The African American roots of modernism: from Reconstruction to the Harlem Renaissance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill
Univ. of North Carolina Press
2011
|
| Schriftenreihe: | The John Hope Franklin series in African American history and culture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | X, 252 S. |
| ISBN: | 9780807871850 9780807834633 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments
ix
introduction
j
New Forms and Captive Knights in the
Age of Jim Crow and Mechanical Reproduction
ι
one | Dueling Banjos: African American Dualism and Strategies
for Black Representation at theTurn of the Century
27
t
wo I Remembering Those Noble Sotis of
Ì
lam :
Poetry, Soldiers, and Citizens at the End of Reconstruction
(ifi
three I The Black City: The Karlv Jim Crow Migration Narrative
and
1
lie New Territory of Race
<)<>
four
j
Somebody FJso s Civilization: African American Writers,
Bohemia, and the New Poetry
125
live
í
A Familiar and Warm Relationship: Race, Sexual Freedom,
and I .S. Literary Modernism
155
conclusion
j
Our Beautiful White
... 188
Notes
217
Bibliography
231
Index
247
LITERARY STUDIES
/
AFRICAN AMERICAN STUDIES
The period between
1880
and 1918, at the end of which Jim
Crow was firmly established and the Great Migration of Af¬
rican Americans was well underway, was not the nadir for
black culture, James Smethurst reveals, but instead a time
of profound response from African American intellectuals.
The African American Roots of Modernism explores how the Jim
Crow system triggered significant artistic and intellectual
responses from African American writers, deeply marking
the beginnings of literary modernism and, ultimately, no¬
tions of American modernity.
In identifying the Jim Crow period with the coming of
modernity, Smethurst upsets the customary assessment of
the Harlem Renaissance as the first nationally significant
black arts movement, showing how artists reacted to Jim
Crow with migration narratives, poetry about the black
experience, black performance of popular culture forms,
and more. Smethurst introduces a whole cast of characters,
including understudied figures such as William Stanley
Braithwaite and Fenton Johnson, and more familiar authors
such as Charles Chesnutt, Pauline Hopkins, and James
Wel¬
don
Johnson. By considering the legacy of writers and art¬
ists active between the end of Reconstruction and the rise of
the Harlem Renaissance, Smethurst illuminates their influ¬
ence on the black and white U.S. modernists who followed.
James Smethurst is associate professor of Afro-American
studies at the University of Massachusetts-Amherst. He is
the author of The
Netu
Red Negro: The Literary
Lejt
and African
American Poetry,
1930-1946
and The Block Arts Movement: Liter¬
ary Nationalism in the 1960s and
1970s,
winner of the Organi¬
zation of American Historians James A. Rawley Prize.
Meticulously researched and
deeply insightful, The African
American Roots of Modernism is
an entirely fresh look at the role
of African American literature
and culture in the formation of
American modernism.
Margo
Natalie Crawford,
Cornell University
Not long after illuminating the
national reach of the Black Arts
movement, James Smethurst is
back with another rock-solid yet
inventive work of U.S. cultural
history. The African American
Roots of Modernism persuasively
argues that a distinctive Afro-
modernist literature emerged
in advance of Harlem s fa¬
mous renaissance. What s
more, it clinches the case that
the specter of Jim Crow is the
great unsaid behind the inven¬
tion of American modernism
in general.
William J. Maxwell,
Washington University
in St. Louis
|
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| spelling | Smethurst, James Edward Verfasser (DE-588)188477004 aut The African American roots of modernism from Reconstruction to the Harlem Renaissance James Smethurst Chapel Hill Univ. of North Carolina Press 2011 X, 252 S. txt rdacontent n rdamedia nc rdacarrier The John Hope Franklin series in African American history and culture Includes bibliographical references and index Geschichte 1880-1918 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Moderne (DE-588)4039827-4 s Literatur (DE-588)4035964-5 s Schwarze (DE-588)4116433-7 s Geschichte 1880-1918 z DE-604 Kultur (DE-588)4125698-0 s Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022457459&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022457459&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Smethurst, James Edward The African American roots of modernism from Reconstruction to the Harlem Renaissance Schwarze (DE-588)4116433-7 gnd Literatur (DE-588)4035964-5 gnd Moderne (DE-588)4039827-4 gnd Kultur (DE-588)4125698-0 gnd |
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| title | The African American roots of modernism from Reconstruction to the Harlem Renaissance |
| title_auth | The African American roots of modernism from Reconstruction to the Harlem Renaissance |
| title_exact_search | The African American roots of modernism from Reconstruction to the Harlem Renaissance |
| title_full | The African American roots of modernism from Reconstruction to the Harlem Renaissance James Smethurst |
| title_fullStr | The African American roots of modernism from Reconstruction to the Harlem Renaissance James Smethurst |
| title_full_unstemmed | The African American roots of modernism from Reconstruction to the Harlem Renaissance James Smethurst |
| title_short | The African American roots of modernism |
| title_sort | the african american roots of modernism from reconstruction to the harlem renaissance |
| title_sub | from Reconstruction to the Harlem Renaissance |
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