Verfügbarkeit: Pinhole photography

Pinhole photography: from historic technique to digital application

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Bibliographische Detailangaben
1. Verfasser:	Renner, Eric (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Amsterdam [u.a.] Focal Press 2009
Ausgabe:	4th ed.
Schlagworte:	Geschichte Camera obscura Experimentelle Fotografie Anleitung
Online-Zugang:	E-books (NetLibrary) Inhaltsverzeichnis
Beschreibung:	Bibliogr. S. 243-251
Beschreibung:	XI, 259 S. zahlr. Ill., graph. Darst. 28 cm
ISBN:	9780240810478

Internformat

MARC


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Datensatz im Suchindex

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adam_text	ACKNOWLEDGMENTS ............................................................................................................................................... IX CHAPTER 1 PINHOLE S HISTORY IN THE EXPLORATION OF SCIENCE AND IDEOLOGY ................................................................. 1 THE PINHOLE ARCHETYPE-FROM THE DARKNESS OF CAVES AND HOLED STONES ................. 2 THE PINHOLE ARCHETYPE .................................................................................................. 2 EARLY PINHOLE OPTICS-ECLIPSES, TELLING TIME, ASTROLABES, AND OPTICAL PHENOMENA ............................................................................................................................ 5 THE CAMERA OBSCURA AND HUMAN UNDERSTANDING .......................................................... 11 NOON-MARKS IN ITALIAN RENAISSANCE CATHEDRALS ........................................................... 17 THE PINHOLE IN THE WAVE THEORY OF LIGHT ......................................................................... 21 DIFFRACTION ....................................................................................................................... 23 INTERFERENCE ................................................................................................................... 24 THE PINHOLE AND THE EYE .................................................................................................... 25 RESEARCH INTO OPTIMAL PINHOLES .............................................................................. ....... 28 TWENTIETH-CENTURY PINHOLE IMAGING IN HIGH-ENERGY PHYSICS ................................... 30 CHAPTER 2 PINHOLE S HISTORY IN THE EXPLORATION OF ART .............. 37 BRUNELLESCHI S PINHOLE PERSPECTIVE DEVICE ................................................................... 37 ALBERTI S FIRST DIFFRACTION CAMERA .............................................................................. ...... 40 ALBERTI S INTERSECTOR .......................................................................................................... 44 LEONARDO DA VINCI ............................................................................................................. 44 ANAMORPH-THE DECEPTION OF THE EYE ........................................................................... 51 THE FIRST PINHOLE PHOTOGRAPHS IN ART .............................................................................. 55 PINHOLE S POPULARITY IN EARLY PICTORIALISM: GEORGE DAVISON ..................................... 58 AUGUST STRINDBERG ............................................................................................................ 62 PINHOLE S DEMISE IN THE EARLY 20TH CENTURY ................................................................ 65 CHAPTER 3 PINHOLE S REVIVAL ...................................................... 69 REBIRTH (1960-1990) ...................................................................................................... 69 CHAPTER 4 THE BODY AS CAMERA, THE ROOM AS CAMERA OBSCURA ..................................................................... 99 THE BODY AS CAMERA .......................................................................................................... 99 ROOM-SIZED CAMERA OBSCURAS ...................................................................................... 107 TAKEN WITH TIME: A CAMERA OBSCURA PROJECT .......................................................... 122 THE LEGACY PROJECT: THE GREAT PICTURE ...................................................................... 123 CHAPTER 5 THE BASIC HOW-TO OF PINHOLE PHOTOGRAPHY........... 127 BASIC INSTRUCTIONS FOR PINHOLE PHOTOGRAPHY .............................................................. 129 THE CAMERA ....................................................................................................................... 129 MATERIALS NEEDED ......................................................................................................... 131 ADDING THE PINHOLE .............................................................................. ........................ 132 MOUNTING THE PINHOLE .............................................................................. .................... 132 PAINTING THE INTERIOR OF THE CAMERA BLACK .............................................................. 133 LOADING THE PINHOLE CAMERA ..................................................................................... 135 EXPOSING THE NEGATIVE ............................................................................................... 138 DEVELOPING .................................................................................................................... 141 MOTION ............................................................................................................................ 141 PHOTOGRAPHING THE MINIATURE .............................................................................. .... 146 MULTIPLE CAMERAS ......................................................................................................... 147 POPULAR MISCONCEPTIONS ........................................................................................... 150 WORLDWIDE PINHOLE PHOTOGRAPHY DAY .................................................................... 152 CHAPTER 6 THE ADVANCED HOW-TO OF PINHOLE PHOTOGRAPHY... 153 OPTIMAL PINHOLE FORMULAS ............................................................................................... 153 FINDING THE F/STOP ........................................................................................................ 156 METHODS USED FOR MEASURING THE PINHOLE ................................................................... 156 ADDITIONAL INFORMATION ABOUT THE PINHOLE ................................................................. 158 BUILDING PLANS FOR A4X 5-INCH SUPERWIDE PINHOLE CAMERA ................................. 158 MAKING A PINHOLE TURRET .............................................................................................. 161 PINHOLE CAMERA GEOMETRIES ........................................................................................... 163 DEPTH OF FIELD ................................................................................................................ 163 PHOTOGRAPHING ONTO A FLAT FILM PLANE ..................................................................... 