More about this business of music:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Billboard Books
1994
|
| Ausgabe: | Rev. and enl. 5. ed., 1. print. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 288 S. |
| ISBN: | 0823076334 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804138191010136064 |
|---|---|
| adam_text | CONTENTS
Preface 11
PART ONE The Business of Serious Music 13
1. Background 15
Symphony Orchestras 15
Opera Groups 16
Deficits of Orchestras 18
Government s Interest 20
Government Endowments 20
Public Participation and Interest 22
Employment Outlook 23
Union Scale 24
Amateur Instruments and Players 26
Recording Industry Trust Funds 28
Serious Music Publishing 30
2. Organizations and Representatives 32
Performing Rights Societies 33
Other Organizations 34
Managers and Agents 35
Music Therapy 37
3. Recording Industry Aspects 38
Sale of Recordings 38
Price Categories 39
Crossover Potential 40
Artist/Label Negotiations 41
Record Club and Mail Order Sales 43
Trade Reviews 44
Consumer Publication Reviews 44
The Newer Technologies 46
4. Publishers and Composers 48
Composers 48
Old and New Music 49
Music Publishers 50
Mechanical Rights 51
Film Synchronization Rights 52
Videocassettes and Laserdiscs 53
ASCAP 53
Multiple Credits 55
Qualifying Works 55
Special Awards 56
BMI 57
Other Performing Rights Aspects 59
Grand Rights 60
Printed Editions 61
Music Sale Royalties 62
Rental of Materials 62
Printing 65
Prospects for New Works 65
American Composer Alliance 66
American Composers Orchestra 67
Composers Recordings, Inc. 68
American Music Center 68
Commissioned Works 69
Meet the Composer 71
Composer Earnings 72
5. Religious Music 73
Nonchurch Usage 74
Contemporary Religious Works 75
Folk Religious Works 76
Gospel Music 76
Gospel Music Records 77
Gospel Music Publishing 78
Crossover Recordings and Artists 79
Live Performance 79
Performance Income 80
Religious Music Arrangements 81
Mechanical License Fees 82
Publications 82
Organizations 83
6. This Business of Jazz 84
Record Labels for Jazz 85
The Background for Jazz 88
Jazz in Serious Music 89
Jazz in the Religious Setting 89
Employment 90
Mixing and Editing 91
Jazz Abroad 92
Governmental Grants 93
Jazz Arrangements 95
Jazz Repertory 95
Performance Income 96
Mechanical License Fees 97
Publications 98
Jazz Organizations 99
PART TWO Other Aspects of the Music Industry 101
7. Production and Sale of Printed Music 103
Types of Printed Music 104
Fakebooks 106
Preparation for Printing 107
Independent Folio Licensees and Selling Agents 109
Folio Licensee Royalties 110
Sheet Music Licensees 110
Selling Agency 111
Term of Licensee or Selling-Agent Agreements 111
Joint Ventures 112
Personality Folios 112
Lyric Licenses 113
Copyright Notice 113
Return Privileges 114
Discounts 115
Prices of Printed Music 116
Foreign Sales 116
Mailing Privileges 117
8. Background Music and Transcriptions 119
Background Music Services 120
Film Music 129
9. live Performances: Concerts and Festivals 136
Engagement Contracts 137
Feature Artists, Supporting Acts, and Package Shows 140
Free Concerts 140
Seating Patterns 140
Ticket Scalping 142
Computer Ticketing Agencies 142
Sound Control 143
Audience Traffic Engineering 143
Security 144
Insurance 145
College Concerts 146
College Showcases 147
Talent Showcase 148
Road Managers 149
Selection of Hall or Festival Site 150
Charity Concerts 151
Music Performance Trust Fund Subsidies 152
Union Scale Wages 152
10. Obscenity and Violence 154
Advisory Labels 155
Free Speech Issues 156
Regulation of Concerts in Public Areas 157
Copyright Issues 158
Fair Use 158
The FCC 160
Racial and Religious or Ethnic Slurs 160
Conclusion: An Appeal for Sensitivity 162
11. Educational Use of Music and the Children s Market 163
National Music Educators Conference 165
Private Instruction 165
Music Teachers National Association 166
Special Copyright Treatment for Educators 167
Educational Videos 168
Educational Broadcasting 169
Children s Record Marketing 170
