Contemporary Scottish literature: [a reader's guide to essential criticism]
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2009
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Readers' guides to essential criticism
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 201 S. |
| ISBN: | 9780230506695 9780230506701 0230506690 0230506704 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Acknowledgements x
Introduction
1
CHAPTER ONE
13
Nation and Nationalism
This Chapter examines claims by Douglas Gifford that recent Scottish
literature constitutes a real Literary Renaissance. It asks whether
cultural vitality in Scotland emerged as a reaction and response to
certain disappointments in the political arena, particularly the failed
devolution referendum of
1979?.
Peter Kravitz contests such notions,
foregrounding the lengthy gestation of seminal texts such as Alasdair
Gray s Lanark, published in
1981
but three decades in the making.
Besides the issue of renaissance, several critics assert that Scottish
literature provides a unique artistic space in which the politics of
national identity are keenly played out. They include Cairns Craig,
Alan Riach and
Carla Sassi. In
contrast Christopher Whyte insists
that nationalist criticism serves to distort, delimit and detract from
the signifying possibilities of Scottish literature. In this Chapter the
national question forms a conduit to examining criticism of Alasdair
Gray and his groundbreaking novel Lanark.
CHAPTER TWO
41
Language
This Chapter focuses on the politics of language and its particular
relevance within Scottish literature. It includes discussion of writing in
Scots, Gaelic and in vernacular forms of English. We begin by revisiting
Edwin Muir s famous claim of the
1930s
that the Scottish writer is
somehow maimed or disabled by the country s fractured linguistic
inheritance. In contrast, critics like Rory Watson argue that this is in fact
one of Scottish literature s most enabling characteristics. Contemporary
Scottish writing is seen to be enlivened by an acute awareness of
the linguistic terrain upon which it travels. J. Derrick McClure s book
language, Poetry and Nationhood
(2000)
is used to explain the historical
vii
viii CONTENTS
evolution of Scotland s various languages. In discussing the role of
urban vernacular we consider critical reactions to the poetry of Tom
Leonard. The continuing crisis confronting literature in Gaelic is also
examined in detail.
CHAPTER THREE
62
Gender
One of the most important transformations within contemporary
Scottish literature has concerned the influence and visibility of
women s writing. Marilyn
Reizbaum
and Joy Hendry argue that Scottish
women s writing has traditionally suffered from a form of double
marginalization; this on account of questions of gender and its locus
within a minor literary culture. For Aileen
Christianson
the enduring
problem is nationalism, a patriarchal ideology that has historically
sidelined and subordinated women s experience. The
1990s
saw
the publication of several weighty anthologies of Scottish women s
writing which sought to redress this historical imbalance. This chapter
examines reactions to the work of two important female writers of the
period, the poet Liz Lochhead and the novelist Janice Galloway.
CHAPTER FOUR
92
Class
For Christopher Whyte the flourishing of literary talent during the
1980s,
described by some as a national renaissance, was, in fact,
the overdue arrival of working-class voices within the literary domain.
Douglas Gifford reads these contemporary innovations in the context
of the Glasgow history novel. For Cairns Craig there has always
been a particularly proletarian bias at the heart of literary endeavor
in Scotland. In contrast for poet and critic Douglas Dunn, the
preponderate influence of working-class/Glasgow fiction represents
a distorted and narrow view of late twentieth-century Scottish culture.
The second half of this Chapter features a discussion of critical
responses to the work of James Kelman.
CHAPTER FIVE
118
Postcolonialism
This Chapter begins with the outright exclusion of Scotland from what
has been proposed as a canon of
postcolonial
cultures, a point argued
in the seminal study The Empire Writes Back
(1989).
Scotland occupies
an unusual position as a country that has both suffered and benefited
CONTENTS
ix
from the British imperial adventure. Critics like Craig
Beveridge
and
Ronald
Turnbull
employ an explicitly
postcolonial
framework and read
Scottish culture through Frantz Fanon s concept of inferiorisation .
Berthold
Schoene on the other hand is hesitant regarding any outright
assertion of Scottish postcoloniality. For Schoene, such narratives
reveal an internal friction and the country s problematic history of
exploiting its own marginal groups like the rural peasantry and the
urban working-class. This Chapter examines critical responses to the
work of Irvine Welsh. It also features discussion of the film version of
Welsh s groundbreaking novel Trainspotting
(1993).
