Naujasis romantizmas - iš pasiilgimo: lietuviu neoromantizmo pradininku estetinė mintis
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Lietuviu Literaturos ir Tautosakos Inst.
1998
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| Beschreibung: | Zsfassung in engl. Sprache u.d.T: The aesthetical thought of the founders of Lithuanian neoromanticism |
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TURINYS
{zanga: IsTuo metafizinés estetikos
iki estetinés metafizikos 7
Neoromantizmas ar simbolizmas? 25
Lietuvisko neoromantizmo s^sajos su
„Jaun^ja Lenkija" 67
Albinas Juozapas Herbaciauskas:
maistingasis neoromantizmas
Kelios jvadinés pastabos 85
Küryba — dvasios atgaivinimui 91
Meilé genijui 117
Apie kürybos dinamizm^. 134
Uzsklanda: Tipologiné problema 150
'V'
Sofija Kymantaité-Ciurlioniené:
lyrinis neoromantizmas
Pradinés pastabos 163
„Küryba turi plaukti is sirdies" 169
Papildomos pastabos apie knygos Lietuvoje
bendraautorius 192
Neoromantinis lietuvio sielos paveikslas 196
Küryba gamtos artybéje 219
Uzsklanda 234
Vydunas: kontepliatyvusis neoromantizmas
Pradinés pastabos 243
Sfinksas, arba zvilgsnis \ visumos sarangos esm^ 246
„Prarastojo rojaus" ilgesys 258
„Zmoniskumo kultüra", arba kürybos
humanizavimo idéja 273
Vizionistinis simbolizmas 290
Uzsklanda 315
Pabaigai 323
Summary 329
Asmenvardzivj. rodyklé 334
I
The Aesthetical Thought of the Founders
of Lithuanian Neoromanticism
Summary
Aesthetical views of Lithuanian neoromanticists which
have been moulded in the reactional period of antipositivist
culture happen to virtually be a phenomenon of the 19th
and early 20th centuries, but orientated towards the valu-
ables of romantic culture and folklore of the past. It is for
this main reason that neoromantic aesthetical concept might
account for its twofold and syncretistic nature. This is the
theory of romantic modernism which has originated in the
crisscross area of romanticism and modernism.
In this aspect Lithuanian neoromanticists do not fall off
the mid European context frequently featuring the roman-
ticized artistic and reflectional expression of the dawn of
modernism. The study allots exceptional attention to the
cultural movement of "Mloda Polska" ("Young Poland")
which has obviously influentiated the aesthetical views of
the earliest Lithuanian neoromanticists, as well as to the
study of neoromanticism of Julian Krzyzanowski and, last
but by no means least, the author of this particular work.
Even Russian literature (its leverage on Lithuanian litera-
ture was no less than that of Polish literature), which at
the beginning of the 20th century noticed the moderniza-
tion to have followed an evident programme concept of
symbolism, the latter being in the opinion of a majority of
scholars of a clear romantic nature. In the literatures of
midEurope the neoromantic tendency found a very wide
/
329
dispersion, adjoining the endeavours for national revival
and national identity and advancing a unique creative at-
tempt of modem folklorization or its modelling on the ba-
sis of "national spirit".
Rejecting the tradition of realism and assessing in a re-
served manner modernism (its tendencies of decadence
and formalism particularly), neoromanticists promoted the
programme of creational renewal claiming alongside the
orientational directions of "reverting to spirit" or "retreat-
ing to romanticism". Their aesthetical discussions reveal
the fact that these two adequate directions had induced
the origin of romanticism as the rudiment of spiritual crea-
tion and an essential humanistic creational antipode to the
20th-century world, inevitably sinking down into the bed
of materialism. Neoromanticists followed the tradition of
the 19th-century romanticism which was entitled by
Friedrich Nietzsche "superhuman creation". They still
maintained the concept of romantic art, according to which
romantic art is regarded as the spiritual manifestation of
mankind. Because of heavy emphasis on the necessity for
"spiritual culture", neoromanticists approached aesthetical
values with an opposite value index to that of the creators
of "art dehumanization" claimed by Ortega y Gasset.
