On the sensations of tone as a physiological basis for the theory of music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Dover Publ.
1954
|
| Ausgabe: | unabridged and unaltered republ. of the 2nd ed. of 1885 |
| Schriftenreihe: | Dover books
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | EST: Die Lehre von den Tonempfindungen <engl.> |
| Beschreibung: | 576 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 0486607534 |
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| 245 | 1 | 0 | |a On the sensations of tone as a physiological basis for the theory of music |c Hermann L. F. Helmholtz. Transl. [...] by Alexander J. Ellis. With a new intr. by Henry Margenau |
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Datensatz im Suchindex
| _version_ | 1804140959876775936 |
|---|---|
| adam_text | CONTENTS.
*»* All
passages and notes in
[ ]
are due to the Translator, and the Author is in no
way responsible for their contents.
Тяляюлтои в
Notice to thb Sboond
Еыаывн
Edition, p. v.
Authob s Preface to the First German Edition, p.
vi,
Acthob s Pbefaqb to the Third Geeman Edition, pp. vi-vii.
Authob s Pbkfaoe to
тяв
Foüoth
ubhmah Edition, p.
viii.
Contents, p.
ix.
List or Fiocbbs, p. zv.
List of Passages in Musical Notes, p.
xvi.
List or Tables, p.
xvii,
INTBODUOTION, pp.
1-6.
Relation of
Musical
Science to Acoustics,
1
Distinction between Physical and Physiological Acoustics,
3
Plan of the Investigation,
4
PAET I. (pp.
7-151.)
ON THE COMPOSITION OP VIBRATIONS.
Upper Partial Tones, and Qualities of Tone.
CHAPTĘB
I. On the.Sensation of Sound in Genbbal, pp.
8-25.
Distinction between Noise and Musical Tone,
8
Musical
Tone due to Periodic, Noise to non-Periodio Motions in the air,
8
General Property of Undulatory Motion
:
while Waves continually advance, the Particles
of the Medium through which they pass execute Periodic Motions,
9
Differences in Musical Tones due to Force, Pitoh, and Quality,
10
Force of Tone depends on Amplitude of Oscillation, Pitoh on the length of the Period of
Oscillation,
10-14
Simple relations of Vibrational Numbers for the Consonant Intervals,
14
Vibrational Numbers of Consonant Intervals calculated for the whole Scale,
17
Quality of Tone must depend on Vibrational Form,
19
Conception of and Graphical ^Representation
oí
Vibrational Form,
20
Harmonio
Upper Partial Tones, 2a
Terms explained
:
Tone, Musical Tone, Simple Tone, Partial Tone, Compound Tone, Pitoh
of Compound Tone,
23
CHAPTER II. On the Composition of Vibrations, pp.
25-36.
Composition of Waves illustrated by waves of water,
25
The Heights of Superimposed Waves of Water are to be added algebraically,
27
Corresponding Superimposition of Waves of Sound in the air,
28
χ
CONTENTS.
A Composite Mass of Musical Tones will give rise to
а
Periodic Vibration when their Pitoh
Numbers are Multiples ol the same Number,
30
Every suoh Composite Mass
oí
Tones may be considered to be composed oi Simple
Tones,
33
This Composition corresponds, according to G. S. Ohm, to the Composition of a Musical
Tone from Simple Partial Tones,
33
CHAPTEE
ΠΙ.
Analysis of Musical Tones by Sympathetic Ebsonance,
pp.
36-49·
Explanations
oí
the Meohanios of Sympathetic Vibration,
36
Sympathetic Besonanoe ooours when the exoiting vibrations contain a Simple Vibration
corresponding to one of the Proper Vibrations of the Sympathising Body,
38
Difference in the Sympathetic Resonance of Tuning-forks and Membranes,
40
Description of Resonators for the more accurate Analysis of Musical Tones,
43
Sympathetic Vibration of Strings,
45
Objective existence of Partial Tones,
48
CHAPTEE IV. Ok the Analysis of Musical Tones by the Ear, pp.
49-65.
Methods for observing Upper Partial Tones,
49
Proof of G. S. Ohm s Law by means of the tones of Plucked Strings, of the Simple Tones
of Tuning-forks, and of Resonators,
51
Difference between Compound and Simple Tones,
56
Seebeck s Objections against Ohm s Law,
58
The Difficulties experienced in perceiving tipper Partial Tones analytically depend upon a
peculiarity common to all human sensations,
59
We practise observation on sensation only to the extent necessary for dearly apprehend¬
ing the external world,
62
Analysis of Compound Sensations,
63
CHAPTEE V. On the Differences in the Quality op Musical Tones,
pp.
