Embellishing the liturgy: tropes and polyphony
The tropes, together with the sequences, represent the main creative activity of European musicians in the nineth, tenth, and eleventh centuries. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography.
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Farnham [u.a.]
Ashgate
2009
|
Schriftenreihe: | Music in medieval Europe
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The tropes, together with the sequences, represent the main creative activity of European musicians in the nineth, tenth, and eleventh centuries. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography. |
Beschreibung: | LIV, 559 S. Ill., Notenbeisp. |
ISBN: | 9780754627647 |
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adam_text | Contents
Acknowledgements
vii
Series Preface
¡χ
Introduction
xi
PART I TROPES IN GENERAL
1
Richard L. Crocker
( 1966),
The Troping Hypothesis
,
The Musical Quarterly,
52,
pp.
183-203. 3
2
David Hiley
(1983),
Some Observations on the Interrelationships between
Trope Repertories , in
Gunilla Iversen
(ed.),
Research on Tropes: Proceedings
of a Symposium Organized by the Royal Academy of Literature, History and
Antiquities and the Corpus Troporum, Stockholm, June
1-3, 1981,
Stockhohn:
Almqvist
and Wiksell International, pp.
29-37. 25
3
Michel Huglo
(1978),
Aux origines des
tropes
d interpolation: le
trope
méloforme d introït , Revue de Musicologie,
64,
pp.
5-54. 35
4
Michel Huglo
(1986),
Les
Libelli
de
Tropes
et les premiers Tropaires-
Prosaires , in Ritva
Jacobsson
(ed.),
Pax
et Sapientia:
Studies in Text and Music
of Liturgical Tropes and Sequences in Memory of Gordon Anderson, Stockholm:
Almqvist
and Wiksell International, pp.
13-22. 85
5
Ritva
Jacobsson
and Leo Treitler
(1986),
Tropes and the Concept of Genre ,
in Ritva
Jacobsson
(ed.),
Pax
et
Sapientia: Studies in Text and Music of Liturgical
Tropes and Sequences in Memory of Gordon Anderson, Stockholm:
Almqvist
and
Wiksell International, pp.
59-89. 95
6
John G. Johnstone
(1983),
Beyond a Chant:
Tui sunt
caeli and its Tropes ,
in Studies in the History of Music,
1:
Music and Language, New York: Broude
Brothers, pp.
24-37. 127
7
Ritva
Jonsson
(1983),
The Liturgical Function of the Tropes , in
Gunilla
Iversen
(ed.),
Research on Tropes: Proceedings of a Symposium Organized by the Royal
Academy of Literature, History and Antiquities and the Corpus Troporum, Stockholm,
June
1-3, 1981,
Stockholm:
Almqvist
and Wiksell International, pp.
99-123. 141
8
Alejandro Enrique
Planchart (1988),
On the Nature of Transmission and Change
in Trope Repertories , Journal of the American
Musicologica}
Society,
41,
pp.
215-49. 167
9
Bruno
Stäblein (1963), Zum Verständnis des klassischen Tropus ,
Acta
Musicologica,
35,
pp.
84-95. 203
Embellishing the Liturgy
PART
Π
AQUITAINE
AND THE WEST
10
Paul Evans
(1970),
Northern French Elements in an Early Aquitainian Troper ,
in Heinz Becker and
Reinhard Gerlach
(eds),
Speculum Musicae Artis:
Festgabe
für Heinrich
Husmann, Munich: W. Fink, pp.
103-10. 219
11
James
Grier
(1994),
A New Voice in the Monastery: Tropes and Versus from
Eleventh- and Twelfth-Century
Aquitaine ,
Speculum,
69,
pp.
1023-69. 227
12
David G. Hughes
(1966),
Further Notes on the Grouping of the Aquitanian
Tropers , Journal of the American Musicological Society,
19,
pp.