Neoromanticists faced two — scientific and religious —
crises of the time and felt they had to surmount them. It
was, in the words of Vaizgantas, the period of "idyllic
speeding away into infinity", when creation was equated
to religion, a creator to a prophet, while beauty received
transcendental meaning. The resumption of the idea of "live
religion" image was undertaken with an attempt to rescue
it from ecclesiastical dogmas, as well as to consider
spiritualness the heed for transcendence emerging from
man's inward essence.
Neoromanticists believed the cultural situation of the
20th century to require the reconstruction of the equilib-
rium of its rudiments, whereas the previous positivist cul-
330
ture had obviously showed its unilateral tendency towards
scientific, as well as materialistic interpretations of exist-
ence. For this purpose they have attached great significance
to spiritual culture which finds "life through spirit and
creation for spirit" an essential objective. They demolished
the essence stereotypes of "idealism" and "materialism",
those which were prevalent in a pragmatic society and
materialistic world outlook, formulating the concept of their
active idealism ("Ideas are major life factors").
The study focuses attention on the originality of the
antipositivistic aesthetical thought of the Lithuanian writers
of the beginning of the 20th century with reference to their
literary critics and essayistics. Juozapas Albinas Herba-
ciauskas, Sofija Kymantaité-Ciurlioniené, Vydünas were the
most influential precursors of the resumption of creation,
whose aesthetical thought originated the turn of Lithuanian
literature to modem romanticism. They were the first theo-
rists of national culture to show a true concern not only for
its modernization but also for the problem of national iden-
tity. Them being unique creative personalities, the aesthetical
ideas expressed in their literary critics and essayistics are
analysed and regarded as typical aesthetical ideas of the time,
proximate to the majority of writers who had looked for a
modem but missing no national identity artistic form. The
aim and the main object of the study are the aesthetical ideas
or the topics of aesthetical meditations, predominant in the
space of neoromantic reasoning of the writers of the begin-
ning of the 20th century: 1) creation- "for the vivification of
spirit", 2) love for a genius, 3) emphasis on dynamism and
unity of creation, 4) "creation is bound to flow from one's
heart", 5) a picture of a "Lithuanian spirit", 6) creation in the
proximity of nature, 7) a yearning for "lost paradise", 8) the
project of " humanistic culture", 9) the notion of a mystical
symbols. These aesthetical ideas interlace making a uniform
typological system which is proposed as a neoromantic
theory of creation.
331
The modernism initiated by the mentioned neoroman-
ticists does not see itself as the modernism of the specialty
of romantical (and folklore) art and does not feel the ne-
cessity of aesthetical opposition but, on the contrary, at-
tempts to replenish modem artistic forms with "romantical
spirit". Herbaciauskas and Vydunas are two most sepa-
rate poles of Lithuanian neoromanticism. Vydunas in his
peculiar manner renovates the literary school of classical
humanism and harmonious existence of Goethe and turns
the creation to the direction of bright intellect. Herbaciaus-
kas, influenced by the works of Przybyzewski, Wilde and
Nietzsche, revealed himself as a creator of the most mod-
em, discrepant and irrational reasoning, now eagerly pro-
moting romantical creation, now expressing its impotence
in the contemporary cultural consciousness. He is the most
artistic and the most decadent neoromanticist of the be-
ginning of the century.
The aesthetical thought of neoromanticists alongside the
generated projection to the culture of "lost paradise" doubt-
less reflects their present situation: intuitive and irrational
aesthetics, antipositivist philosophy, the impact of psychol-
ogy science on fiction, still created with a concept of "ar-
tistic subjectivity" rather than "aesthetical distance", were
enormously influential to their works. They strived for a
better knowledge of the modem creation of their contem-
poraries. The ideas of "national spirit", "lost paradise",
"mystical symbol" prevalent for the creation and theories
of neoromanticists happen to have certain links with psy-
choanalytical interpretations of a creator and creation, es-
pecially with the theory of archetypical images of "collec-
tive subconsciousness". Neoromanticists have created the
"original picture" of the Lithuanian spirit, which still feels
its vibration.