Children s library Rooms 171
Opportunities for a Children s Song Composer 171
Classical Music for Young People 172
12. Buying and Selling Record Companies 173
Recent Mergers and Acquisitions 174
Price Determination for Acquisition 175
Label Leadership 177
Warranties Against Liabilities 178
A Due Diligence Checklist 178
Questions for the Future 180
PART THREE Appendixes 183
1. Distribution of Income Sources for Symphony
Orchestras and Opera Companies 185
2. Three-Year Financial Summary of Orchestras 186
3. Guidelines and Applications for an NEA Grant 187
4. Excerpt from the U.S. Dept of Labor s Employment
Outlook 194
5. List of the Music Publishers Association 197
6. list of Members of the National Music Council 200
7. Opera America Publications 202
8. Franchised Artist Managers 204
9. Form of Standard AGMA Artist-Manager Agreement 206
10. Form of Standard AGMA Employment Agreement 207
11. Reference list of Associations, Organizations, and Unions 209
12. Form of Publisher-Composer Serious Music Contract 211
13. Rider to Songwriters Guild of America Form of Contract 215
14. Extracts from ASCAP Weighting Formula Relating to
Credits for Serious Works 216
15. Typical ASCAP Serious Music Writer Statement 218
16. Extract from ASCAP Writer s Distribution Formula 221
17. ASCAP Symphony Orchestra license Agreement 222
18. ASCAP Concerts and Recitals — Per Concert license
and Blanket License Agreements 224
19. ASCAP Colleges and Universities License Agreement 232
20. BMI Symphony Orchestra License Agreement 235
21. BMI Chamber Music license Agreement 239
22. BMI College/University License Agreement 243
23. Hire of Materials for the Performance of Musical
Compositions 247
24. The Mss. Market — Some Suggestions for Getting
Your Music Published 251
25. Sample Contest and Awards Listings 253
26. list of Jazz-Related Organizations 254
27. Sections 506 (a) and (b) of the U.S. Copyright Law 255
28. Form of license Agreement for All Printed Editions 256
29. Form of Selling Agency Agreement for All Printed Editions 258
30. Form of Catalog Selling Agency Agreement for All
Printed Editions 260
31. Form of License Agreement for Song Lyric Reprint Rights 262
32. Form of Background Music Transcription License
by Publisher 263
33. ASCAP Background/Foreground Music Service
license Agreement 266
34. BMI Background Music Service License Agreement 270
35. Form of Television Film Synchronization license 274
36. Form of Soundtrack Library Synchronization License 275
37. Sample Soundtrack library Rate Card 276
38. Sample Billboard Boxscore Chart 277
39. Form of a NECAA Artist/Agency Report 278
40. Sample Page from the Audarena Stadium Listing of
Public Assembly Facilities 281
Index 282
t
|
| adam_txt |
CONTENTS
Preface 11
PART ONE The Business of Serious Music 13
1. Background 15
Symphony Orchestras 15
Opera Groups 16
Deficits of Orchestras 18
Government's Interest 20
Government Endowments 20
Public Participation and Interest 22
Employment Outlook 23
Union Scale 24
Amateur Instruments and Players 26
Recording Industry Trust Funds 28
Serious Music Publishing 30
2. Organizations and Representatives 32
Performing Rights Societies 33
Other Organizations 34
Managers and Agents 35
Music Therapy 37
3. Recording Industry Aspects 38
Sale of Recordings 38
Price Categories 39
Crossover Potential 40
Artist/Label Negotiations 41
Record Club and Mail Order Sales 43
Trade Reviews 44
Consumer Publication Reviews 44
The Newer Technologies 46
4. Publishers and Composers 48
Composers 48
Old and New Music 49
Music Publishers 50
Mechanical Rights 51
Film Synchronization Rights 52
Videocassettes and Laserdiscs 53
ASCAP 53
Multiple Credits 55
Qualifying Works 55
Special Awards 56
BMI 57
Other Performing Rights Aspects 59
Grand Rights 60
Printed Editions 61
Music Sale Royalties 62
Rental of Materials 62
Printing 65
Prospects for New Works 65
American Composer Alliance 66
American Composers Orchestra 67
Composers Recordings, Inc. 68
American Music Center 68
Commissioned Works 69
