An anthology of twentieth-century Brazilian poetry:
Gespeichert in:
Weitere Verfasser: | |
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Format: | Buch |
Sprache: | Undetermined |
Veröffentlicht: |
Middletown, Conn.
Wesleyan Univ. Pr.
1972
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Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XXI, 181 S. |
ISBN: | 0819540447 |
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245 | 1 | 0 | |a An anthology of twentieth-century Brazilian poetry |c ed., with introd., by Elizabeth Bishop and Emanuel Brasil |
264 | 1 | |a Middletown, Conn. |b Wesleyan Univ. Pr. |c 1972 | |
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Datensatz im Suchindex
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adam_text | Titel: An anthology of twentieth-century Brazilian poetry
Autor: Bishop, Elizabeth
Jahr: 1972
Contents
Introduction xiii
Manuel Carneiro de Souza Bandeira Filho (1886-1968)
wanted his poems to be eternal, saying the simplest and least
intentional things. He was born in Recife, in the north of
Brazil, and his poetry is concerned with memories of his home-
town and of the people of the north, even though he lived in
Rio de Janeiro nearly all his life. His first book, Ash of the Hours
(Cinza das Horas), published in 1917, was a major influence on
artists of the Modernist movement, who organized the Modern
Art Week of 1922. He taught literature at the Colégio Pedro II
in Rio until his retirement. He also made many translations
from the French and edited several anthologies of Brazilian
poetry.
O Ultimo Poema/The Last Poem 2
Antologia/Anthology 4
Rondó dos Cavalinhos/Rondeau of the Little Horsçs 6
Tragédia Brasileira/Brazilian Tragedy 8
José Oswald de Souza Andrade (1890-1953) was, according
to Mário de Andrade, the most characteristic and dynamic
member of the Modernist movement. Born into a wealthy
family, he visited the Orient and Europe, from which he re-
turned in 1912, bringing to Brazil the influence of Marinetti s
Futurist Manifesto. He published a collection of his poems en-
titled Brazilwood (Pau Brasil) in Paris in 1925. This book is a
revaluation of several aspects of Brazilian culture, tendencies
of national behavior, usages, and customs of the people.
Biblioteca Nacional/National Library 10
Reclame/Advertisement 12
Procissäo do Entêrro/Funeral Procession 14
Epitáfio/Epitaph 16
Contents vii
Jorge Mateus de Lima (1893-1953) was a poet of the Mod-
ernist movement who took much interest in the cultural
traditions of the black population of Brazil. He received a degree
in medicine and practiced for many years. He was also a note-
worthy photographer, essayist, and novelist.
A Mao Enorme/The Enormous Hand 18
Mario Raul de Moráis Andrade (1893-1945) was possibly
the most influential poet of his generation. He wrote a great
number of essays on literature, art, music, and Brazilian folk-
lore. His book of poems Paulicéia Desvairada (Hallucinated City),
published in 1922, marks a break with the Parnassian School,
and he was one of the organizers of the Modern Art Week. His
novel Macunaima was recently made into a film by a leading
young Brazilian film-director.
Improviso do Rapaz Morto/Improvisation of the Dead Boy 20
Cassiano Ricardo (b. 1895), was born in Säo Paulo. He re-
ceived his university degree in Law. He founded and edited
several newspapers in Säo Paulo, among them Anhangüera and
A Manhä. His poem Martim Cerêré, an epic vision of Brazilian
history and a search for a national mythology, is considered by
many to be a classic of modern Brazilian poetry.
O Canto da Juriti/The Song of the Wild Dove 24
Anoitecer/Nightfall 26
JOAQUiM Cardozo (b. 1897) was born in Recife and is a grad-
uate of the Engineering School of Pernambuco. Carlos
Drummond de Andrade refers to him as a modernist more
absent than present, for his first book, a collection of poems
written since 1925, was not published until 1947. For many
years he has been employed as a specialist in calculus for an
engineering firm in Rio. His poetry is greatly admired by the
new generation of poets in Brazil.
Cemitério da Infância/Cemetery of Childhood 28
Elegía Para Maria Alves/Elegy for Maria Alves 32
Cecilia Meireles (1901-1964) was born in Rio de Janeiro,
and for many years worked there as a librarian in the public
library. She wrote several books for children.
viii An Anthology of Twentieth-Century Brazilian Poetry
Segundo Motivo da Rosa/Second Rose Motif
Vigília/Vigil
Balada das Dez Bailarinas do Cassino/Ballad of the Ten
Casino Dancers
O Cavalo Morto/The Dead Horse
Metal Rosicler, 9/Pyrargyrite Metal, 9
42
46
38
34
36
Murilo Mendes (b. 1902) has been teaching in Rome for
many years. His conversion to Catholicism in 1934 greatly
influenced his work. His poetry is dramatic and apocalyptic,
and is characterized by a surrealist vision, the abstraction of
time and space, a systematic deformation of people and objects,
and the use of allegory.