3-12. 275
PARTIU ST
GALLAND
THE EAST
13
Gunilla Björkvall
and Andreas Haug
(1993), Tropentypen in Sankt Gallen ,
in
Wulf
Arit and
Gunilla Björkvall (eds),
Recherches nouvelles sur les
tropes
liturgiques, Stockholm:
Almqvist
and Wiksell International, pp.
119-74. 287
14
David Hiley
(1992),
Some
Observations on
the Repertory of Tropes at
StEmmeram,
Regensburg ,
in
Lazio Dobszay,
Ágnes
Papp
and
Ferenc Seb
(eds),
Cantus Planus:
Papers Read at the Fourth Meeting
Pécs,
Hungary,
3-8
September
1990,
Budapest: Hungarian Academy of Sciences, pp.
337-57.
343
15
Susan Rankin
(1993),
From Tuotilo to the First Manuscripts: The Shaping
of a Trope Repertory at Saint Gall , in
Wulf
Arit
and
Gunilla Björkvall (eds),
Recherches nouvelles sur les
tropes
liturgiques,
Stockhohn:
Almqvist
and
Wiksell
International,
pp.
395-413. 365
PARTIV
THE ORDINARY
16
Charles M.
Atkinson
(1977),
The Earliest Agnus Dei Melody and its Tropes
,
Journal of the American Musicological Society,
30,
pp.
1-19. 387
17
David A. Bjork
(1980),
The
Kyrie
Trope , Journal of the American
Musicological Society,
33,
pp.
1-41. 407
18
Gunilla Iversen
(1986),
Pax
et Sapientia: A
Thematic Study on Tropes from
Different Traditions , in Ritva
Jacobsson
(ed.),
Pax
et
Sapientia: Studies in Text
and Music of Liturgical Tropes and Sequences in Memory of Gordon Anderson,
Stockholm:
Almqvist
and Wiksell International, pp.
23-58. 449
19
Thomas Forrest Kelly
(1984),
Introducing the Gloria in Excelsis , Journal
of the American Musicological Society,
37,
pp.
479-506. 485
PART V TROPES IN THE OFFICE
20
Hans-Jörgen
Holman
(1963),
Melismatic Tropes in the Responsories for Matins ,
Journal of the American Musicological Society,
16,
pp.
36-46 515
21
Thomas Forrest Kelly
(1977),
New Music from Old: The Structuring of Responsory
Prosas ,
Journal of the American Musicological Society,
30,
pp.
366-90. 527
Index 553
|
adam_txt |
Contents
Acknowledgements
vii
Series Preface
¡χ
Introduction
xi
PART I TROPES IN GENERAL
1
Richard L. Crocker
( 1966), '
The Troping Hypothesis
',
The Musical Quarterly,
52,
pp.
183-203. 3
2
David Hiley
(1983),
'Some Observations on the Interrelationships between
Trope Repertories', in
Gunilla Iversen
(ed.),
Research on Tropes: Proceedings
of a Symposium Organized by the Royal Academy of Literature, History and
Antiquities and the Corpus Troporum, Stockholm, June
1-3, 1981,
Stockhohn:
Almqvist
and Wiksell International, pp.
29-37. 25
3
Michel Huglo
(1978),
'Aux origines des
tropes
d'interpolation: le
trope
méloforme d'introït', Revue de Musicologie,
64,
pp.
5-54. 35
4
Michel Huglo
(1986),
'Les
"Libelli"
de
Tropes
et les premiers Tropaires-
Prosaires', in Ritva
Jacobsson
(ed.),
Pax
et Sapientia:
Studies in Text and Music
of Liturgical Tropes and Sequences in Memory of Gordon Anderson, Stockholm:
Almqvist
and Wiksell International, pp.
13-22. 85
5
Ritva
Jacobsson
and Leo Treitler
(1986),
'Tropes and the Concept of Genre',
in Ritva
Jacobsson
(ed.),
Pax
et
Sapientia: Studies in Text and Music of Liturgical
Tropes and Sequences in Memory of Gordon Anderson, Stockholm:
Almqvist
and
Wiksell International, pp.
