capitalism, it examines Terry Eagleton s Myths of
Power: a Marxist Study of the Brontes
(1975),
with its influential counter-argument
that Jane Eyre s plot marries bourgeois with aristocratic values, cementing, rather
than challenging, existing power structures. Looking at inheritors of this debate
about class, power, and ideology in the novel from Nancy Pell
(1977)
to Chris R.
Vanden Bossche (2005),the
chapter explores issues such as Jane Eyre s treatment
of France, its handling of working women, and its depiction of advertisement and
the marketplace, considering whether the text works to criticize or consolidate the
Victorian class system, and asking what has historically been at stake in identifying
the politics and allegiances of a text that Is alternately characterised as radical and
conservative.
CHAPTER FIVE
109
Bertha s Savage Face: Postcolonial Concerns
This chapter considers the growing number of postcolonial readings of Jane
Eyre. Beginning with Jean Rhys s provocative
prequel
Wide Sargasso Sea
(1966)
and Gayatri Spivak s Three Women s Texts and a Critique of Imperialism
(1985),
which argues that Jane Eyre s triumph is achieved at the expense of the colonised
subject (Bertha), it surveys a variety of works that analyse the novel s approach to
race, nation, and imperialism. Later sections deal with readings that argue for the
influence of the Brontes Irish heritage on the presentation of colonial issues within
the text and one reading, by Erin O Connor
(2003),
that challenges Spivak s focus
on imperialist ideology in Jane Eyre.
CHAPTER SIX
125
New Historicism and The Turn Toward History
This chapter looks at readings of Jane Eyre since
1980
that display the Influence
of the New Historicism and the critical turn toward situating Jane Eyre within
nineteenth-century social, cultural, and political contexts, reading it alongside
forms of contemporary representation, from missionary tracts to treatises
on madness, that would once have been considered separate from literary
CONTENTS
IX
endeavour. It devotes sections to considering Jane Eyre: Phrenology, Psychology,
and Economics , to the politics of visuality and reading the body in the novel, and
the place of evangelical thought and education in Jane Eyre s narrative. It then
examines works that place Jane Eyre within the history of the novel as a form and,
deploying John Sutherland s entertaining piece of detective dating of the novel s
action, Can Jane Eyre Be Happy?
(1997),
asks whether there are limits to the use
of historical evidence to interpret the novel.
CHAPTER SEVEN
143
Jane Eyre Adapted
This chapter discusses some of the different forms (including stage play, fiction,
and film) into which Jane Eyre has been adapted over the years. It charts the
modern trend toward analysing these many versions and reworkings of Jane Eyre
and examines some of the critical issues that they raise, asking whether Jane Eyre
now exists as much as a set of cultural connotations as it does as a nineteenth-
century novel.
Conclusion
152
Notes
155
A Brief Guide to Further Reading
168
Select Bibliography
172
Index
179
|
| adam_txt |
Contents
Acknowledgements x
Introduction
1
CHAPTER ONE
4
Victorian Responses: Power and Popularity;
Coarseness and Criticism
This chapter covers critical assessments of Jane Eyre in the Victorian period. The
first section looks at the earliest reviews of the novel, when the identity of the author
was unknown, showing that the plot, style, and influence of Jane Eyre were, from
the first, the subject of politicised debate between admirers and detractors. The
chapter then looks at how Jane Eyre's reception changed after mid-century, when
Charlotte Bronte's tragic personal history became widely known. It closes with
late nineteenth-century assessments that assimilate Jane Eyre into their accounts
of literary history, often with a mixture of admiration and condescension.
CHAPTER TWO
30
Jane Eyre's T: From Humanism to Deconstruction
This chapter, divided into three sections, explores the twentieth-century movement
from humanist, through formalist, to deconstructive readings of Jane Eyre. It
examines changing approaches to Bronte's prose style and to a central critical
challenge that Jane Eyre poses, the intense subjectivity of its first person narration.
The chapter details the increasing attention paid to the formal construction of
the text, its imagery and verbal art. It shows how critical trends shifted in the
course of the century from regarding Jane's viewpoint as identical with Charlotte
Bronte's and her history as a triumph of self-determination, to regarding Jane as a
potentially unreliable, unstable, and elusive figure, whose 'self' remains shadowy.
CHAPTER THREE
62
An Iconic Text: Feminist and Psychoanalytic Criticism
This chapter discusses the rich history of feminist readings of Jane Eyre. It starts
with Virginia
Woolf 's
treatment of Charlotte
Brontë
in A Room of One's Own
(1929).
It then explores seminal feminist accounts of the novel from the
1960s
and
1970s
by figures including
Adrienne
Rich,
Helene Moglen,
Maurianne Adams, Elaine
Showalter,
and Sandra Gilbert and Susan Gubar, outlining the debate between
those who consider Jane a heroine of liberation and those who view her as a
VII
VIII CONTENTS
compromised character, reflective of women's limited opportunities and divided
selfhood. The chapter explores ways in which psychoanalytic criticism and
feminist criticism have often informed one another. Finally, it considers how recent
feminist critics negotiate potential tensions between feminist reading and other
critical approaches to the text and how modern accounts of gender and sexuality
in the novel have incorporated work on Victorian masculinities, race, and class.
