Art, ideology, & economics in Nazi Germany: the Reich chambers of music, theater, and the visual arts
From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Chapel Hill [u.a.]
Univ. of North Carolina Press
1993
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. One of the most persistent generalizations to emerge from research on Nazi Germany is the notion of a German artistic and cultural establishment at the mercy of a totalitarian regime determined to mobilize the arts for its own ideological purposes Steinweis argues that this generalization obscures a more complex reality. It overlooks continuities in the agenda of the German cultural establishment from the Weimar Republic through the Nazi period and presupposes a clearer distinction than actually existed between officialdom and the cultural elite, thereby overestimating the degree to which policy affecting artists originated outside the artistic world. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, showing in whose interest cultural policies were formulated. He discusses such issues as work creation, social insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power By elucidating the economic and professional context of cultural life, Steinweis also contributes to an understanding of the response of German artists to cultural Gleichschaltung, or "coordination," and helps to explain the widespread acquiescence of German artists to artistic censorship and racial and political "purification. |
| Beschreibung: | Literaturverz. S. [217] - 226 |
| Beschreibung: | X, 233 S. Ill. |
| ISBN: | 0807821047 |
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| 520 | 3 | |a From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. One of the most persistent generalizations to emerge from research on Nazi Germany is the notion of a German artistic and cultural establishment at the mercy of a totalitarian regime determined to mobilize the arts for its own ideological purposes | |
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Datensatz im Suchindex
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| adam_text |
ALAN E. STEINWEIS ART, IDEOLOGY, * ECONOMICS GERMANY THE REICH CHAMBERS
OF MUSIC, THEATER, AND THE VISUAL ARTS THE UNIVERSITY OF NORTH CAROLINA
PRESS CHAPEL HILL & LONDON CONTENTS ACKNOWLEDGMENTS, IX ABBREVIATIONS,
XI INTRODUCTION, 1 CHAPTER L ART AND CULTURE IN THE WEIMAR REPUBLIC: THE
ECONOMIC, INSTITUTIONAL, AND POLITICAL CONTEXT, 7 THE WEIMAR SYSTEM OF
PROFESSIONAL REPRESENTATION, 9 THE IMPACT OF THE DEPRESSION, 14 THE
NEOCORPORATIST IMPULSE, IJ NATIONAL SOCIALISM AND THE ARTS IN THE WEIMAR
ERA, 20 CHAPTER 2 NAZI COORDINATION OF THE ARTS AND THE CREATION OF THE
REICH CHAMBER OF CULTURE, 1933,32 NAZIFLCATION OF THE ARTS, 34 TOWARD A
KULTURKAMMER, 38 CHAPTER3 EVOLUTION OF THE CHAMBER SYSTEM, 50
NEOCORPORATISM AND SECOND COORDINATION, 1934*1936, ADMINISTRATIVE
CENTRALIZATION, 1935-1941, 59 THE STRUGGLE FOR CONTROL OVER CIVIL
SERVANTS, 63 THE STRUGGLE OVER AMATEUR ARTISTS AND AUDIENCES, 69
CHAPTER4 THE VARIETIES OF PATRONAGE, 1933-1939, 73 WORK CREATION, 74
REGULATING THE ARTS, 79 CONFLICTS OVER PROFESSIONALIZATION, 83 A BALANCE
SHEET: PROSPERITY AMID HARDSHIP, 94 ALTERSVERSORGUNG: OLD-AGE PENSIONS,
98 CHAPTERS GERMANIZING THE ARTS, 103 THE PURGE OF NON-ARYANS, 104 A
JEWISH CHAMBER, 120 OTHER VICTIMS OF PARAGRAPH 10,126 THE APPARATUS OF
CENSORSHIP, 1933-1939,132 CHAPTER6 MOBILIZING ARTISTS FOR WAR, 147
ECONOMIC BUST AND BOOM, 148 THE PURGE INTENSIFIES, 157 WARTIME
CENSORSHIP, 163 MOBILIZATION FOR TOTAL WAR, 168 CONCLUSION, 174 NOTES,
177 BIBLIOGRAPHY, 217 INDEX, 227 A SECTION OF PHOTOGRAPHS CAN BE FOUND
FOLLOWING PAGE 72. VIII CONTENTS |
| any_adam_object | 1 |
| author | Steinweis, Alan E. 1957- |
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| callnumber-first | N - Fine Arts |
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| dewey-sort | 3700 3943 49043 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Geschichte Musikwissenschaft |
| era | Geschichte 1933-1945 gnd |
| era_facet | Geschichte 1933-1945 |
| format | Thesis Book |
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| publisher | Univ. of North Carolina Press |
