Ulrike Ottinger: the autobiography of art cinema
This book is a brilliantly unconventional investigation into the career of a visionary German filmmaker and the untimely death of art cinema. Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer be...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Minneapolis [u.a.]
Univ. of Minnesota Press
2008
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Schlagworte: | |
Zusammenfassung: | This book is a brilliantly unconventional investigation into the career of a visionary German filmmaker and the untimely death of art cinema. Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger's films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger's defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global. |
Beschreibung: | Includes bibliographical references |
Beschreibung: | XVI, 207 S. Ill. |
ISBN: | 9780816653300 9780816653317 |
Internformat
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245 | 1 | 0 | |a Ulrike Ottinger |b the autobiography of art cinema |c Laurence A. Rickels |
264 | 1 | |a Minneapolis [u.a.] |b Univ. of Minnesota Press |c 2008 | |
300 | |a XVI, 207 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
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500 | |a Includes bibliographical references | ||
520 | 3 | |a This book is a brilliantly unconventional investigation into the career of a visionary German filmmaker and the untimely death of art cinema. Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger's films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger's defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global. | |
600 | 1 | 4 | |a Ottinger, Ulrike |d 1942- |x Criticism and interpretation |
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648 | 4 | |a Geschichte 1900-2000 | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
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author | Rickels, Laurence A. 1954- |
author_GND | (DE-588)11232858X |
author_facet | Rickels, Laurence A. 1954- |
author_role | aut |
author_sort | Rickels, Laurence A. 1954- |
author_variant | l a r la lar |
building | Verbundindex |
bvnumber | BV035062245 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1998 |
callnumber-raw | PN1998.3.O855 |
callnumber-search | PN1998.3.O855 |
callnumber-sort | PN 41998.3 O855 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 51400 |
ctrlnum | (OCoLC)191760074 (DE-599)BVBBV035062245 |
dewey-full | 791.43023/3092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43023/3092 |
dewey-search | 791.43023/3092 |
dewey-sort | 3791.43023 43092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
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index_date | 2024-07-02T22:00:53Z |
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institution | BVB |
isbn | 9780816653300 9780816653317 |
language | English |
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spelling | Rickels, Laurence A. 1954- Verfasser (DE-588)11232858X aut Ulrike Ottinger the autobiography of art cinema Laurence A. Rickels Minneapolis [u.a.] Univ. of Minnesota Press 2008 XVI, 207 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references This book is a brilliantly unconventional investigation into the career of a visionary German filmmaker and the untimely death of art cinema. Since 1974, German filmmaker Ulrike Ottinger has created a substantial body of films that explore a world of difference defined by the tension and transfer between settled and nomadic ways of life. In many of her films, including Exile Shanghai, an experimental documentary about the Jews of Shanghai, and Joan of Arc of Mongolia, in which passengers on the Trans-Siberian Express are abducted by Mongolian bandits, she also probes the encounter with the other, whether exotic or simply unpredictable. In Ulrike Ottinger Laurence A. Rickels offers a series of sensitive and original analyses of Ottinger's films, as well as her more recent photographic artworks, situated within a dazzling thought experiment centered on the history of art cinema through the turn of the twenty-first century. In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger's defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the local and the global. Ottinger, Ulrike 1942- Criticism and interpretation Ottinger, Ulrike 1942- (DE-588)119293927 gnd rswk-swf Geschichte 1900-2000 Film Geschichte Motion picture producers and directors Biography Motion pictures History 20th century Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Ottinger, Ulrike 1942- (DE-588)119293927 p Film (DE-588)4017102-4 s DE-604 |
spellingShingle | Rickels, Laurence A. 1954- Ulrike Ottinger the autobiography of art cinema Ottinger, Ulrike 1942- Criticism and interpretation Ottinger, Ulrike 1942- (DE-588)119293927 gnd Film Geschichte Motion picture producers and directors Biography Motion pictures History 20th century Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)119293927 (DE-588)4017102-4 (DE-588)4006804-3 |
title | Ulrike Ottinger the autobiography of art cinema |
title_auth | Ulrike Ottinger the autobiography of art cinema |
title_exact_search | Ulrike Ottinger the autobiography of art cinema |
title_exact_search_txtP | Ulrike Ottinger the autobiography of art cinema |
title_full | Ulrike Ottinger the autobiography of art cinema Laurence A. Rickels |
title_fullStr | Ulrike Ottinger the autobiography of art cinema Laurence A. Rickels |
title_full_unstemmed | Ulrike Ottinger the autobiography of art cinema Laurence A. Rickels |
title_short | Ulrike Ottinger |
title_sort | ulrike ottinger the autobiography of art cinema |
title_sub | the autobiography of art cinema |
topic | Ottinger, Ulrike 1942- Criticism and interpretation Ottinger, Ulrike 1942- (DE-588)119293927 gnd Film Geschichte Motion picture producers and directors Biography Motion pictures History 20th century Film (DE-588)4017102-4 gnd |
topic_facet | Ottinger, Ulrike 1942- Criticism and interpretation Ottinger, Ulrike 1942- Film Geschichte Motion picture producers and directors Biography Motion pictures History 20th century Biografie |
work_keys_str_mv | AT rickelslaurencea ulrikeottingertheautobiographyofartcinema |