Pushkin's lyric intelligence:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 398 S. Ill. |
| ISBN: | 9780199234745 |
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| 600 | 1 | 4 | |a Pushkin, Aleksandr Sergeevich |d 1799-1837 |x Poetic works |
| 600 | 1 | 4 | |a Pushkin, Aleksandr Sergeevich |d 1799-1837 |x Themes, motives |
| 600 | 1 | 4 | |a Pushkin, Aleksandr Sergeevich |d 1799-1837 |x Philosophy |
| 600 | 1 | 4 | |a Pushkin, Aleksandr Sergeevich |d 1799-1837 |x Aesthetics |
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| 650 | 4 | |a Ästhetik | |
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Datensatz im Suchindex
| _version_ | 1804137934685732864 |
|---|---|
| adam_text | CONTENTS LIST OF ILLUSTRATIONS IX NOTE TO THE READER X ABBREVIATIONS XI
INTRODUCTION 1 CRITICAL APPROACHES 2 METHODS 5 1. TRADITION AND
ORIGINALITY 13 THE LITERARY CONTEXT: AN OLD PARNASSIAN DYNASTY 13 THE
ANONYMITY OF COTERIE WRITING: THE CLASSICISM OF ARZAMAS 15 DIALOGUES
WITH THE DEAD AND THE ANXIETY OF INFLUENCE 19 TRADITION AND ORIGINALITY
(TO ZHUKOVSKY , 1816) 26 2. INVENTION AND GENIUS 34 THE ROMANTIC DEBATE
35 POETIC THEORY AND THE AESTHETIC OF INVENTION AND INSPIRATION 38
INSPIRATION 48 3. THE MEANING OF BEAUTY 62 THE IDEA OF BEAUTY 63 THE
SUBLIME AND THE REINVENTION OF BOILEAU 66 ROMANTIC HELLENISM 74 THE
PLASTIC ARTS AND THE PLATONIC IDEAL 80 FROM CLASSICAL TO ROMANTIC 85 4.
A RETICENT IMAGINATION 88 THE POWER OF THE IMAGINATION: GALICH,
COLERIDGE, HAZLITT 90 RADICALISM AND THE IMAGINATION 107 5. NATURE AND
ROMANTIC SUBJECTIVITY 117 NATURE IN PUSHKIN S EARLY VERSE 119 ROMANTIC
INTIMATIONS: `THE ORB OF DAY HAS SET (1820) AND `TO THE SEA (1824) 124
A UTUMN (1833) AND THE MIND OF THE POET 134 THE GENERAL LAW: `I VISIT
ONCE AGAIN... (1835) AND WORDSWORTH S `TINTERN ABBEY 144 6. GENIUS AND
THE COMMERCE OF POETRY 158 PROFIT MOTIVE: POETIC LABOUR AND THE BOOK
MARKET 159 THE RIGHTS OF AUTHORIAL IDENTITY 170 VIII CONTENTS THE
ECONOMICS OF INSPIRATION: `CONVERSATION BETWEEN A BOOKSELLER AND A POET
(1824) 175 THE PROPHECY OF ANDRE CHENIER (1825) 186 ART FOR ART S SAKE
AND POETIC EGOTISM 197 THE PURPOSE OF THE POET 201 PROTEAN PUSHKIN 214
7. THE HERO 217 THE PHILOSOPHER HERO AND CLASSICAL EMULATION 218 THE
ACTION HERO: NAPOLEON 230 HEROIC TYPOLOGY AND ENLIGHTENMENT
HISTORIOGRAPHY 238 `THE HERO (1830) 246 PAINTING THE HEROIC IDEAL: `THE
COMMANDER (1835) 259 ALIENATION AND INDEPENDENCE 273 8. BODY AND SOUL
278 THE SCIENCE OF FEELING 279 EPICUREAN MASTERS: LUCRETIUS, VOLTAIRE,
AND DIDEROT 282 THE MEANING OF THE PASSIONS 292 THE LIBERTINE 304 POETIC
MORTALITY AND NEGATIVE CAPABILITY 316 STOIC FATE AND FRIENDSHIP 326
APPENDIX 339 BIBLIOGRAPHY 343 INDEX 379
ΐ-Γ
Vj
1·
:ì
. ■ ■
,
Alexander Pushkin
(1799—1837)
is Russia s greatest poet, a
founding rather of modern Russian literature, and a major figure
in world literature. His poetry and prose changed the course of
Russian culture, and his works inspired operas by Musorgsky and
Tchaikovsky. Ceaselessly experimental, he is the author of the finest
body of lyric poetry in the language; a remarkable novelist in verse,
and a pioneer of Russian prose fiction; an innovator in psychological
and historical drama; and an amateur historian of serious purpose.
His writing treats all the most important themes that great literature
can address in an elegant style and engaging voice.
