Victorian sensation fiction:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2009
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Readers' guides to essential criticism
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | IX, 217 S. |
| ISBN: | 9780230524880 9780230524897 0230524893 0230524885 |
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| 245 | 1 | 0 | |a Victorian sensation fiction |c Andrew Radford. Consultant ed.: Nicolas Tredell |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements x
Introduction
1
Appraises sensation fiction as a genre that struggled for cultural
respectability due in large part to its mass market appeal. Identifies
how these controversial narratives are represented by mid-Victorian
opponents as both the outcome of and response to a cultural craving
which mainstream society has failed to appease. Traces the social
misgivings confronted and processed by literary sensationalism. Asks
what this sub-genre of Gothic fiction has to offer twenty-first century
readers of Victorian literature.
CHAPTER ONE
9
The Rise, Fall and Revival of Sensation Fiction
Examines H. L. Mansel s
1863
response to the mass-market appeal
of sensation fiction, as well as discussing the pointed interventions
of
Géraldine Jewsbury, M. E.
Braddon, Margaret
Oliphant
and George
Eliot. Details the genre s apparent indebtedness to older, working-class
forms of popular entertainment. Explores Winifred Hughes s seminal
construction of an apparently self-contained sensational decade. Details
Andrew Maunder s notion that literary sensationalism is a complex
generic hybrid that defies containment within the 1860s. Explores the
Modernist denigration of sensation fiction, as part of a more general
rejection of Victorian aesthetics by figures such as
T. S.
Eliot. Offers
an overview of recent research by Lyn Pykett, Patrick Brantlinger, Jenny
Bourne Taylor and
Tamar
Heller that has led to a remarkable revival of
interest in the genre.
CHAPTER TWO
34
Crime and Detection
Addresses the genre s dependency on elaborate plots that exploit
intrigue, subterfuge and the solving of puzzles. Assesses Kathleen
Tillotson s designation of sensation narratives as novels with a
secret . Scrutinizes Martin Kayman s assessment of the secret as an
vii
viii CONTENTS
organizing principle of a sensation plot. Also discusses John Kucich s
concept of a literary genre that portrays a culture obsessed with falsehood
and fabrication. Gauges sensation fiction s preoccupation with questions
of policing and the various forms of discipline outlined by D. A. Miller,
Marlene
Tromp
and Brian W. McCuskey. Deals with the amateur sleuth
or detective inspector as a notable and complex presence in sensation
fiction, with reference to research by Ronald R. Thomas, Martin Priestman
and Caroline Reitz.
CHAPTER THREE
64
Class and Social (Im-)Propriety
Discusses mid-Victorian reading practices and how the language of social
caste imbues initial critical reactions to the genre. Concentrates on early
reviewers such as Francis Paget, Margaret
Oliphant
and
W. Fraser
Rae
who
sought to correlate a reading class specific to sensation fiction. Gauges
the threat sensation posed to clear definitions of privilege and power,
as well as the genre s potential to contaminate respectable readers
and erode orthodox notions of family values . Discusses the scholarship
of Graham Law, Deborah Wynne and Cannon
Schmitt in
terms of how
literary sensationalism interrogates social and literary decorum.
CHAPTER FOUR
86
Women, Gender and Feminism
Explores critical reactions to woman as writer-subject-reader of sensation
fiction. Opens by focusing on Margaret
Oliphant,
one of the foremost
female reviewers of the period, whose interpretations identify, and deplore,
women s intimate ties to literary sensationalism. Investigates the genre s
repeated portrayal of women in the throes of aberrant passion and insanity.
Summarizes recent interpretations of the genre by Elaine
Showalter,
Tamar
Heller, Ann Cvetkovich and Lillian Nayder as a challenge to repressive
authorities as well as the reader s ingrained passivity. Addresses the
work of E. Ann Kaplan and Lyn Pykett and how maternity becomes a chief
concern for female sensation writing, especially Ellen Wood s East
Lynne.