Neoromanticists took an active interest in the modem
and folklore art similarity (antiracionalism, visionism, an-
timimetics, symbolism) and their possible new artistic sym-
332
biotic form. They expected to "enrich" European modern-
ism with artistic rudiments of their national culture,
whereas their interest in modern intuitive aesthetics was
encouraged by the hope to deeper penetrate into the "spirit
of the nation" and into the culture manifested by the spirit.
In literary science the symbol notion of Lithuanian neoro-
manticists, related to the transcendental and partial expres-
sion of archetypical meanings, should be more strictly dis-
tinguished from the modernistic one, related to the differ-
ent influential context of structuralistic linguistics and lin-
guistical aesthetics.
The works of neoromanticists and aesthetical thoughts
were projected with the hope that after the long years of
slavery a freed national culture will have to revive for a
new life. They felt themselves destined to link up two time
periods and two different cultures, to possess an excep-
tional right to understand not only the dramatism of their
material world but also the joy of contact with old or spir-
itual, in their words, culture. This is the joy of the discov-
ery of "lost paradise", which should give birth to "new
humanism" and the rise of new "spiritual culture". Could
there possibly lie the vitality of the claimed aesthetical ideas
which dominated the first half of the 20th century?
The problem of the originality of a national culture has
been one of major themes of discussion of neoromanticists
which found reflection and was strongly related to the
overall context of the antipositivist culture. Aesthetical
considerations of neoromanticists found their existence as
a paradigm variant of cultural philosophy of romanticists
and irrational fin de siècle aesthetics. The impact of neoro-
mantic aesthetical thought resulted in an original creation
of romantic modernism of syncretical nature that domina-
ted Lithuanian literature of the first part of the 20th cen-
tury.
333
Asmenvardzin rodyklé
Abastado C. 63
Aistis J. 19, 41, 42, 54, 56, 101, 131,
145, 157, 159, 168, 176, 182, 188,
205, 214
Alisanka E. 63
Andrijauskas A. 23, 84, 161, 278
Andriusyté R. 84
Andriuskevicius A. 19, 44-46, 64,
110, 111, 160, 302, 321
Aristotelis 35, 44
Arnim LJ. 205
Artaud A. 218
Aspazija 224, 310
Augustinas A. sv. 192
Averincev S. 206, 240, 301, 321
Babbitt I. 36
Bach J.S. 190
Bachelard G. 174, 239
Bachtín M. 271, 320
Bagdonavicius V. 320,
Bahr H. 75
Balakian A. 52, 65, 321
Baliuliené A. 83
Balmont K. 153
Baltrusaitis J. 67, 194
Balzac H. de 56
Baranauskas A. 38, 123, 124, 172,
177, 229, 265
Barda F. 37, 40, 153
Barthes R. 29, 63, 155
Basanavicius J. 123, 124, 161
Baudelaire Ch. 15, 53, 74, 75, 78, 79,
