Verfügbarkeit: Music in theory and practice

Music in theory and practice: 1

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Bibliographische Detailangaben
Hauptverfasser:	Benward, Bruce (VerfasserIn), Saker, Marilyn Nadine (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Boston, Mass. [u.a.] McGraw-Hill Higher Education (2009) [erschienen] 2008
Ausgabe:	8. ed.
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XVI, 407 S. zahlr. Notenbeisp. CD (12 cm)
ISBN:	9780073101873

Internformat

MARC


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Datensatz im Suchindex

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adam_text	Contents Preface ix Introduction The Materials of Music: Sound and Time хш Sound xiii Vibration xiii Compression and Rarefaction xiii Frequency xiv The Four Properties of Sound xiv Pitch xiv Intensity xiv Duration xiv Timbre xv Summary xvi PART A The Fundamentals of Music ι CHAPTER 1 Notation з Important Concepts 3 Notation of Pitch 3 The Staff 3 Letter Names 3 The Clefs 4 Octave Identification 6 Accidentals 7 Interval 7 Enharmonic Equivalents 8 Half-Step Motion 8 Notation of Duration 8 ГЛеГ/е 9 TAeDoř 9 Irregular Division of Notes 10 Rhythm 10 Meier Signatures 10 Dynamic Markings 14 History 15 Applications 16 Some Directions for Notation 16 Assignments 21 CHAPTER 2 Стам 27 Diatonic Scales 28 Sca/e Degree Names 28 Major Scale 29 Tetrachord 29 Transposition 30 Жгу Signature 30 Minor Scale 32 ScaZe Relationships 35 Tonality 39 Яеу 40 Other Scales 40 History 44 Applications 46 Лїсй Inventory 47 Assignments 49 CHAPTER 3 Scales, Tonality, Key, Modes 27 Important Concepts 27 27 Intervals and Transposition 55 Important Concepts 55 Intervals 55 Perfect, Major, and Minor Intervals 56 Consonance and Dissonance 58 Augmented and Diminished Intervals 58 Enharmonic Intervals 59 Inversion of Intervals 59 Compound Intervals and Simple Intervals 61 History 61 Applications 62 Fluency with Intervals 62 Melodic and Harmonic Intervals 63 Transposition 64 Methods of Transposition 64 Assignments 67 CHAPTER 4 Chords 73 Important Concepts 73 Harmony 73 73 73 Triad Root 73 ilfo/or 7Wad 74 Minor 7Warf 74 Diminished Triad 74 Augmented Triad 74 Triad Stability 75 Triad Names 75 Primary Ћ -iads 75 Triad Position 75 Root Position 75 Triad Inversion 76 First Inversion 76 Second Inversion 76 Other Tertian Chords 77 Seventh Chords 77 History 77 Applications 77 Roman Numeral Analysis 78 Triad Position Symbols 78 Seventh- Chord Position Symbols 80 Figured Bass 80 Figured-Bass Symbols 81 Macro Analysis 83 Popular-Music Symbols 85 Summary 86 Assignments 87 PART В The Structural Elements of Music 95 CHAPTER 5 Cadences and Nonharmonic Tones 97 Important Concepts 97 Phrase 97 Harmonic Cadence 97 Rhythmic Cadence 99 History 100 Nonharmonic Tones 102 Unaccented Nonharmonic Tones 103 Accented Nonharmonic Tones 104 Accented versus Unaccented Nonharmonic Tones 109 Nonharmonic Tones Involving More Than Three Pitches 109 Summary of Nonharmonic Tones 111 Assignments 113 CHAPTER 6____________________________ Melodic Organization 119 Important Concepts 119 The Motive 119 Sequence 121 řArase 123 Регииѓ 125 Modification of the Phrase 129 Melodic Structure 131 #wrory 133 Assignments 135 CHAPTER 7____________________________ Texture and Textural Reduction 145 Important Concepts 145 Texture 145 Texture Types 147 History 150 