CHAPTER FIVE
119
Domesticity, Modernity and Race(ism)
Concentrates on the sensational construction of home as a site of
resistance, refusal and division. Discusses the genre s preoccupation
with a tainted domesticity as a critique of a modern homeland vulnerable
to foreign incursion. Investigates scholarly engagements with the genre s
portrayal of a hectic and anxious modernity, such as Walter Phillip s
CONTENTS ix
designation of sensationalism as romance of the present . Discusses
work by Tim
Dolin, D.
A. Miller and Nicholas Daly on the shock of
sensation fiction and its staging of nervous debility. Investigates the
genre s insistent mapping of metropolitan and national terrain, which
raises questions about contested ideologies of Englishness. Samples
debates surrounding sensational depictions of the foreign outsider in an
age of expansionist foreign policy. Critics discussed include Jenny Bourne
Taylor, Pamela Gilbert, Lillian Nayder, Deirdre David and Ian Duncan.
CHAPTER SIX
144
The Mutation of Sensation
Addresses how commentators have documented the sensation
genre s evolution beyond its 1860s heyday. Evaluates Sheridan
Le
Fanu s
vexed relationship with the sensation school , and how his
hybrid narratives have been construed as a foreshadowing of late-
Victorian Gothic by recent critics such as W. J. McCormack, Alison
Milbank and Victor Sage. Charts the metamorphosis of the genre
into myriad textual and narrative forms between
1870
and
1900.
Traces an intricate genealogy of generic indebtedness on the part of
canonical writers such as George Meredith, Anthony Trollope, George
Eliot, Henry James and Thomas Hardy. Assesses the sensation
genre as an unlikely model of inspiration for Joseph Conrad in
the early twentieth century. Concludes by focusing on sensation
as a tenaciously resilient genre, whose influence can be felt in
contemporary fiction by Graham Swift and A. S. Byatt.
Conclusion
168
Evaluates the future for research into Victorian sensation fiction.
Explains the genre as a transitional constellation of texts that divulge
key Victorian preoccupations, such as the enervating limitations of
bourgeois domesticity, the threat of the foreign and the dangers for
women of romantic fantasy. Revisits the seminal research of Andrew
Maunder who argues for a more ambitious conception of literary
sensationalism, given that re-evaluations of the genre too often result
in the construction of a narrow alternative canon. Finally, historians
of the periodical press such as Peter Sinnema and Jennifer Phegley
gauge the genre s evolution beyond the bourgeois drawing-room into
other localities and reading spaces.
Notes
172
Bibliography
201
Index
213
|
| adam_txt |
Contents
Acknowledgements x
Introduction
1
Appraises sensation fiction as a genre that struggled for cultural
respectability due in large part to its mass market appeal. Identifies
how these controversial narratives are represented by mid-Victorian
opponents as both the outcome of and response to a cultural craving
which mainstream society has failed to appease. Traces the social
misgivings confronted and processed by literary sensationalism. Asks
what this sub-genre of Gothic fiction has to offer twenty-first century
readers of Victorian literature.
CHAPTER ONE
9
The Rise, Fall and Revival of Sensation Fiction
Examines H. L. Mansel's
1863
response to the mass-market appeal
of sensation fiction, as well as discussing the pointed interventions
of
Géraldine Jewsbury, M. E.
Braddon, Margaret
Oliphant
and George
Eliot. Details the genre's apparent indebtedness to older, working-class
forms of popular entertainment. Explores Winifred Hughes's seminal
construction of an apparently self-contained sensational decade. Details
Andrew Maunder's notion that literary sensationalism is a complex
generic hybrid that defies containment within the 1860s. Explores the
Modernist denigration of sensation fiction, as part of a more general
rejection of Victorian aesthetics by figures such as
T. S.
Eliot. Offers
an overview of recent research by Lyn Pykett, Patrick Brantlinger, Jenny
Bourne Taylor and
Tamar
Heller that has led to a remarkable revival of
interest in the genre.