65-119.
Noises heard at the beginning or end of Tones, such as Consonants in Speech, or during
Tones,
auch
as Wind-rushes on Pipes, not included
ín
the Musioal Quality of Tone,
which refers to the uniformly continuous musical sound,
65
Limitation of the conception of Musical Quality of Tone,
68
Investigation of the Upper Partial Tones which are present in different Musical Qualities
of Tone,
69
1.
Musioal Tones without Upper
Partials,
69
2.
Musical Tones with Inharmonic Upper
Partials,
70
3.
Musical Tones of Strings,
74
Strings excited by Striking,
74
Theoretical Intensity of the Partial Tones of Strings,
79
4.
Musical Tones of Bowed Instruments,
80
5.
Musical Tones of Flute or Flue Pipes,
88
6.
Musioal Tones of Beed Pipes,
95
7.
Vowel Qualities of Tone,
103
Results for the Character of Musical Tones in general,
1
18
CHAPTEE VI. On the
Aïpbehension
of Qualities of Tone, pp.
119-151.
Does Quality of Tone depend on Difference of Phase
? 119
Eleotro-magnetio Apparatus for answering this question,
121
Artificial Vowels produoed by Tuning-forks,
123
How to produce Difference of Phase,
125
Musical Quality of Tone independent of Difference of Phase,
126
Artificial Vowels produced by Organ Pipes,
128
The Hypothesis that a Series of Sympathetical Vibrators
exŕst
in the car, explains
ita
peculiar apprehension of Qualities of Tone,
129
Description of the parts of the internal ear which are capable of vibrating sympa¬
thetically,
129
Damping of Vibrations rn the Ear,
142
Supposed Function of the Cochlea,
145
CONTENTS. xi
PART IL (pp.
152-233.)
ON THE INTERRUPTIONS
OF HARMONY.
Combinational Tones and Beats, Consonance arid Dissonance.
CHAPTEB
VII.
Combinational Tones, pp.
152-159.
Combinational
Топов
arise when Vibrations whioh are not of infinitesimal magnitude are
combined,
152
Description of Combinational Tones,
153
Law determining their Pitch Numbers,
154
Combinational Tones of different orders,
155
Difference of the strength of Combinational Tones on different instruments,
157
Occasional Generation of Combinational Tones in the ear itself,
158
CHAPTEE
VIII.
On thh Beats of Simple Tones, pp.
159-173.
Interference of two Simple Tones of the same pitch,
160
Description of the Polyphonio Siren, for experiments on Interference,
ібі
Reinforcement or Enfeeblement of Sound, due to difference of Phase,
163
Interference gives rise to
Beate
when the Pitoh of the two Tones is slightly different,
164
Law lor the Number of Beats,
165
Visible Beats on Bodies vibrating sympathetically,
166
Limits of Bapidity of Audible Beats,
167
CHAPTEE IX. Deep and Deepest Tones, pp.
174-179.
Former Investigations were insufficient, beoause there was a possibility of the ear being
deceived by Upper Partial Tones, as is shewn by the number of Beats on the Siren,
174
Tones of less than thirty Vibrations in a second fall into a Drone, of whioh it is nearly
or quite impossible to determine the Pitoh,
175
Beats of the Higher Upper
Partials
of one and the same Deep Compound Tone,
178
CHAPTEE X. Beats of the Upper Partial Tones, pp.
179-197.
Any two Partial Tones of any two Compound Tones may beat if they are sufficiently
near in pitoh, but if they are of the same pitoh there will be consonance,
179
Series of the different Consonances, in order of the Distinctness of their Delimitation,
183
Number of Beats which arise from Mistuning Consonances, and their effect in producing
Roughness,
184
Disturbance of any Consonance by the adjacent Consonances,
186
Order of Consonances in respect to Harmoniousness,
188
CHAPTEE XI. Beats due to Combinational Tones, pp.
197-211.
The Differential Tones of the first order generated by two Partial Tones are capable of
producing very distinct beats,
197
Differential Tones of higher orders produce weaker beats, even in the case of simple gene¬
rating tones,
199
Influence of Quality of Tone on the Harshness of Dissonances and the Harmoniousness
of Consonances,
205
CHAPTEE
XII.
