The language of new media design: theory and practice
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2009
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | XIV, 205 S. zahlr. Ill., graph. Darst. 24cm |
| ISBN: | 0415372577 9780415372572 0415372623 9780415372626 |
Internformat
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| 020 | |a 0415372623 |c (pbk) : £19.99 |9 0-415-37262-3 | ||
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| 245 | 1 | 0 | |a The language of new media design |b theory and practice |c Radan Martinec and Theo van Leeuwen |
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Datensatz im Suchindex
| _version_ | 1804138010080444416 |
|---|---|
| adam_text | The Language of New Media Design is an innovative new textbook presenting
methods on the design and analysis of a variety of non-linear texts, from
websites to CD-Roms. Integrating theory and practice, the book explores a
range of models for analyzing and constructing multimedia products. For
each model the authors outline the theoretical background and demonstrate
usage from students coursework, commonly available websites and other
multimedia products.
Assuming no prior knowledge, the book adopts an accessible approach to
the subject which has been
trialled
and tested on MA students at the London
College of Communication. Written by experienced authors, this textbook will
be an invaluable resource for students and teachers of new media design,
information technology, linguistics and semiotics.
LIST OF FIGURES 1.1 BASIC CHOICES OF PROCESS AND ENTITY 2 1.2 BASIC
CHOICES OF INTERPERSONAL MEANING (AFTER HALLIDAY 1994) 3 1.3 PART-WHOLE
TREE BASED ON PHYSICAL INCLUSION IN LAKOFF S WOMEN, FIRE AND DANGEMUS
THINGS (1990) 6 1.4 SEMANTIC STRUCTURE OF PART 1 OF LAKOFF S WOMEN, FIRE
AND DANGEROUS THINGS (1990) 8 1.5 TREE 9 1.6 STAR 9 1.7 THE
TWOTRANSLATION CYCLES 11 2.1 GIVENAND NEW 16 2.2 DILBERT AND DOGBERT
(ADAMS 1995) 17 2.3 ETINARCADIA EGOI GUERCINO, 1621-23) 17 2.4
HITDONATE.NET PAGE (HTTP://MYSITE.WANADOO-MEMBERS.CO.UK/HITDONATE) 18
2.5 JAKOB NIELSEN S HOME PAGE (WWW.USEIT.COM) 18 2.6 NON-IINEAR ANALYSIS
OF V THEATRE ANALOGY TEXT 19 2.7 NON-IINEAR ANALYSIS OF V PHOTOGRAPHY
ANALOGY TEXT 19 2.8 IDEALAND REAL 21 2.9 MADONNA WITHCHILD, ST FRANCIS
AND ST GEORGE (GIORGIONE, 1505) 21 2.10 ADC ADVERTISEMENT ( WIRED,
OCTOBER 2000) 22 2.11 KOALA PAGE FROM ENCARTA (MICROSOFT, 1994) 23 2.12
TAN THE PAPER (FROM DELL PHOTO ALL-IN-ONE PRINTER 926 OWNER S MANUAL,
2006) 24 2.13 STAR 25 2.14A OUR LADY OF THE IMMACUTATE CONCEPTION
(MURILLO, C. 1678) 26 2.14B DIAGRAM FROM DESIGNING THE HUMAN-COMPUTER
INTERFACE (SCHNEIDERMAN 1998) 26 2.15A EUROPEAN UNION HOME PAGE 27 2.15B
ENCARTA (MICROSOFT, 1994) SPLASH PAGE 27 2.16 NON-IINEAR ANALYSIS OF
CROSS TEXT 28 2.17 NON-IINEAR ANALYSIS OF JAKOB NIELSEN BIO TEXT 29 2.18
TREE 30 2.19 COMMONSENSE CLASSIFICATION OF DISEASES (AFTER MARTIN 1993A)
31 2.20 EXPERT CLASSIFICATION OF DISEASES (AFTER MARTIN 1993A) 31 2.21
BODYBUILDERS CONCEPTION OF THE ORGANIZATION OF BODY PARTS (AFTER WIGNELL
ETAL. 1989) 32 VIII LIST OF FIGURES 2.22 TITLE AND TABLE OF CONTENTS OF
A LONELY PLANET GUIDEBOOK TO THE AMERICAN SOUTHWEST (RACHOWIECKI 1999)
33 2.23 NON-IINEAR ANALYSISOF THE LONELY PLANET GUIDEBOOK 34 2.24
NON-IINEAR ANALYSIS OF ACID TEXT 35 2.25 NON-IINEAR ANALYSIS OF AM
ST TEXT 36 2.26 TABLE 37 2.27 ANALYSISOF CHARACTER TYPES IN THE WESTERN
