Aesthetics and film:
This is a philosophical study of form of moving image media - what film can do for philosophy, and philosophy for film.
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Continuum
2008
|
| Schriftenreihe: | Continuum aesthetics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This is a philosophical study of form of moving image media - what film can do for philosophy, and philosophy for film. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | IX, 148 S. |
| ISBN: | 9780826485236 0826485235 9780826485229 0826485227 |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a This is a philosophical study of form of moving image media - what film can do for philosophy, and philosophy for film. | ||
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| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Motion pictures |x Aesthetics | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Preface vii
1 Film as an art 1
Scruton: Against film as an art 4
Responding to Scruton 6
Arnheim: The limitations of film make it an art 8
A contemporary view: The extra capacities
of film make it an art 12
Conclusions 14
2 Realism 16
Bazin: The film image is the object 18
Walton: The film image is transparent 23
Walton s critics: The film image is not transparent 28
Currie: The film image is highly depictive 31
Does the film image really move? 33
Conclusions 38
3 Authorship 40
Who is the cinematic author? 43
Do films have authors? 47
Author-based film criticism 52
Conclusions 55
4 The language of film 57
Film, language and montage 60
Film semiotics 62
Let s face it: Film is not a language! 65
Conclusions 71
CONTENTS
5 Narration in the fiction film 72
Must narrative films always have narrators? 74
What is it for a film s narration to be unreliable? 80
Two-track unreliability 80
Global unreliability 81
How do films support narrative comprehension? 83
Conclusions 85
6 The thinking viewer 87
Narrative comprehension 87
Interpretation 91
Evaluation 95
Conclusions 101
7 The feeling film viewer 103
Making sense of our feelings for (film) fictions 105
The paradox of fiction 106
The paradox of horror 110
Identification and empathy 113
Psychoanalytic identification 114
Imaginative identification 117
Empathetic identification 120
Film form and feeling 123
Conclusions 127
Notes 129
Bibliography 138
Index 143
vi
|
| adam_txt |
CONTENTS
Preface vii
1 Film as an art 1
Scruton: Against film as an art 4
Responding to Scruton 6
Arnheim: The limitations of film make it an art 8
A contemporary view: The extra capacities
of film make it an art 12
Conclusions 14
2 Realism 16
Bazin: The film image is the object 18
Walton: The film image is transparent 23
Walton's critics: The film image is not transparent 28
Currie: The film image is highly depictive 31
Does the film image really move? 33
Conclusions 38
3 Authorship 40
Who is the cinematic author? 43
Do films have authors? 47
Author-based film criticism 52
Conclusions 55
4 The language of film 57
Film, language and montage 60
Film semiotics 62
Let's face it: Film is not a language! 65
Conclusions 71
CONTENTS
5 Narration in the fiction film 72
Must narrative films always have narrators? 74
What is it for a film's narration to be unreliable? 80
Two-track unreliability 80
Global unreliability 81
How do films support narrative comprehension? 83
Conclusions 85
6 The thinking viewer 87
Narrative comprehension 87
Interpretation 91
Evaluation 95
Conclusions 101
7 The feeling film viewer 103
Making sense of our feelings for (film) fictions 105
The paradox of fiction 106
The paradox of horror 110
Identification and empathy 113
Psychoanalytic identification 114
Imaginative identification 117
Empathetic identification 120
Film form and feeling 123
Conclusions 127
Notes 129
Bibliography 138
Index 143
vi |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T21:48:43Z |
| indexdate | 2024-07-09T21:20:32Z |
| institution | BVB |
| isbn | 9780826485236 0826485235 9780826485229 0826485227 |
| language | English |
| lccn | 2008010482 |
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| physical | IX, 148 S. |
| publishDate | 2008 |
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| publisher | Continuum |
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| spelling | Thomson-Jones, Katherine Verfasser (DE-588)136397433 aut Aesthetics and film Katherine Thomson-Jones London [u.a.] Continuum 2008 IX, 148 S. txt rdacontent n rdamedia nc rdacarrier Continuum aesthetics Includes bibliographical references and index This is a philosophical study of form of moving image media - what film can do for philosophy, and philosophy for film. Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmästhetik (DE-588)4140881-0 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016696906&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Thomson-Jones, Katherine Aesthetics and film Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd |
| subject_GND | (DE-588)4140881-0 |
| title | Aesthetics and film |
| title_auth | Aesthetics and film |
| title_exact_search | Aesthetics and film |
| title_exact_search_txtP | Aesthetics and film |
| title_full | Aesthetics and film Katherine Thomson-Jones |
| title_fullStr | Aesthetics and film Katherine Thomson-Jones |
| title_full_unstemmed | Aesthetics and film Katherine Thomson-Jones |
| title_short | Aesthetics and film |
| title_sort | aesthetics and film |
| topic | Film Ästhetik Motion pictures Aesthetics Filmästhetik (DE-588)4140881-0 gnd |
| topic_facet | Film Ästhetik Motion pictures Aesthetics Filmästhetik |
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