The problem of style:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Oxford Univ. Press
1952
|
| Ausgabe: | 8. impr. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VII, 148 S. |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: The problem of style
Autor: Murry, John Middleton
Jahr: 1952
CONTENTS
?. THE MEANING OF STYLE . . . Pages 1-22
The Vagueness of Critical Terms, 1 —The Example of Deca¬
dence analysed, 2 — Some Definitions of Style, 3 — Style as Idio¬
syncrasy, 4 — Style as Technique of Expression, 6 — Style Absolute,
7 — Separation of Meanings difficult in Practice, E — Confusions
and Heresies that result, 9— Style as Ornament, 10 — The Hypo-
statization of Style, 11 — Metaphor not Ornament, 12 —The
Organic Nature of Style, 14 — True and False Idiosyncrasy, 15 —
True and False Artificiality, 17—True Idiosyncrasy may become
False, 19 — The Case of Wordsworth, 20 — of Henry James, 21.
II. THE PSYCHOLOGY OF STYLE . . Pages 23-46
The Writer s Mode of Experience, 23 — Originating Emotion in
Lyrical Poetry, 24 — in Objective Literature, 25 —The Psychology
of the Writer, 26 — Wordsworth s Account, 28 — Subordinate Part
of the Intellect, 29 — The Choice of Plot, 30—Realism and
Romanticism, 31 — Impossibility of defining a writer s Mode ol
Experience, 32 — The Task of the Critic, 33 — Style can only be
recognized from within, 34 — The Highest Style, 35 — Antony and
Cleopatra, 36 — The Death-Scene analysed, 37 — The Crucial
Metaphors, 40 —The Heresy of Coleridge, 40 — No antithesis be¬
tween Personal and Impersonal Literature, 41 — Chaucer s Troilus
and Cressida, 44.
III. POETRY AND PROSE .... Pages 47-70
Poetry and Prose, 47 — Forms more often accepted than chosen,
48— The Novel and the Poetic Drama, 48 — If Keats had lived,
50 — No testing Form for Poetry to-day, 52 — Form depends on the
Taste of the Age, 52 —Poetry and Prose interchangeable, 53 —
Late Historical Development of Prose, 55 —The Case of Mas-
singer, 56 — Is there a necessary Prose-Content? 57 —Prose for
Comedy, 61 — Jane Austen, 62 — Prose for Satire, 64 — The Judicial
Quality of Prose, 67 —Judicial and Poetic Prose, 68 — A third Kind
of Prose unnamed, 70.
Contents
vii
IV. THE CENTRAL PROBLEM OF STYLE Pages 71-94
Recapitulation, 71 —Communication of Thought and Emotion,
72 — No Pure Thought in Literature, 72 — Communication of
Emotion, 74 — The Creative Symbol, 75 — The Central Problem,
75 — Formulated by Stendhal, 76 — Expression and Definition, 79
—The Meaning of Selection, 81 — The Creation of Metaphor, 82 —
Metaphor Necessary to Precision, 83 — Compulsive Style ; Rhyth¬
mical devices, 84 — Dangers of Rhythmical Effects, 86 — The
Pictorial Heresy, 87 — Crystallization, 88 — Plasticity, 89 — Style
not dependent on Visualization, 91 —Sensuous Perception Neces¬
sary, 92.
V. THE PROCESS OF CREATIVE STYLE Pages 95-121
Recapitulation, 95—The Creation of the Symbol, 96 — The
Psychology of Crystallization, 97—Primary Crystallization, 98 —
True Descriptive Style, 100 — and False, 101 — Crystallization and
Plot, 105 — Planes of Crystallization, 107 — The Uniqueness of
Shakespeare, 108 — Is this Conception of Style comprehensive ?
til — The Victory over Language, HI—Degeneration of Lan¬
guage, 112 — Shakespeare and Metaphor, 114 — The Lesson of
Shakespeare, 116 — Shakespeare and Milton, 117.
VI. THE ENGLISH BIBLE; AND THE GRAND STYLE
Pages 122-143
Prose and Poetry, 122 — The Psychology of Poetry, 122 — The
Dangers of Poetic Prose, 124 — The Predisposition of the Audi¬
ence, 126 — The Religious Predisposition, 127 — The English
Bible, 127 — Creative and Non-Creative Styles in the Bible, 129 —
Contemporary Predispositions, 130 — Rhetoric, 131—The Styles
of the Bible, 132—Kinetic and Potential Language, 133 —The
Dogma of the Authorized Version, 134 — Correctness of Language
no Indication of Style, 136 — Shakespeare and Racine, 138 — What
is the Grand Style ? 138 — A Means to Dramatic Propriety, 139 —
Elizabethan Rhetoric distinct from the Grand Style, 141 — The
Grand Style the Invention of Milton, 141 — Keats and Hyperion
142 — Conclusion, 142.
NOTES
Pages 145-148
|
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| spelling | Murry, John Middleton 1889-1957 Verfasser (DE-588)118785451 aut The problem of style by J. Middleton Murry 8. impr. London [u.a.] Oxford Univ. Press 1952 VII, 148 S. txt rdacontent n rdamedia nc rdacarrier Literarischer Stil (DE-588)4074271-4 gnd rswk-swf Literarischer Stil (DE-588)4074271-4 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022011415&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The problem of style |
| title_auth | The problem of style |
| title_exact_search | The problem of style |
| title_full | The problem of style by J. Middleton Murry |
| title_fullStr | The problem of style by J. Middleton Murry |
| title_full_unstemmed | The problem of style by J. Middleton Murry |
| title_short | The problem of style |
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