(AFTER WRIGHT 1975) 37 2.28 NON-IINEAR ANALYSISOF PROTOTYPING TEXT 37
2.29 NETWORK 39 2.30 JEWELLERY NETWORK (AFTER O DONNELL 2000) 40 2.31
LONDON UNDERGROUND NETWORK 40 2.32 NON-IINEAR ANALYSIS OF V NEW
INSCRIPTION TEXT 41 3.1 NON-IINEAR ANALYSIS OF THE POLYPHONIC MUSIC TEXT
44 3.2 EXPANDED VERSION OF THE NON-LINEAR ANALYSISOF THE POLYPHONIC
MUSIC TEXT 45 3.3 WILL, SUEAND KATY S NON-LINEAR ANALYSISOF
THE POLYPHONIC MUSIC TEXT 47 3.4 SECOND VERSION OF WILL, SUEAND KATY S
ANALYSIS OF THE POLYPHON IC MUSIC TEXT 49 3.5 FINAL VERSION OF WILL,
SUEAND KATY S ANALYSIS OF THE POLYPHONIC MUSIC TEXT 51 3.6 DAVID, NUR
AND LEE S NON-LINEAR ANALYSIS OF THE VPOLYPHONIC MUSIC TEXT 52 3.7
SECOND VERSION OF DAVID, NUR AND LEE S ANALYSIS OF THE POLYPHONIC
MUSIC TEXT 53 3.8 NON-IINEAR ANALYSIS OF THE ART DECO WATCHES TEXT 56
3.9 MARYAM, JANE AND RIRETTE S NON-LINEAR ANALYSIS OF THE ART DECO
WATCHES TEXT 60 3.10 RUDI, RIGEL AND JOHN S NON-LINEAR ANALYSIS OF THE
ART DECO WATCHES TEXT 61 3.11 CHRISTINA, RACHEL AND MOHAMED S ANALYSIS
OF THE ART DECO WATCHES TEXT 62 3.12 BROGAN, PHILIP AND JANET S
ANALYSISOF THE V ART DECO WATCHES TEXT 64 3.13 NON-IINEAR ANALYSIS OF
THE GUNS TEXT 67 3.14 JENNIFER, KYLIEAND RICHARD S TRANSLATION OF
THE GUNS TEXT 70 3.15 JENNIFER, KYLIE AND RICHARD S REVISED ANALYSISOF
THE GUNS TEXT 72 3.16 ALASTAIR, GUY AND LESLIE S ANALYSIS OF
THE GUNS TEXT 73 3.17 ALASTAIR, GUY AND LESLIE S REVISED ANALYSIS OF THE
GUNS TEXT 75 4.1 JENNIFER, KYLIE AND RICHARD S NON-LINEAR MODEL OF THE
GUNS TEXT 78 4.2 A SCREEN FROM JENNIFER, KYLIE AND RICHARD S GUNS
PRODUCT 79 4.3 SCREEN FROM GUNS PRODUCT BY ALASTAIR, GUY AND LESLIE 80
4.4 SCREEN FROM GUNS PRODUCT BY ALASTAIR, GUY AND LESLIE 81 4.5 SCREEN
FROM GUNS PRODUCT BY ALASTAIR, GUY AND LESLIE 82 4.6 SCREEN FROM
DANGEROUS CREATURESI MICROSOFT, 1994) 83 4.7 JENNIFER, KYLIE AND
RICHARD S GUNS HOME PAGE 83 4.8 SECTION OF APAGE FROM THE WEBSITE OF
THE OHIO NORTHERN UNIVERSITY 84 4.9 PAGE FROM CHRISTINA, RACHEL AND
MOHAMED S ART DECO WATCHES PRODUCT 85 LIST OFFIGURES IX 4.10 PAGE FROM
ALBERTO, FRANCISCO AND MORTEN S GUNS PRODUCT 86 4.11 PAGE FROM THE
GUNS PRODUCT OFJILL, ANNE AND VERONICA 87 4.12 HOMEPAGE FROM ALBERTO,
FRANCISCO AND MORTEN S GUNS PRODUCT 89 4.13 SPLASH PAGE FROM ALBERTO,
FRANCISCO AND MORTEN S X GUNS PRODUCT 89 4.14 SPLASH PAGE FROM ALBERTO,
FRANCISCO AND MORTEN S GUNS PRODUCT 90 4.15 INTRODUCTORY PAGE OF
NORMAN, LILIE AND TEUN S ART DECO WATCHES PRODUCT 91 4.16 PARISIAN
CAFE CFROM NORMAN, LILIE AND TEUN S ART DECO WATCHES PRODUCT) 91 4.17
POP-UP WINDOW WITH ART DECO WATCH ATTRIBUTES IN NORMAN, LILIE AND TEUN S
ART DECO WATCHES PRODUCT 92 4.18 SYSTEMATIC REPRESENTATION OF RULESFOR
TRANSLATING NON-LINEAR MODEIS INTO NAVIGATION AND INTERFACE OSECOND
TRANSLATION ) 93 4.19 PAGE FROM THE ART DECO WATCHES PRODUCT OF BROGAN,
PHILIP AND JANET 94 4.20 PAGE FROM THE ART DECO WATCHES PRODUCT OF
BROGAN, PHILIP AND JANET 94 4.21 PAGE FROM THE ART DECO WATCHES
PRODUCT OF PAUL, PIRKKOAND DEVLEENA 95 4.22 SECTION OF A PAGE FROM JAKOB
N IELSEN S PRODUCT 96 4.23 PAGE FROM WILL, SUE AND KATY S POLYPHONIC
MUSIC PRODUCT 97 4.24 PAGE FROM WILL, SUE AND KATYVPOLYPHONIC
MUSIC PRODUCT 97 4.25 NON-LINEAR MODEL OF THE POLYPHONIC MUSIC PRODUCT
BY WILL, SUE AND KATY 98 4.26 PAGE FROM JILL, ANNE AND VERONICAVGUNS
PRODUCT 100 4.27 HOME PAGE FROM ALASTAIR, GUY AND LESLIE S GUNS
