Verfügbarkeit: Dance, dancers and the performance cohort in the Old Kingdom

Dance, dancers and the performance cohort in the Old Kingdom:

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Kinney, Lesley (VerfasserIn)
Format:	Abschlussarbeit Buch
Sprache:	English
Veröffentlicht:	Oxford [u.a.] Archaeopress 2008
Schriftenreihe:	British archaeological reports International series ; 1809
Schlagworte:	Geschichte 2660 v. Chr.- 2160 v. Chr. Tanz - Ägypten (altes) Alltag, Brauchtum Funde Geschichte Dance > Egypt > History Dancers > Egypt > History Tänzer Tanz Egypt > Antiquities Egypt > History > Old Kingdom, ca. 2686-ca. 2181 B.C Egypt > Social life and customs > To 332 B.C Ägypten > Altertum Hochschulschrift
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XVI, 265 S. Ill., graph. Darst.
ISBN:	9781407302966

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Datensatz im Suchindex

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adam_text	Table of Contents Acknowledgements ...............................................................................................................................................................! Glossary of terms used ....................................................................................................................................................... У.1. Bibliography ................................................................................................................................................................... VU1 Introduction ...................................................................................................................................................................... Part I: Typology, Titles, terminology ...............................................................................................6 Chapter 1:1 Typology ...................................................................................................................................................... 6 Criteria for classification .........................................................................................................................................6 Overview of genres .................................................................................................................................................8 Chapter 1: 2 Performers, their Institutions and Titles ................................................................................................20 Performance Institutions ........................................................................................................................................20 hnr .........................................................................................................................................................................20 Gender of the Лиг ...................................................................................................................................................20 function of the hnr .................................................................................................................................................21 The institutional aspect of the hnr .........................................................................................................................23 šndt [Acacia House] .............................................................................................................................................23 Sšmty n šndt [Butchers of the Acacia House] ........................................................................................................24 Court musicians .....................................................................................................................................................25 Who was Who: A Prosopography of Performers and their Titles .........................................................................26 Roles of ritualists associated with dance ...............................................................................................................33 ihibw ....................................................................................................................................................................33 Vocations and hierarchy within the hnr ................................................................................................................34 Status of the hnrwt .................................................................................................................................................36 Gender and hierarchy ............................................................................................................................................36 Embodiment roles ..................................................................................................................................................37 Embodiment in the cult of Hathor .........................................................................................................................38 hnywt in the cult of Hathor ....................................................................................................................................39 mnit, mnit wrt ........................................................................................................................................................40 .......................................................................................................................................................................40 Chapter 1:3 Terminology .............................................................................................................................................42 Captions and classification .................................................................................................................................42 Dance terms used to caption dance scenes .............................................................. ......43 Dance captioned hit ...................................................................................... IZľZľ ľľZľ ...... ľ°ZľľZZZ.43 Dance captioned ibi ................................................................... .................................... 43 Dance captioned hbt (Ш) ................................................................... ZZZ ........ .......................................... ľ 44 Terms relating to accompaniment in dance scenes ......................................... ľZľZZľZ!ľZľ!ZľľľZ!!!Z. 45 The terms hst and miht and the differentiation of Musical vocations ..................................................... 45 Dance terms .................................................. ........................................................................................ en Terms related to Accompaniment in dance scenes ........... ZZZZZZZ!! .......................................................51 Names of Performance Institutions ................................ Z .................................................................................51 Summary ..................................................... ]........................................................................................................,, Part II: The Genres ........................................................... 53 Chapter 1: Dance Style 1 -Diamond Dance .............................................. 54 Typology ................................................... Distribution ................................... ........................................................................................................... y, ........... ■.......*.....................................................,.....,........,.......,...,.