The critical reception of Shakespeare in Germany 1682 - 1914: native literature and foreign genius
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hildesheim [u.a.]
Olms
2003
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| Schriftenreihe: | Anglistische und Amerikanistische Texte und Studien
11 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 532 S. |
| ISBN: | 3487119455 |
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| adam_text | Titel: The critical reception of Shakespeare in Germany 1682 - 1914
Autor: Paulin, Roger
Jahr: 2003
Contents
Acknowledgments
Preface
Part One: The Early Reception (1682-1741)
1. The reception of things English in Germany 12
2. Ancients and Moderns 15
3. Approaching Shakespeare around 1700 18
4. The French connection 22
5. Morhof s Unterricht von der Teutschen Sprache und
Poesie (1682) 24
6. Scattered learned references 26
7. Redefining German national literature 31
8. The attack on the German Baroque style 35
9. Gottsched s adversarial approach to Shakespeare 39
10. Luise Gottsched translates The Spectator (1739) 43
11. Bodmer, the Italians, and the imagination 49
12. Borck s Julius Caesar (1741) and Johann Elias Schlegel s
critique 53
13. Johann Elias Schlegel s Vergleichung Shakespears und
Andreas Gryphs ( 1741 ) 59
Part Two: Shakespeare in the Age of Enlightenment: Lessing,
Wieland, and Eschenburg
1. Shakespeare in an age of criticism 1740-1765 62
2. The state of German letters 63
3. Dissemination in literary periodicals and other sources 71
4. Tiuus s Neue Erweiterungen (1753-1756) 77
5. Grynaeus s Romeo and Juliet (1758) 80
6. Lessing s Von Johann Dryden und dessen dramatischen
Werken (1758) 83
7. The question of genius: Lessing s 17th Literaturbrief
(1759) 86
8. Lessing, Mendelssohn, and tragedy 90
9. Lessing s Hamburgische Dramaturgie (1767-1769) 92
10. A cautious approach to new norms and models:
Wieland and Eschenburg 96
11. Wieland s approach to Shakespeare 100
vi Contents
12. Wieland s translation principles 103
13. Wieland s Shakespear: Theatralische Werke (1762-1766) 106
14. Eschenburg and the beginnings of German Shakespeare
scholarship 115
15. Eschenburg s version of Richard III in blank verse 122
16. Eschenburg s William Shakespear s Schauspiele (1775-
1777) 127
Part Three: Shakespeare in the Sturm und Drang
1. A new radical approach 133
2. Johann Georg Hamann: Aesthetica in nuce (1762) 135
3. Heinrich Wilhelm Gerstenberg: Briefe über die
Merkwürdigkeiten der Literatur (1766-1767) 140
4. The great embrace: Herder 143
5. Prometheus , Pan , demigod : the three major
Shakespeare essays of the Sturm und Drang (Herder,
Goethe, Lenz) 150
6. Herder s Shakespeare (1773) 151
7. Goethe s Zum Schäkespears Tag (1771) 157
8. The intuitive approach: Lenz s Anmerkungen übers
Theater {111A) 167
9. Shakespeare in everyone s mouths 174
10. Wäre Shakespear unübersetzbar? : Herder translates
Shakespeare (1774) 176
11. Other Sturm und Drang attitudes to translation 188
12. Shakespearscher Stil : Shakespeare s effect on dramatic
production 191
13. Shakespeare in the novel: Goethe s Wilhelm Meisters
theatralische Sendung (1111-) 196
14. Lichtenberg calls for a halt 201
15. Shakespeare for ear and eye: Lavater and Füssli 204
Part Four: Shakespeare in Classicism and Romanticism
1. Shakespeare overturns the categories of literary history 211
2. Wilhelm Meister and Shakespeare (1795-1796) 215
3. The Classical Goethe and Shakespeare 227
4. Schiller and Shakespeare: idealische Masken and
Individuen 230
Contents vii
5. The early Schiller and Shakespeare 235
6. Schiller s dramatic theory, and history 238
7. Schiller s Macbeth (1800) 244
8. The Romantic embrace of Shakespeare, and its context 253
9. The Romantic historical model: the Schlegel brothers
lectures and Tieck s Das Buch über Shakespeare 256
10. The Romantic critical model: writing about Hamlet 269
11. Ludwig Tieck s beginnings and his notes on Hamlet
(1792) 270
12. The Schlegel brothers on Hamlet 278
13. Tieck s essay Über Shakspears Behandlung des
Wunderbaren (1796) 283
14. August Wilhelm Schlegel s essay Ueber Shakspeares