PRODUCT 100 4.28 DRAWINGAFTERTHE HOME PAGE OF CALVARY PRESBYTERIAN
CHURCH WEBSITE 101 4.29 SCREEN FROM THE POLYPHONIC MUSIC PRODUCT OF
REGINA, JANNEKE AND PING 102 4.30 PAGE FROM THE POLYPHONIC MUSIC
PRODUCT OF HARRY, FROUKJE AND EMILY 103 4.31 PAGE FROM THE GUNS
PRODUCT OF GUENTHER, TERRY AND JIM 104 4.32 SECTION OF EUROPEAN UNION
WEBSITE PAGE 105 4.33 HOME PAGE OF THE ART DECO WATCHES PRODUCT OF
MARYAM, JANE AND RI RETTE 105 4.34 PAGE FROM LAURA, PILAR AND
BESSIE S POLYPHONIC MUSIC PRODUCT 107 4.35 PAGE FROM TERRY, WILL AND
JON S POLYPHONIC MUSIC PRODUCT 108 4.36 PAGE FROM THE GUNS PRODUCT
OF ALASTAIR, GUY AND LESLIE 109 4.37 PAGE FROM THE GUNS PRODUCT OF
JENNIFER, KYLIE AND RICHARD 109 4.38 SCREEN FROM THE ART DECO
WATCHES PRODUCT OF RUDY, RIGEL AND JOHN 110 4.39 MAP FROM THE ROUGH
GUIDE TO THE USA WEBSITE 111 4.40 COMPOSITIONAL TREE REPRESENTING THE
SEMANTICSTRUCTURE OF FIGURE 4.39 111 4.41 FIVE REASONS PAGE FROM
ACHARITY FUNDRAISING WEBSITE 112 4.42 FUNDRAISING TODAY PAGE FROM A
CHARITY FUNDRAISING WEBSITE 114 4.43 FOB WATCH SCREEN FROM SARAH, DAVID
AND BETSY S ART DECO WATCHES PRODUCT 115 4.44 SCREEN FROM STEFAN, ADAM
AND JULIAVART DECO WATCHES PRODUCT 116 LIST OFFIGURES 4.45 TABULAR
REPRESENTATION OF PART OF THE V GUNS TEXT BY GUENTHER, TERRY ANDJIM 117
4.46 SCREEN FROM THE GUNS PRODUCT OF GUENTHER, TERRY AND JIM, BASED ON
THE TABLE IN FIGURE 4.45 117 4.47 SCREEN FROM THE ART DECO
WATCHES PRODUCT OF SARAH, DAVID AND BETSY 118 4.48 SCREEN FROM THE ART
DECO WATCHES PRODUCT OF CHRISTINA, RACHEL AND MOHAMED 119 4.49 SCREEN
FROM BROGAN, PHILIP AND JANET S ART DECO WATCHES PRODUCT 120 4.50 HOME
PAGE FROM CHRISTINA, RACHEL AND MOHAMED S ART DECO WATCHES PRODUCT 120
4.51 PAGE FROM THE VISUAL THESAURUS (WWW.VISUALTHESAURUS.COM) 121 4.52
PAGE FROM JAKOB NIELSEN S WEBSITE (WWW.USEIT.COM) 122 4.53 PAGE FROM
YAHOO! WEBSITE (WWW.YAHOO.COM) 123 5.1 GENERICSTAGE IN NEW MEDIAPRODUCTS
126 5.2 CORRESPONDENCES BETWEEN AGENERIC STAGE IN A NON-LINEAR MODEL AND
A LAYER OF A NEW MEDIA PRODUCT 127 5.3 PAGE FROM THE POLYPHONIC MUSIC
PRODUCT OF HARRY, FROUKJEAND EMILY 128 5.4 SCREEN FROM GUNS PRODUCT BY
GUENTHER, TERRY AND JIM 130 5.5 REVOLVER DRUM SCREEN FROM THE GUNS
PRODUCT OF JILL, ANNE AND VERONICA 130 5.6 JILL, ANNE AND VERONICA S
NON-LINEAR MODEL OF THE GUNS TEXT 131 5.7 16TH CENTURY GUNS SCREEN
FROM JILL, ANNE AND VERONICA S GUNS PRODUCT 132 5.8 16TH CENTURY GUNS
SCREEN WITH EXPLANATION OF ARQUEBUS, FROM THE GUNS PRODUCT OF JILL,
ANNE AND VERONICA 133 5.9 HOME PAGE OF THE POLYPHONIC MUSIC PRODUCT OF
LAURA, PILAR AND BESSIE 134 5.10 PARALLEL ORGANUM PAGE FROM
THE POLYPHONIC MUSIC PRODUCT OF LAURA, PILAR AND BESSIE 134 5.11 FREE
ORGANUM PAGE FROM THE POLYPHONIC MUSIC PRODUCT OF LAURA, PILAR AND
BESSIE 135 5.12 RHYTHRNIC INDEPENDENCE PAGE FROM THE POLYPHONIC
MUSIC PRODUCT OF LAURA, PILAR AND BESSIE 135 5.13 MEASURING SYSTEM
PAGE FROM THE POLYPHONIC MUSIC PRODUCT OF LAURA, PILAR AND BESSIE 136
5.14 SCORE PAGE FROM THE POLYPHONIC MUSIC PRODUCT OF LAURA, PILAR
AND BESSIE 136 5.15 TITLE PAGE OF THE POLYPHONIC MUSIC PRODUCT OF
HARRY, FROUKJE AND EMILY 138 5.16 INTRO PAGE FROM THE POLYPHONIC MUSIC
PRODUCT OF HARRY, FROUKJE AND EMILY 138 5.17 CONTRARY MOTION PAGE FROM
THE POLYPHONIC MUSIC PRODUCT OF HARRY, FROUKJEAND EMILY 139 5.18 HOME
PAGE OF THE ART DECO WATCHES PRODUCT OF SARAH, DAVID AND BETSY 140
5.19 LADIES WATCH BROOCH PAGE FROM SARAH, DAVID AND BETSY S ART DECO