Applications 151 Analysis of Texture 151 Textural Reduction 155 Assignments 157 CHAPTER 8 Species Counterpoint 163 Important Concepts 163 Species Counterpoint 163 The Cantus Firmus 163 The Counterpoint 163 First Species Counterpoint 163 Second Species Counterpoint 164 Third Species Counterpoint 164 Fourth Species Counterpoint 164 Fifth Species Counterpoint 165 History 165 Applications 166 Modal Scales 166 Melodic Characteristics 167 Writing First Species Counterpoint 168 Writing Second Species Counterpoint 172 Writing Third Species Counterpoint 175 Writing Fourth Species Counterpoint 177 Writing Fifth Species Counterpoint П9 Assignments 183 CHAPTER 9 Voice Leading in Four-Part Chorale Writing 191 Important Concepts 191 Four-Voice Texture 191 History 192 Applications 192 Analysis of the Chorale Phrases 194 Stylistic Practices 194 Root Position 195 First-Inversion Triads 198 Second-Inversion Triads 200 Exceptions to Stylistic Practices 201 Unstylistic Departures 201 Voice Äang&y 203 Voice Spacing 203 Assignments 205 CHAPTER 10___________________________ Harmonic Progression and Harmonic Rhythm 213 Important Concepts 213 Harmonic Progression 213 The Relationship of Chords 214 Chord Progressions 214 Harmonic Rhythm 219 History 220 vi Contents Applications 222 How to Harmonize a Tonal Melody 222 Assignments 225 CHAPTER 11 The Dominant Seventh Chord 235 Important Concepts 235 Dominant Seventh Chord 235 Macro Analysis Symbol 237 History 237 Applications 239 Resolution of the Dominant Seventh Chord 239 Circle Progression 239 Noncircle Progressions with Resolution 241 Nonresolution of Seventh Factor 241 Stylistic Practices for Voice Leading in V7 Chords 242 Assignments 243 CHAPTER 12__________________________________ The Leading-Tone Seventh Chords 255 Important Concepts 255 Leading-Tone Seventh Chords 255 Progressions from vW7 and vii01 256 Resolution of Tritone and Seventh Factors 257 Macro Analysis Symbols 258 History 258 Applications 261 Voice Leading and the vii01 and vii °7 261 Some Pitfalls to Avoid 261 Assignments 263 CHAPTER 13__________________________________ Nondominant Seventh Chords 271 Important Concepts 271 Nondominant Seventh Chords 271 Roman Numeral Symbols 271 Seventh Chords in Major and Minor Keys Til Macro Analysis Symbols 273 History 274 Applications 276 Nondominant Seventh Chords in Circle Progressions 276 Resolution of the Seventh Factor 276 Noncircle Treatment 277 Voice Leading of Nondominant Seventh Chords 278 Assignments 279 CHAPTER 14__________________________________ Secondary Dominants and Leading-Tone Chords 287 History 295 Assignments 303 CHAPTER 15 Important Concepts 287 Secondary Dominants 287 Secondary Leading-Tone Chords Macro Analysis 293 290 Modulation 315 Important Concepts 315 Modulation 315 Closely Related Keys 315 Common-Chord Modulation 316 Chromatic Modulation 316 Phrase Modulation 317 Other Modulation Types 317 Modulations in Period Construction 318 Analytical Symbols for Modulations 319 Macro Analysis 320 History 321 Applications 321 Harmonizing Melodies That Modulate 321 Assignments 325 CHAPTER 16 Two-Part (Binary) Form 337 Important Concepts 337 Formal Divisions 337 Open versus Closed Formal Divisions 337 Simple versus Compound Forms 337 Two-Part Form 337 History 344 Assignments 347 CHAPTER 17___________________________ Three-Part (Ternary) Form 353 Important Concepts 353 Three-Part Form 353 Expanded Ternary Form 358 Rounded Binary Form 358 History 360 Assignments 365 Appendixes A. Summary of Part-Writing Practices 373 B. Macro Analysis Symbols 375 С Popular Music Chord Symbols 377 D. History 379 E. Expression Marks 383 F. Instrument Ranges, Transpositions, and Foreign Names 385 Glossary 389 Credits 395 Indexes Musical Example Index 397 Subject Index 401 Contents VII