Meet the Composer 71
Composer Earnings 72
5. Religious Music 73
Nonchurch Usage 74
Contemporary Religious Works 75
Folk Religious Works 76
Gospel Music 76
Gospel Music Records 77
Gospel Music Publishing 78
Crossover Recordings and Artists 79
Live Performance 79
Performance Income 80
Religious Music Arrangements 81
Mechanical License Fees 82
Publications 82
Organizations 83
6. This Business of Jazz 84
Record Labels for Jazz 85
The Background for Jazz 88
Jazz in Serious Music 89
Jazz in the Religious Setting 89
Employment 90
Mixing and Editing 91
Jazz Abroad 92
Governmental Grants 93
Jazz Arrangements 95
Jazz Repertory 95
Performance Income 96
Mechanical License Fees 97
Publications 98
Jazz Organizations 99
PART TWO Other Aspects of the Music Industry 101
7. Production and Sale of Printed Music 103
Types of Printed Music 104
Fakebooks 106
Preparation for Printing 107
Independent Folio Licensees and Selling Agents 109
Folio Licensee Royalties 110
Sheet Music Licensees 110
Selling Agency 111
Term of Licensee or Selling-Agent Agreements 111
Joint Ventures 112
Personality Folios 112
Lyric Licenses 113
Copyright Notice 113
Return Privileges 114
Discounts 115
Prices of Printed Music 116
Foreign Sales 116
Mailing Privileges 117
8. Background Music and Transcriptions 119
Background Music Services 120
Film Music 129
9. live Performances: Concerts and Festivals 136
Engagement Contracts 137
Feature Artists, Supporting Acts, and Package Shows 140
Free Concerts 140
Seating Patterns 140
Ticket Scalping 142
Computer Ticketing Agencies 142
Sound Control 143
Audience Traffic Engineering 143
Security 144
Insurance 145
College Concerts 146
College Showcases 147
Talent Showcase 148
Road Managers 149
Selection of Hall or Festival Site 150
Charity Concerts 151
Music Performance Trust Fund Subsidies 152
Union Scale Wages 152
10. Obscenity and Violence 154
Advisory Labels 155
Free Speech Issues 156
Regulation of Concerts in Public Areas 157
Copyright Issues 158
Fair Use 158
The FCC 160
Racial and Religious or Ethnic Slurs 160
Conclusion: An Appeal for Sensitivity 162
11. Educational Use of Music and the Children's Market 163
National Music Educators Conference 165
Private Instruction 165
Music Teachers National Association 166
Special Copyright Treatment for Educators 167
Educational Videos 168
Educational Broadcasting 169
Children's Record Marketing 170
Children's library Rooms 171
Opportunities for a Children's Song Composer 171
Classical Music for Young People 172
12. Buying and Selling Record Companies 173
Recent Mergers and Acquisitions 174
Price Determination for Acquisition 175
Label Leadership 177
Warranties Against Liabilities 178
A "Due Diligence" Checklist 178
Questions for the Future 180
PART THREE Appendixes 183
1. Distribution of Income Sources for Symphony
Orchestras and Opera Companies 185
2. Three-Year Financial Summary of Orchestras 186
3. Guidelines and Applications for an NEA Grant 187
4. Excerpt from the U.S. Dept of Labor's Employment
Outlook 194
5. List of the Music Publishers' Association 197
6. list of Members of the National Music Council 200
7. Opera America Publications 202
8. Franchised Artist Managers 204
9. Form of Standard AGMA Artist-Manager Agreement 206
10. Form of Standard AGMA Employment Agreement 207
11. Reference list of Associations, Organizations, and Unions 209
12. Form of Publisher-Composer Serious Music Contract 211
13. Rider to Songwriters Guild of America Form of Contract 215
14. Extracts from ASCAP Weighting Formula Relating to
Credits for Serious Works 216
15. Typical ASCAP Serious Music Writer Statement 218
16. Extract from ASCAP Writer's Distribution Formula 221
17. ASCAP Symphony Orchestra license Agreement 222
18. ASCAP Concerts and Recitals — Per Concert license
and Blanket License Agreements 224
19. ASCAP Colleges and Universities License Agreement 232
20. BMI Symphony Orchestra License Agreement 235
21. BMI Chamber Music license Agreement 239
22. BMI College/University License Agreement 243
