Having been said: writings & interviews of Lawrence Weiner 1968 - 2003
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ostfildern-Ruit
Hatje Cantz
2004
|
| Ausgabe: | Engl. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Bibliogr. L. Weiner S. 457 - 472 |
| Beschreibung: | 485 S. Ill. |
| ISBN: | 3775791949 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface 9
Symposium at Bradford Junior College (1968) 13
Symposium at Windham College (1968) 16
Statement of Intent (1968) 21
Interview by Arthur R. Rose (1969) 22
One Standard Air Force Dye Marker Thrown into the Sea:
Interview by the Canadian Broadcasting Corporation (1969) 23
From an Interview by Patricia Norvell (1969) 26
Interview Prospect 69 (1969) 28
Art Without Space: A Symposium (1969) 29
From an Interview by Jack Burnham (1970) 34
18 Paris IV. 70 (1970) 35
Art in the Mind (1970) 36
48-Page-Exhibition (1970) 37
Sol LeWitt (1970) 38
The Artist and Politics: A Symposium (1970) 39
Response to Three Statements by David Lámelas (1970) 40
Interview by Michel Claura (1971) 41
Lawrence Weiner at Amsterdam: Interview by Willoughby Sharp (1971) 43
Interview by Achille Bonito Oliva (1971) 52
Variation of Statement of Intent (1972) 55
Marcel Duchamp (1972) 56
Art and Its Cultural Context: A Congress in Brussels (1973) 57
Question/Answer (1973) 65
Variation of Statement of Intent (1973) 66
Red as well as Green as well as Yellow as well as Blue:
Interview by Irmelin Lebeer (1973) 67
Notes for a Talk Introducing a Screening of A First Quarter (1974) 73
Variation of Statement of Intent (1974) 74
A Second Quarter:
Interview by the German Academic Exchange Service (1975) 75
Dialogue with Kathryn Bigelow in the Video
Green as well as Blue as well as Red (1975-76) 77
Some Questions and Five Answers Relative to Moved Pictures (1976) 80
Artists Books (1976) 82
Regarding a Relation to (with) a Gallery... (1977) 83
Regarding the (a) Use of Language within the Context of Art (1978) 84
Answer to a Letter from René Denizot (1978) 85
Answer to an Open Letter (1978) 87
Variation of Statement of Intent (1978) 88
Variation of Statement of Intent (1978) 89
Variation of Statement of Intent (1979) 90
An International Strike of Artists? (1979) 91
TheLevelof Water (1979) 93
Answers to Questions about Gerry Schum s Television Gallery (1979) 94
A Structure as a Means of Presenting Work... (1979) 95
Advances and the Contemporary Avant-Garde (1979) 98
A Conversation with Robert C. Morgan (1979) 100
Media (Audio) (1980) 105
Regarding a Relation to (with) a Presentation Situation... (1980) 106
Art Is Not a Metaphor... (1980) 107
A Conversation with William Furlong Concerning 20 Works (1980) 108
Notes from the California Lectures (1981) 112
Apartment Number: A Conversation with Colin Lochhead (1981) 114
Passage to the North (1981) 116
Regarding a Personal Point in the Time... (1981) 118
Early Work: Interview by Lynn Gumpert (1982)..........................119
Notes from Art (1982) ..................................................................... 130
Leo Castelli (1982) 132
Portraits: From a Conversation (1982) 133
Section 2 (1982) 135
Response to the Project How to Paint with Dice (1982) 136
Interview by Hilde Van Pelt (1982) 137
Variation of Statement of Intent (1982) 139
Radio Inspiegato (1982) .............................. 140
Lawrence Weiner s Plowmans Lunch : Interview by Michael Gibbs (1982) 141
Interview by Els de Groot (1982) 144
Text on Media (1983) 147
Albert as well as Lawrence: Interview with Albert Mertz and Lawrence Weiner
by Suste Bonnén Oldenburg and Torben Christensen (1983) 148
The Purpose Manner of Construction... (1983) 151
Progetto Genazzano (1983) 152
From a Dialogue with Edward Leffingwell (1984) 153
Edition After Henrik Have (1984) 154
Gordon Matta-Clark: From an Interview by Joan Simon (1984) 156
Answers to Two Questions (1985) 157
Mondrian or Volendam (1985) 158
When You Offer Stones You Get Stones (1985) 160
Can One Tell to See the Difference? Or: Learn to Read Art (1985) 161
Interview by Suzanne Page (1985) 162
Landscape (1985) 164
Drawing (1986) 165
Posters (1986) 166
Regarding: A Pierre et Marie (Une exposition en travaux) (1986) 169
What Does Modern Look Like?... (1986) 170
Vienna (1987) 171
The Success of Failure (1987) 172
Hard-Boiled Eggs (1988) 173
Towards a Theatrical Engagement (1988) 174
On and about Constructing a Structure (1988) 176
The Work Is about Informal Objects... (1988) 177
Notes on a Table (1988) 178
Statement Concerning So-Called Conceptual Art (1988) 180
The Return of Arthur R. Rose (1988) 181
I Don t Converse with Heaven: Interview by Jean-Marc Poinsot (1989) 182
Andy Warhol (1989) 185
I Am Not Content: Interview by David Batchelor (1989) 186
The Need of a Place (a Table)... (1989) 191
Interview by Dieter Schwarz (1989) 192
