Pop music - technology and creativity: Trevor Horn and the digital revolution
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2003
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Schriftenreihe: | Ashgate popular and folk music series
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XIV, 172 S. |
ISBN: | 0754631311 075463132X |
Internformat
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Datensatz im Suchindex
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adam_text | Titel: Pop music - technology and creativity
Autor: Warner, Timothy
Jahr: 2003
Contents List of Tables viii General Editor’s Preface ix Acknowledgements X Introduction xi Part One: Pop Music 1 1 Characteristics of Pop Music 3 Pop and rock 3 Pop as a format: the single 5 Short and sweet 6 The art of the familiar 7 Simplicity and repetition 9 Round and round, like a record 10 Machine aesthetics 11 Pop and television 12 Pop and commerce 13 Pop and fashion 14 Let’s dance 14 Image 15 Mixed media 16 2 The Production of Pop Music 18 An aural art 19 The recording studio as resource 20 From analogue to digital 20 Using technology 22 Multitrack recording 22 Signal processing 23 MIDI sequencing 24 Sound synthesis and sampling 28 Recording the voice 31 The fade-out 32 The record producer 33 Part Two: Technology and Creativity 39 3 ‘Video Killed the Radio Star’ by The Buggies 41 The ghost in the machine 41 Music 43
44 45 47 50 50 52 52 53 54 55 57 58 59 62 62 64 64 65 66 66 67 69 70 71 72 75 75 76 78 79 80 81 82 83 84 86 87 91 92 93 94 CONTENTS Lyrics Production and arrangement Disco killed the radio star ‘Buffalo Gals’ by Malcolm McLaren A charismatic manager From manager to artist Applied cultural theory The anthropological connection Stylistic collage ‘Buffalo Gals’ Structure Timbre Half-heard words ‘Owner of a Lonely Heart’ by Yes Yes: from progressive rock to chart pop 90125 A new image Live/recorded Chart pop music ‘Owner of a Lonely Heart’ Form: repetition and suspension Timbre and gesture The artificial guitar The multitracked vocal Machine drums ‘Relax’ by Frankie Goes to Hollywood Zang Tuum Tumb Another band from Liverpool The image Too much, too young? The making of ‘Relax’ ‘Remix, Re Use It’ Banned The sound of ‘Relax’ A novel approach to musical form What’s the hook? Repetition in ‘Relax’ Who s Afraid of The Art of Noise? What’s in a name? Who’s afraid of The Art of Noise? Cover imagery
CONTENTS vii Sampling 95 Recording records 96 Listening to samples 97 Sampling and The Art of Noise 98 Studio made 101 Timbre 101 Space 102 8 ‘Jewel’, ‘Duel’ and ‘Jewelled’ by Propaganda 106 Recordings revisited 106 Propaganda 108 A Secret Wish: pretentious packaging 110 From engineer to producer 112 The music of A Secret Wish 113 ‘Jewel’/‘Duel7‘Jewelled’ 116 ‘Jewel7‘Duel’/‘Jewelled’ - the structure 116 ‘Jewel’/‘Duel7‘ Jewelled’ - the sound 118 Technology and Propaganda 120 9 Slave to the Rhythm by Grace Jones 123 Slave to the fashion 123 Slave to the image 124 Slave to the cliché 126 Slave to the Rhythm 127 ‘Re-written by machine’ 128 Concerto for Synclavier 129 Slave to the sampler 131 Space 132 Spatial orchestration 133 Words 134 Slave to the remix 135 Conclusion 139 Appendix 1 : Interview with Trevor Horn 143 Appendix 2: Trevor Horn Discography 157 Discography 160 Bibliography 162 Index 167
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any_adam_object | 1 |
author | Warner, Timothy |
author_facet | Warner, Timothy |
author_role | aut |
author_sort | Warner, Timothy |
author_variant | t w tw |
building | Verbundindex |
bvnumber | BV025288598 |
classification_rvk | LR 57790 LS 48015 |
ctrlnum | (OCoLC)248045759 (DE-599)BVBBV025288598 |
dewey-full | 786.7164 |
dewey-hundreds | 700 - The arts |
dewey-ones | 786 - Keyboard & other instruments |
dewey-raw | 786.7164 |
dewey-search | 786.7164 |
dewey-sort | 3786.7164 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Book |
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id | DE-604.BV025288598 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T22:30:28Z |
institution | BVB |
isbn | 0754631311 075463132X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-019922044 |
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physical | XIV, 172 S. |
publishDate | 2003 |
publishDateSearch | 2003 |
publishDateSort | 2003 |
publisher | Ashgate |
record_format | marc |
series2 | Ashgate popular and folk music series |
spelling | Warner, Timothy Verfasser aut Pop music - technology and creativity Trevor Horn and the digital revolution by Timothy Warner Aldershot [u.a.] Ashgate 2003 XIV, 172 S. txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Popmusik (DE-588)4046781-8 gnd rswk-swf Popmusik (DE-588)4046781-8 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019922044&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Warner, Timothy Pop music - technology and creativity Trevor Horn and the digital revolution Popmusik (DE-588)4046781-8 gnd |
subject_GND | (DE-588)4046781-8 |
title | Pop music - technology and creativity Trevor Horn and the digital revolution |
title_auth | Pop music - technology and creativity Trevor Horn and the digital revolution |
title_exact_search | Pop music - technology and creativity Trevor Horn and the digital revolution |
title_full | Pop music - technology and creativity Trevor Horn and the digital revolution by Timothy Warner |
title_fullStr | Pop music - technology and creativity Trevor Horn and the digital revolution by Timothy Warner |
title_full_unstemmed | Pop music - technology and creativity Trevor Horn and the digital revolution by Timothy Warner |
title_short | Pop music - technology and creativity |
title_sort | pop music technology and creativity trevor horn and the digital revolution |
title_sub | Trevor Horn and the digital revolution |
topic | Popmusik (DE-588)4046781-8 gnd |
topic_facet | Popmusik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019922044&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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