Mozart, Haydn and early Beethoven: 1781 - 1802
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Norton
2009
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVIII, 846 S. Kt., Notenbeisp. |
| ISBN: | 9780393066340 |
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| 245 | 1 | 0 | |a Mozart, Haydn and early Beethoven |b 1781 - 1802 |c Daniel Heartz |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a New York [u.a.] |b Norton |c 2009 | |
| 300 | |a XVIII, 846 S. |b Kt., Notenbeisp. | ||
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| 500 | |a Includes bibliographical references and index | ||
| 600 | 1 | 4 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |
| 600 | 1 | 4 | |a Haydn, Joseph |d 1732-1809 |
| 600 | 1 | 4 | |a Beethoven, Ludwig van |d 1770-1827 |
| 600 | 1 | 7 | |a Haydn, Joseph |d 1732-1809 |0 (DE-588)118547356 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Mozart, Wolfgang Amadeus |d 1756-1791 |0 (DE-588)118584596 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Beethoven, Ludwig van |d 1770-1827 |0 (DE-588)118508288 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1700-1800 | |
| 648 | 7 | |a Geschichte 1781-1791 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1781-1802 |2 gnd |9 rswk-swf | |
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| 648 | 7 | |a Geschichte 1770-1802 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Composers |v Biography | |
| 650 | 4 | |a Music |y 18th century |x History and criticism | |
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Datensatz im Suchindex
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| adam_text | (continued from front flap)
By the early years of the nineteenth century,
Haydn, Mozart, and Beethoven had become a
catchphrase
—
a commonplace expression signify¬
ing musical excellence. From Vienna, the fame of these
three composers spread rapidly outward across Europe and
into the New World, and contemporary critics ranked
Beethoven as the only musician worthy to stand beside
Haydn and Mozart.
For most of his career, Haydn was little more than a
liveried servant who spent his days at the beck and call of
the
Esterházy
court, but by
1780
his music had become
famous across Europe. Blessed with a lively sense of humor,
Haydn delighted in identifying his audience s expectations
and then confounding them in works that now bear nick¬
names like The Joke (in which a catchy theme belies a
sophisticated underlying structure and several false endings
leave the audience unsure of when to applaud) and Surprise
(in which a sudden
finissimo
crash on a weak beat in the
slow movement snaps the casual listener out of a doze).
Mozart, on the other hand, became an independent
freelancer, a lifestyle that afforded him unparalleled compo¬
sitional (if not financial) freedom. Identified by Haydn as
the greatest composer known to me either in person or by
name, Mozart benefited from Haydn s inspiration and
went on to create even greater works.
The high classical style that marked the last two
decades of the eighteenth century culminated in an impos¬
ing succession of undisputed masterpieces. During the
1780s, Mozart wrote his most famous operas and instru¬
mental works. Haydn followed by producing his greatest
symphonies, string quartets, masses, and oratorios. And
onto this field indisputably dominated by these two giants
came young Beethoven, an irascible and talented young man
who would one day succeed them both. By
1809,
critic
E. T.
A. Hoffmann was able to judge that instrumental
music has now risen to a level of which one probably had
no inkling not so long ago, and that the symphony, especially
following the impetus it received from Haydn and Mozart,
has become the ultimate form of instrumental music.
Completing the trilogy begun with Haydn, Mozart
and the Viennese School,
1740—1780
and continued in
Music in European Capitah: The
Galant
Style,
1720-1780,
Daniel Heartz concludes his extensive chronicle of the
Classical Era with this much-anticipated third volume.
Mozart, Haydn and Early Beethoven,
1781-1802
winds up
the careers of Mozart and Haydn and describes Beethoven s
first decade in Vienna, when he began composing by pat¬
terning his works on the two masters. The tumult and
instability of the French Revolution and Napoleons rise to
power serve as a vivid historical backdrop for the tale.
