The flute and flute-playing in acoustical, technical, and artistic aspects:
The flute (or closely related instrument) has been known since prehistoric times, but up until the middle of the nineteenth century it was still far from being a satisfactory instrument, despite the quantity of important music that had been written for it. Its tone was poor and thin, its volume was...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Dover
1964
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| Schriftenreihe: | Dover books on music
|
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The flute (or closely related instrument) has been known since prehistoric times, but up until the middle of the nineteenth century it was still far from being a satisfactory instrument, despite the quantity of important music that had been written for it. Its tone was poor and thin, its volume was low, its keying system was inefficient, and it was very difficult to play. The man who changed all this and invented the modern flute was Theobald Boehm (1794–1881), a Bavarian flute virtuoso, who played at the royal court in Munich. Boehm worked upon the flute for many years; indeed, he even went to the length of studying acoustics at the University of Munich, in order to apply the exact data and principles of the sciences to instrument design. After many years of experimentation and preliminary steps, he created the modern flute in 1847. It was silver and cylindrical, furnished with a parabolic head-joint, accurately placed finger holes, and efficient key mechanism. With only small modifications, this is the flute that is used today. In 1871 Boehm published an account of his research and accomplishments, a book that has come to be recognized as one of the classics of musicology. In it he covered the acoustics of the instrument; the technique for establishing its proportions and keying; his new system of fingering; the key mechanism; the bass flute in G; and similar topics. In the second half of the volume he provided insights on performance, as they emerged from his remarkable virtuosity. This is not a treatise on how to play the flute, but comments upon the development of tone, finger exercises, practicing method, and interpretation, including coloratura. This book is very clearly written and requires no technical knowledge of its reader. It has long been a favorite not only of flutists but also of musicologists, acousticians, and lay persons interested in music. This edition of Boehm's work, translated by Dayton C. M |
| Beschreibung: | Reprint of the Dayton C. Miller, 1922 edition |
| Beschreibung: | XXIX, 197 Seiten Illustrationen, Notenbeispiele 20,3 cm |
| ISBN: | 0486212599 9780486212593 |
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| 520 | 3 | |a The flute (or closely related instrument) has been known since prehistoric times, but up until the middle of the nineteenth century it was still far from being a satisfactory instrument, despite the quantity of important music that had been written for it. Its tone was poor and thin, its volume was low, its keying system was inefficient, and it was very difficult to play. The man who changed all this and invented the modern flute was Theobald Boehm (1794–1881), a Bavarian flute virtuoso, who played at the royal court in Munich. Boehm worked upon the flute for many years; indeed, he even went to the length of studying acoustics at the University of Munich, in order to apply the exact data and principles of the sciences to instrument design. After many years of experimentation and preliminary steps, he created the modern flute in 1847. It was silver and cylindrical, furnished with a parabolic head-joint, accurately placed finger holes, and efficient key mechanism. With only small modifications, this is the flute that is used today. In 1871 Boehm published an account of his research and accomplishments, a book that has come to be recognized as one of the classics of musicology. In it he covered the acoustics of the instrument; the technique for establishing its proportions and keying; his new system of fingering; the key mechanism; the bass flute in G; and similar topics. In the second half of the volume he provided insights on performance, as they emerged from his remarkable virtuosity. This is not a treatise on how to play the flute, but comments upon the development of tone, finger exercises, practicing method, and interpretation, including coloratura. This book is very clearly written and requires no technical knowledge of its reader. It has long been a favorite not only of flutists but also of musicologists, acousticians, and lay persons interested in music. This edition of Boehm's work, translated by Dayton C. M | |
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Datensatz im Suchindex
| _version_ | 1804140959896698880 |
|---|---|
| adam_text | CONTENTS Translator’s Introduction______________________________ χχιπ Part I—The Flute SECTION TACE I. Introduction --------------------------------3 II. The Acoustical Proportions ofthe Flute... 14 III. Explanation of the Schema--------------------- 38 IV. The Material ..................................................... 53 V. The System of Fingering: (a) General Description ................................ 59 (b) The G# Key............................................... 62 VI. Tables of Fingering......... ................. 72 VII. Description of the Key Mechanism ................. 79 VIII. Care of the Mechanism : (a) Repairs ------------------------------100 (5) The Keys_________ 100 (c) The Key Pads____________________ 104 (d) The Springs _____________________ 106 (e) The Cork in the Head Joint------------- 108 IX. Treatment of the Flute in General........ ...Ill X. On the Blowing of New Flutes__________ 114 XI. The Embouchure .................. 117 XII. The Bass Flute in G: (a) Its Musical Characteristics__________ 119 (b) Dimensions of the Bass Flute________ 124 (c) Mechanism of the Bass Flute------------- 128 (d) Special Fingerings for the Bass Flute..128