Mapa/Map 48
Cavalos/Horses 54
Carlos Drummond de Andrade (b. 1902) is usually con-
sidered the best of the older generation of Brazilian poets. He
was born in the little town of Itabira, in the state of Minas
Gerais. As his name indicates, he has Scotch blood, and oddly
enough, mineiros, people from the state of Minas (mines), are
often compared to the Scots. Itabira has one of the largest iron
deposits in the world, the countryside is harsh and rocky, and
life there is likely to be hard, narrow, and sometimes fanatically
devout. Drummond de Andrade came to Rio de Janeiro as a
young man, and has spent most of his life as a civil servant in
the Ministry of Education, retiring in 1966. His poems have
long been popular, especially the earlier ironic ones—those
hardest to translate.
Viagem Na Familia/Traveiling in the Family 56
Poema de Sete Faces/Seven-Sided Poem 62
Nâo Se Mate/Don t Kill Yourself 64
A Mesa/The Table
Infância/Infancy
No Meio do Caminho/In the Middle of the Road
Retrato de Familia/Family Portrait
88
66
84
Contents ix
Vinícius de Moraes (b. 1913) studied law at the University
of Brazil and English Literature at Oxford University in
England. He became a diplomat in 1943, and served in Los
Angeles, Paris, and Montevideo. He has transported the
lyricism characteristic of his poetry into popular music, and
today is considered to be the Pope of Bossa Nova. He is
also interested in the cinema, and wrote the script for Marcel
Camus s film Black Orpheus.
Cançâo/Song 94
Sonêto de Fidelidade/Sonnet on Fidelity 96
A Pêra/The Pear 98
Poema de Natal/Christmas Poem 100
Sonêto de Intimidade/Sonnet of Intimacy 102
Receita de Mulher/Woman Recipe 104
Sonêto de Separaçâo/Sonnet on Separation no
Mauro Ramos da Mota e Albuquerque (b. 1912), born in
Recife, was for many years the editor of Diário de Pernambuco,
the daily newspaper of Pernambuco. He is also a professor
of geography.
O Galo/The Cock 112
J0Â0 Cabral de Meló Neto (b. 1920), was born in Recife,
where he went to school and where he published his first
book Pedra do Sono (Stone of the Sleep) in 1942. He joined the
Diplomatic Service in 1947, and was sent to Barcelona, where
he lived for many years. His poetry contains many images of
the social conditions of the northeastern region of Brazil, where
he grew up. He is generally considered the most important
poet of the post-war generation.
Espaço Jornal/Daily Space 114
Janelas/Windows 116
Poema/Poem 118
O Fim do Mundo/The End of the World 120
Cemitério Pernambucano (Nossa Senhora da Luz)/Cem-
etery in Pernambuco (Our Lady of Light) 122
X An Anthology of Twentieth-Century Brazilian Poetry
Cemitério Pernambucano (Säo Lourenço da Mata)/
Cemetery in Pernambuco (St. Lawrence of the Woods) 124
Morte e Vida Severina (O Retirante)/The Death and
Life of a Severino (The Retirante ) 126
Morte e Vida Severina (Encontra dois . . . )/The Death
and Life of a Severino (He meets . . . ) 130
Morte e Vida Severina (Aparecem e se . . . )/The Death
and Life of a Severino (Neighbors, friends . . . ) 138
Imitaçâo da Agua/Imitation of Water 140
As Nuvens/The Clouds 144
O Mar e o Canavial/The Sea and the Canefield 146
A Educaçâo Pela Pedra/Education by Stone 148
Tecendo a Manhä/Weaving the Morning 150
O Canavial e o Mar/The Canefield and the Sea 152
Uma Faca Só Lâmina/A Knife All Blade 154
Os Vazios do Homem/The Emptiness of Man 158
O Urubu Mobilizado/The Drafted Vulture 160
O Sertanejo Falando/The Man From Up-Country Talk-
ing 162
Duas das Festas da Morte/Two of the Festivals of Death 164
Marcos Konder Reis (b. 1922) was born in Itajai, in the
state of Santa Catarina. In 1944 he was graduated as an
engineer from the University of Brazil in Rio de Janeiro.
Mapa/Map 166
Parâmetro/Parameter 168
Ferreira Gullar (b. 1930) was born in Säo Luís do Mara-
nhäo, and he has lived in Rio de Janeiro since 1951. He is a
journalist and an art critic.
O Trabalho das Nuvens/Clouds Work 170
Bibliography 175
Notes on Editors and Translators 179
Contents xi
|
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spelling | An anthology of twentieth-century Brazilian poetry ed., with introd., by Elizabeth Bishop and Emanuel Brasil Middletown, Conn. Wesleyan Univ. Pr. 1972 XXI, 181 S. txt rdacontent n rdamedia nc rdacarrier Bishop, Elizabeth edt HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022000981&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | An anthology of twentieth-century Brazilian poetry |
title | An anthology of twentieth-century Brazilian poetry |
title_auth | An anthology of twentieth-century Brazilian poetry |
title_exact_search | An anthology of twentieth-century Brazilian poetry |
title_full | An anthology of twentieth-century Brazilian poetry ed., with introd., by Elizabeth Bishop and Emanuel Brasil |
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title_full_unstemmed | An anthology of twentieth-century Brazilian poetry ed., with introd., by Elizabeth Bishop and Emanuel Brasil |
title_short | An anthology of twentieth-century Brazilian poetry |
title_sort | an anthology of twentieth century brazilian poetry |
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