DAXIEL HEARTZ, PhD, professor emeritus
of music at the University of California, Berkeley, is the
recipient of Guggenheim Fellowships, two ASCAP-Deems
Taylor Awards, and two Otto Kinkeldey Awards of the
American Musicological Society. In
1970
he received the
Royal Musical Associations Dent Medal, awarded annually
for outstanding contributions to
musicologi He
lives in
Berkeley, California.
(continued on back flap)
Titel: Mozart, Haydn and early Beethoven
Autor: Heartz, Daniel
Jahr: 2009
Jjal of 3lluslraüons XÜi
Jrejm
face XV
/. JWozart, 1781-1785 3
Return to Vienna 3
Die Entführung aus dem Serail 9
Dramaturgical Concerns 25
Ciavierland! Salzburg and Vienna 41
Joseph II and Other Patrons 58
The Linz Symphony 58
Baron van Swieten 62
Freemasonry 65
Six String Quartets Dedicated to Haydn 73
The Piano Concertos of 1784 88
1785: Leopold s Visit; More Concertos 104
2.J(ozart, 1786-1788 121
The Approaches to Figaro 121
Le nozze di Figaro 135
Post-Figaro Chamber Music 151
On the Way to Prague 164
The Prague Symfhony 266
Figaro in the Nostitz Theater 170
String Quintets 177
Interlude 181
Don Giovanni 185
1788: Three Late Symphonies 197
3. Mozart, 1789-1791 217
Saxony, Prussia; Chamber Music 217
Cosi fan tutte 235
Leopold II: Sacred Music 256
The Requiem 264
Die Zauberflöte 270
La clemenza di Tito 289
Jt.3LfJn.-3L 1780» 307
String Quartets, Opus 33 308
Sacred Music and Opera 323
The Second Missa Cellensis 324
Orlando Paladino 329
Armida 334
The Seven Last Words 341
Symphonies 347
Symphonies Nos. 75-81 347
Contexts for the Paris Symphonies 356
The Paris Symphonies, Nos. 82-87 362
Symphonies Nos. 88-92 367
String Quartets 374
Opus 50 374
Mozart and Haydn 381
Opera 54-55 384
Opus 64 389
Piano Sonatas and Trios 397
Departure 426
5. 3CaljJn in IcnJon, 1791-1795 421
The First Months 422
Orfeo ed Euridice 427
Salomon s 1791 Concerts 435
Symphonies Nos. 95-96 444
The London Notebooks 450
Summer 1791-Winter 1792 454
Salomon s 1792 Concerts 460
Symphonies Nos. 93-94 465
Symphonies Nos. 97-98 470
Interim in Vienna 476
String Quartets, Opera 71-74 481
Salomon s 1794 Concerts 489
Symphony No. 99 496
Symphonies Nos. 100-101 499
Other Events of 1794 503
Piano Trios and Sonatas, 1794-95 509
The Opera Concerts, 1795 523
Symphony No. 102 535
Symphony No. 103 539
Symphony No. 104 544
6. JlaifJn: J.aie Jlaroesf 553
Vienna, 1795-96 553
Die Sieben letzten Worte 555
Missa Sancti Bernardi de Offida ( Heiligmesse ) 560
Missa in Tempore Belli 566
The Trumpet Concerto 572
String Quartets, Opus 76 572
The Creation 585
Sacred Music, 1798-1800 606
Missa in Angustiis ( Nelson Mass) 606
Theresienmesse 612
Te Deum Laudamus; Admiral Nelson 627
String Quartets, Opus 77 622
The Seasons 628
Valediction 652
Schöpfungsmesse 651
Harmoniemesse 656
Last Years 662
7. JOeeihoven in JOonn and in Vienna 675
Heritage 675
A Rhine Journey 679
First Compositions 685
A Fortnight in Vienna 689
Last Bonn Years 692
The Joseph and Leopold Cantatas 698
Departure 704
First Vienna Years 706
Trios, Opus i, and Sonatas, Opus z 710
A Journey to Berlin 722
1797-1798 726
At the Turn of the Century 739
Piano Sonatas 740
String Quartets, Opus 18 749
Symphony No. 1 in C Major 762
The Creatures of Prometheus 771
The Year 1802 776
Symphony No. 2 in D Major 780
APPENDICES
/. Jln Jrish ilenor in fite JOuralkeaier 793
2. (Jarli ßfihesses JlaiiJns Jirmlia 799
Jjslof IforL CileJ 803
CreJih 819
821
|
| adam_txt |
(continued from front flap)
By the early years of the nineteenth century,
"Haydn, Mozart, and Beethoven" had become a
catchphrase
—
a commonplace expression signify¬
ing musical excellence. From Vienna, the fame of these
three composers spread rapidly outward across Europe and
into the New World, and contemporary critics ranked
Beethoven as the only musician worthy to stand beside
Haydn and Mozart.