84, 112, 145, 147, 171, 174, 175,
177, 218, 298, 299
Beckeimann J. 237
Beethoven L. von 302
Belan G. 189, 239
Belyj A. 23, 25, 53, 316, 317, 319, 322
Bell C. 48, 155
Benua A. 210, 237
Bequin A. 109
Berdev 262
Berdiajev N. 254
Berenis V* 320
Beresnevicius G. 320,
Berkovskij N. 157, 162
Berlewe H. 237
Biciünas V. 42, 90, 153,
Biliünas J. 99, 176,
Binkis K. 87, 113, 157,
Byron G.G.87, 119, 127, 139
Bytautas R. 158, 176, 293
Blake W. 217, 238, 249, 302
Böcklin A. 73, 153
Böhme J. 7, 249
Boileau N. 35, 38
Boy-Zelehski T. 68, 156
BortkevkHene F. 196
Braun A. 153
Brazdzionis B. 41, 42, 54, 168, 188
Brentan F. 205, 206
334
Brunetiere F. 30
Butkus V. 55, 310, 322
Calderon P. 215
Carik D. 23, 37
Cézanne P. 236
Chapfleury J. 56
Chesterton G.K. 36, 200, 251
Chopin F. 302
Ciplijauskaité B. 55, 65, 163, 164,
194, 238, 241, 310
Coleridge S.T. 63, 205
Comte A. 15
Conrad J. 36
Coomaraswamy A.K. 305, 306, 321
Craig E.G. 310
Croce B. 45,117, 149, 159, 190, 215,
230, 308
Cechov A. 311
Ciurlionis M.K. 14, 18, 33, 69, 72—
74, 79, 81, 82, 85, 88, 89, 93, 101,
141, 159, 164, 166, 168, 176, 181,
192-196, 198, 202, 204, 206-208,
210, 213, 215, 217, 218, 220, 223,
225, 227, 230, 232, 234, 236, 237,
239-241, 247, 255, 270, 286, 304,
313, 314
Ciurlionis P. 14
Ciurlionyté J. 203
Dante A. 99, 108, 111, 245, 280, 298
Darwin Ch. 15, 99
Daujotyté V. 65, 104, 131, 160, 161,
289, 319, 321, 322, 328
Daukantas S. 262, 265
Delacroix E. 238
Derrida J. 148, 161, 280
Dilthey W. 159
Dmitrijev A. 321
Dostojevskij F. 101, 120, 285
Dubas V. 188
Erenburg I. 221
Eliade M. 207, 209, 262, 267, 272,
299, 320, 321
Eliot T.S. 36, 38, 152
Fichte J.G. 114
Figuer D.M. 320
Freud S. 212
Friedenthal R. 159, 163
Frye N. 132
Fürst L. 50, 64, 122, 161
Gaigalaite V. 239
Gailius A. 302
Gay P. 84
Galinis V. 41, 43, 54, 64
Gandhi Mahatma 305
Garcia Lorca F. 310
Gauguin P. 224
Gele Z. 176, 205, 230, 231
George S. 76
George Sand 291
Gide A. 232, 241
Gimbutiene M. 261, 320
Gira L. 22, 42, 95, 154, 179, 217, 264,
297, 321
Girdzijauskas J. 328
Girnius J. 126, 173, 213, 214
Glowihski M. 151, 161
Goethe J.W. 15, 110, 114, 127, 132,
161, 185, 201, 214, 217, 227-229,
230, 241, 245, 249, 250, 269, 276,
282, 283, 286-290, 298, 300-302,
305, 308-310, 317, 321, 326, 332
Gogol NL 108
Gorki) M. 99
Gorski A. 75
Gourmont R. de 50
Greimas A J. 34, 160, 189, 239, 240
Grinius J. 21, 43, 153, 162, 167, 211,
319
Gsteiger M. 76, 84
Gudaitis A. 48
Gudaitis L. 23, 64,159,160,176, 239,
319
Guyau J.M. 179
Gustaitis M. 22, 54, 113, 124, 142,
217, 263, 296, 297, 304, 321
Hagart H. 36
Haydn F.J. 190
335
Hamsun K. 153
Harnack A. 302
Hegel G.W.F. 63, 157, 229, 310
Heidegger M. 117, 135, 200, 209,
215, 249, 278-280, 320
Herbaciauskas AJ. 5, 12, 14, 18-
23, 38, 39, 41, 52-54, 56, 59, 61,
64, 65-68, 70-73, 76-85, 87-148,
150, 151,153, 155-161, 163-170,
178, 182, 183, 194, 196-204, 215,