59-89. 95
6
John G. Johnstone
(1983),
'Beyond a Chant:
"Tui sunt
caeli" and its Tropes',
in Studies in the History of Music,
1:
Music and Language, New York: Broude
Brothers, pp.
24-37. 127
7
Ritva
Jonsson
(1983),
'The Liturgical Function of the Tropes', in
Gunilla
Iversen
(ed.),
Research on Tropes: Proceedings of a Symposium Organized by the Royal
Academy of Literature, History and Antiquities and the Corpus Troporum, Stockholm,
June
1-3, 1981,
Stockholm:
Almqvist
and Wiksell International, pp.
99-123. 141
8
Alejandro Enrique
Planchart (1988),
'On the Nature of Transmission and Change
in Trope Repertories', Journal of the American
Musicologica}
Society,
41,
pp.
215-49. 167
9
Bruno
Stäblein (1963), 'Zum Verständnis des "klassischen" Tropus',
Acta
Musicologica,
35,
pp.
84-95. 203
Embellishing the Liturgy
PART
Π
AQUITAINE
AND THE WEST
10
Paul Evans
(1970),
'Northern French Elements in an Early Aquitainian Troper',
in Heinz Becker and
Reinhard Gerlach
(eds),
Speculum Musicae Artis:
Festgabe
für Heinrich
Husmann, Munich: W. Fink, pp.
103-10. 219
11
James
Grier
(1994),
'A New Voice in the Monastery: Tropes and Versus from
Eleventh- and Twelfth-Century
Aquitaine',
Speculum,
69,
pp.
1023-69. 227
12
David G. Hughes
(1966),
'Further Notes on the Grouping of the Aquitanian
Tropers', Journal of the American Musicological Society,
19,
pp.
3-12. 275
PARTIU ST
GALLAND
THE EAST
13
Gunilla Björkvall
and Andreas Haug
(1993), 'Tropentypen in Sankt Gallen',
in
Wulf
Arit and
Gunilla Björkvall (eds),
Recherches nouvelles sur les
tropes
liturgiques, Stockholm:
Almqvist
and Wiksell International, pp.
119-74. 287
14
David Hiley
(1992),
'Some
Observations on
the Repertory of Tropes at
StEmmeram,
Regensburg',
in
Lazio Dobszay,
Ágnes
Papp
and
Ferenc Seb
(eds),
Cantus Planus:
Papers Read at the Fourth Meeting
Pécs,
Hungary,
3-8
September
1990,
Budapest: Hungarian Academy of Sciences, pp.
337-57.
343
15
Susan Rankin
(1993),
'From Tuotilo to the First Manuscripts: The Shaping
of a Trope Repertory at Saint Gall', in
Wulf
Arit
and
Gunilla Björkvall (eds),
Recherches nouvelles sur les
tropes
liturgiques,
Stockhohn:
Almqvist
and
Wiksell
International,
pp.
395-413. 365
PARTIV
THE ORDINARY
16
Charles M.
Atkinson
(1977),
'The Earliest Agnus Dei Melody and its Tropes'
,
Journal of the American Musicological Society,
30,
pp.
1-19. 387
17
David A. Bjork
(1980),
'The
Kyrie
Trope', Journal of the American
Musicological Society,
33,
pp.
1-41. 407
18
Gunilla Iversen
(1986),
'Pax
et Sapientia: A
Thematic Study on Tropes from
Different Traditions', in Ritva
Jacobsson
(ed.),
Pax
et
Sapientia: Studies in Text
and Music of Liturgical Tropes and Sequences in Memory of Gordon Anderson,
Stockholm:
Almqvist
and Wiksell International, pp.