23. Hire of Materials for the Performance of Musical
Compositions 247
24. The Mss. Market — Some Suggestions for Getting
Your Music Published 251
25. Sample Contest and Awards Listings 253
26. list of Jazz-Related Organizations 254
27. Sections 506 (a) and (b) of the U.S. Copyright Law 255
28. Form of license Agreement for All Printed Editions 256
29. Form of Selling Agency Agreement for All Printed Editions 258
30. Form of Catalog Selling Agency Agreement for All
Printed Editions 260
31. Form of License Agreement for Song Lyric Reprint Rights 262
32. Form of Background Music Transcription License
by Publisher 263
33. ASCAP Background/Foreground Music Service
license Agreement 266
34. BMI Background Music Service License Agreement 270
35. Form of Television Film Synchronization license 274
36. Form of Soundtrack Library Synchronization License 275
37. Sample Soundtrack library Rate Card 276
38. Sample Billboard "Boxscore" Chart 277
39. Form of a NECAA Artist/Agency Report 278
40. Sample Page from the Audarena Stadium Listing of
Public Assembly Facilities 281
Index 282
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| dewey-ones | 338 - Production |
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| discipline | Wirtschaftswissenschaften Musikwissenschaft |
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| index_date | 2024-07-02T22:36:57Z |
| indexdate | 2024-07-09T21:24:15Z |
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| publisher | Billboard Books |
| record_format | marc |
| spelling | Krasilovsky, M. William Verfasser (DE-588)130124184 aut More about this business of music M. William Krasilovsky and Sidney Shemel Rev. and enl. 5. ed., 1. print. New York, NY Billboard Books 1994 288 S. txt rdacontent n rdamedia nc rdacarrier Musik Music trade United States Music Economic aspects Copyright Music United States Popular music Writing and publishing United States Rhythm and Blues (DE-588)4178058-9 gnd rswk-swf Soul (DE-588)4181885-4 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content USA (DE-588)4078704-7 g Soul (DE-588)4181885-4 s DE-604 Rhythm and Blues (DE-588)4178058-9 s Musikwirtschaft (DE-588)4268614-3 s 1\p DE-604 Shemel, Sidney Verfasser aut HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016860702&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Krasilovsky, M. William Shemel, Sidney More about this business of music Musik Music trade United States Music Economic aspects Copyright Music United States Popular music Writing and publishing United States Rhythm and Blues (DE-588)4178058-9 gnd Soul (DE-588)4181885-4 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4178058-9 (DE-588)4181885-4 (DE-588)4268614-3 (DE-588)4078704-7 (DE-588)4006804-3 |
| title | More about this business of music |
| title_auth | More about this business of music |
| title_exact_search | More about this business of music |
| title_exact_search_txtP | More about this business of music |
| title_full | More about this business of music M. William Krasilovsky and Sidney Shemel |
| title_fullStr | More about this business of music M. William Krasilovsky and Sidney Shemel |
| title_full_unstemmed | More about this business of music M. William Krasilovsky and Sidney Shemel |
| title_short | More about this business of music |
| title_sort | more about this business of music |
| topic | Musik Music trade United States Music Economic aspects Copyright Music United States Popular music Writing and publishing United States Rhythm and Blues (DE-588)4178058-9 gnd Soul (DE-588)4181885-4 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Musik Music trade United States Music Economic aspects Copyright Music United States Popular music Writing and publishing United States Rhythm and Blues Soul Musikwirtschaft USA Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016860702&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT krasilovskymwilliam moreaboutthisbusinessofmusic AT shemelsidney moreaboutthisbusinessofmusic |