Romeo und Julia (1797) 288
15. Coleridge and Schlegel 294
Part Five: Shakespeare in Verse Translation: Schlegel s and
Other Nineteenth-Century Translations
1. Background and general principles of translation 297
2. Schlegel s principles of translation 304
3. Schlegel s Shakespeare translation in its historical context 309
4. Schlegel s translation examined (1797-1810) 315
5. The nineteenth-century translation industry 330
6. Voss and Schiller translate Othello (1805) 334
7. Voss and sons translation of Shakespeare (1817-1829) 339
8. The Schlegel-Tieck Shakespeare (1825-1833) 344
9. Measure for Meas ure by various hands 348
10. Fontane s Hamlet ( 1850s) compared with Schlegel 355
11. A revolutionary translates Coriolanus: Herwegh s
version (1867) and its context 362
Part Six: The Nineteenth-Century Fulfilment (1815-1870)
1. The myths of the nineteenth century 371
2. Solger challenges Schlegel 374
3. The later Goethe: Shakespeare und kein Ende! 377
4. The later Tieck does some creative re-dating 380
5. Tieck fictionalizes Shakespeare s life: Dichterleben 384
6. Shakespeare in national literary history 386
viii Contents
7. A young dramatist offers an affront to the Shakespeare
cult: Grabbe s Über die Shakspearo-Manie (1827) 390
8. Heine s reading of history and character: Shakspeares
Mädchen und Frauen ( 1839) 393
9. Hegel s Shakespeare 397
10. Post-Hegelian positions: Ulrici, Gervinus, Vischer 405
11. Rötscher, Ulrici and Gervinus read King Lear 414
12. Die Technik des Dramas : Hettner, Freytag, Ludwig,
Rümelin 419
13. Oper und Drama : Richard Wagner and Shakespeare 425
14. Shakspearo-Manie institutionalized: 1864 429
15. The Deutsche Shakespeare-Gesellschaft 432
Part Seven: Some Nineteenth-Century Hamlets
1. Seeing one s psyche through an alien character 436
2. Alternative readings to Schlegel: Solger, Horn, Tieck,
Börne 437
3. Deutschland ist Hamlet : voices from 1800 to 1914 442
4. Gans and Hegel on Hamlet 446
5. Vischer s Hamlet (1860) 449
6. Schopenhauer, Shakespeare, and Hamlet 451
7. Nietzsche s Hamlet in context 454
8. Late nineteenth-century positions on Hamlet 458
9. Freud s Hamlet complex 460
Part Eight: Shakespeare in Literary Groupings 1885-1914
1. Disparate enthusiasms towards the end of the century 467
2. Shakespeare and the George circle 469
3. The Sonnets in the nineteeenth century, and George s
version 471
4. Dorothea Tieck s and George s versions of Sonnets
LXXIV and XXIX 475
5. Gundolf improves on the Schlegel-Tieck 482
6. Gundolf s Shakespeare und der deutsche Geist 488
7. Envoi: Gundolf or Stadler? 495
Abbreviations 499
Select Bibliography 500
Index 509
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| spellingShingle | Paulin, Roger 1937- The critical reception of Shakespeare in Germany 1682 - 1914 native literature and foreign genius Anglistische und Amerikanistische Texte und Studien Shakespeare, William 1564-1616 (DE-588)118613723 gnd Rezeption (DE-588)4049716-1 gnd |
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| title | The critical reception of Shakespeare in Germany 1682 - 1914 native literature and foreign genius |
| title_auth | The critical reception of Shakespeare in Germany 1682 - 1914 native literature and foreign genius |
| title_exact_search | The critical reception of Shakespeare in Germany 1682 - 1914 native literature and foreign genius |
| title_full | The critical reception of Shakespeare in Germany 1682 - 1914 native literature and foreign genius Roger Paulin |
| title_fullStr | The critical reception of Shakespeare in Germany 1682 - 1914 native literature and foreign genius Roger Paulin |
| title_full_unstemmed | The critical reception of Shakespeare in Germany 1682 - 1914 native literature and foreign genius Roger Paulin |
| title_short | The critical reception of Shakespeare in Germany 1682 - 1914 |
| title_sort | the critical reception of shakespeare in germany 1682 1914 native literature and foreign genius |
| title_sub | native literature and foreign genius |
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