For most of his career, Haydn was little more than a
liveried servant who spent his days at the beck and call of
the
Esterházy
court, but by
1780
his music had become
famous across Europe. Blessed with a lively sense of humor,
Haydn delighted in identifying his audience's expectations
and then confounding them in works that now bear nick¬
names like The Joke (in which a catchy theme belies a
sophisticated underlying structure and several false endings
leave the audience unsure of when to applaud) and Surprise
(in which a sudden
finissimo
crash on a weak beat in the
slow movement snaps the casual listener out of a doze).
Mozart, on the other hand, became an independent
freelancer, a lifestyle that afforded him unparalleled compo¬
sitional (if not financial) freedom. Identified by Haydn as
"the greatest composer known to me either in person or by
name," Mozart benefited from Haydn's inspiration and
went on to create even greater works.
The high classical style that marked the last two
decades of the eighteenth century culminated in an impos¬
ing succession of undisputed masterpieces. During the
1780s, Mozart wrote his most famous operas and instru¬
mental works. Haydn followed by producing his greatest
symphonies, string quartets, masses, and oratorios. And
onto this field indisputably dominated by these two giants
came young Beethoven, an irascible and talented young man
who would one day succeed them both. By
1809,
critic
E. T.
A. Hoffmann was able to judge that "instrumental
music has now risen to a level of which one probably had
no inkling not so long ago, and that the symphony, especially
following the impetus it received from Haydn and Mozart,
has become the ultimate form of instrumental music."
Completing the trilogy begun with Haydn, Mozart
and the Viennese School,
1740—1780
and continued in
Music in European Capitah: The
Galant
Style,
1720-1780,
Daniel Heartz concludes his extensive chronicle of the
Classical Era with this much-anticipated third volume.
Mozart, Haydn and Early Beethoven,
1781-1802
winds up
the careers of Mozart and Haydn and describes Beethoven's
first decade in Vienna, when he began composing by pat¬
terning his works on the two masters. The tumult and
instability of the French Revolution and Napoleons rise to
power serve as a vivid historical backdrop for the tale.
DAXIEL HEARTZ, PhD, professor emeritus
of music at the University of California, Berkeley, is the
recipient of Guggenheim Fellowships, two ASCAP-Deems
Taylor Awards, and two Otto Kinkeldey Awards of the
American Musicological Society. In
1970
he received the
Royal Musical Associations Dent Medal, awarded annually
for outstanding contributions to
musicologi He
lives in
Berkeley, California.
