Video field production and editing:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston [u.a.]
Allyn and Bacon
2000
|
| Ausgabe: | 5. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVII, 462 S. Ill. |
| ISBN: | 0205295568 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Video Field
Production
and Editing
Fifth Edition
• pooooooooooooooc •
Ronald J Compesi
San Francisco State University
Allyn and Bacon
Boston London Toronto Sydney Tokyo Singapore
Contents
Preface XI
Introduction
In the Field with Evening Magazine 1
The Changing Nature of Video Production 5
Production Uses of Portable Video Equipment
Video as a Medium of Communication 14
Technical Factors and Aesthetic Factors 18
The Portable
Video Camera 21
Electronic Image Reproduction 22
Television Scanning: The NTSC and ATSC Standards
Video Signal Control 29
The Color Signal 32
Camera Performance Characteristics 37
Camera Viewfinder Systems 41
Camera Configurations 42
Color Plates
VII
Contents
eoooooooooocxj
lOOOOQOOOOOOOtj
tooooooooooooc
Lenses and Visualization 47
PART ONE
Lenses 47
Lenses: Functions and Types 47
Zoom Lens Components 50
Zoom Lens Operation 55
Aperture Control and Depth of Field 57
PART TWO
Visualization and Composition 62
Aesthetics of Visual Composition 62
Camera Movement 73
Shooting to Edit 75
Subject-Camera Relationships 81
Video Recording 89
Helical Scan Recording 90
Control Track 93
Videotape Recording Formats 96
Compatibility 110
Types of Videocassette Recorders 112
Videotape 113
Other Video Recording Devices 118
Operating the Portable
Video Camcorder 121
The Basic System 121
Common Camcorder Camera Section Controls 123
VCR Section Controls and Inputs/Outputs 127
Power and Videotape 134
Camcorder System Setup 137
Audio and Video Connectors 138
Monitoring the Recording 140
Camera-Mounting Equipment 144
Carrying the Equipment 147
VIII
Contents
Lighting 149
PART ONE
Physical Factors of Lighting 149
Base Illumination 150
Contrast Range 152
Color 153
Lighting Equipment 159
Power Requirements 171
Controlling the Intensity of Light 173
Other Equipment 174
Lighting Safety 175
PART TWO
Aesthetic Factors 176
Modeling 176
Three-Point Lighting 179
Lighting Problems 187
Sound 193
PART ONE
Technical Factors 193
Sound in Video Field Production 194
Sound: Technical Bases 194
Microphone Characteristics 197
Camera-Mounted Microphones 202
External Microphones 204
Wired and Wireless Microphones 210
Recording Sound on a Portable Camcorder 213
Mixers 217
Standardized Recording Procedures 219
Monitoring Sound 221
Hints for Recording Good Sound 222
Special Problems 225
Equalizing and Filtering to Improve Sound Quality 228
Adding Sound to Prerecorded Videotape 229
Additional Sound Recording and Playback Devices 230
IX
Contents PART TWO
Sound Aesthetics 233
Types of Sound 233
Sound Perspective and Sound Presence 236
Constructing the Audio Portion of a Program
The Visual Impact of Microphones 241
VIDEO EDITING 1
Editing Aesthetics 243
Role of the Editor 244
Types of Editing 246
Continuity Editing 246
Dynamic Editing 254
Transitions and Effects 256
Sound in Editing 260
VIDEO EDITING 2
Linear, Cuts-Only
Videotape Editing 263
Electronic Videotape Editing 263
Editing System Components 265
Control Track Editing 266
Assemble and Insert Editing 273
Editing on a Cuts-Only System 285
VIDEO EDITING 3
A/B-Roll Editing
and SMPTE Time Code 295
A/B-Roll Editing 296
SMPTE Time Code 299
The Video Switcher 310
Signal Processing 312
VIDEO EDITING 4 Contents
Digital Nonlinear
Video Editing 315
Desktop Video Production 315
Digital Nonlinear Video Editing 318
Three Types of Nonlinear Editing Systems 323
Components of a Nonlinear Video Editing System 325
The Process of Nonlinear Editing 327
Graphics and Design 331
Guiding Principles 332
Functional and Practical Factors 333
Sources of Graphics for Video 339
Computer-Based Video Graphics Systems 344
Integrating Graphics and Effects into a Video Production 349
Production Planning 355
Stages and Types of Production 355
Preproduction Planning 356
Production Planning 386
Postproduction Planning 391
Ethics and Video Production 398
APPENDIX ONE
Production Projects 401
APPENDIX TWO
Development of
Videotape Recording 409
XI
Contents APPENDIX THREE
Measurement of Light Intensity 412
APPENDIX FOUR
Guidelines and Information
for Filming in San Francisco 415
APPENDIX FIVE
U S Copyright Office
Short Form PA 417
APPENDIX SIX
Digital Information and
the Metric System 420
Glossary 421
Bibliography 445
Index 448
XII
|
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| discipline | Kunstgeschichte |
| edition | 5. ed. |
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| isbn | 0205295568 |
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| spelling | Compesi, Ronald J. Verfasser aut Video field production and editing Ronald J. Compesi 5. ed. Boston [u.a.] Allyn and Bacon 2000 XVII, 462 S. Ill. txt rdacontent n rdamedia nc rdacarrier Videoproduktion (DE-588)4476646-4 gnd rswk-swf Videoproduktion (DE-588)4476646-4 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=017423468&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Compesi, Ronald J. Video field production and editing Videoproduktion (DE-588)4476646-4 gnd |
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| title | Video field production and editing |
| title_auth | Video field production and editing |
| title_exact_search | Video field production and editing |
| title_full | Video field production and editing Ronald J. Compesi |
| title_fullStr | Video field production and editing Ronald J. Compesi |
| title_full_unstemmed | Video field production and editing Ronald J. Compesi |
| title_short | Video field production and editing |
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