Chords, pp.
211-233.
Consonant Triads,
211
Major and Minor Triads distinguished by their Combinational Tones,
214
Belative Harmoniousness of Chords in different Inversions and Positions,
218
Retrospect on Preceding Investigations,
226
xii CONTENTS.
PAKT
III. (pp.
234-371.)
THE RELATIONSHIP OP MUSICAL TONES.
Soalce
and Tonality.
CHAPTER
XIII.
Genebal View of the Dipfebent Pkinciples of Musical
Style in the Development of Music, pp.
234-249.
Difference between the Physical and the Esthetioal Method,
234
Scalea,
Keys, and
Harmonio
Tissues depend upon esthetic Principles of Style as well as
Physical Causes,
235
Illustration from the Styles of Architecture,
235
Three periods of Music have to be distinguished,
236
1. Homophonie
Musió,
237
2.
Polyphonic Music,
244
3.
Harmonic Music,
246
CHAPTBE
XIV.
The Tonality of Homophonio Music, pp.
250 290.
Esthetical Season for Progression by Intervals,
250
Tonal Relationship in Melody depends on the identity of two partial tones,
253
The Octave, Fifth, and Fourth were thus first discovered,
253
Variations in Thirds and Sixths,
255
Scales of Five Tones, used by Chinese and Gaels,
258
The Chromatio and Enharmonio Scales of the Greeks,
262
The Pythagorean Scales of Seven tones,
266
The Greek and Ecclesiastical Tonal Modes,
267
Early Eoolesiastioal Modes,
272
The Rational Construction of the Diatonic Soalee by the principle of Tonal Relationship in
the first and second degrees gives the five Ancient Melodic Scales,
272
Introduction of a more Accurate Notation for Pitch,
276
Peculiar discovery of natural Thirds in the Arabic and Persian Tonal Systems,
280
The meaning of the Leading Note and consequent alterations in the Modern Scales,
285
CHAPTEE XV. The Consonant Chobdb of the Tonal Modes, pp.
290-
3°9-
Chords as the Representatives of compound Musical Tones with peculiar qualities,
290
Reduction of all Tones to the closest relationship in the popular harmonies of the Major
Mode,
292
Ambiguity of Minor Chords,
294
The Tonic Chord as the centre of the Sequence of Chords,
296
Relationship of Chords of the Scale,
297
The Major and Minor Modes are best suited for
Harmonisation
of all the Ancient Modes,
298
Modern Remnants of the old Tonal Modes,
306
CHAPTEE
XVI.
The System of Keys, pp.
310-330.
Relative and Absolute Charaoter of
lhe
different Keys,
310
Modulation leads to Tempering the Intonation of the Intervals,
312
Hauptmanns
System admits of a Simplification which makes its Realisation more Practi¬
cable,
315
Description of an Harmonium with Just Intonation,
316
Disadvantages of Tempered Intonation,
322
Modulation for Just Intonation,
327
CONTENTS. xiii
CHAP
ГЕЕ
XVII.
Op Discords, pp.
330-350·
Enumeration of the Dissonant Intervals in the Scale,
331
Dissonant Triads,
338
Chords of the Seventh,
341
Conception of the Dissonant Note in a Dieoord,
346
Disoords
as representatives of compound tones,
347
CHAPTER
XVIII.
Laws of Pbogbession of
Pakts,
pp.
350-362.
The Musical Connection of the Notes in a Melody,
350
Consequent
Bules
for the Progression of Dissonant Notes,
353
Besolution of Discords,
354
Chordal Sequences and Resolution of Chords of the Seventh,
355
Prohibition of Consecutive Fifths and Octaves,
359
Hidden Fifths and Octaves,
361
False Delations,
361
CHAPTER
XIX.
Esthetical Relations, pp.
362-371.
Beview of Besults obtained,
362
Law of Unoonsoious Order in Works of Art,
366
The
Ław
of
Melodio
Succession depends on Sensation, not on Consciousness,
368
And similarly for Consonance and Dissonance,
369
Conclusion,
371
APPENDICES, pp.
327-556.
I. On an Eleotro-Magnetio Driving Machine for the Siren,
372
II. On the Size and Construction of Besonators,
372
III. On the Motion of Plucked Strings,
374
IV. On the Production of Simple Tones by Resonance,
377
V. On the Vibrational Forms of Pianoforte Strings,
380
VI. Analyses of the Motion of Violin Strings,
384
VII.