„.................65 Context And Scene Arrangement..........................................................................................................................65 Caption ..................................................................................................................................................................67 Variations In Dance Iconography ..........................................................................................................................68 Height Of Working Foot .......................................................................................................................................68 Arm Height Of Dancers .........................................................................................................................................68 Costume Of Dancers .............................................................................................................................................71 Later Developments ..............................................................................................................................................72 Chapter 2: Dance Style 2 -Salute ..............................................................................................................................73 Typology ...............................................................................................................................................................73 Sub-Group 2.A - High Arm Bent Or With A Slight Curve ...................................................................................73 Salute Cluster 2.A1 ................................................................................................................................................77 Salute Cluster 2.A2 ................................................................................................................................................77 Salute Cluster 2.A3 ................................................................................................................................................78 Salute Cluster 2.A4 ................................................................................................................................................79 Sub-Group 2.B-Straight Arm With Flexed Hand ................................................................................................80 Sub-Group 2.C - hn Gesture ..................................................................................................................................81 Sub-Group 2.D - Arm Bent With Hand Placed Against The Head .......................................................................82 Other ......................................................................................................................................................................83 Distribution ............................................................................................................................................................84 Context ..................................................................................................................................................................84 Foot Height ............................................................................................................................................................84 Costume .................................................................................................................................................................84 Associations With Other Genres ...........................................................................................................................85 Later Developments ..............................................................................................................................................87 Chapter 3: Dance Style 3 -^Swastika Pose And Dances With Batons ......................................................................88 Typology ...............................................................................................................................................................88 Sub-Group 3.A - The Swastika Pose Without Batons ...........................................................................................88 Cluster 3.A1 ..........................................................................................................................................................90 Cluster 3.A2 - Solo Swastika Dancer With Diamond Dancers .............................................................................90 Sub-Group 3.B - Boomerang Dance ......................................................................................................................91 Sub-Group 3.C - Swastika And Salute Dances With Sistra ..................................................................................93 Sub-Group 3.D - Static Poses With Various Batons .............................................................................................94 Distribution ............................................................................................................................................................95 Costume .................................................................................................................................................................95 Batons ....................................................................................................................................................................97 Context ..................................................................................................................................................................98 Evidence Of The Genre In Early Writing ..............................................................................................................98 Origin ....................................................................................................................................................................98 Later Developments ..............................................................................................................................................98 Purpose Of Throwing Sticks .................................................................................................................................99 Conclusions .........................................................................................................................................................100 Chapter 4: Dance Style 4 - Harvest Dance ..............................................................................................................101 Sub-Group 4.A - Rhyhmic Movement With Long Sticks ...................................................................................101 Sub-Group 4.B - Rhythmic Movement And Percussion ....................................................................................104 Sub-Group 4.C - Combat With Sticks .................................................................................................................105 Caption ................................................................................................................................................................107 Conclusions .........................................................................................................................................................107 Chapter 5: Dance Style 5 - Pair Dance .................................................................................................................108 Typology .............................................................................................................................................................112 Variations In Pose ...............................................................................................................................................112 Distribution ..........................................................................................................................................................113 Context ................................................................................................................................................................113 Tombs With Pair Dancing Performed Alongside Other Dance Genres ..............................................................113 Caption And Pose ................................................................................................................................................117 iii Dancers ................................................................................................................................................................120 Costume ...............................................................................................................................................................121 Hairstyle ..............................................................................................................................................................122 Associations With The Mww Dance Genre ........................................................................................................122 Chapter 6: Dance Style 6 - Enchaînements; Steps In Sequence Including Pirouette, High Step, Stride, Kick, Linked Hand Dance Sequences And Other Miscellaneous Steps ............................................................................124 Sub-Group 6.A - The Pirouette ...........................................................................................................................124 Sub-Group б Al - The Solo Pirouette .................................................................................................................124 Sub-Group 6.A2-Partnered Pirouette, ...............................................................................................................126 Sub-Group 6.B - High Step .................................................................................................................................128 Sub-Group 6.B1- Solo High Step ........................................................................................................................128 Sub-Group 6.B2-Partnered High Step ...............................................................................................................128 Sub-Group 6.C And 6.Ό - Kick And Stride .........................................................................................................130 Sub-Group 6.C - Kick .........................................................................................................................................130 Sub-Group 6.D - Stride ........................................................................................................................................131 Sub-Group 6.E-Linked Hand Dances ................................................................................................................132 Distribution Of Sub-Groups ................................................................................................................................133 Context ................................................................................................................................................................133 Captions ...............................................................................................................................................................134 Costume ...............................................................................................................................................................134 Other Scenes With No Parallel ............................................................................................................................136 Chapter?: Dance Style 7a -The Dance Of The Mww .........................................................................................138 Distribution ..........................................................................................................................................................139 Typology .............................................................................................................................................................140 Contextual Iconography ......................................................................................................................................140 Costume And Headdress .....................................................................................................................................141 Etymological Iconography of The MwHeaddress ............................................................................................142 Later Developments ............................................................................................................................................142 Dance Style 7b (W)nwn Funerary Dance .............................................................................................................144 Chapter 8: Dance Style 8 - Boys Game ..................................................................................................................146 Typology .............................................................................................................................................................147 Distribution ..........................................................................................................................................147 Context ................................................................................... ....................................................... 149 Chapter^ Dance Style 9- The Hathoric Layout Pose .......................................................................................154 Typology ............................................................................................................................................................ 157 Distribution ................................................, ............................................ 157 Context ................................................................ ..................................................................... igQ Scenes With Mixed Genres .............................. ľ.ľľ.ľ.ľuľľ.Z.ľ ........................................................................160 Hathoric Association ........................................................ .............................................................................161 Gender Of Dancers ........................................... l.ZZZZZ!! ........................................................................161 Variations bi Pose ...................................................[ [........................................................................................161 Costume ......................... ..................................................................................................... ЛСЛ TT . , , ........................................................................................................................................................161 Hairstyle ................................................................ jg. Accompaniment ................................................. ............................................................................................. igo Influences On Later Dance Styles .................... Zľľ.ľ.ľ.......... ..............................................................................162 Chapter 10: Dance Style 10 - Mirror Dance ......................................... i64 Typology ................................................. ..................................................... i:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::!