CHAPTER TWO
34
Crime and Detection
Addresses the genre's dependency on elaborate plots that exploit
intrigue, subterfuge and the solving of puzzles. Assesses Kathleen
Tillotson's designation of sensation narratives as 'novels with a
secret'. Scrutinizes Martin Kayman's assessment of the secret as an
vii
viii CONTENTS
organizing principle of a sensation plot. Also discusses John Kucich's
concept of a literary genre that portrays a culture obsessed with falsehood
and fabrication. Gauges sensation fiction's preoccupation with questions
of policing and the various forms of discipline outlined by D. A. Miller,
Marlene
Tromp
and Brian W. McCuskey. Deals with the amateur sleuth
or detective inspector as a notable and complex presence in sensation
fiction, with reference to research by Ronald R. Thomas, Martin Priestman
and Caroline Reitz.
CHAPTER THREE
64
Class and Social (Im-)Propriety
Discusses mid-Victorian reading practices and how the language of social
caste imbues initial critical reactions to the genre. Concentrates on early
reviewers such as Francis Paget, Margaret
Oliphant
and
W. Fraser
Rae
who
sought to correlate a reading class specific to sensation fiction. Gauges
the threat sensation posed to clear definitions of privilege and power,
as well as the genre's potential to 'contaminate' respectable readers
and erode orthodox notions of 'family values'. Discusses the scholarship
of Graham Law, Deborah Wynne and Cannon
Schmitt in
terms of how
literary sensationalism interrogates social and literary decorum.
CHAPTER FOUR
86
Women, Gender and Feminism
Explores critical reactions to woman as writer-subject-reader of sensation
fiction. Opens by focusing on Margaret
Oliphant,
one of the foremost
female reviewers of the period, whose interpretations identify, and deplore,
women's intimate ties to literary sensationalism. Investigates the genre's
repeated portrayal of women in the throes of aberrant passion and insanity.
Summarizes recent interpretations of the genre by Elaine
Showalter,
Tamar
Heller, Ann Cvetkovich and Lillian Nayder as a challenge to repressive
authorities as well as the reader's ingrained passivity. Addresses the
work of E. Ann Kaplan and Lyn Pykett and how maternity becomes a chief
concern for female sensation writing, especially Ellen Wood's East
Lynne.
CHAPTER FIVE
119
Domesticity, Modernity and Race(ism)
Concentrates on the sensational construction of 'home' as a site of
resistance, refusal and division. Discusses the genre's preoccupation
with a tainted domesticity as a critique of a modern homeland vulnerable
to foreign incursion. Investigates scholarly engagements with the genre's
portrayal of a hectic and anxious modernity, such as Walter Phillip's
CONTENTS ix
designation of sensationalism as 'romance of the present'. Discusses
work by Tim
Dolin, D.
A. Miller and Nicholas Daly on the 'shock' of
sensation fiction and its staging of nervous debility. Investigates the
genre's insistent mapping of metropolitan and national terrain, which
raises questions about contested ideologies of Englishness. Samples
debates surrounding sensational depictions of the foreign outsider in an
age of expansionist foreign policy. Critics discussed include Jenny Bourne
Taylor, Pamela Gilbert, Lillian Nayder, Deirdre David and Ian Duncan.
CHAPTER SIX
144
The Mutation of Sensation
Addresses how commentators have documented the sensation
genre's evolution beyond its 1860s heyday. Evaluates Sheridan
Le
Fanu's
vexed relationship with the 'sensation school', and how his
hybrid narratives have been construed as a foreshadowing of late-
Victorian Gothic by recent critics such as W. J. McCormack, Alison
Milbank and Victor Sage. Charts the metamorphosis of the genre
into myriad textual and narrative forms between
1870
and
1900.
Traces an intricate genealogy of generic indebtedness on the part of
canonical writers such as George Meredith, Anthony Trollope, George
Eliot, Henry James and Thomas Hardy. Assesses the sensation
genre as an unlikely model of inspiration for Joseph Conrad in
the early twentieth century. Concludes by focusing on sensation
as a tenaciously resilient genre, whose influence can be felt in
contemporary fiction by Graham Swift and A. S. Byatt.