On the Theory of Pipes,
388
A. Influence of Resonance on Beed Pipes,
388
B. Theory of the Blowing of Pipes,
390
I. The Blowing of Beed Pipes,
390
II. The Blowing of Flue Pipes,
394
[Additions by Translator,
396]
VIII.
Practical Directions for Performing the Experiments on the Composition of Vowels,
398
IX. On the Phases of Waves caused by Besonance,
400
X. Belation between the Strength of Sympathetic Besonance and the Length of Time
required for the Tone to die away,
405
XI. Vibrations of the
Membrana Basilaris
in the Cochlea,
406
XII.
Theory of Combinational Tones,
41
1
XIII.
Description of the Mechanism employed for opening the several Series of Holes in
the Polyphonic Siren,
413
XIV.
Variation in the Pitch of Simple Tones that Beat,
414
XV. Calculation of the Intensity of the Beats of Different Intervale,
415
XVI.
On Beats of Combinational Tones, and on Combinational Tones in the Siren and
Harmonium,
418
XVII.
Plan for Justly-Toned Instruments with a Single Manual,
421
XVIII.
Just Intonation in Singing,
422
XIX.
Plan of Mr. Bosanquet s Manual,
429
XX. Additions by the Translator,
430-556
*#♦
See separate Tables of
Contenta
prefixed to each Section.
[Skot.
A. On Temporament,
430
¡ Sect. B. On the Determination of Pitch Numbers,
441
xiv CONTENTS.
[App.
XX. Additions by the Translator—contmued.
***
See separate Tables of Contents prefixed to eaoh Seotion.
[Sect.
0.
On the Calculation of
Cente
from Interval
Batios,
446
[Seot. D. Mueioal Intervals, not exoeeding an Ootave, arranged in order of Width,
45«
[Skot.
E.
On
Musical Duodenes, or
the Development of Juat Intonation for
Harmony,
457
[Sect. F. Experimental
Instrumenta
for exhibiting the effeots of Just Intonation,
466
[Skot.
G.
On Tuning and Intonation,
483
[Sect. H. The History of Muaioal Pitch in Europe,
493
[Sect. E.
Non-Harmonio Saales, 514
[Sect.
Ii.
Beoent
Work on Beats and Combinational Tones,
537
[Sbct. M. Analysis and Synthesis of Vowel Sounds,
538
[Skot.
N.
Miscellaneous Notes,
544
[INDEX,
557-576]
|
| any_adam_object | 1 |
| author | Helmholtz, Hermann von 1821-1894 |
| author2 | Ellis, Alexander John 1814-1890 |
| author2_role | trl |
| author2_variant | a j e aj aje |
| author_GND | (DE-588)11854893X (DE-588)117499927 |
| author_facet | Helmholtz, Hermann von 1821-1894 Ellis, Alexander John 1814-1890 |
| author_role | aut |
| author_sort | Helmholtz, Hermann von 1821-1894 |
| author_variant | h v h hv hvh |
| building | Verbundindex |
| bvnumber | BV024708719 |
| classification_rvk | UF 6700 |
| ctrlnum | (OCoLC)721281687 (DE-599)BVBBV024708719 |
| discipline | Physik |
| edition | unabridged and unaltered republ. of the 2nd ed. of 1885 |
| era | Geschichte 1862 gnd |
| era_facet | Geschichte 1862 |
| format | Book |
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| genre | 1\p (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| id | DE-604.BV024708719 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T22:08:16Z |
| institution | BVB |
| isbn | 0486607534 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-018830188 |
| oclc_num | 721281687 |
| open_access_boolean | |
| owner | DE-634 DE-739 |
| owner_facet | DE-634 DE-739 |
| physical | 576 S. Ill., graph. Darst., Notenbeisp. |
| publishDate | 1954 |
| publishDateSearch | 1954 |
| publishDateSort | 1954 |
| publisher | Dover Publ. |
| record_format | marc |
| series2 | Dover books |