CHAPTER FOUR
90
Caste Typing: Marxist and Materialist Criticism
This chapter looks at Marxist and materialist responses to Jane Eyre. Beginning
with Raymond Williams's account in The English Novel from Dickens to Lawrence
(1970)
of Jane Eyre as part of a literary movement pitting social passion against
the heartlessness of industrial capitalism, it examines Terry Eagleton's Myths of
Power: a Marxist Study of the Brontes
(1975),
with its influential counter-argument
that Jane Eyre's plot marries bourgeois with aristocratic values, cementing, rather
than challenging, existing power structures. Looking at inheritors of this debate
about class, power, and ideology in the novel from Nancy Pell
(1977)
to Chris R.
Vanden Bossche (2005),the
chapter explores issues such as Jane Eyre's treatment
of France, its handling of working women, and its depiction of advertisement and
the marketplace, considering whether the text works to criticize or consolidate the
Victorian class system, and asking what has historically been at stake in identifying
the politics and allegiances of a text that Is alternately characterised as radical and
conservative.
CHAPTER FIVE
109
Bertha's Savage Face: Postcolonial Concerns
This chapter considers the growing number of postcolonial readings of Jane
Eyre. Beginning with Jean Rhys's provocative
'prequel'
Wide Sargasso Sea
(1966)
and Gayatri Spivak's 'Three Women's Texts and a Critique of Imperialism'
(1985),
which argues that Jane Eyre's triumph is achieved at the expense of the colonised
subject (Bertha), it surveys a variety of works that analyse the novel's approach to
race, nation, and imperialism. Later sections deal with readings that argue for the
influence of the Brontes' Irish heritage on the presentation of colonial issues within
the text and one reading, by Erin O'Connor
(2003),
that challenges Spivak's focus
on imperialist ideology in Jane Eyre.
CHAPTER SIX
125
New Historicism and The Turn Toward History
This chapter looks at readings of Jane Eyre since
1980
that display the Influence
of the New Historicism and the critical turn toward situating Jane Eyre within
nineteenth-century social, cultural, and political contexts, reading it alongside
forms of contemporary representation, from missionary tracts to treatises
on madness, that would once have been considered separate from literary
CONTENTS
IX
endeavour. It devotes sections to considering 'Jane Eyre: Phrenology, Psychology,
and Economics', to the politics of visuality and reading the body in the novel, and
the place of evangelical thought and education in Jane Eyre's narrative. It then
examines works that place Jane Eyre within the history of the novel as a form and,
deploying John Sutherland's entertaining piece of detective dating of the novel's
action, Can Jane Eyre Be Happy?
(1997),
asks whether there are limits to the use
of historical evidence to interpret the novel.
CHAPTER SEVEN
143
Jane Eyre Adapted
This chapter discusses some of the different forms (including stage play, fiction,
and film) into which Jane Eyre has been adapted over the years. It charts the
modern trend toward analysing these many versions and reworkings of Jane Eyre
and examines some of the critical issues that they raise, asking whether Jane Eyre
now exists as much as a set of cultural connotations as it does as a nineteenth-
century novel.
Conclusion
152
Notes
155
A Brief Guide to Further Reading
168
Select Bibliography
172
Index
179 |
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| spelling | Lodge, Sara Verfasser (DE-588)1053142269 aut Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] Sara Lodge 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2009 X, 181 S. txt rdacontent n rdamedia nc rdacarrier Readers' guides to essential criticism Brontë, Charlotte <1818-1855> - Proza - Literarne študije Barnes, Julian Criticism and interpretation Brontë, Charlotte 1816-1855 Jane Eyre (DE-588)4119812-8 gnd rswk-swf Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Brontë, Charlotte 1816-1855 Jane Eyre (DE-588)4119812-8 u Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe Lodge, Sara Charlotte Bronte - Jane Eyre Basingstoke : Palgrave Macmillan,c2009 978-1-137-08603-7 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016745937&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lodge, Sara Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] Brontë, Charlotte <1818-1855> - Proza - Literarne študije Barnes, Julian Criticism and interpretation Brontë, Charlotte 1816-1855 Jane Eyre (DE-588)4119812-8 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4119812-8 (DE-588)4049716-1 |
| title | Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] |
| title_auth | Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] |
| title_exact_search | Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] |
| title_exact_search_txtP | Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] |
| title_full | Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] Sara Lodge |
| title_fullStr | Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] Sara Lodge |
| title_full_unstemmed | Charlotte Brontë: Jane Eyre [a reader's guide to essential criticism] Sara Lodge |
| title_short | Charlotte Brontë: Jane Eyre |
| title_sort | charlotte bronte jane eyre a reader s guide to essential criticism |
| title_sub | [a reader's guide to essential criticism] |
| topic | Brontë, Charlotte <1818-1855> - Proza - Literarne študije Barnes, Julian Criticism and interpretation Brontë, Charlotte 1816-1855 Jane Eyre (DE-588)4119812-8 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Brontë, Charlotte <1818-1855> - Proza - Literarne študije Barnes, Julian Criticism and interpretation Brontë, Charlotte 1816-1855 Jane Eyre Rezeption |
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