CHAPTER SIX
145
Postmodernism
This chapter features arguments by three critics on the relevance of
postmodern theory to Scottish literature. For the critic Eleanor Bell
postmodernism provides a welcome antidote to the immuring effects
of cultural nationalism on our understanding of Scottish writing.
Randall Stevenson concurs, arguing that postmodern thinking averts
a worrying tendency toward parochialism within Scottish criticism.
He claims that Scotland s ideological heritage
-
Calvinism, the
Enlightenment, and the industrial revolution
-
make it particularly
conducive to the challenges posed by postmodern theory. For Cairns
Craig, Scottish literature can actually lay claim to be the inventor
of postmodernism. He argues that the roots of many postmodern
concepts can be found in Scottish Romantic writing, particularly the
work of Sir Walter Scott and James Hogg. This Chapter also considers
critical responses to the work of two influential contemporary writers:
Muriel Spark and A. L. Kennedy.
Conclusion
167
Notes
172
Select Bibliography
182
Index
191
|
| adam_txt |
CONTENTS
Acknowledgements x
Introduction
1
CHAPTER ONE
13
Nation and Nationalism
This Chapter examines claims by Douglas Gifford that recent Scottish
literature constitutes a 'real' Literary Renaissance. It asks whether
cultural vitality in Scotland emerged as a reaction and response to
certain disappointments in the political arena, particularly the failed
devolution referendum of
1979?.
Peter Kravitz contests such notions,
foregrounding the lengthy gestation of seminal texts such as Alasdair
Gray's Lanark, published in
1981
but three decades in the making.
Besides the issue of renaissance, several critics assert that Scottish
literature provides a unique artistic space in which the politics of
national identity are keenly played out. They include Cairns Craig,
Alan Riach and
Carla Sassi. In
contrast Christopher Whyte insists
that nationalist criticism serves to distort, delimit and detract from
the signifying possibilities of Scottish literature. In this Chapter the
national question forms a conduit to examining criticism of Alasdair
Gray and his groundbreaking novel Lanark.
CHAPTER TWO
41
Language
This Chapter focuses on the politics of language and its particular
relevance within Scottish literature. It includes discussion of writing in
Scots, Gaelic and in vernacular forms of English. We begin by revisiting
Edwin Muir's famous claim of the
1930s
that the Scottish writer is
somehow maimed or disabled by the country's fractured linguistic
inheritance. In contrast, critics like Rory Watson argue that this is in fact
one of Scottish literature's most enabling characteristics. Contemporary
Scottish writing is seen to be enlivened by an acute awareness of
the linguistic terrain upon which it travels. J. Derrick McClure's book
language, Poetry and Nationhood
(2000)
is used to explain the historical
vii
viii CONTENTS
evolution of Scotland's various languages. In discussing the role of
urban vernacular we consider critical reactions to the poetry of Tom
Leonard. The continuing crisis confronting literature in Gaelic is also
examined in detail.
CHAPTER THREE
62
Gender
One of the most important transformations within contemporary
Scottish literature has concerned the influence and visibility of
women's writing. Marilyn
Reizbaum
and Joy Hendry argue that Scottish
women's writing has traditionally suffered from a form of double
marginalization; this on account of questions of gender and its locus
within a minor literary culture. For Aileen
Christianson
the enduring
problem is nationalism, a patriarchal ideology that has historically
sidelined and subordinated women's experience. The
1990s
saw
the publication of several weighty anthologies of Scottish women's
writing which sought to redress this historical imbalance. This chapter
examines reactions to the work of two important female writers of the
period, the poet Liz Lochhead and the novelist Janice Galloway.
CHAPTER FOUR
92
Class
For Christopher Whyte the flourishing of literary talent during the
1980s,
described by some as a national renaissance, was, in fact,
the overdue arrival of working-class voices within the literary domain.
Douglas Gifford reads these contemporary innovations in the context
of the Glasgow history novel. For Cairns Craig there has always
been a particularly proletarian bias at the heart of literary endeavor
in Scotland. In contrast for poet and critic Douglas Dunn, the
preponderate influence of working-class/Glasgow fiction represents
a distorted and narrow view of late twentieth-century Scottish culture.