217, 220-222, 234, 238, 243, 244,
248, 252, 254, 256, 257, 259, 263,
267-269, 271, 275-277, 281-284,
286, 291, 297, 302, 303, 307, 308,
313, 320, 323, 326, 331, 332
Herder J.I. 55, 22
Hesse H. 23, 152, 162, 288, 301
Hoffmann E.T.A. 14, 87, 89, 90,119
Hofmannsthal H. 76
Hölderlin J.Ch.F. 209
Horneras 63
Horacijus 35
Hugo V. 188
Huysmans G. Ch. 26
Hulme T.E. 36
Humboldt W. 170
Ibsen H. 14, 79, 100, 112, 132, 145,
153, 171, 215, 310, 311
Im Hof U. 95, 160
Inciüra K. 214
Ivanov V. 237, 271
Iwaszkiewicz J. 154
Yeats W.B. 202, 209, 215, 218, 250,
282, 307, 310, 311, 316, 319
Yla S. 23, 206, 234, 237, 240, 319
Jakstas A. 9,11, 19, 38, 68, 92, 109,
110, 134, 142, 159, 190, 320
Janonis J. 176
Jaspers K. 254
Joyce J. 209
Jonkis F. 322
Jung C.G. 161, 212, 240, 267, 321
Juodelis P. 21, 42, 47, 58,
88, 153, 15
336
Jurgelionis K. 22, 23, 142, 172, 221,
238, 240
Kandinskij V. 231, 238
Kanisauskas S. 307, 321
Kant I. 8, 94, 130, 250, 282, 291, 310
Karmalavicius R. 39, 55, 64, 83, 84,
161, 163, 193, 242, 328
Kasprowicz J. 79, 80, 107
Katilius V. 246, 319
Kavolis V. 7,18, 23,90, 99,122,159,161
Keliuotis J. 7, 23, 39, 43, 45, 64, 84,
157, 203, 239
Kierkegaard S. 106, 160
Kirsa F. 22, 64, 113, 150, 182, 230
Kisarauskas V. 236
Kymantaite-Ciurlioniene S. 5,12,13,
22, 23, 39, 52-54, 61, 62, 65-68, 70,
72-74, 78-80, 84, 93-96, 98, 100,
101, 112, 115, 116, 124, 129, 147,
160, 161, 163-241, 243, 244, 248,
254, 256, 257, 259, 261, 263, 277,
282, 284, 297-299, 313, 314, 319,
323, 331
Klee P. 34
Kolumbas K. 119
Kosciusko T. 82
Kostkeviciüte I. 237, 241, 242
Krasmski Z. 70, 94
Kraszewski J.I. 73, 266
Kreve V. 20, 22, 41, 54, 77, 96, 101,
102, 112, 119, 122, 123, 140, 149,
150, 161, 177, 179, 182-183, 192,
200, 217, 226, 230, 252, 263, 264,
270, 277, 284, 286, 304
Krzyzanowski J. 37, 38, 40, 69, 70, 71,
78, 80, 83,151,152,155,165, 323, 329
Ksicova D. 37
Kubilius V. 23, 38, 43, 47, 53, 54, 63,
64, 65, 97, 161, 239, 240, 241, 321
Kudirka V. 99, 137, 143, 205
Kudirkiene L. 328
Kundera M. 147, 190
Landsbergis V. 194, 238, 239, 240, 241
Lankutis J. 54, 310, 319, 322
Lawrence D.H. 209, 211
Lazdynq Peléda 216
Lessing G.E. 205
Levenson M.H. 65
Lindé-Dobilas J. 21, 22, 73, 84, 86,
102, 140, 158-160, 173, 175, 190,
204, 218, 226, 229, 238, 239, 241,
263, 286, 296, 320, 321
Lotman J. 29
Maceina A. 42, 106, 111, 118, 213,
231
Mackus A. 34
Macejevskaja I. 161
Macernis V. 108
Maeterlinck M. 14, 23, 74, 75, 79,
84, 114, 149, 153, 160, 161, 171,
208, 209, 215, 230, 240, 298,
309-311
Maironis 44, 55, 57, 68, 73, 81, 86,
124, 137, 169, 171, 177, 178, 183-
187, 190-192, 195, 229, 265, 266
Malarmé S. 32, 33, 36, 38, 48, 152
Mann T. 136, 288, 302
Marinetti F.T. 56
Maritain J. 44, 254
Martisiüté A. 310, 322
Marx K. 15, 99
Matuszewski I. 70, 71, 73, 156
Meyer C.F. 76
Mekas J. 323
Merezkovskij D. 37, 39, 40, 104, 153