Lyric intelligence refers to Pushkin s capacity to transform
philosophical and aesthetic ideas into poetry. Arguing that Pushkin s
poetry has often been misunderstood as transparently simple, this
first major study of this substantial body of work traces the inter¬
relation between his writing and the influences of English and
European literature and cultural movements on his understanding
of the creative process and the aims of art. Andrew
Kahn
approaches
Pushkin s poetic texts through the history of ideas, and argues that
the poems are a mode of knowing and articulate a range of positions
on key topics of the period, including the meaning of originality, the
imagination, the status of the poet, the role of commercial success,
the definition of genius, representation of nature, the definition of
the hero, and the immortality of the soul.
■s..-.
■■■■
Drawing on an extensive knowledge of Pushkin s library and his
intellectual context, Pushkin s Lyric Intelligence addresses how
theories of inspiration informed Pushkin s thinking about classicism
and Romanticism in the 1820s and 1830s. The story of the unfolding
of the imagination as a vical poetic power is a consistent theme of the entire book. It is
this movement towards a fuller apprehension and application of the imagination that
guided Pushkin s transitions through different phases of his creative development.
The book looks at Pushkin s knowledge of important ideas and artistic trends with
poems about the creative imagination, psychology, sex and the body, heroism and
the ethical life, and death.
|
| adam_txt |
CONTENTS LIST OF ILLUSTRATIONS IX NOTE TO THE READER X ABBREVIATIONS XI
INTRODUCTION 1 CRITICAL APPROACHES 2 METHODS 5 1. TRADITION AND
ORIGINALITY 13 THE LITERARY CONTEXT: AN OLD PARNASSIAN DYNASTY' 13 THE
ANONYMITY OF COTERIE WRITING: THE CLASSICISM OF ARZAMAS 15 DIALOGUES
WITH THE DEAD AND THE ANXIETY OF INFLUENCE 19 TRADITION AND ORIGINALITY
(TO ZHUKOVSKY', 1816) 26 2. INVENTION AND GENIUS 34 THE ROMANTIC DEBATE
35 POETIC THEORY AND THE AESTHETIC OF INVENTION AND INSPIRATION 38
INSPIRATION 48 3. THE MEANING OF BEAUTY 62 THE IDEA OF BEAUTY 63 THE
SUBLIME AND THE REINVENTION OF BOILEAU 66 ROMANTIC HELLENISM 74 THE
PLASTIC ARTS AND THE PLATONIC IDEAL 80 FROM CLASSICAL TO ROMANTIC 85 4.
A RETICENT IMAGINATION 88 THE POWER OF THE IMAGINATION: GALICH,
COLERIDGE, HAZLITT 90 RADICALISM AND THE IMAGINATION 107 5. NATURE AND
ROMANTIC SUBJECTIVITY 117 NATURE IN PUSHKIN'S EARLY VERSE 119 ROMANTIC
INTIMATIONS: `THE ORB OF DAY HAS SET' (1820) AND `TO THE SEA' (1824) 124
A UTUMN' (1833) AND THE MIND OF THE POET 134 THE GENERAL LAW: `I VISIT
ONCE AGAIN. (1835) AND WORDSWORTH'S `TINTERN ABBEY' 144 6. GENIUS AND
THE COMMERCE OF POETRY 158 PROFIT MOTIVE: POETIC LABOUR AND THE BOOK
MARKET 159 THE RIGHTS OF AUTHORIAL IDENTITY 170 VIII CONTENTS THE
ECONOMICS OF INSPIRATION: `CONVERSATION BETWEEN A BOOKSELLER AND A POET'
(1824) 175 THE PROPHECY OF ANDRE CHENIER' (1825) 186 ART FOR ART'S SAKE
AND POETIC EGOTISM 197 THE PURPOSE OF THE POET 201 PROTEAN PUSHKIN 214
7. THE HERO 217 THE PHILOSOPHER HERO AND CLASSICAL EMULATION 218 THE
ACTION HERO: NAPOLEON 230 HEROIC TYPOLOGY AND ENLIGHTENMENT
HISTORIOGRAPHY 238 `THE HERO' (1830) 246 PAINTING THE HEROIC IDEAL: `THE
COMMANDER' (1835) 259 ALIENATION AND INDEPENDENCE 273 8. BODY AND SOUL
278 THE SCIENCE OF FEELING 279 EPICUREAN MASTERS: LUCRETIUS, VOLTAIRE,
AND DIDEROT 282 THE MEANING OF THE PASSIONS 292 THE LIBERTINE 304 POETIC
MORTALITY AND NEGATIVE CAPABILITY 316 STOIC FATE AND FRIENDSHIP 326
APPENDIX 339 BIBLIOGRAPHY 343 INDEX 379
ΐ-Γ
Vj
1·"
:ì
. ■ ■ '
,' \
Alexander Pushkin
(1799—1837)
is Russia's greatest poet, a
'founding rather' of modern Russian literature, and a major figure
in world literature. His poetry and prose changed the course of
Russian culture, and his works inspired operas by Musorgsky and
Tchaikovsky. Ceaselessly experimental, he is the author of the finest
body of lyric poetry in the language; a remarkable novelist in verse,
and a pioneer of Russian prose fiction; an innovator in psychological
and historical drama; and an amateur historian of serious purpose.