XVIII CONTENTS Part Π—Flute-Playing PAGE SECTION XIII. The Development of Tone................................... 135 XIV. Finger Exercises____________ XV. XVI. XVII. The Method of -.138 Practicing_______ _____ .--֊140 Musical Interpretation________ _______ ....145 Conclusion ______________________ 161 Appendix Appendix : (a) Biographical Notes ______________________165 (b) Price List of Flutes_____________________ 178 (c) List of Boehm’s Musical Compositions----- 181 (d) Short List of Books on the Flute-------- 189 Index________________________________________________ 191
|
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| spelling | Böhm, Theobald 1794-1881 Verfasser (DE-588)118512552 aut (DE-588)1289529493 Die Flöte und das Flötenspiel in akustischer, technischer und artistischer Beziehung The flute and flute-playing in acoustical, technical, and artistic aspects by Theobald Boehm ; translated by Dayton C. Miller ; with a new introduction by Samuel Baron The flute and flute-playing New York Dover 1964 XXIX, 197 Seiten Illustrationen, Notenbeispiele 20,3 cm txt rdacontent n rdamedia nc rdacarrier Dover books on music Reprint of the Dayton C. Miller, 1922 edition The flute (or closely related instrument) has been known since prehistoric times, but up until the middle of the nineteenth century it was still far from being a satisfactory instrument, despite the quantity of important music that had been written for it. Its tone was poor and thin, its volume was low, its keying system was inefficient, and it was very difficult to play. The man who changed all this and invented the modern flute was Theobald Boehm (1794–1881), a Bavarian flute virtuoso, who played at the royal court in Munich. Boehm worked upon the flute for many years; indeed, he even went to the length of studying acoustics at the University of Munich, in order to apply the exact data and principles of the sciences to instrument design. After many years of experimentation and preliminary steps, he created the modern flute in 1847. It was silver and cylindrical, furnished with a parabolic head-joint, accurately placed finger holes, and efficient key mechanism. With only small modifications, this is the flute that is used today. In 1871 Boehm published an account of his research and accomplishments, a book that has come to be recognized as one of the classics of musicology. In it he covered the acoustics of the instrument; the technique for establishing its proportions and keying; his new system of fingering; the key mechanism; the bass flute in G; and similar topics. In the second half of the volume he provided insights on performance, as they emerged from his remarkable virtuosity. This is not a treatise on how to play the flute, but comments upon the development of tone, finger exercises, practicing method, and interpretation, including coloratura. This book is very clearly written and requires no technical knowledge of its reader. It has long been a favorite not only of flutists but also of musicologists, acousticians, and lay persons interested in music. This edition of Boehm's work, translated by Dayton C. M Böhm, Theobald 1794-1881 (DE-588)118512552 gnd rswk-swf Flötenspiel (DE-588)4154648-9 gnd rswk-swf Flötenbau (DE-588)4121278-2 gnd rswk-swf (DE-588)4135952-5 Quelle gnd-content (DE-588)4136710-8 Kommentar gnd-content Böhm, Theobald 1794-1881 (DE-588)118512552 p Flötenbau (DE-588)4121278-2 s Flötenspiel (DE-588)4154648-9 s DE-604 Miller, Dayton Clarence 1866-1941 (DE-588)127064117 trl Baron, Samuel 1925-1997 (DE-588)139819800 win Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018830194&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Böhm, Theobald 1794-1881 The flute and flute-playing in acoustical, technical, and artistic aspects Böhm, Theobald 1794-1881 (DE-588)118512552 gnd Flötenspiel (DE-588)4154648-9 gnd Flötenbau (DE-588)4121278-2 gnd |
| subject_GND | (DE-588)118512552 (DE-588)4154648-9 (DE-588)4121278-2 (DE-588)4135952-5 (DE-588)4136710-8 |
| title | The flute and flute-playing in acoustical, technical, and artistic aspects |
| title_GND | (DE-588)1289529493 |
| title_alt | Die Flöte und das Flötenspiel in akustischer, technischer und artistischer Beziehung The flute and flute-playing |
| title_auth | The flute and flute-playing in acoustical, technical, and artistic aspects |
| title_exact_search | The flute and flute-playing in acoustical, technical, and artistic aspects |
| title_full | The flute and flute-playing in acoustical, technical, and artistic aspects by Theobald Boehm ; translated by Dayton C. Miller ; with a new introduction by Samuel Baron |
| title_fullStr | The flute and flute-playing in acoustical, technical, and artistic aspects by Theobald Boehm ; translated by Dayton C. Miller ; with a new introduction by Samuel Baron |
| title_full_unstemmed | The flute and flute-playing in acoustical, technical, and artistic aspects by Theobald Boehm ; translated by Dayton C. Miller ; with a new introduction by Samuel Baron |
| title_short | The flute and flute-playing in acoustical, technical, and artistic aspects |
| title_sort | the flute and flute playing in acoustical technical and artistic aspects |
| topic | Böhm, Theobald 1794-1881 (DE-588)118512552 gnd Flötenspiel (DE-588)4154648-9 gnd Flötenbau (DE-588)4121278-2 gnd |
| topic_facet | Böhm, Theobald 1794-1881 Flötenspiel Flötenbau Quelle Kommentar |
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