23-58. 449
19
Thomas Forrest Kelly
(1984),
'Introducing the Gloria in Excelsis', Journal
of the American Musicological Society,
37,
pp.
479-506. 485
PART V TROPES IN THE OFFICE
20
Hans-Jörgen
Holman
(1963),
'Melismatic Tropes in the Responsories for Matins',
Journal of the American Musicological Society,
16,
pp.
36-46 515
21
Thomas Forrest Kelly
(1977),
'New Music from Old: The Structuring of Responsory
Prosas',
Journal of the American Musicological Society,
30,
pp.
366-90. 527
Index 553 |
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id | DE-604.BV035038115 |
illustrated | Illustrated |
index_date | 2024-07-02T21:52:16Z |
indexdate | 2024-07-09T21:20:46Z |
institution | BVB |
isbn | 9780754627647 |
language | English |
lccn | 2008002395 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016706988 |
oclc_num | 475773520 |
open_access_boolean | |
owner | DE-12 DE-824 DE-355 DE-BY-UBR DE-B220 DE-11 DE-188 |
owner_facet | DE-12 DE-824 DE-355 DE-BY-UBR DE-B220 DE-11 DE-188 |
physical | LIV, 559 S. Ill., Notenbeisp. |
publishDate | 2009 |
publishDateSearch | 2009 |
publishDateSort | 2009 |
publisher | Ashgate |
record_format | marc |
series2 | Music in medieval Europe |
spelling | Embellishing the liturgy tropes and polyphony ed. by Alejandro Enrique Planchart Farnham [u.a.] Ashgate 2009 LIV, 559 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Music in medieval Europe The tropes, together with the sequences, represent the main creative activity of European musicians in the nineth, tenth, and eleventh centuries. This volume provides an introduction to the study of tropes in the form of an extensive anthology of major studies and a comprehensive bibliography. Geschichte gnd rswk-swf Meerstemmigheid gtt Tropen (kerkliederen) gtt Tropes (Music) History and criticism Tropus (DE-588)4186328-8 gnd rswk-swf Tropus Liturgischer Gesang (DE-588)4211530-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Tropus (DE-588)4186328-8 s Geschichte z DE-604 Tropus Liturgischer Gesang (DE-588)4211530-9 s Planchart, Alejandro Enrique 1935-2019 (DE-588)13917415X edt Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016706988&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Embellishing the liturgy tropes and polyphony Meerstemmigheid gtt Tropen (kerkliederen) gtt Tropes (Music) History and criticism Tropus (DE-588)4186328-8 gnd Tropus Liturgischer Gesang (DE-588)4211530-9 gnd |
subject_GND | (DE-588)4186328-8 (DE-588)4211530-9 (DE-588)4143413-4 |
title | Embellishing the liturgy tropes and polyphony |
title_auth | Embellishing the liturgy tropes and polyphony |
title_exact_search | Embellishing the liturgy tropes and polyphony |
title_exact_search_txtP | Embellishing the liturgy tropes and polyphony |
title_full | Embellishing the liturgy tropes and polyphony ed. by Alejandro Enrique Planchart |
title_fullStr | Embellishing the liturgy tropes and polyphony ed. by Alejandro Enrique Planchart |
title_full_unstemmed | Embellishing the liturgy tropes and polyphony ed. by Alejandro Enrique Planchart |
title_short | Embellishing the liturgy |
title_sort | embellishing the liturgy tropes and polyphony |
title_sub | tropes and polyphony |
topic | Meerstemmigheid gtt Tropen (kerkliederen) gtt Tropes (Music) History and criticism Tropus (DE-588)4186328-8 gnd Tropus Liturgischer Gesang (DE-588)4211530-9 gnd |
topic_facet | Meerstemmigheid Tropen (kerkliederen) Tropes (Music) History and criticism Tropus Tropus Liturgischer Gesang Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016706988&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT planchartalejandroenrique embellishingtheliturgytropesandpolyphony |