David Lynch:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
BFI Publ.
2006
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Bibliogr. S. [237] - 239 |
| Beschreibung: | 246 S. Ill. |
| ISBN: | 1844570304 1844570630 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804139848941961216 |
|---|---|
| adam_text | DAVID LYNCH
2nd Edition
Michel Chion
Translated by Robert Julian
Bridge-Man translated by Trista Selous
Publishing
Contents
Foreword and Acknowledgments viii
CHRONO-LYNCH
(From Six Figures to Fire Walk with Me) 1
I A FILM THAT STAYS Wrm You
(Six Figures, The Alphabet, The Grandmother, Eraserhead) 3
1 The author and the work 2 Childhood and parents 3 An ideal world? First
memories of the cinema 4 First studies in painting An express trip to Europe
5 From painting to film painting Six Figures 6 Philadelphia s mark 7 The Alphabet
8 The Grandmother Description and analysis: birth and parents 9 The Grandmother
(contd) Birth and death of the grandmother 10 Life as an electrical assembly The
film as a first essay in cinematography 11 Lynch and the AFI 12 Lynch s favourite
films and their supposed influences Bergman, Fellini 13 Favourite films (contd)
Kubrick, Hitchcock, Wilder 14 From the project for Gardenback to Eraserhead
Preparations for a feature film 15 The story of Eraserhead 16 The film s crew, actors
and collaborators 17 Shooting Eraserhead Montage Sound recording Alan Splet
18 The first screenings Last-minute cuts 19 Eraserhead becomes a cult film Ben
Barenholtz 20 The cinematographic style of Eraserhead: archaism 21 The sound
concept of the film Continuity and discontinuity 22 From The Grandmother to
Eraserhead: an impossible death?
II IMMOBILE GROWTH
(The Elephant Man, Dune) 45
1 Lynch and Cornfield The Elephant Man project Mel Brooks 2 The historical John
Merrick The film adaptation 3 Shooting and die crew Photography Sound design
Music 4 The script of The Elephant Man 5 Social difference in The Elephant Man
6 The actors 7 Ritual theatre Popular film A film of faces 8 The contribution of
English actors A film left to make itself 9 The director s image and legend
10 Propositions refused or without effect: Lucas, Coppola 11 Dune die novel and its
originality: ecology, psychedelics and onomastics 12 Previous adaptation projects
Raffaella de Laurentiis 13 Lynch s adaptation: obstacles and bold strokes The reli-
gious dieme The genetic theme The role of women An essay in non-linear narration
The role of words The generalised inner voice 14 Technical and creative collabor-
ation in Dune 15 Casting Dune 16 Shooting and its problems 17 Music and sound
design The film s reception Its faults and distinctive tone 18 The waking dream of
an elected being 19 A film-maker of die immobile
El WELCOME TO LYNCHTOWN
(Blue Velvet, The Cowboy and the Frenchman, Twin Peaks) 78
1 Lynchtown, a base camp for die imagination 2 Blue Velvet, an original script
3 The film s actors: Kyle MacLachlan, Laura Dern, Isabella Rossellini, Dennis Hopper
4 Photography and visual aims Fred Elmes Angelo Badalamenti Sound design
5 The mysteries of die script Are Sandy and Dorothy die same woman? Real and
fantasised parents 6 The primal scene of Blue Velvet The depressed modier Be
alive Do it for Van Gogh 7 Love letters from father to son 8 Lynch s classic His
expression of love The forever scene Daily life transformed 9 The Cowboy and the
Frenchman 10 Mark Frost The Twin Peaks phenomenon Different authors and
directors 11 Lynch and television 12 The concept of die series 13 Twin Peaks: the
place Who killed Laura Palmer? 14 The characters of die series: are diey all mad?