« IV Chapter 11: Observations and Conclusions .............................................................................................................168 Relative size of dancers .......................................................................................................................................170 Chronological Distribution and developments ...................................................................................................170 Geographic distribution of genres .......................................................................................................................171 Context ................................................................................................................................................................171 Mixed genres .......................................................................................................................................................172 Dance scenes with mixed Gender ........................................................................................................................172 Costume ...............................................................................................................................................................172 Chronological indicators .....................................................................................................................................172 Genre and Gender ................................................................................................................................................173 Part III: Appendices Appendix A: Dating Legend .....................................................................................................................................174 Appendix B: Conspectus of dance scenes (prosopography) ...................................................................................175
adam_txt	Table of Contents Acknowledgements .! Glossary of terms used . У.1. Bibliography . VU1 Introduction . Part I: Typology, Titles, terminology .6 Chapter 1:1 Typology . 6 Criteria for classification .6 Overview of genres .8 Chapter 1: 2 Performers, their Institutions and Titles .20 Performance Institutions .20 hnr .20 Gender of the Лиг .20 function of the hnr .21 The institutional aspect of the hnr .23 šndt [Acacia House] .23 Sšmty n šndt [Butchers of the Acacia House] .24 Court musicians .25 Who was Who: A Prosopography of Performers and their Titles .26 Roles of ritualists associated with dance .33 ihibw .33 Vocations and hierarchy within the hnr .34 Status of the hnrwt .36 Gender and hierarchy .36 Embodiment roles .37 Embodiment in the cult of Hathor .38 hnywt in the cult of Hathor .39 mnit, mnit wrt .40 .40 Chapter 1:3 Terminology .42 Captions and classification .42 Dance terms used to caption dance scenes . .43 Dance captioned hit . IZľZľ'ľľZľ . ľ°ZľľZZZ.43 Dance captioned ibi . . 43 Dance captioned hbt (Ш) . ZZZ '"".'. ľ 44 Terms relating to accompaniment in dance scenes . ľZľZZľZ!ľZľ!ZľľľZ!!!Z. 45 The terms hst and miht and the differentiation of Musical vocations . 45 Dance terms . . en Terms related to Accompaniment in dance scenes . ZZZZZZZ!! .51 Names of Performance Institutions . Z" .51 Summary .'].,, Part II: The Genres . 53 Chapter 1: Dance Style 1 -Diamond Dance . 54 Typology . Distribution . . y, ."""■.*.,.,.,.,.,.„.65 Context And Scene Arrangement.65 Caption .67 Variations In Dance Iconography .68 Height Of Working Foot .68 Arm Height Of Dancers .68 Costume Of Dancers .71 Later Developments .72 Chapter 2: Dance Style 2 -Salute .73 Typology .73 Sub-Group 2.A - High Arm Bent Or With A Slight Curve .73 Salute Cluster 2.A1 .77 Salute Cluster 2.A2 .77 Salute Cluster 2.A3 .78 Salute Cluster 2.A4 .79 Sub-Group 2.B-Straight Arm With Flexed Hand .80 Sub-Group 2.C - hn Gesture .81 Sub-Group 2.D - Arm Bent With Hand Placed Against The Head .82 Other .83 Distribution .84 Context .84 Foot Height .84 Costume .84 Associations With Other Genres .85 Later Developments .87 Chapter 3: Dance Style 3 -^Swastika Pose And Dances With Batons .88 Typology .88 Sub-Group 3.A - The Swastika Pose Without Batons .88 Cluster 3.A1 .90 Cluster 3.A2 - Solo Swastika Dancer With Diamond Dancers .90 Sub-Group 3.B - Boomerang Dance .91 Sub-Group 3.C - Swastika And Salute Dances With Sistra .93 Sub-Group 3.D - Static Poses With Various Batons .94 Distribution .95 Costume .95 Batons .97 Context .98 Evidence Of The Genre In Early Writing .98 Origin .98 Later Developments .98 Purpose Of Throwing Sticks .99 Conclusions .100 Chapter 4: Dance Style 4 - Harvest Dance .101 Sub-Group 4.A - Rhyhmic Movement With Long Sticks .101 Sub-Group 4.B - Rhythmic Movement And Percussion .104 Sub-Group 4.C - Combat With Sticks .105 Caption .107 Conclusions .107 Chapter 5: Dance Style 5 - Pair Dance .108 Typology .112 Variations In Pose .112 Distribution .113 Context .113 Tombs With Pair Dancing Performed Alongside Other Dance Genres .113 Caption And Pose .117 iii Dancers .120 Costume .121 Hairstyle .122 Associations With The Mww Dance Genre .122 Chapter 6: Dance Style 6 - Enchaînements; Steps In Sequence Including Pirouette, High Step, Stride, Kick, Linked Hand Dance Sequences And Other Miscellaneous Steps .124 Sub-Group 6.A - The Pirouette .124 Sub-Group б Al - The Solo Pirouette .124 Sub-Group 6.A2-Partnered Pirouette, .126 Sub-Group 6.B - High Step .128 Sub-Group 6.B1- Solo High Step .128 Sub-Group 6.B2-Partnered High Step .128 Sub-Group 6.C And 6.Ό - Kick And Stride .130 Sub-Group 6.C - Kick .130 Sub-Group 6.D - Stride .131 Sub-Group 6.E-Linked Hand Dances .132 Distribution Of Sub-Groups .133 Context .133 Captions .134 Costume .134 Other Scenes With No Parallel .136 Chapter?: Dance Style 7a -The Dance Of The Mww .138 Distribution .139 Typology .140 Contextual Iconography .140 Costume And Headdress .141 Etymological Iconography of The MwHeaddress .142 Later Developments .142 Dance Style 7b (W)nwn Funerary Dance .144 Chapter 8: Dance Style 8 - Boys' Game .146 Typology .147 Distribution .147 Context .""". ' ' 149 Chapter^ Dance Style 9- The Hathoric Layout Pose .154 Typology . 157 Distribution ., . 157 Context . . igQ Scenes With Mixed Genres . ľ.ľľ.ľ.ľuľľ.Z.ľ .160 Hathoric Association .'" '.161 Gender Of Dancers . l.ZZZZZ!! ".161 Variations bi Pose .["[.161 Costume . . ЛСЛ TT . , , .161 Hairstyle . jg. Accompaniment . ". igo Influences On Later Dance Styles . Zľľ.ľ.ľ. .162 Chapter 10: Dance Style 10 - Mirror Dance . i64 Typology . . i:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::!« IV Chapter 11: Observations and Conclusions .168 Relative size of dancers .170 Chronological Distribution and developments .170 Geographic distribution of genres .171 Context .171 Mixed genres .172 Dance scenes with mixed Gender .172 Costume .172 Chronological indicators .172 Genre and Gender .173 Part III: Appendices Appendix A: Dating Legend .174 Appendix B: Conspectus of dance scenes (prosopography) .175
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era	Geschichte 2660 v. Chr.- 2160 v. Chr. gnd
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genre	(DE-588)4113937-9 Hochschulschrift gnd-content
genre_facet	Hochschulschrift
geographic	Egypt Antiquities Egypt History Old Kingdom, ca. 2686-ca. 2181 B.C Egypt Social life and customs To 332 B.C Ägypten Altertum (DE-588)4068430-1 gnd
geographic_facet	Egypt Antiquities Egypt History Old Kingdom, ca. 2686-ca. 2181 B.C Egypt Social life and customs To 332 B.C Ägypten Altertum
id	DE-604.BV035039945
illustrated	Illustrated
index_date	2024-07-02T21:52:52Z
indexdate	2024-07-09T21:20:49Z
institution	BVB
isbn	9781407302966
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-016708787
oclc_num	243740406
open_access_boolean
owner	DE-20 DE-188 DE-12 DE-19 DE-BY-UBM DE-2501 DE-11
owner_facet	DE-20 DE-188 DE-12 DE-19 DE-BY-UBM DE-2501 DE-11
physical	XVI, 265 S. Ill., graph. Darst.