WATCHES PRODUCT 141 LIST OFFIGURES XI 5.20 SCREEN FROM THE INTRODUCTION
OF BROGAN, PHILIP AND JANETVART DECO WATCHES PRODUCT 141 5.21 V BROOCH
WATCH PAGE FROM THE^ART DECO WATCHES PRODUCT OF BROGAN, PHILIP AND
JANET 142 6.1 SHOPNIKE.COM HOME PAGE 147 6.2 NIKE AIR MAX 360 (WOMEN S)
PAGE 147 6.3 SHOPNIKE.COM MEN S HOME PAGE 148 6.4 SHOPNIKE.COM ALL
FOOTWEAR PAGE 149 6.5 SHOPNIKE.CORRTBASKETBALL/SHOWALL PAGE 150 6.6
SHOPNIKE.COM FORCE SHOES PAGE 150 6.7 SHOPNIKE.COM NIKE AIR MAX 360
BBALL PAGE 151 6.8 THE ORIGINAL NON-LINEAR STRUCTURE OF SHOPNIKE.COM 152
6.9 PRODUCT FEATURES TABLEFOR NIKE BASKETBALL FORCE SHOES 154 6.10 NIKE
AIR POP-UP WINDOW 155 6.11 INSERTING AN ADDITIONAL LAYER IN THE SHOPNIKE
TREE 157 6.12 NIKE TECHNOLOGY AND NIKE FOOTWEAR TYPESAS TWO ATTRIBUTES
OF ALLFOOTWEAT- 159 6.13 NIKE TECHNOLOGY PART OF THE SHOPNIKE NAVIGATION
TREE 160 6.14 ATABLECOMPARING BASKETBALL SHOES FEATURING MAX AIR
TECHNOLOGY 161 6.15 AN ALTERNATIVE REPRESENTATION OF THE NIKE TECHNOLOGY
PART OF THE SHOPNIKE NAVIGATION TREE 162 6.16A-I SECOND TRANSLATION OF A
PATH THROUGH A REDESIGNED SHOPNIKE.COM 164-8 6.17A-E A SECOND
TRANSLATION OF THE NIKE TECHNOLOGY PATH THROUGH A REDESIGNED
SHOPNIKE.COM 170-2 6.18 CALVARY PRESBYTERIAN CHURCH HOME PAGE 174 6.19
MINISTRIES AND FELLOWSHIPS/CALVARY ACTIVITIES PAGE 174 6.20 EDUCATION AT
CALVARY PAGE 175 6.21 MUSIC AT CALVARY PAGE 176 6.22 RECENT SERMONS PAGE
177 6.23 THE NON-LINEAR SEMANTICS OF THE ORIGINAL CALVARY PRESBYTERIAN
CHURCH WEBSITE 178 6.24 A NON-LINEAR MODEL ANALYSIS OF THE CALVARY
PRESBYTERIAN CHURCH HOME PAGE 179 6.25 REDESIGN OF THE CALVARY
PRESBYTERIAN CHURCH HOME PAGE 181 6.26 AN OVERT STAR REDESIGN OF THE
CALVARY PRESBYTERIAN CHURCH HOME PAGE 182 6.27 A NON-LINEAR MODEL OF THE
SEMANTICS OF THE MUSIC AT CALVARY PAGE 183 6.28 A REDESIGNED MUSIC AT
CALVARY PAGE (SECOND LAYER OF CALVARY CHURCH WEBSITE) 184 6.29 CALVARY S
CHOIRS PAGE 185 6.30 SANCTUARY ORGAN AND CONCERTS PAGE 185 6.31
CALVARY S MUSICIANS PAGE 186 6.32 NON-LINEAR MODEL OF THE COMMUNITY
SEMANTIC FIELD 188 6.33 OUT- COMMUNITY PAGE 188 XII LISTOFFIGURES 6.34
FELLOWSHIPS PAGE 189 6.35 CLUB CALVARY PAGE 189 6.36 A REDESIGNED
SEMANTIC FIELD OF EDUCATION ON THE CALVARY WEBSITE 190 6.37 SECOND
TRANSLATION OF THE SEMANTIC FIELD OF V EDUCATION 191 6.38 A NON-LINEAR
MODEL OF THE X MINISTRIES SEMANTIC FIELD 192 6.39 SECOND TRANSLATION OF
THE V MINISTRIES SEMANTIC FIELD (SECOND LAYER OF STRUCTURE) 192 6.40
OVERALL COMPLEX NON-LINEAR MODEL FOR A REDESIGNED CALVARY PRESBYTERIAN
CHURCH WEBSITE 193
|
| adam_txt |
The Language of New Media Design is an innovative new textbook presenting
methods on the design and analysis of a variety of non-linear texts, from
websites to CD-Roms. Integrating theory and practice, the book explores a
range of models for analyzing and constructing multimedia products. For
each model the authors outline the theoretical background and demonstrate
usage from students' coursework, commonly available websites and other
multimedia products.
Assuming no prior knowledge, the book adopts an accessible approach to
the subject which has been
trialled
and tested on MA students at the London
College of Communication. Written by experienced authors, this textbook will
be an invaluable resource for students and teachers of new media design,
information technology, linguistics and semiotics.