(continued on back flap)
Titel: Mozart, Haydn and early Beethoven
Autor: Heartz, Daniel
Jahr: 2009
Jjal of 3lluslraüons XÜi
Jrejm
face XV
/. JWozart, 1781-1785 3
Return to Vienna 3
Die Entführung aus dem Serail 9
Dramaturgical Concerns 25
Ciavierland! Salzburg and Vienna 41
Joseph II and Other Patrons 58
The "Linz" Symphony 58
Baron van Swieten 62
Freemasonry 65
Six String Quartets Dedicated to Haydn 73
The Piano Concertos of 1784 88
1785: Leopold's Visit; More Concertos 104
2.J(ozart, 1786-1788 121
The Approaches to Figaro 121
Le nozze di Figaro 135
Post-Figaro Chamber Music 151
On the Way to Prague 164
The "Prague" Symfhony 266
Figaro in the Nostitz Theater 170
String Quintets 177
Interlude 181
Don Giovanni 185
1788: Three Late Symphonies 197
3. Mozart, 1789-1791 217
Saxony, Prussia; Chamber Music 217
Cosi fan tutte 235
Leopold II: Sacred Music 256
The Requiem 264
Die Zauberflöte 270
La clemenza di Tito 289
Jt.3LfJn.-3L 1780» 307
String Quartets, Opus 33 308
Sacred Music and Opera 323
The Second Missa Cellensis 324
Orlando Paladino 329
Armida 334
The Seven Last Words 341
Symphonies 347
Symphonies Nos. 75-81 347
Contexts for the Paris Symphonies 356
The Paris Symphonies, Nos. 82-87 362
Symphonies Nos. 88-92 367
String Quartets 374
Opus 50 374
Mozart and Haydn 381
Opera 54-55 384
Opus 64 389
Piano Sonatas and Trios 397
Departure 426
5. 3CaljJn in IcnJon, 1791-1795 421
The First Months 422
Orfeo ed Euridice 427
Salomon's 1791 Concerts 435
Symphonies Nos. 95-96 444
The London Notebooks 450
Summer 1791-Winter 1792 454
Salomon's 1792 Concerts 460
Symphonies Nos. 93-94 465
Symphonies Nos. 97-98 470
Interim in Vienna 476
String Quartets, Opera 71-74 481
Salomon's 1794 Concerts 489
Symphony No. 99 496
Symphonies Nos. 100-101 499
Other Events of 1794 503
Piano Trios and Sonatas, 1794-95 509
The Opera Concerts, 1795 523
Symphony No. 102 535
Symphony No. 103 539
Symphony No. 104 544
6. JlaifJn: J.aie Jlaroesf 553
Vienna, 1795-96 553
Die Sieben letzten Worte 555
Missa Sancti Bernardi de Offida ("Heiligmesse") 560
Missa in Tempore Belli 566
The Trumpet Concerto 572
String Quartets, Opus 76 572
The Creation 585
Sacred Music, 1798-1800 606
Missa in Angustiis ("Nelson" Mass) 606
"Theresienmesse" 612
Te Deum Laudamus; Admiral Nelson 627
String Quartets, Opus 77 622
The Seasons 628
Valediction 652
Schöpfungsmesse 651
Harmoniemesse 656
Last Years 662
7. JOeeihoven in JOonn and in Vienna 675
Heritage 675
A Rhine Journey 679
First Compositions 685
A Fortnight in Vienna 689
Last Bonn Years 692
The Joseph and Leopold Cantatas 698
Departure 704
First Vienna Years 706
Trios, Opus i, and Sonatas, Opus z 710
A Journey to Berlin 722
1797-1798 726
At the Turn of the Century 739
Piano Sonatas 740
String Quartets, Opus 18 749
Symphony No. 1 in C Major 762
The Creatures of Prometheus 771
The Year 1802 776
Symphony No. 2 in D Major 780
APPENDICES
/. Jln Jrish ilenor in fite JOuralkeaier 793
2. (Jarli ßfihesses JlaiiJns Jirmlia 799
Jjslof IforL CileJ 803
CreJih 819
821 |
| any_adam_object | 1 |
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| author | Heartz, Daniel 1928-2019 |
| author_GND | (DE-588)135306604 |
| author_facet | Heartz, Daniel 1928-2019 |
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| callnumber-first | M - Music |
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| ctrlnum | (OCoLC)227016490 (DE-599)BVBBV035033655 |
| dewey-full | 780.9/033 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/033 |
| dewey-search | 780.9/033 |
| dewey-sort | 3780.9 233 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 1. ed. |
| era | Geschichte 1700-1800 Geschichte 1781-1791 gnd Geschichte 1781-1802 gnd Geschichte 1780-1809 gnd Geschichte 1770-1802 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1781-1791 Geschichte 1781-1802 Geschichte 1780-1809 Geschichte 1770-1802 |