Three categories 15 An extraterrestrial being in Twin Peaks: Dale Cooper 16 A mad
world An epic universe The theme of comfort A pool in die heart of nature 17 The
role of citations A recreation of romanticism 18 Tears in Lynch 19 Music as a
unifying element The vertical axis The register of murmuring 20 The dead woman
spoken about and die living woman who is forgotten
IV CINE-SYMPHONIES FOR HER
(Wild at Heart, Industrial Symphony No 1, Twin Peaks: Fire Walk with Me) 114
1 Lynch s artistic mediod The power of ideas The author as filter 2 In search of
cine-symphonic cinema The project for Wild at Heart 3 Barry Gifford s novel
4 Lynch s adaptation The principle of contrast 5 Casting die film Couples
6 Different versions An aura of violence Visual style and sound design Power and
murmurs Music 7 The verbal rape scene Violence and innocence Dream parents
8 A film of childhood Marietta Cut-ins and gusts A fragile ballad in die night
9 Industrial Symphony No 1 The Dream of the Broken Hearted Julee Cruise
10 The project for Fire Walk with Me Laura s past 11 The film s script
12 Twin Peaks in reverse The dieme of food 13 Casting die film Sound design
Music Photography 14 The film s reception Where did die fire go? Putting one foot
in front of die odier Surfaces and looming 15 Return to The Grandmother The
unmydiified woman All-women-in-one The interval between parallel worlds Heaven
or hell 16 The romantic film-maker of our times
LYNCH-KIT
(From Alphabet to Word) 151
Alphabet (alphabet) Body (corps) Chair (siege) Close (pres) Cord (corde) and Scissors
(ciseaux) Curtain (rideau) Dark (noir) Dog (chien) Dream (rive) Ear (oreille) Eclipse
(iclipse) End (bout) Erasure (effacement) Fence (cloture) Floating (flotter) Flow (flux)
For ever (eternel) Garden (jardin) Group (groupe) Growing (grandir) Hut (cabane)
Insect (insecte) Inside (dedans) Kit [kit) Link (lien) Log (buche) Lying (couche) Night
(nuit) Open moudi (ouverte [bouche]) Pool (flaque) Power {puissance) Reaction
(reaction) Scale (ichelle) Setting (cadre) Smoke (fumee) Speech (parole) Stage (seine)
Standing (debout) Surface (surface) Texture (texture) Void (vide) Whole (tout) Wind
(vent) Word (mot)
BRIDGE-MAN
(On the Air, Hotel Room, Lost Highway, The Straight Story, Mulholland Dr ) 189
LYNCH-DOC
I Filmography 225
II Annotated Bibliography 237
Index 240
|
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| id | DE-604.BV024086429 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T21:50:37Z |
| institution | BVB |
| isbn | 1844570304 1844570630 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-017954612 |
| oclc_num | 896703051 |
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| physical | 246 S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | BFI Publ. |
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| spelling | Chion, Michel 1947- Verfasser (DE-588)122192478 aut David Lynch Michel Chion 2. ed. London BFI Publ. 2006 246 S. Ill. txt rdacontent n rdamedia nc rdacarrier Bibliogr. S. [237] - 239 Lynch, David 1946- (DE-588)119035316 gnd rswk-swf 1\p (DE-588)4006804-3 Biografie gnd-content 2\p (DE-588)4017102-4 Film gnd-content Lynch, David 1946- (DE-588)119035316 p DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017954612&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Chion, Michel 1947- David Lynch Lynch, David 1946- (DE-588)119035316 gnd |
| subject_GND | (DE-588)119035316 (DE-588)4006804-3 (DE-588)4017102-4 |
| title | David Lynch |
| title_auth | David Lynch |
| title_exact_search | David Lynch |
| title_full | David Lynch Michel Chion |
| title_fullStr | David Lynch Michel Chion |
| title_full_unstemmed | David Lynch Michel Chion |
| title_short | David Lynch |
| title_sort | david lynch |
| topic | Lynch, David 1946- (DE-588)119035316 gnd |
| topic_facet | Lynch, David 1946- Biografie Film |
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