Micinski T. 107, 316
Mickevicius A. 11, 63, 71—73, 75, 81,
82, 86, 87, 89, 93,99,104,109,110,
118, 119, 121, 124, 127, 130, 137,
138, 146, 156, 160, 161, 175, 176,
184, 185, 191, 195, 208, 213, 217,
247, 261, 264-266, 268-271, 303,
312, 318, 320
Miknys M. 84
Milasius O. 217, 249, 259, 303
Milosz Cz. 13, 23, 77, 82, 83, 84, 95,
143, 151, 160, 161, 162, 212, 217,
239, 240, 318, 320
Mil ton Jl 127
Miskinis A. 41,42, 55,168,173,176,
182, 225, 238
Miskinis M. 42, 87
Mykolaitis-Putinas V. 14, 19—3, 25,
39, 40-43, 45, 47, 63, 64, 88, 90,
94, 96, 101, 105, 110, 112-114,
119, 123, 126, 137, 140, 150, 153,
154, 157-162, 173, 181, 183, 186,
190, 211, 217, 225, 227, 229, 230,
239, 241, 243, 246, 253, 261, 263,
264, 269-272, 284, 288, 299, 303,
308, 309, 311, 313, 314, 319-322
Montesquieu CHX. 95
Moréas J. 30, 39, 56
Moreau G. 73
Mozart W.A. 190
Mukafovski J. 31
Munnynck M. de 284, 320
Napoleonas 67, 265
Nastopka K. 38, 64
Néris S. 55, 168, 176, 177, 192, 205
Nerval G. de 218
Nietzsche F. 7-11,13-15, 23, 25-27,
32, 49, 63, 68, 73, 75, 76, 78, 79,
87, 91, 100-102, 106, HO, 112,
117, 119-121, 131, 135, 136, 142,
146, 150, 153, 160, 196, 199, 200,
206, 207, 209-211, 213, 215, 221,
248, 250, 251, 267, 272, 274, 283,
310, 315, 316, 320, 325-327, 330,
332
Nyka-Nyliünas A. 35, 97, 159, 160,
162, 239-241, 314, 320, 322
Nolman M. 23, 239
Novalis 74, 114, 152, 209, 302, 309
Okulicz-Kozaryn R. 72, 83
Ortega y Gasset J. 33, 35, 36, 48, 63,
152, 155, 283, 330
Parmenidas 260
Peckham M. 134
Petkevicaité-Bité G. 21, 23, 42, 77,
92, 178, 216, 218
Platonas 44, 73, 91, 99, 213
337
Plotinas 114, 214, 260
Poe E.A. 78, 174, 299
Por^bowicz E. 37, 70
Pound E. 36
Pranciskus sv. 201
Przybyszewski S. 33, 39, 71, 75-
80, 87, 112, 121, 137, 142, 146,
164,169,178,183, 212, 223, 326,
332
Przsemycki Z. 74
Puida K. 8
Puskin A. 185
Radauskas H. 34, 142, 188, 189,
239, 277
Rafaelis 63, 73
Rainis J. 310
Raymond M. 50
Rannitas A. 237
Read H. 63, 64, 241
Riapolova V. 218, 239, 319-321
Reinhardt M. 310
Reza L. 196
Rilke R.M. 209, 215, 224, 302
Römeris M. 82
Rousseau J.J. 201, 231
Ruseckaite A. 64
Samulionis A. 23, 55, 63-65, 161
Santvaras S. 214
Satkauskyte D. 187
Sauka D. 328
Saussure F. de 187
Schelling F. 214, 228, 309
Schiller F. 88, 94, 201, 210, 227,
228, 241, 252, 282
Schlegel A.W. 292
Schlegel F. 92, 303
Schleicher A. 294
Schleiermacher F. 301
Schopenhauer A. 8,13, 27, 78,117,
251, 314
Scott V. 266
Shelley P.B. 76, 121
Sienkiewicz H. 266
Simmel G, 227
Stowacki J. 11, 38, 67, 68, 70-73, 81,
94, 97, 111, 121, 127, 156, 167, 187,
302, 308
Sofoklis 63, 215
Sokratas 204, 207
Solovjov V. 32, 44,149, 214, 252, 254,
284
Spengler O. 49, 267
Sprindyte J. 241, 320, 328
Sruoga B. 19-22, 25, 33, 39, 40, 54,
55, 64, 87, 105, 112, 121, 128, 150,
157, 161, 173, 181, 182, 186, 187,
190, 205, 215, 217, 221, 225-227,
229, 230, 235, 239, 241, 242, 255,