His writing treats all the most important themes that great literature
can address in an elegant style and engaging voice.
Lyric intelligence refers to Pushkin's capacity to transform
philosophical and aesthetic ideas into poetry. Arguing that Pushkin's
poetry has often been misunderstood as transparently simple, this
first major study of this substantial body of work traces the inter¬
relation between his writing and the influences of English and
European literature and cultural movements on his understanding
of the creative process and the aims of art. Andrew
Kahn
approaches
Pushkin's poetic texts through the history of ideas, and argues that
the poems are a mode of knowing and articulate a range of positions
on key topics of the period, including the meaning of originality, the
imagination, the status of the poet, the role of commercial success,
the definition of genius, representation of nature, the definition of
the hero, and the immortality of the soul.
■s.-. \
■■■■
Drawing on an extensive knowledge of Pushkin's library and his
intellectual context, Pushkin's Lyric Intelligence addresses how
theories of inspiration informed Pushkin's thinking about classicism
and Romanticism in the 1820s and 1830s. The story of the unfolding
of the imagination as a vical poetic power is a consistent theme of the entire book. It is
this movement towards a fuller apprehension and application of the imagination that
guided Pushkin's transitions through different phases of his creative development.
The book looks at Pushkin's knowledge of important ideas and artistic trends with
poems about the creative imagination, psychology, sex and the body, heroism and
the ethical life, and death. |
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| discipline | Slavistik |
| discipline_str_mv | Slavistik |
| edition | 1. publ. |
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| illustrated | Illustrated |
| index_date | 2024-07-02T21:44:29Z |
| indexdate | 2024-07-09T21:20:11Z |
| institution | BVB |
| isbn | 9780199234745 |
| language | English |
| lccn | 2008009771 |
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| spelling | Kahn, Andrew ca. 20./21. Jh. Verfasser (DE-588)1162866276 aut Pushkin's lyric intelligence Andrew Kahn 1. publ. Oxford [u.a.] Oxford Univ. Press 2008 VIII, 398 S. Ill. txt rdacontent n rdamedia nc rdacarrier Pushkin, Aleksandr Sergeevich 1799-1837 Poetic works Pushkin, Aleksandr Sergeevich 1799-1837 Themes, motives Pushkin, Aleksandr Sergeevich 1799-1837 Philosophy Pushkin, Aleksandr Sergeevich 1799-1837 Aesthetics Puškin, Aleksandr Sergeevič 1799-1837 (DE-588)118641816 gnd rswk-swf Philosophie Ästhetik Lyrik (DE-588)4036774-5 gnd rswk-swf Puškin, Aleksandr Sergeevič 1799-1837 (DE-588)118641816 p Lyrik (DE-588)4036774-5 s DE-604 Erscheint auch als Online-Ausgabe 978-0-19-171574-7 OEBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016682176&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016682176&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Kahn, Andrew ca. 20./21. Jh Pushkin's lyric intelligence Pushkin, Aleksandr Sergeevich 1799-1837 Poetic works Pushkin, Aleksandr Sergeevich 1799-1837 Themes, motives Pushkin, Aleksandr Sergeevich 1799-1837 Philosophy Pushkin, Aleksandr Sergeevich 1799-1837 Aesthetics Puškin, Aleksandr Sergeevič 1799-1837 (DE-588)118641816 gnd Philosophie Ästhetik Lyrik (DE-588)4036774-5 gnd |
| subject_GND | (DE-588)118641816 (DE-588)4036774-5 |
| title | Pushkin's lyric intelligence |
| title_auth | Pushkin's lyric intelligence |
| title_exact_search | Pushkin's lyric intelligence |
| title_exact_search_txtP | Pushkin's lyric intelligence |
| title_full | Pushkin's lyric intelligence Andrew Kahn |
| title_fullStr | Pushkin's lyric intelligence Andrew Kahn |
| title_full_unstemmed | Pushkin's lyric intelligence Andrew Kahn |
| title_short | Pushkin's lyric intelligence |
| title_sort | pushkin s lyric intelligence |
| topic | Pushkin, Aleksandr Sergeevich 1799-1837 Poetic works Pushkin, Aleksandr Sergeevich 1799-1837 Themes, motives Pushkin, Aleksandr Sergeevich 1799-1837 Philosophy Pushkin, Aleksandr Sergeevich 1799-1837 Aesthetics Puškin, Aleksandr Sergeevič 1799-1837 (DE-588)118641816 gnd Philosophie Ästhetik Lyrik (DE-588)4036774-5 gnd |
| topic_facet | Pushkin, Aleksandr Sergeevich 1799-1837 Poetic works Pushkin, Aleksandr Sergeevich 1799-1837 Themes, motives Pushkin, Aleksandr Sergeevich 1799-1837 Philosophy Pushkin, Aleksandr Sergeevich 1799-1837 Aesthetics Puškin, Aleksandr Sergeevič 1799-1837 Philosophie Ästhetik Lyrik |
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