LIST OF FIGURES 1.1 BASIC CHOICES OF PROCESS AND ENTITY 2 1.2 BASIC
CHOICES OF INTERPERSONAL MEANING (AFTER HALLIDAY 1994) 3 1.3 PART-WHOLE
TREE BASED ON PHYSICAL INCLUSION IN LAKOFF'S WOMEN, FIRE AND DANGEMUS
THINGS (1990) 6 1.4 SEMANTIC STRUCTURE OF PART 1 OF LAKOFF'S WOMEN, FIRE
AND DANGEROUS THINGS (1990) 8 1.5 TREE 9 1.6 STAR 9 1.7 THE
TWOTRANSLATION CYCLES 11 2.1 GIVENAND NEW 16 2.2 DILBERT AND DOGBERT
(ADAMS 1995) 17 2.3 ETINARCADIA EGOI GUERCINO, 1621-23) 17 2.4
HITDONATE.NET PAGE (HTTP://MYSITE.WANADOO-MEMBERS.CO.UK/HITDONATE) 18
2.5 JAKOB NIELSEN'S HOME PAGE (WWW.USEIT.COM) 18 2.6 NON-IINEAR ANALYSIS
OF V THEATRE ANALOGY' TEXT 19 2.7 NON-IINEAR ANALYSIS OF V PHOTOGRAPHY
ANALOGY'TEXT 19 2.8 IDEALAND REAL 21 2.9 MADONNA WITHCHILD, ST FRANCIS
AND ST GEORGE (GIORGIONE, 1505) 21 2.10 ADC ADVERTISEMENT ( WIRED,
OCTOBER 2000) 22 2.11 KOALA PAGE FROM ENCARTA (MICROSOFT, 1994) 23 2.12
TAN THE PAPER'(FROM DELL PHOTO ALL-IN-ONE PRINTER 926 OWNER'S MANUAL,
2006) 24 2.13 STAR 25 2.14A OUR LADY OF THE IMMACUTATE CONCEPTION
(MURILLO, C. 1678) 26 2.14B DIAGRAM FROM DESIGNING THE HUMAN-COMPUTER
INTERFACE (SCHNEIDERMAN 1998) 26 2.15A EUROPEAN UNION HOME PAGE 27 2.15B
ENCARTA (MICROSOFT, 1994) SPLASH PAGE 27 2.16 NON-IINEAR ANALYSIS OF
CROSS'TEXT 28 2.17 NON-IINEAR ANALYSIS OF'JAKOB NIELSEN BIO'TEXT 29 2.18
TREE 30 2.19 COMMONSENSE CLASSIFICATION OF DISEASES (AFTER MARTIN 1993A)
31 2.20 EXPERT CLASSIFICATION OF DISEASES (AFTER MARTIN 1993A) 31 2.21
BODYBUILDERS'CONCEPTION OF THE ORGANIZATION OF BODY PARTS (AFTER WIGNELL
ETAL. 1989) 32 VIII LIST OF FIGURES 2.22 TITLE AND TABLE OF CONTENTS OF
A LONELY PLANET GUIDEBOOK TO THE AMERICAN SOUTHWEST (RACHOWIECKI 1999)
33 2.23 NON-IINEAR ANALYSISOF THE LONELY PLANET GUIDEBOOK 34 2.24
NON-IINEAR ANALYSIS OF 'ACID' TEXT 35 2.25 NON-IINEAR ANALYSIS OF 'AM
ST' TEXT 36 2.26 TABLE 37 2.27 ANALYSISOF CHARACTER TYPES IN THE WESTERN
(AFTER WRIGHT 1975) 37 2.28 NON-IINEAR ANALYSISOF 'PROTOTYPING' TEXT 37
2.29 NETWORK 39 2.30 JEWELLERY NETWORK (AFTER O'DONNELL 2000) 40 2.31
LONDON UNDERGROUND NETWORK 40 2.32 NON-IINEAR ANALYSIS OF V NEW
INSCRIPTION'TEXT 41 3.1 NON-IINEAR ANALYSIS OF THE'POLYPHONIC MUSIC'TEXT
44 3.2 EXPANDED VERSION OF THE NON-LINEAR ANALYSISOF THE'POLYPHONIC
MUSIC' TEXT 45 3.3 WILL, SUEAND KATY'S NON-LINEAR ANALYSISOF
THE'POLYPHONIC MUSIC'TEXT 47 3.4 SECOND VERSION OF WILL, SUEAND KATY'S
ANALYSIS OF THE 'POLYPHON IC MUSIC'TEXT 49 3.5 FINAL VERSION OF WILL,
SUEAND KATY'S ANALYSIS OF THE'POLYPHONIC MUSIC'TEXT 51 3.6 DAVID, NUR
AND LEE'S NON-LINEAR ANALYSIS OF THE VPOLYPHONIC MUSIC' TEXT 52 3.7
SECOND VERSION OF DAVID, NUR AND LEE'S ANALYSIS OF THE 'POLYPHONIC
MUSIC'TEXT 53 3.8 NON-IINEAR ANALYSIS OF THE 'ART DECO WATCHES'TEXT 56
3.9 MARYAM, JANE AND RIRETTE'S NON-LINEAR ANALYSIS OF THE 'ART DECO
WATCHES'TEXT 60 3.10 RUDI, RIGEL AND JOHN'S NON-LINEAR ANALYSIS OF THE
'ART DECO WATCHES'TEXT 61 3.11 CHRISTINA, RACHEL AND MOHAMED'S ANALYSIS
OF THE 'ART DECO WATCHES'TEXT 62 3.12 BROGAN, PHILIP AND JANET'S
ANALYSISOF THE V ART DECO WATCHES'TEXT 64 3.13 NON-IINEAR ANALYSIS OF
THE 'GUNS' TEXT 67 3.14 JENNIFER, KYLIEAND RICHARD'S TRANSLATION OF
THE'GUNS'TEXT 70 3.15 JENNIFER, KYLIE AND RICHARD'S REVISED ANALYSISOF
THE 'GUNS'TEXT 72 3.16 ALASTAIR, GUY AND LESLIE'S ANALYSIS OF
THE'GUNS'TEXT 73 3.17 ALASTAIR, GUY AND LESLIE'S REVISED ANALYSIS OF THE
'GUNS'TEXT 75 4.1 JENNIFER, KYLIE AND RICHARD'S NON-LINEAR MODEL OF THE
'GUNS'TEXT 78 4.2 A SCREEN FROM JENNIFER, KYLIE AND RICHARD'S'GUNS'
PRODUCT 79 4.3 SCREEN FROM 'GUNS' PRODUCT BY ALASTAIR, GUY AND LESLIE 80
4.4 SCREEN FROM 'GUNS'PRODUCT BY ALASTAIR, GUY AND LESLIE 81 4.5 SCREEN
FROM 'GUNS' PRODUCT BY ALASTAIR, GUY AND LESLIE 82 4.6 SCREEN FROM
DANGEROUS CREATURESI MICROSOFT, 1994) 83 4.7 JENNIFER, KYLIE AND