257, 258, 263, 271, 282, 308, 314,
320, 326
Staff L. 79, 80, 205
Steiner G. 278, 280, 320
Steiner R. 278, 305
Stendhal 36
Steponaitis E. 142, 176
Stem K. 150, 161
Stevenson R.L. 36
Stojan L. 47
Stone H. 237,
Storosta J. 321
Stoskus K. 237, 242
Strazdas A. 177
Strindberg A. 76, 97, 112, 146
Sutkus A. 90
Svasjan K. 321
Sverdiolas A. 23,46, 64,160, 240, 301,
321
Swedenborg E. 7, 217, 249, 298, 299
Swingle J. 160
Salkauskis S. 42, 44, 106, 113, 213,
248, 261, 269, 270, 312, 322
Satrijos Ragana 18, 22, 54, 72,83,101,
105, 108, 113, 150, 160, 166, 167,
168, 183, 203, 211, 217, 224, 229,
238-240, 255, 256, 301,
geinius I. 22, 142, 157, 190, 217, 230,
246, 263, 271
Sekspyras V. 63, 215
Silbajoris R. 317, 322
338
Silingas S. 23, 64, 90, 241
Skema A. 35
Slapelis M. 241
Taine I. 159
Tamosaitis R. 320
Tatarkiewicz W. 45
Teilhard de Chardin 254
Tetmajer K. 80
Tieck L. 309
Tomas Akvinietis 44
Tovianskis A. 156
Turner J.M.W. 238
Tutlyte R. 55, 173, 238
Ulianskis K. 165
Vaicaitis P. 13, 171, 175, 177-180
Vaiciulaitis A. 41
Vaitkunas G. 236, 242
Vaitkus M. 264
Vaizgantas 8, 14, 18, 20-23, 42, 73,
77, 86, 96, 101, 105, 113, 142, 153,
160, 166, 168, 171, 173, 181, 182,
206, 213, 217, 218, 222, 225, 226,
230, 236, 238, 242, 253, 255, 309,
322, 325, 330
Vajda G.M. 64
Venclova A. 43
Venclova T. 108
Vengerov S. 37, 40, 153, 162
Verlaine P. 30, 205, 251
Vienazindys A. 73, 171—178, 183
Vienozinskis J. 247
Viesulas R. 238
Vistelis A. 293
Vivekananda 305
Vydunas 5, 12, 20, 22, 23, 41, 43,
47, 52-54, 61, 62, 98,99,101,112-
113, 115, 116, 123, 125, 133, 140,
147, 149, 161, 166, 170, 213, 217,
229, 343-319, 331, 332
Vytautas Didysis 276
Vorobjovas M. 206, 236, 261
Wagner R. 10, 73,112,121,153,171,
177, 189, 190, 283, 302
Walz J. 185
Walzel O. 159
Wellek R. 29, 52
Wilber K. 23, 57, 65
Wilde O. 34, 87, 106, 115, 116, 160,
311, 326, 332
Wyspiahski S. 75, 80, 121, 122, 215,
311
Wordswordth W. 33, 205
Worringer W. 56
Zaborskaite V. 265
Zalatorius A. 7, 23, 54, 55, 65, 320
Zemaite 178, 216
Zentelyte A. 55
Zeromskis K. 237
Zmuida E. 240, 241
Bayerische
Staatsbibliothek
München |
| any_adam_object | 1 |
| author | Jurgutienė, Aušra 1956- |
| author_GND | (DE-588)124179622 |
| author_facet | Jurgutienė, Aušra 1956- |
| author_role | aut |
| author_sort | Jurgutienė, Aušra 1956- |
| author_variant | a j aj |
| building | Verbundindex |
| bvnumber | BV025264567 |
| ctrlnum | (OCoLC)247273542 (DE-599)BVBBV025264567 |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | Litauen (DE-588)4074266-0 gnd |
| geographic_facet | Litauen |
| id | DE-604.BV025264567 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-07T00:04:05Z |
| institution | BVB |
| isbn | 9986513537 |
| language | Lithuanian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-019900462 |
| oclc_num | 247273542 |
| open_access_boolean | |