| format | Book |
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| genre | (DE-588)4006804-3 Biografie gnd-content |
| genre_facet | Biografie |
| geographic | Wien (DE-588)4066009-6 gnd |
| geographic_facet | Wien |
| id | DE-604.BV035033655 |
| illustrated | Illustrated |
| index_date | 2024-07-02T21:50:44Z |
| indexdate | 2024-07-09T21:20:40Z |
| institution | BVB |
| isbn | 9780393066340 |
| language | English |
| lccn | 2008025037 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016702593 |
| oclc_num | 227016490 |
| open_access_boolean | |
| owner | DE-12 DE-703 DE-11 DE-37 |
| owner_facet | DE-12 DE-703 DE-11 DE-37 |
| physical | XVIII, 846 S. Kt., Notenbeisp. |
| psigel | DHB_JDG_ISBN_1 |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Norton |
| record_format | marc |
| spelling | Heartz, Daniel 1928-2019 Verfasser (DE-588)135306604 aut Mozart, Haydn and early Beethoven 1781 - 1802 Daniel Heartz 1. ed. New York [u.a.] Norton 2009 XVIII, 846 S. Kt., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Mozart, Wolfgang Amadeus 1756-1791 Haydn, Joseph 1732-1809 Beethoven, Ludwig van 1770-1827 Haydn, Joseph 1732-1809 (DE-588)118547356 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Geschichte 1700-1800 Geschichte 1781-1791 gnd rswk-swf Geschichte 1781-1802 gnd rswk-swf Geschichte 1780-1809 gnd rswk-swf Geschichte 1770-1802 gnd rswk-swf Musik Composers Biography Music 18th century History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Wien (DE-588)4066009-6 g Musik (DE-588)4040802-4 s Geschichte 1781-1802 z DE-604 Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Geschichte 1781-1791 z Haydn, Joseph 1732-1809 (DE-588)118547356 p Geschichte 1780-1809 z Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Geschichte 1770-1802 z Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016702593&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016702593&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Heartz, Daniel 1928-2019 Mozart, Haydn and early Beethoven 1781 - 1802 Mozart, Wolfgang Amadeus 1756-1791 Haydn, Joseph 1732-1809 Beethoven, Ludwig van 1770-1827 Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Musik Composers Biography Music 18th century History and criticism Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)118547356 (DE-588)118584596 (DE-588)118508288 (DE-588)4040802-4 (DE-588)4066009-6 (DE-588)4006804-3 |
| title | Mozart, Haydn and early Beethoven 1781 - 1802 |
| title_auth | Mozart, Haydn and early Beethoven 1781 - 1802 |
| title_exact_search | Mozart, Haydn and early Beethoven 1781 - 1802 |
| title_exact_search_txtP | Mozart, Haydn and early Beethoven 1781 - 1802 |
| title_full | Mozart, Haydn and early Beethoven 1781 - 1802 Daniel Heartz |
| title_fullStr | Mozart, Haydn and early Beethoven 1781 - 1802 Daniel Heartz |
| title_full_unstemmed | Mozart, Haydn and early Beethoven 1781 - 1802 Daniel Heartz |
| title_short | Mozart, Haydn and early Beethoven |
| title_sort | mozart haydn and early beethoven 1781 1802 |
| title_sub | 1781 - 1802 |
| topic | Mozart, Wolfgang Amadeus 1756-1791 Haydn, Joseph 1732-1809 Beethoven, Ludwig van 1770-1827 Haydn, Joseph 1732-1809 (DE-588)118547356 gnd Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Musik Composers Biography Music 18th century History and criticism Musik (DE-588)4040802-4 gnd |
| topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Haydn, Joseph 1732-1809 Beethoven, Ludwig van 1770-1827 Musik Composers Biography Music 18th century History and criticism Wien Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016702593&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016702593&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT heartzdaniel mozarthaydnandearlybeethoven17811802 |