164 PHOTOGRAPHING ONTO A CURVED FILM PLANE ............................................................... 172 PHOTOGRAPHING ONTO AN ANGLED FLAT FILM PLANE ...................................................... 177 EXPOSURE TIMES ................................................................................................................. 179 ADDITIONAL EXPOSING TECHNIQUES .............................................................................. 182 EXPOSING WITH POLAROID MATERIALS ........................................................................... 182 FILTERS ............................................................................................................................ 184 SHUTTERS ......................................................................................................................... 187 VIEWFINDERS .............................................................................. .......................................... 187 OTHER UNUSUAL PINHOLE CAMERAS .............................................................................. 188 ALTERING EXISTING CAMERAS TO PINHOLE ...................................................................... 193 CHAPTER 7 ALTERNATIVE APERTURES: ZONE PLATES AND SLITS........ 197 ZONE PLATES .............................................................................. .......................................... 197 ZONE PLATE CAMERAS ................................................................................................... 199 MOUNTING A ZONE PLATE .............................................................................. ................ 202 EXPOSING ...................................................................................................................... 202 INCREASING CONTRAST IN ZONE PLATE NEGATIVES ........................................................ 203 SLIT IMAGING ...................................................................................................................... 206 ALTERNATIVES TO SLITS .............................................................................. ...................... 210 CHAPTER 8 DIGITAL IMAGING WITH PINHOLES, ZONE PLATES, AND ALTERNATIVES ........................................................... 213 MAKING DIGITAL PINHOLE AND ZONE PLATE IMAGES ....................................................... 214 PINHOLE SPY CAMERAS .............................................................................................. 220 DIGITAL PRINTING FOR NONSILVER PROCESSES .............................................................. 223 CHAPTER 9 THE CHANGING PINHOLE IMAGE ................................. 225 THEORY ............................................................................................................................. 225 IMAGES ............................................................................................................................. 226 INTO SPACE: SOLAR AND LUNAR IMAGING .......................................................................... 236 RESOURCES ................................................................................ 243 PINHOLE PHOTOGRAPHY WORKSHOPS ............................................................................. 243 GENERAL PINHOLE PHOTOGRAPHY INFORMATION ............................................................. 243 NONPROFIT ORGANIZATIONS .............................................................................. ................ 243 EVENTS ............................................................................................................................ 244 ONLINE GALLERIES SPECIALIZING IN PINHOLE PHOTOGRAPHY ......................................... 244 PRIVATE INDIVIDUALS AND SMALL COMPANIES MAKING PINHOLE PRODUCTS ................ 244 COMMERCIAL PHOTOGRAPHIC SUPPLIERS CARRYING PINHOLE PRODUCTS ........................ 245 HIGH TECH SUPPLIERS .............................................................................. ....................... 246 GENERAL WEBSITES ON PINHOLE PHOTOGRAPHY ........................................................... 246 INDIVIDUAL PINHOLE PHOTOGRAPHERS WEBSITES ......................................................... 246 A SHORT LIST OF OTHER PINHOLE WEBSITES :............................................................... 248 WEBSITES DEVOTED TO PINHOLE PHOTOGRAPHERS FROM INDIVIDUAL COUNTRIES........ 248 RECENTLY PUBLISHED BOOKS ......................................................................................... 248 RECENTLY PUBLISHED MONOGRAPHS ............................................................................. 249 RECENT SELF-PUBLISHED BOOKS AND MUSEUM/GALLERY CATALOGS ............................. 250 PINHOLE NOONMARKS, PINHOLE PERSPECTIVE DEVICES ................................................ 251 INDEX .......................................................................................................................................................................... 253
any_adam_object	1
author	Renner, Eric
author_facet	Renner, Eric
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dewey-tens	770 - Photography, computer art, cinematography
discipline	Kunstgeschichte
edition	4th ed.
era	Geschichte gnd
era_facet	Geschichte
format	Book
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spelling	Renner, Eric Verfasser aut Pinhole photography from historic technique to digital application Eric Renner 4th ed. Amsterdam [u.a.] Focal Press 2009 XI, 259 S. zahlr. Ill., graph. Darst. 28 cm txt rdacontent n rdamedia nc rdacarrier Bibliogr. S. 243-251 Geschichte gnd rswk-swf Camera obscura (DE-588)4263141-5 gnd rswk-swf Experimentelle Fotografie (DE-588)4016003-8 gnd rswk-swf (DE-588)4142527-3 Anleitung gnd-content Camera obscura (DE-588)4263141-5 s Geschichte z DE-604 Experimentelle Fotografie (DE-588)4016003-8 s http://www.netLibrary.com/urlapi.asp?action=summary&v=1&bookid=265166 E-books (NetLibrary) Digitalisierung Deutsches Museum application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017981150&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Renner, Eric Pinhole photography from historic technique to digital application Camera obscura (DE-588)4263141-5 gnd Experimentelle Fotografie (DE-588)4016003-8 gnd
subject_GND	(DE-588)4263141-5 (DE-588)4016003-8 (DE-588)4142527-3
title	Pinhole photography from historic technique to digital application
title_auth	Pinhole photography from historic technique to digital application
title_exact_search	Pinhole photography from historic technique to digital application
title_full	Pinhole photography from historic technique to digital application Eric Renner
title_fullStr	Pinhole photography from historic technique to digital application Eric Renner
title_full_unstemmed	Pinhole photography from historic technique to digital application Eric Renner
title_short	Pinhole photography
title_sort	pinhole photography from historic technique to digital application
title_sub	from historic technique to digital application
topic	Camera obscura (DE-588)4263141-5 gnd Experimentelle Fotografie (DE-588)4016003-8 gnd
topic_facet	Camera obscura Experimentelle Fotografie Anleitung
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