Books, Catalogues, Designed Books (1989) 198
The Peripatetic Artist: From an Interview by Elizabeth C. Baker (1989) 199
A Log of Some Time with Some People Someplace in New Guinea (1989) 202
Interview in Preparation for the Conference Art Meets Science and
Spirituality in a Changing Economy (1989) 204
Essentially the Question Is... (1989) 211
A Poster Is the Writing on the Wall:
Discussion at the Ecole supérieure d art visuel in Geneva (1989) 212
If the Shoe Fits, Wear It: A Conversation with Edward Leffingwell (1989) 218
An Evening Forum at the Vancouver Art Gallery (1990) 223
From an Interview by Sabine B. Vogel (1990) 234
Interview by Phyllis Rosenzweig (1990) 235
Stars Don t Stand Still in the Sky... (1990) 238
Art Meets Science and Spirituality in a Changing Economy:
A Conference in Amsterdam (1990) 240
Skimming the Water: The Gondolas of John Chamberlain:
A Conversation with John Chamberlain (1990) 255
Interview by Bruce Ferguson (1990) 259
Regarding the Relationship of Collector to Artist... (1990) 261
Show ( ) Tell: Interview by Bartomeu Mari (1990)
With Excerpts from an Interview by Dieter Schwarz (1990) 262
Films, Video (1990) 271
A Public Conversation with Willard Holmes (1990) 272
Public Art (1991) 278
Spheres of Influence (1991) 279
Interview by Patricia Scanlan and Hercules Fisherman (1991) 280
I Never Did Ask Albert: Why Red Why Blue? (1991) 283
Over Time: A Forum on Art Making (1991) 284
Biography (1991) 285
From an Interview by Douglas Gordon (1991) 286
From an Interview by Christian Leigh (1992) 288
Answer to a Question (1992) 289
A Conversation with Barbaralee Diamonstein (1992) 290
Notes around about Art (1993) 298
But Can They Bake a Cherry Pie? (1993) 302
Two Objects on a Table: A Conversation with Jean Nouvel et al. (1993) 303
Question/Answer (1993) 309
Response to a Questionnaire about Antwerp (1993) 310
Installation of a Work... (1994) 312
Neue Slowenische Kunst (1994) 313
Wide White Space: Interview by Yves Aupetitallot (1994) 314
Yesterday, Today Tomorrow (1994) 317
The Role of the Artist in Society (1994) 318
As Language Is Understood... (1994) 319
Interview by Ann Temkin and John Ravenal (1994) 320
Joan Jonas (1994) 323
Interview by Caroline Schneider (1994) 324
Carl Th. Dreyer/A Fable of Women Water (1994) 328
From an Interview by Jonas Ekeberg (1995) 332
Mortal Remains (1995) 333
The Only Thing That Knows Its Own Essence Is the Thing Itself:
Interview by Carles Guerra (1995) 334
From an Interview by Zoran L Bozovic (1995) 339
Floating Merely Means... (1995) 340
Response to a Questionnaire about Marcel Broodthaers (1995) 342
From an Interview by Louwrien Wijers (1995) 343
A Translation from One Language to Another (1995) 344
From an Interview by Holger Weh (1996) ........................... 346
Interview by Isa Genzken (1996) 347
A Tale of a Maiden or Two (1996) 349
Interview by Marjorie Welish (1996) 351
Homeport (1996) 358
Let s Talk about Art: Symposium (1996) 360
Let s Talk about Art: Coffee Break Talk (1996) 364
Then/Now Then (1996) 365
Smithson, Alexander Graham Bell the Non-Site (1997) 366
In Relation toa Public Sculpture (1997) 367
Letterto Akademie Schloss Solitude, Stuttgart (1997) 369
The Artist s Reserved Rights Transfer and Sale Agreement :
Interview by Maria Eichhorn (1997) 370
From an Interview by Maria Eichhorn (1998) 371
A Conversation with Benjamin H. D. Buchloh (1998) 373
The Objectification of a Mise-en-Scène... (1998) 377
TV. as TV. (1998) 378
1 After 2 After... (1998) 380
The Role of Contemporary Art (1998) 381
Regarding the Jackson Pollock Retrospective at MoMA, NYC (1999) 382
The Fact That As Art in the Culture Context of Its Own... (1999) 383
Eins nach zwei nach... (1999) 386
A Conversation with Christine Breyhan (1999) 387
The Concept of an Artist Assuming the Role of Historian... (1999) 390
The Question Seems to Be (2000) 391
Interview by Claudia Seidel (2000) 392
Art Is Functions as... (2000) 395
A Child Once Told... (2000) 396
Interview by Marina Sorbello (2000) 398
Two Interviews by Gerd de Vries (2000) 399
Given the Light (2000) 403
As the Artist Is Part of the Public... (2001) 404
From a Fax Conversation with Alicia Chillida (2001) 405
A Conversation with Frank Perrin (2001) 406
Question/Answer (2001) 408
If an Accumulation Reflects a Life... (2001) 410
Time Again (2001) 411
Is Gillick Begging the Question? (2002) 412
Regarding Hegel (2002) 414
A Conversation with Judith Hoffberg on Books (2002) 415
Interview by Hans Ulrich Obrist (2003) 422
Towards a Theatrical Engagement (2003) 426
Essay by Gregor Stemmrich 429
Bibliography 457
Photo Credits 473
Index 475
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| title | Having been said writings & interviews of Lawrence Weiner 1968 - 2003 |
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