The second half of this Chapter features a discussion of critical
responses to the work of James Kelman.
CHAPTER FIVE
118
Postcolonialism
This Chapter begins with the outright exclusion of Scotland from what
has been proposed as a canon of
postcolonial
cultures, a point argued
in the seminal study The Empire Writes Back
(1989).
Scotland occupies
an unusual position as a country that has both suffered and benefited
CONTENTS
ix
from the British imperial adventure. Critics like Craig
Beveridge
and
Ronald
Turnbull
employ an explicitly
postcolonial
framework and read
Scottish culture through Frantz Fanon's concept of 'inferiorisation'.
Berthold
Schoene on the other hand is hesitant regarding any outright
assertion of Scottish postcoloniality. For Schoene, such narratives
reveal an internal friction and the country's problematic history of
exploiting its own marginal groups like the rural peasantry and the
urban working-class. This Chapter examines critical responses to the
work of Irvine Welsh. It also features discussion of the film version of
Welsh's groundbreaking novel Trainspotting
(1993).
CHAPTER SIX
145
Postmodernism
This chapter features arguments by three critics on the relevance of
postmodern theory to Scottish literature. For the critic Eleanor Bell
postmodernism provides a welcome antidote to the immuring effects
of cultural nationalism on our understanding of Scottish writing.
Randall Stevenson concurs, arguing that postmodern thinking averts
a worrying tendency toward parochialism within Scottish criticism.
He claims that Scotland's ideological heritage
-
Calvinism, the
Enlightenment, and the industrial revolution
-
make it particularly
conducive to the challenges posed by postmodern theory. For Cairns
Craig, Scottish literature can actually lay claim to be the inventor
of postmodernism. He argues that the roots of many postmodern
concepts can be found in Scottish Romantic writing, particularly the
work of Sir Walter Scott and James Hogg. This Chapter also considers
critical responses to the work of two influential contemporary writers:
Muriel Spark and A. L. Kennedy.
Conclusion
167
Notes
172
Select Bibliography
182
Index
191 |
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| spelling | McGuire, Matt 1977- Verfasser (DE-588)136851223 aut Contemporary Scottish literature [a reader's guide to essential criticism] Matt McGuire 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2009 X, 201 S. txt rdacontent n rdamedia nc rdacarrier Readers' guides to essential criticism Geschichte 1970-2008 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Schottland (DE-588)4053233-1 gnd rswk-swf Schottland (DE-588)4053233-1 g Literatur (DE-588)4035964-5 s Englisch (DE-588)4014777-0 s Rezeption (DE-588)4049716-1 s Geschichte 1970-2008 z DE-604 Erscheint auch als Online-Ausgabe McGuire, Matt Contemporary Scottish Literature Basingstoke : Palgrave Macmillan,c2008 978-1-137-07008-1 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016745908&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | McGuire, Matt 1977- Contemporary Scottish literature [a reader's guide to essential criticism] Literatur (DE-588)4035964-5 gnd Rezeption (DE-588)4049716-1 gnd Englisch (DE-588)4014777-0 gnd |
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| title | Contemporary Scottish literature [a reader's guide to essential criticism] |
| title_auth | Contemporary Scottish literature [a reader's guide to essential criticism] |
| title_exact_search | Contemporary Scottish literature [a reader's guide to essential criticism] |
| title_exact_search_txtP | Contemporary Scottish literature [a reader's guide to essential criticism] |
| title_full | Contemporary Scottish literature [a reader's guide to essential criticism] Matt McGuire |
| title_fullStr | Contemporary Scottish literature [a reader's guide to essential criticism] Matt McGuire |
| title_full_unstemmed | Contemporary Scottish literature [a reader's guide to essential criticism] Matt McGuire |
| title_short | Contemporary Scottish literature |
| title_sort | contemporary scottish literature a reader s guide to essential criticism |
| title_sub | [a reader's guide to essential criticism] |
| topic | Literatur (DE-588)4035964-5 gnd Rezeption (DE-588)4049716-1 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Literatur Rezeption Englisch Schottland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016745908&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT mcguirematt contemporaryscottishliteratureareadersguidetoessentialcriticism |