Background noise: perspectives on sound art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Continuum
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | XVIII, 314 S. Ill. |
| ISBN: | 9780826418449 9780826418456 0826418449 0826418457 |
Internformat
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| 245 | 1 | 0 | |a Background noise |b perspectives on sound art |c Brandon LaBelle |
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| 300 | |a XVIII, 314 S. |b Ill. | ||
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| 500 | |a Hier auch später erschienene, unveränderte Nachdrucke | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 650 | 4 | |a Sound in art | |
| 650 | 4 | |a Site-specific art | |
| 650 | 4 | |a Performance art | |
| 650 | 4 | |a Arts, Modern |y 20th century | |
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Datensatz im Suchindex
| _version_ | 1804145135313747968 |
|---|---|
| adam_text | Background
Noise
Perspectives on Sound Art
Brandon LaBelle
л
continuum
NEW YORK
·
LONDON
Contents
Acknowledgements
vii
Introduction: Auditory Relations
ix
Fade In
xvii
Part
1:
ЇЗЗ :
Sound and Points of Origin
1
Introduction to Part
1 3
Chapter
1
Sociality of Sound: John Cage and Musical Concepts
7
Chapter
2
Exposing the Sound Object:
Musique
Concrete s
Sonic Research
24
Chapter
3
Automatic Music: Group Ongaku s Performative Labors
35
Part
2:
Box with the Sound of Its Own Making: From
Gags to Sculptural Form
47
Introduction to Part
2 49
Chapter
4
Rhythms of Chaos: Happenings, Environments, and
Fluxus
54
Chapter
5
Minimalist Treatments: La Monte Young and Robert Morris
68
Chapter
6
Conceptualizations: Michael Asher and the Subject of Space
87
Part
3:
1 Am Sitting in a Room: Vocal Intensities
99
Introduction to Part
3 101
Chapter
7
Performing Desire/ Performing Fear:
Vito
Acconci
and the Power
Plays of Voice
108
Chapter
8
Finding Oneself:
Alvin Lucier
and the Phenomenal Voice
123
Chapter
9
Word of Mouth:
Christof Migone s
Little Manias
133
vi Background
Noise
Parté:
Public
Supply: Buildings, Constructions, and
Locational Listening 147
Introduction to Part
4 149
Chapter
10
Tuning Space: Max Neuhaus and Site-Specific Sound
154
Chapter
11
Other Architectures: Michael Brewster,
Maryanne Amacher,
and
Bernhard Leitner 167
Chapter
12
Composing Intensities: Iannis Xenakis s
Multimedia Architectures
183
Part
5: Soundmarks:
Environments and Aural Geography
195
Introduction to Part
5 197
Chapter
13
Seeking Ursound:
Hildegard Westerkamp,
Steve Peters,
and the SoundScape
201
Chapter
14
Language Games: Yasunao Tone and the Mechanics
of Information
218
Chapter
15
Complicating Place: Bill
Fontana
and Networking
the Soundscape
230
Part
6:
Global Strings: Interpersonal and Network Space
243
Introduction to Part
6 245
Chapter
16
Interactions:
Achim
Wollscheid s Production of the Local
251
Chapter
17
Global Events: Atau Tanaka and Network as Instrument
267
Chapter
18
Live Streams:
АроЗЗ
and Multiplying Place
280
Fade Out
293
Conclusion: Auditive Pivot
295
List of Works Cited
299
Index
309
|
| any_adam_object | 1 |
| author | LaBelle, Brandon |
| author_facet | LaBelle, Brandon |
| author_role | aut |
| author_sort | LaBelle, Brandon |
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| building | Verbundindex |
| bvnumber | BV026546987 |
| classification_rvk | LH 65829 |
| ctrlnum | (OCoLC)263712420 (DE-599)BVBBV026546987 |
| dewey-full | 786.7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.7 |
| dewey-search | 786.7 |
| dewey-sort | 3786.7 |
| dewey-tens | 780 - Music |
| discipline | Kunstgeschichte Musikwissenschaft |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| id | DE-604.BV026546987 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T23:14:38Z |
| institution | BVB |
| isbn | 9780826418449 9780826418456 0826418449 0826418457 |
| language | English |
| lccn | 2005036728 |
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| physical | XVIII, 314 S. Ill. |
| publishDate | 2006 |
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| publisher | Continuum |
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| spelling | LaBelle, Brandon Verfasser aut Background noise perspectives on sound art Brandon LaBelle New York [u.a.] Continuum 2006 XVIII, 314 S. Ill. txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Geschichte 1900-2000 Sound in art Site-specific art Performance art Arts, Modern 20th century Performance Künste (DE-588)4173750-7 gnd rswk-swf Klangkunst (DE-588)4430771-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Klangkunst (DE-588)4430771-8 s DE-604 Performance Künste (DE-588)4173750-7 s Ästhetik (DE-588)4000626-8 s KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022110161&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | LaBelle, Brandon Background noise perspectives on sound art Sound in art Site-specific art Performance art Arts, Modern 20th century Performance Künste (DE-588)4173750-7 gnd Klangkunst (DE-588)4430771-8 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4173750-7 (DE-588)4430771-8 (DE-588)4000626-8 |
| title | Background noise perspectives on sound art |
| title_auth | Background noise perspectives on sound art |
| title_exact_search | Background noise perspectives on sound art |
| title_full | Background noise perspectives on sound art Brandon LaBelle |
| title_fullStr | Background noise perspectives on sound art Brandon LaBelle |
| title_full_unstemmed | Background noise perspectives on sound art Brandon LaBelle |
| title_short | Background noise |
| title_sort | background noise perspectives on sound art |
| title_sub | perspectives on sound art |
| topic | Sound in art Site-specific art Performance art Arts, Modern 20th century Performance Künste (DE-588)4173750-7 gnd Klangkunst (DE-588)4430771-8 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Sound in art Site-specific art Performance art Arts, Modern 20th century Performance Künste Klangkunst Ästhetik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022110161&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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