Conclusion
168
Evaluates the future for research into Victorian sensation fiction.
Explains the genre as a transitional constellation of texts that divulge
key Victorian preoccupations, such as the enervating limitations of
bourgeois domesticity, the threat of the 'foreign' and the dangers for
women of romantic fantasy. Revisits the seminal research of Andrew
Maunder who argues for a more ambitious conception of literary
sensationalism, given that re-evaluations of the genre too often result
in the construction of a narrow alternative canon. Finally, historians
of the periodical press such as Peter Sinnema and Jennifer Phegley
gauge the genre's evolution beyond the bourgeois drawing-room into
other localities and reading spaces.
Notes
172
Bibliography
201
Index
213 |
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| id | DE-604.BV035026924 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T21:48:20Z |
| indexdate | 2024-07-09T21:20:31Z |
| institution | BVB |
| isbn | 9780230524880 9780230524897 0230524893 0230524885 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016695962 |
| oclc_num | 237885786 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-703 DE-29 DE-384 DE-12 DE-20 DE-19 DE-BY-UBM DE-739 DE-11 |
| owner_facet | DE-473 DE-BY-UBG DE-703 DE-29 DE-384 DE-12 DE-20 DE-19 DE-BY-UBM DE-739 DE-11 |
| physical | IX, 217 S. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| series2 | Readers' guides to essential criticism |
| spelling | Radford, Andrew D. 1972- Verfasser (DE-588)13678951X aut Victorian sensation fiction Andrew Radford. Consultant ed.: Nicolas Tredell 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2009 IX, 217 S. txt rdacontent n rdamedia nc rdacarrier Readers' guides to essential criticism Includes bibliographical references and index Geschichte 1800-1900 Geschichte gnd rswk-swf Geschichte 1860-1910 gnd rswk-swf English fiction 19th century History and criticism Sensationalism in literature Kriminalliteratur (DE-588)4165739-1 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Sensationsroman (DE-588)4276335-6 gnd rswk-swf Englisch (DE-588)4014777-0 s Sensationsroman (DE-588)4276335-6 s Geschichte 1860-1910 z Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Kriminalliteratur (DE-588)4165739-1 s Tredell, Nicolas 1950- Sonstige (DE-588)1030490309 oth Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016695962&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Radford, Andrew D. 1972- Victorian sensation fiction English fiction 19th century History and criticism Sensationalism in literature Kriminalliteratur (DE-588)4165739-1 gnd Rezeption (DE-588)4049716-1 gnd Englisch (DE-588)4014777-0 gnd Sensationsroman (DE-588)4276335-6 gnd |
| subject_GND | (DE-588)4165739-1 (DE-588)4049716-1 (DE-588)4014777-0 (DE-588)4276335-6 |
| title | Victorian sensation fiction |
| title_auth | Victorian sensation fiction |
| title_exact_search | Victorian sensation fiction |
| title_exact_search_txtP | Victorian sensation fiction |
| title_full | Victorian sensation fiction Andrew Radford. Consultant ed.: Nicolas Tredell |
| title_fullStr | Victorian sensation fiction Andrew Radford. Consultant ed.: Nicolas Tredell |
| title_full_unstemmed | Victorian sensation fiction Andrew Radford. Consultant ed.: Nicolas Tredell |
| title_short | Victorian sensation fiction |
| title_sort | victorian sensation fiction |
| topic | English fiction 19th century History and criticism Sensationalism in literature Kriminalliteratur (DE-588)4165739-1 gnd Rezeption (DE-588)4049716-1 gnd Englisch (DE-588)4014777-0 gnd Sensationsroman (DE-588)4276335-6 gnd |
| topic_facet | English fiction 19th century History and criticism Sensationalism in literature Kriminalliteratur Rezeption Englisch Sensationsroman |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016695962&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT radfordandrewd victoriansensationfiction AT tredellnicolas victoriansensationfiction |