adam_txt	Contents Preface ix Introduction The Materials of Music: Sound and Time хш Sound xiii Vibration xiii Compression and Rarefaction xiii Frequency xiv The Four Properties of Sound xiv Pitch xiv Intensity xiv Duration xiv Timbre xv Summary xvi PART A The Fundamentals of Music ι CHAPTER 1 Notation з Important Concepts 3 Notation of Pitch 3 The Staff 3 Letter Names 3 The Clefs 4 Octave Identification 6 Accidentals 7 Interval 7 Enharmonic Equivalents 8 Half-Step Motion 8 Notation of Duration 8 ГЛеГ/е 9 TAeDoř 9 Irregular Division of Notes 10 Rhythm 10 Meier Signatures 10 Dynamic Markings 14 History 15 Applications 16 Some Directions for Notation 16 Assignments 21 CHAPTER 2 Стам 27 Diatonic Scales 28 Sca/e Degree Names 28 Major Scale 29 Tetrachord 29 Transposition 30 Жгу Signature 30 Minor Scale 32 ScaZe Relationships 35 Tonality 39 Яеу 40 Other Scales 40 History 44 Applications 46 Лїсй Inventory 47 Assignments 49 CHAPTER 3 Scales, Tonality, Key, Modes 27 Important Concepts 27 27 Intervals and Transposition 55 Important Concepts 55 Intervals 55 Perfect, Major, and Minor Intervals 56 Consonance and Dissonance 58 Augmented and Diminished Intervals 58 Enharmonic Intervals 59 Inversion of Intervals 59 Compound Intervals and Simple Intervals 61 History 61 Applications 62 Fluency with Intervals 62 Melodic and Harmonic Intervals 63 Transposition 64 Methods of Transposition 64 Assignments 67 CHAPTER 4 Chords 73 Important Concepts 73 Harmony 73 73 73 Triad Root 73 ilfo/or 7Wad 74 Minor 7Warf 74 Diminished Triad 74 Augmented Triad 74 Triad Stability 75 Triad Names 75 Primary Ћ -iads 75 Triad Position 75 Root Position 75 Triad Inversion 76 First Inversion 76 Second Inversion 76 Other Tertian Chords 77 Seventh Chords 77 History 77 Applications 77 Roman Numeral Analysis 78 Triad Position Symbols 78 Seventh- Chord Position Symbols 80 Figured Bass 80 Figured-Bass Symbols 81 Macro Analysis 83 Popular-Music Symbols 85 Summary 86 Assignments 87 PART В The Structural Elements of Music 95 CHAPTER 5 Cadences and Nonharmonic Tones 97 Important Concepts 97 Phrase 97 Harmonic Cadence 97 Rhythmic Cadence 99 History 100 Nonharmonic Tones 102 Unaccented Nonharmonic Tones 103 Accented Nonharmonic Tones 104 Accented versus Unaccented Nonharmonic Tones 109 Nonharmonic Tones Involving More Than Three Pitches 109 Summary of Nonharmonic Tones 111 Assignments 113 CHAPTER 6_ Melodic Organization 119 Important Concepts 119 The Motive 119 Sequence 121 řArase 123 Регииѓ 125 Modification of the Phrase 129 Melodic Structure 131 #wrory 133 Assignments 135 CHAPTER 7_ Texture and Textural Reduction 145 Important Concepts 145 Texture 145 Texture Types 147 History 150 Applications 151 Analysis of Texture 151 Textural Reduction 155 Assignments 157 CHAPTER 8 Species Counterpoint 163 Important Concepts 163 Species Counterpoint 163 The Cantus Firmus 163 The Counterpoint 163 First Species Counterpoint 163 Second Species Counterpoint 164 Third Species Counterpoint 164 