psigel	gbd_4_0812
publishDate	2008
publishDateSearch	2008
publishDateSort	2008
publisher	Archaeopress
record_format	marc
series	British archaeological reports
series2	British archaeological reports : International series
spelling	Kinney, Lesley Verfasser aut Dance, dancers and the performance cohort in the Old Kingdom Lesley Kinney Oxford [u.a.] Archaeopress 2008 XVI, 265 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier British archaeological reports : International series 1809 Teilw. zugl.: Sydney, Univ., Diss. Geschichte 2660 v. Chr.- 2160 v. Chr. gnd rswk-swf Tanz - Ägypten (altes) idsbb Alltag, Brauchtum Funde Geschichte Dance Egypt History Dancers Egypt History Tänzer (DE-588)4136608-6 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Egypt Antiquities Egypt History Old Kingdom, ca. 2686-ca. 2181 B.C Egypt Social life and customs To 332 B.C Ägypten Altertum (DE-588)4068430-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Ägypten, Zeit der Pharaonen (DE-2581)TH000003385 gbd Ägypten Altertum (DE-588)4068430-1 g Tanz (DE-588)4059028-8 s Geschichte 2660 v. Chr.- 2160 v. Chr. z DE-604 Tänzer (DE-588)4136608-6 s British archaeological reports International series ; 1809 (DE-604)BV023549802 1809 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016708787&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Kinney, Lesley Dance, dancers and the performance cohort in the Old Kingdom British archaeological reports Tanz - Ägypten (altes) idsbb Alltag, Brauchtum Funde Geschichte Dance Egypt History Dancers Egypt History Tänzer (DE-588)4136608-6 gnd Tanz (DE-588)4059028-8 gnd
subject_GND	(DE-588)4136608-6 (DE-588)4059028-8 (DE-588)4068430-1 (DE-588)4113937-9
title	Dance, dancers and the performance cohort in the Old Kingdom
title_auth	Dance, dancers and the performance cohort in the Old Kingdom
title_exact_search	Dance, dancers and the performance cohort in the Old Kingdom
title_exact_search_txtP	Dance, dancers and the performance cohort in the Old Kingdom
title_full	Dance, dancers and the performance cohort in the Old Kingdom Lesley Kinney
title_fullStr	Dance, dancers and the performance cohort in the Old Kingdom Lesley Kinney
title_full_unstemmed	Dance, dancers and the performance cohort in the Old Kingdom Lesley Kinney
title_short	Dance, dancers and the performance cohort in the Old Kingdom
title_sort	dance dancers and the performance cohort in the old kingdom
topic	Tanz - Ägypten (altes) idsbb Alltag, Brauchtum Funde Geschichte Dance Egypt History Dancers Egypt History Tänzer (DE-588)4136608-6 gnd Tanz (DE-588)4059028-8 gnd
topic_facet	Tanz - Ägypten (altes) Alltag, Brauchtum Funde Geschichte Dance Egypt History Dancers Egypt History Tänzer Tanz Egypt Antiquities Egypt History Old Kingdom, ca. 2686-ca. 2181 B.C Egypt Social life and customs To 332 B.C Ägypten Altertum Hochschulschrift
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016708787&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV023549802
work_keys_str_mv	AT kinneylesley dancedancersandtheperformancecohortintheoldkingdom

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MARC

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