RICHARD'S 'GUNS' HOME PAGE 83 4.8 SECTION OF APAGE FROM THE WEBSITE OF
THE OHIO NORTHERN UNIVERSITY 84 4.9 PAGE FROM CHRISTINA, RACHEL AND
MOHAMED'S 'ART DECO WATCHES' PRODUCT 85 LIST OFFIGURES IX 4.10 PAGE FROM
ALBERTO, FRANCISCO AND MORTEN'S 'GUNS' PRODUCT 86 4.11 PAGE FROM THE
'GUNS' PRODUCT OFJILL, ANNE AND VERONICA 87 4.12 HOMEPAGE FROM ALBERTO,
FRANCISCO AND MORTEN'S'GUNS'PRODUCT 89 4.13 SPLASH PAGE FROM ALBERTO,
FRANCISCO AND MORTEN'S X GUNS' PRODUCT 89 4.14 SPLASH PAGE FROM ALBERTO,
FRANCISCO AND MORTEN'S 'GUNS' PRODUCT 90 4.15 INTRODUCTORY PAGE OF
NORMAN, LILIE AND TEUN'S 'ART DECO WATCHES' PRODUCT 91 4.16 PARISIAN
CAFE" CFROM NORMAN, LILIE AND TEUN'S 'ART DECO WATCHES' PRODUCT) 91 4.17
POP-UP WINDOW WITH ART DECO WATCH ATTRIBUTES IN NORMAN, LILIE AND TEUN'S
'ART DECO WATCHES' PRODUCT 92 4.18 SYSTEMATIC REPRESENTATION OF RULESFOR
TRANSLATING NON-LINEAR MODEIS INTO NAVIGATION AND INTERFACE OSECOND
TRANSLATION') 93 4.19 PAGE FROM THE'ART DECO WATCHES'PRODUCT OF BROGAN,
PHILIP AND JANET 94 4.20 PAGE FROM THE 'ART DECO WATCHES' PRODUCT OF
BROGAN, PHILIP AND JANET 94 4.21 PAGE FROM THE 'ART DECO WATCHES'
PRODUCT OF PAUL, PIRKKOAND DEVLEENA 95 4.22 SECTION OF A PAGE FROM JAKOB
N IELSEN'S PRODUCT 96 4.23 PAGE FROM WILL, SUE AND KATY'S'POLYPHONIC
MUSIC' PRODUCT 97 4.24 PAGE FROM WILL, SUE AND KATYVPOLYPHONIC
MUSIC'PRODUCT 97 4.25 NON-LINEAR MODEL OF THE 'POLYPHONIC MUSIC' PRODUCT
BY WILL, SUE AND KATY 98 4.26 PAGE FROM JILL, ANNE AND VERONICAVGUNS'
PRODUCT 100 4.27 HOME PAGE FROM ALASTAIR, GUY AND LESLIE'S 'GUNS'
PRODUCT 100 4.28 DRAWINGAFTERTHE HOME PAGE OF CALVARY PRESBYTERIAN
CHURCH WEBSITE 101 4.29 SCREEN FROM THE'POLYPHONIC MUSIC' PRODUCT OF
REGINA, JANNEKE AND PING 102 4.30 PAGE FROM THE'POLYPHONIC MUSIC'
PRODUCT OF HARRY, FROUKJE AND EMILY 103 4.31 PAGE FROM THE 'GUNS'
PRODUCT OF GUENTHER, TERRY AND JIM 104 4.32 SECTION OF EUROPEAN UNION
WEBSITE PAGE 105 4.33 HOME PAGE OF THE 'ART DECO WATCHES'PRODUCT OF
MARYAM, JANE AND RI RETTE 105 4.34 PAGE FROM LAURA, PILAR AND
BESSIE'S'POLYPHONIC MUSIC' PRODUCT 107 4.35 PAGE FROM TERRY, WILL AND
JON'S 'POLYPHONIC MUSIC' PRODUCT 108 4.36 PAGE FROM THE 'GUNS' PRODUCT
OF ALASTAIR, GUY AND LESLIE 109 4.37 PAGE FROM THE 'GUNS' PRODUCT OF
JENNIFER, KYLIE AND RICHARD 109 4.38 SCREEN FROM THE'ART DECO
WATCHES'PRODUCT OF RUDY, RIGEL AND JOHN 110 4.39 MAP FROM THE ROUGH
GUIDE TO THE USA WEBSITE 111 4.40 COMPOSITIONAL TREE REPRESENTING THE
SEMANTICSTRUCTURE OF FIGURE 4.39 111 4.41 'FIVE REASONS'PAGE FROM
ACHARITY FUNDRAISING WEBSITE 112 4.42 'FUNDRAISING TODAY' PAGE FROM A
CHARITY FUNDRAISING WEBSITE 114 4.43 FOB WATCH SCREEN FROM SARAH, DAVID
AND BETSY'S 'ART DECO WATCHES' PRODUCT 115 4.44 SCREEN FROM STEFAN, ADAM
AND JULIAVART DECO WATCHES' PRODUCT 116 LIST OFFIGURES 4.45 TABULAR
REPRESENTATION OF PART OF THE V GUNS' TEXT BY GUENTHER, TERRY ANDJIM 117
4.46 SCREEN FROM THE 'GUNS' PRODUCT OF GUENTHER, TERRY AND JIM, BASED ON
THE TABLE IN FIGURE 4.45 117 4.47 SCREEN FROM THE'ART DECO
WATCHES'PRODUCT OF SARAH, DAVID AND BETSY 118 4.48 SCREEN FROM THE 'ART
DECO WATCHES' PRODUCT OF CHRISTINA, RACHEL AND MOHAMED 119 4.49 SCREEN
FROM BROGAN, PHILIP AND JANET'S'ART DECO WATCHES'PRODUCT 120 4.50 HOME
PAGE FROM CHRISTINA, RACHEL AND MOHAMED'S'ART DECO WATCHES' PRODUCT 120
4.51 PAGE FROM THE VISUAL THESAURUS (WWW.VISUALTHESAURUS.COM) 121 4.52
PAGE FROM JAKOB NIELSEN'S WEBSITE (WWW.USEIT.COM) 122 4.53 PAGE FROM
YAHOO! WEBSITE (WWW.YAHOO.COM) 123 5.1 GENERICSTAGE IN NEW MEDIAPRODUCTS
126 5.2 CORRESPONDENCES BETWEEN AGENERIC STAGE IN A NON-LINEAR MODEL AND
A LAYER OF A NEW MEDIA PRODUCT 127 5.3 PAGE FROM THE 'POLYPHONIC MUSIC'
PRODUCT OF HARRY, FROUKJEAND EMILY 128 5.4 SCREEN FROM 'GUNS' PRODUCT BY
GUENTHER, TERRY AND JIM 130 5.5 'REVOLVER DRUM' SCREEN FROM THE'GUNS'
PRODUCT OF JILL, ANNE AND VERONICA 130 5.6 JILL, ANNE AND VERONICA'S