Fourth Species Counterpoint 164 Fifth Species Counterpoint 165 History 165 Applications 166 Modal Scales 166 Melodic Characteristics 167 Writing First Species Counterpoint 168 Writing Second Species Counterpoint 172 Writing Third Species Counterpoint 175 Writing Fourth Species Counterpoint 177 Writing Fifth Species Counterpoint П9 Assignments 183 CHAPTER 9 Voice Leading in Four-Part Chorale Writing 191 Important Concepts 191 Four-Voice Texture 191 History 192 Applications 192 Analysis of the Chorale Phrases 194 Stylistic Practices 194 Root Position 195 First-Inversion Triads 198 Second-Inversion Triads 200 Exceptions to Stylistic Practices 201 Unstylistic Departures 201 Voice Äang&y 203 Voice Spacing 203 Assignments 205 CHAPTER 10_ Harmonic Progression and Harmonic Rhythm 213 Important Concepts 213 Harmonic Progression 213 The Relationship of Chords 214 Chord Progressions 214 Harmonic Rhythm 219 History 220 vi Contents Applications 222 How to Harmonize a Tonal Melody 222 Assignments 225 CHAPTER 11 The Dominant Seventh Chord 235 Important Concepts 235 Dominant Seventh Chord 235 Macro Analysis Symbol 237 History 237 Applications 239 Resolution of the Dominant Seventh Chord 239 Circle Progression 239 Noncircle Progressions with Resolution 241 Nonresolution of Seventh Factor 241 Stylistic Practices for Voice Leading in V7 Chords 242 Assignments 243 CHAPTER 12_ The Leading-Tone Seventh Chords 255 Important Concepts 255 Leading-Tone Seventh Chords 255 Progressions from vW7 and vii01 256 Resolution of Tritone and Seventh Factors 257 Macro Analysis Symbols 258 History 258 Applications 261 Voice Leading and the vii01 and vii °7 261 Some Pitfalls to Avoid 261 Assignments 263 CHAPTER 13_ Nondominant Seventh Chords 271 Important Concepts 271 Nondominant Seventh Chords 271 Roman Numeral Symbols 271 Seventh Chords in Major and Minor Keys Til Macro Analysis Symbols 273 History 274 Applications 276 Nondominant Seventh Chords in Circle Progressions 276 Resolution of the Seventh Factor 276 Noncircle Treatment 277 Voice Leading of Nondominant Seventh Chords 278 Assignments 279 CHAPTER 14_ Secondary Dominants and Leading-Tone Chords 287 History 295 Assignments 303 CHAPTER 15 Important Concepts 287 Secondary Dominants 287 Secondary Leading-Tone Chords Macro Analysis 293 290 Modulation 315 Important Concepts 315 Modulation 315 Closely Related Keys 315 Common-Chord Modulation 316 Chromatic Modulation 316 Phrase Modulation 317 Other Modulation Types 317 Modulations in Period Construction 318 Analytical Symbols for Modulations 319 Macro Analysis 320 History 321 Applications 321 Harmonizing Melodies That Modulate 321 Assignments 325 CHAPTER 16 Two-Part (Binary) Form 337 Important Concepts 337 Formal Divisions 337 Open versus Closed Formal Divisions 337 Simple versus Compound Forms 337 Two-Part Form 337 History 344 Assignments 347 CHAPTER 17_ Three-Part (Ternary) Form 353 Important Concepts 353 Three-Part Form 353 Expanded Ternary Form 358 Rounded Binary Form 358 History 360 Assignments 365 Appendixes A. Summary of Part-Writing Practices 373 B. Macro Analysis Symbols 375 С Popular Music Chord Symbols 377 D. History 379 E. Expression Marks 383 F. Instrument Ranges, Transpositions, and Foreign Names 385 Glossary 389 Credits 395 Indexes Musical Example Index 397 Subject Index 401 Contents VII
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