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| spelling | Steinweis, Alan E. 1957- Verfasser (DE-588)140755470 aut Art, ideology, & economics in Nazi Germany the Reich chambers of music, theater, and the visual arts Alan E. Steinweis Chapel Hill [u.a.] Univ. of North Carolina Press 1993 X, 233 S. Ill. txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. [217] - 226 Zugl.: Chapel Hill., Univ., Diss., 1992 From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Subdivided into separate chambers for music, theater, the visual arts, literature, film, radio, and the press, this organization encompassed several hundred thousand professionals and influenced the activities of millions of amateur artists and musicians as well. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. One of the most persistent generalizations to emerge from research on Nazi Germany is the notion of a German artistic and cultural establishment at the mercy of a totalitarian regime determined to mobilize the arts for its own ideological purposes Steinweis argues that this generalization obscures a more complex reality. It overlooks continuities in the agenda of the German cultural establishment from the Weimar Republic through the Nazi period and presupposes a clearer distinction than actually existed between officialdom and the cultural elite, thereby overestimating the degree to which policy affecting artists originated outside the artistic world. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, showing in whose interest cultural policies were formulated. He discusses such issues as work creation, social insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power By elucidating the economic and professional context of cultural life, Steinweis also contributes to an understanding of the response of German artists to cultural Gleichschaltung, or "coordination," and helps to explain the widespread acquiescence of German artists to artistic censorship and racial and political "purification. Geschichte 1933-1945 gnd rswk-swf Arts allemands ram Kunstbeleid gtt Nationaal-socialisme gtt National-socialisme et art ram Politique culturelle - Allemagne - 1900-1945 ram Nationalsozialismus Arts Economic aspects Germany Arts, German National socialism and art Künstler (DE-588)4033423-5 gnd rswk-swf Drittes Reich (DE-588)4013021-6 gnd rswk-swf Kulturpolitik (DE-588)4033581-1 gnd rswk-swf Deutschland Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Deutschland (DE-588)4011882-4 g Kulturpolitik (DE-588)4033581-1 s Geschichte 1933-1945 z DE-604 Künstler (DE-588)4033423-5 s Drittes Reich (DE-588)4013021-6 s HEBIS Datenaustausch Darmstadt application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019141907&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Steinweis, Alan E. 1957- Art, ideology, & economics in Nazi Germany the Reich chambers of music, theater, and the visual arts Arts allemands ram Kunstbeleid gtt Nationaal-socialisme gtt National-socialisme et art ram Politique culturelle - Allemagne - 1900-1945 ram Nationalsozialismus Arts Economic aspects Germany Arts, German National socialism and art Künstler (DE-588)4033423-5 gnd Drittes Reich (DE-588)4013021-6 gnd Kulturpolitik (DE-588)4033581-1 gnd |
| subject_GND | (DE-588)4033423-5 (DE-588)4013021-6 (DE-588)4033581-1 (DE-588)4011882-4 (DE-588)4113937-9 |
| title | Art, ideology, & economics in Nazi Germany the Reich chambers of music, theater, and the visual arts |
| title_auth | Art, ideology, & economics in Nazi Germany the Reich chambers of music, theater, and the visual arts |
| title_exact_search | Art, ideology, & economics in Nazi Germany the Reich chambers of music, theater, and the visual arts |
| title_full | Art, ideology, & economics in Nazi Germany the Reich chambers of music, theater, and the visual arts Alan E. Steinweis |
| title_fullStr | Art, ideology, & economics in Nazi Germany the Reich chambers of music, theater, and the visual arts Alan E. Steinweis |
| title_full_unstemmed | Art, ideology, & economics in Nazi Germany the Reich chambers of music, theater, and the visual arts Alan E. Steinweis |
| title_short | Art, ideology, & economics in Nazi Germany |
| title_sort | art ideology economics in nazi germany the reich chambers of music theater and the visual arts |
| title_sub | the Reich chambers of music, theater, and the visual arts |
| topic | Arts allemands ram Kunstbeleid gtt Nationaal-socialisme gtt National-socialisme et art ram Politique culturelle - Allemagne - 1900-1945 ram Nationalsozialismus Arts Economic aspects Germany Arts, German National socialism and art Künstler (DE-588)4033423-5 gnd Drittes Reich (DE-588)4013021-6 gnd Kulturpolitik (DE-588)4033581-1 gnd |
| topic_facet | Arts allemands Kunstbeleid Nationaal-socialisme National-socialisme et art Politique culturelle - Allemagne - 1900-1945 Nationalsozialismus Arts Economic aspects Germany Arts, German National socialism and art Künstler Drittes Reich Kulturpolitik Deutschland Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019141907&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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