NON-LINEAR MODEL OF THE 'GUNS'TEXT 131 5.7 '16TH CENTURY GUNS' SCREEN
FROM JILL, ANNE AND VERONICA'S'GUNS' PRODUCT 132 5.8 '16TH CENTURY GUNS'
SCREEN WITH EXPLANATION OF ARQUEBUS, FROM THE 'GUNS' PRODUCT OF JILL,
ANNE AND VERONICA 133 5.9 HOME PAGE OF THE 'POLYPHONIC MUSIC' PRODUCT OF
LAURA, PILAR AND BESSIE 134 5.10 'PARALLEL ORGANUM' PAGE FROM
THE'POLYPHONIC MUSIC'PRODUCT OF LAURA, PILAR AND BESSIE 134 5.11 'FREE
ORGANUM' PAGE FROM THE'POLYPHONIC MUSIC' PRODUCT OF LAURA, PILAR AND
BESSIE 135 5.12 'RHYTHRNIC INDEPENDENCE' PAGE FROM THE 'POLYPHONIC
MUSIC' PRODUCT OF LAURA, PILAR AND BESSIE 135 5.13 'MEASURING SYSTEM'
PAGE FROM THE'POLYPHONIC MUSIC' PRODUCT OF LAURA, PILAR AND BESSIE 136
5.14 'SCORE' PAGE FROM THE 'POLYPHONIC MUSIC' PRODUCT OF LAURA, PILAR
AND BESSIE 136 5.15 TITLE PAGE OF THE 'POLYPHONIC MUSIC' PRODUCT OF
HARRY, FROUKJE AND EMILY 138 5.16 INTRO PAGE FROM THE 'POLYPHONIC MUSIC'
PRODUCT OF HARRY, FROUKJE AND EMILY 138 5.17 'CONTRARY MOTION' PAGE FROM
THE 'POLYPHONIC MUSIC' PRODUCT OF HARRY, FROUKJEAND EMILY 139 5.18 HOME
PAGE OF THE 'ART DECO WATCHES' PRODUCT OF SARAH, DAVID AND BETSY 140
5.19 ' LADIES'WATCH BROOCH'PAGE FROM SARAH, DAVID AND BETSY'S'ART DECO
WATCHES' PRODUCT 141 LIST OFFIGURES XI 5.20 SCREEN FROM THE INTRODUCTION
OF BROGAN, PHILIP AND JANETVART DECO WATCHES' PRODUCT 141 5.21 V BROOCH
WATCH' PAGE FROM THE^ART DECO WATCHES' PRODUCT OF BROGAN, PHILIP AND
JANET 142 6.1 SHOPNIKE.COM HOME PAGE 147 6.2 NIKE AIR MAX 360 (WOMEN'S)
PAGE 147 6.3 SHOPNIKE.COM MEN'S HOME PAGE 148 6.4 SHOPNIKE.COM 'ALL
FOOTWEAR' PAGE 149 6.5 SHOPNIKE.CORRTBASKETBALL/SHOWALL'PAGE 150 6.6
SHOPNIKE.COM 'FORCE SHOES' PAGE 150 6.7 SHOPNIKE.COM 'NIKE AIR MAX 360
BBALL'PAGE 151 6.8 THE ORIGINAL NON-LINEAR STRUCTURE OF SHOPNIKE.COM 152
6.9 PRODUCT FEATURES TABLEFOR NIKE BASKETBALL FORCE SHOES 154 6.10 NIKE
AIR POP-UP WINDOW 155 6.11 INSERTING AN ADDITIONAL LAYER IN THE SHOPNIKE
TREE 157 6.12 NIKE TECHNOLOGY AND NIKE FOOTWEAR TYPESAS TWO ATTRIBUTES
OF ALLFOOTWEAT- 159 6.13 NIKE TECHNOLOGY PART OF THE SHOPNIKE NAVIGATION
TREE 160 6.14 ATABLECOMPARING BASKETBALL SHOES FEATURING MAX AIR
TECHNOLOGY 161 6.15 AN ALTERNATIVE REPRESENTATION OF THE NIKE TECHNOLOGY
PART OF THE SHOPNIKE NAVIGATION TREE 162 6.16A-I SECOND TRANSLATION OF A
PATH THROUGH A REDESIGNED SHOPNIKE.COM 164-8 6.17A-E A SECOND
TRANSLATION OF THE NIKE TECHNOLOGY PATH THROUGH A REDESIGNED
SHOPNIKE.COM 170-2 6.18 CALVARY PRESBYTERIAN CHURCH HOME PAGE 174 6.19
MINISTRIES AND FELLOWSHIPS/CALVARY ACTIVITIES PAGE 174 6.20 EDUCATION AT
CALVARY PAGE 175 6.21 MUSIC AT CALVARY PAGE 176 6.22 RECENT SERMONS PAGE
177 6.23 THE NON-LINEAR SEMANTICS OF THE ORIGINAL CALVARY PRESBYTERIAN
CHURCH WEBSITE 178 6.24 A NON-LINEAR MODEL ANALYSIS OF THE CALVARY
PRESBYTERIAN CHURCH HOME PAGE 179 6.25 REDESIGN OF THE CALVARY
PRESBYTERIAN CHURCH HOME PAGE 181 6.26 AN OVERT STAR REDESIGN OF THE
CALVARY PRESBYTERIAN CHURCH HOME PAGE 182 6.27 A NON-LINEAR MODEL OF THE
SEMANTICS OF THE MUSIC AT CALVARY PAGE 183 6.28 A REDESIGNED MUSIC AT
CALVARY PAGE (SECOND LAYER OF CALVARY CHURCH WEBSITE) 184 6.29 CALVARY'S
CHOIRS PAGE 185 6.30 SANCTUARY ORGAN AND CONCERTS PAGE 185 6.31
CALVARY'S MUSICIANS PAGE 186 6.32 NON-LINEAR MODEL OF THE COMMUNITY'
SEMANTIC FIELD 188 6.33 OUT- COMMUNITY PAGE 188 XII LISTOFFIGURES 6.34
FELLOWSHIPS PAGE 189 6.35 CLUB CALVARY PAGE 189 6.36 A REDESIGNED
SEMANTIC FIELD OF 'EDUCATION' ON THE CALVARY WEBSITE 190 6.37 SECOND
TRANSLATION OF THE SEMANTIC FIELD OF V EDUCATION' 191 6.38 A NON-LINEAR
MODEL OF THE X MINISTRIES'SEMANTIC FIELD 192 6.39 SECOND TRANSLATION OF
THE V MINISTRIES' SEMANTIC FIELD (SECOND LAYER OF STRUCTURE) 192 6.40
OVERALL COMPLEX NON-LINEAR MODEL FOR A REDESIGNED CALVARY PRESBYTERIAN