| owner | DE-11 DE-12 |
| owner_facet | DE-11 DE-12 |
| physical | 338 S. |
| publishDate | 1998 |
| publishDateSearch | 1998 |
| publishDateSort | 1998 |
| publisher | Lietuviu Literaturos ir Tautosakos Inst. |
| record_format | marc |
| series2 | Naujosios literaturos studijos |
| spelling | Jurgutienė, Aušra 1956- Verfasser (DE-588)124179622 aut Naujasis romantizmas - iš pasiilgimo lietuviu neoromantizmo pradininku estetinė mintis Aušra Jurgutienė Vilnius Lietuviu Literaturos ir Tautosakos Inst. 1998 338 S. txt rdacontent n rdamedia nc rdacarrier Naujosios literaturos studijos Zsfassung in engl. Sprache u.d.T: The aesthetical thought of the founders of Lithuanian neoromanticism Neuromantik (DE-588)4136738-8 gnd rswk-swf Nationalliteratur (DE-588)4171224-9 gnd rswk-swf Litauen (DE-588)4074266-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Litauen (DE-588)4074266-0 g Nationalliteratur (DE-588)4171224-9 s Neuromantik (DE-588)4136738-8 s DE-604 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019900462&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019900462&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019900462&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Jurgutienė, Aušra 1956- Naujasis romantizmas - iš pasiilgimo lietuviu neoromantizmo pradininku estetinė mintis Neuromantik (DE-588)4136738-8 gnd Nationalliteratur (DE-588)4171224-9 gnd |
| subject_GND | (DE-588)4136738-8 (DE-588)4171224-9 (DE-588)4074266-0 (DE-588)4143413-4 |
| title | Naujasis romantizmas - iš pasiilgimo lietuviu neoromantizmo pradininku estetinė mintis |
| title_auth | Naujasis romantizmas - iš pasiilgimo lietuviu neoromantizmo pradininku estetinė mintis |
| title_exact_search | Naujasis romantizmas - iš pasiilgimo lietuviu neoromantizmo pradininku estetinė mintis |
| title_full | Naujasis romantizmas - iš pasiilgimo lietuviu neoromantizmo pradininku estetinė mintis Aušra Jurgutienė |
| title_fullStr | Naujasis romantizmas - iš pasiilgimo lietuviu neoromantizmo pradininku estetinė mintis Aušra Jurgutienė |
| title_full_unstemmed | Naujasis romantizmas - iš pasiilgimo lietuviu neoromantizmo pradininku estetinė mintis Aušra Jurgutienė |
| title_short | Naujasis romantizmas - iš pasiilgimo |
| title_sort | naujasis romantizmas is pasiilgimo lietuviu neoromantizmo pradininku estetine mintis |
| title_sub | lietuviu neoromantizmo pradininku estetinė mintis |
| topic | Neuromantik (DE-588)4136738-8 gnd Nationalliteratur (DE-588)4171224-9 gnd |
| topic_facet | Neuromantik Nationalliteratur Litauen Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019900462&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019900462&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=019900462&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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