| spelling | Helmholtz, Hermann von 1821-1894 Verfasser (DE-588)11854893X aut On the sensations of tone as a physiological basis for the theory of music Hermann L. F. Helmholtz. Transl. [...] by Alexander J. Ellis. With a new intr. by Henry Margenau unabridged and unaltered republ. of the 2nd ed. of 1885 New York, NY Dover Publ. 1954 576 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Dover books EST: Die Lehre von den Tonempfindungen <engl.> Geschichte 1862 gnd rswk-swf Tonerzeugung (DE-588)4185668-5 gnd rswk-swf Musikalische Akustik (DE-588)4123807-2 gnd rswk-swf Akustik (DE-588)4000988-9 gnd rswk-swf Physiologie (DE-588)4045981-0 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Physikalische Theorie (DE-588)4174609-0 gnd rswk-swf Ton Akustik (DE-588)4185645-4 gnd rswk-swf Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf Lautwahrnehmung (DE-588)4125741-8 gnd rswk-swf Tonhöhenwahrnehmung (DE-588)4185683-1 gnd rswk-swf 1\p (DE-588)4135952-5 Quelle gnd-content Musik (DE-588)4040802-4 s Physikalische Theorie (DE-588)4174609-0 s DE-604 Akustik (DE-588)4000988-9 s Geschichte 1862 z 2\p DE-604 Musikalische Akustik (DE-588)4123807-2 s Physiologie (DE-588)4045981-0 s 3\p DE-604 Tonerzeugung (DE-588)4185668-5 s 4\p DE-604 Ton Akustik (DE-588)4185645-4 s 5\p DE-604 6\p DE-604 Musikwahrnehmung (DE-588)4126097-1 s 7\p DE-604 Lautwahrnehmung (DE-588)4125741-8 s 8\p DE-604 Tonhöhenwahrnehmung (DE-588)4185683-1 s 9\p DE-604 Ellis, Alexander John 1814-1890 (DE-588)117499927 trl Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018830188&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 6\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 7\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 8\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 9\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Helmholtz, Hermann von 1821-1894 On the sensations of tone as a physiological basis for the theory of music Tonerzeugung (DE-588)4185668-5 gnd Musikalische Akustik (DE-588)4123807-2 gnd Akustik (DE-588)4000988-9 gnd Physiologie (DE-588)4045981-0 gnd Musik (DE-588)4040802-4 gnd Physikalische Theorie (DE-588)4174609-0 gnd Ton Akustik (DE-588)4185645-4 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Lautwahrnehmung (DE-588)4125741-8 gnd Tonhöhenwahrnehmung (DE-588)4185683-1 gnd |
| subject_GND | (DE-588)4185668-5 (DE-588)4123807-2 (DE-588)4000988-9 (DE-588)4045981-0 (DE-588)4040802-4 (DE-588)4174609-0 (DE-588)4185645-4 (DE-588)4126097-1 (DE-588)4125741-8 (DE-588)4185683-1 (DE-588)4135952-5 |
| title | On the sensations of tone as a physiological basis for the theory of music |
| title_auth | On the sensations of tone as a physiological basis for the theory of music |
| title_exact_search | On the sensations of tone as a physiological basis for the theory of music |
| title_full | On the sensations of tone as a physiological basis for the theory of music Hermann L. F. Helmholtz. Transl. [...] by Alexander J. Ellis. With a new intr. by Henry Margenau |
| title_fullStr | On the sensations of tone as a physiological basis for the theory of music Hermann L. F. Helmholtz. Transl. [...] by Alexander J. Ellis. With a new intr. by Henry Margenau |
| title_full_unstemmed | On the sensations of tone as a physiological basis for the theory of music Hermann L. F. Helmholtz. Transl. [...] by Alexander J. Ellis. With a new intr. by Henry Margenau |
| title_short | On the sensations of tone as a physiological basis for the theory of music |
| title_sort | on the sensations of tone as a physiological basis for the theory of music |
| topic | Tonerzeugung (DE-588)4185668-5 gnd Musikalische Akustik (DE-588)4123807-2 gnd Akustik (DE-588)4000988-9 gnd Physiologie (DE-588)4045981-0 gnd Musik (DE-588)4040802-4 gnd Physikalische Theorie (DE-588)4174609-0 gnd Ton Akustik (DE-588)4185645-4 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Lautwahrnehmung (DE-588)4125741-8 gnd Tonhöhenwahrnehmung (DE-588)4185683-1 gnd |
| topic_facet | Tonerzeugung Musikalische Akustik Akustik Physiologie Musik Physikalische Theorie Ton Akustik Musikwahrnehmung Lautwahrnehmung Tonhöhenwahrnehmung Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018830188&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT helmholtzhermannvon onthesensationsoftoneasaphysiologicalbasisforthetheoryofmusic AT ellisalexanderjohn onthesensationsoftoneasaphysiologicalbasisforthetheoryofmusic |