CHURCH WEBSITE 193 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Martinec, Radan |
| author_GND | (DE-588)131963147 |
| author_facet | Martinec, Radan |
| author_role | aut |
| author_sort | Martinec, Radan |
| author_variant | r m rm |
| building | Verbundindex |
| bvnumber | BV035064389 |
| callnumber-first | P - Language and Literature |
| callnumber-label | P96 |
| callnumber-raw | P96.T42 |
| callnumber-search | P96.T42 |
| callnumber-sort | P 296 T42 |
| callnumber-subject | P - Philology and Linguistics |
| classification_rvk | AP 15860 AP 18000 |
| ctrlnum | (OCoLC)435544594 (DE-599)GBV532103777 |
| dewey-full | 006.7 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 006 - Special computer methods |
| dewey-raw | 006.7 |
| dewey-search | 006.7 |
| dewey-sort | 16.7 |
| dewey-tens | 000 - Computer science, information, general works |
| discipline | Allgemeines Informatik |
| discipline_str_mv | Allgemeines Informatik |
| format | Book |
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| id | DE-604.BV035064389 |
| illustrated | Illustrated |
| index_date | 2024-07-02T22:01:42Z |
| indexdate | 2024-07-09T21:21:23Z |
| institution | BVB |
| isbn | 0415372577 9780415372572 0415372623 9780415372626 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016732868 |
| oclc_num | 435544594 |
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| owner | DE-384 DE-M347 DE-355 DE-BY-UBR |
| owner_facet | DE-384 DE-M347 DE-355 DE-BY-UBR |
| physical | XIV, 205 S. zahlr. Ill., graph. Darst. 24cm |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Routledge |
| record_format | marc |
| spelling | Martinec, Radan Verfasser aut The language of new media design theory and practice Radan Martinec and Theo van Leeuwen London [u.a.] Routledge 2009 XIV, 205 S. zahlr. Ill., graph. Darst. 24cm txt rdacontent n rdamedia nc rdacarrier Communication in design Multimedia systems Mediendesign (DE-588)4823394-8 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Neue Medien (DE-588)4196910-8 s Mediendesign (DE-588)4823394-8 s DE-604 Leeuwen, Theo van 1947- Sonstige (DE-588)131963147 oth Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016732868&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext OEBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016732868&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Martinec, Radan The language of new media design theory and practice Communication in design Multimedia systems Mediendesign (DE-588)4823394-8 gnd Neue Medien (DE-588)4196910-8 gnd |
| subject_GND | (DE-588)4823394-8 (DE-588)4196910-8 |
| title | The language of new media design theory and practice |
| title_auth | The language of new media design theory and practice |
| title_exact_search | The language of new media design theory and practice |
| title_exact_search_txtP | The language of new media design theory and practice |
| title_full | The language of new media design theory and practice Radan Martinec and Theo van Leeuwen |
| title_fullStr | The language of new media design theory and practice Radan Martinec and Theo van Leeuwen |
| title_full_unstemmed | The language of new media design theory and practice Radan Martinec and Theo van Leeuwen |
| title_short | The language of new media design |
| title_sort | the language of new media design theory and practice |
| title_sub | theory and practice |
| topic | Communication in design Multimedia systems Mediendesign (DE-588)4823394-8 gnd Neue Medien (DE-588)4196910-8 gnd |
| topic_facet | Communication in design Multimedia systems Mediendesign Neue Medien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016732868&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016732868&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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