Translation and conflict: a narrative account
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2006
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 203 S. Ill. 24 cm |
| ISBN: | 041538396X 0415383951 9780415383967 9780415383950 |
Internformat
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| 245 | 1 | 0 | |a Translation and conflict |b a narrative account |c Mona Baker |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London ; New York |b Routledge |c 2006 | |
| 300 | |a XIV, 203 S. |b Ill. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Translating and interpreting | |
| 650 | 4 | |a Narration (Rhetoric) | |
| 650 | 4 | |a Discourse analysis, Narrative | |
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Datensatz im Suchindex
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| adam_text | List offigures xi
Acknowledgements xiii
1 Introduction 1
1.1 Translation, power, conßict 1
1.2 Why narrative? 3
1.3 Overview qfchapters 4
2 Introducing narrative theory 8
2.1 The Status and effects qf narrativity 8
2.2 Defining narrative 19
2.3 The political import qf narratiues 20
3 A typology of narrative 28
3.1 Ontological narratiues 28
3.2 Public narratives 33
3.3 Conceptual (disäplinary) narratives 39
3.4 Meta- (master) narratives 44
4 Understanding how narratives work: features of narrativity I 50
4.1 Temporality (Bruner s narrative diachronicity) 50
4.2 Relationality (hermeneutic composability) 61
4.3 Causal emplotment 61
4.4 Selective appropriation 11
5 Understanding how narratives work: features of narrativity II 78
5.1 Particularity 18
5.2 Genericness 85
5.3 Normativeness/canonicity and breach 98
5.4 Narrative accrual 101
6 Framing narratives in translation 105
6.1 Framing, frame ambiguity and frame space 105
6.2 Temporal and spatial framing 112
6.3 Selective appropriation oftextual material 114
6.4 Framing by labelling 122
6.5 Repositioning of partiäpants 132
7 Assessing narratives: the narrative paradigm 141
1.1 The narrative paradigm: basic tenets 142
1.2 Coherence (probability) 143
1.3 Fidelity 152
1.4 Assessing narratives: applying the model 155
1.5 Concluding remarks 162
Glossary 165
Notes 173
Bibliography 181
Index 195
Figures
Every effort has been made to obtain permission to reproduce Copyright material.
Any omissions brought to our attention will be remedied in future editions.
1 La Belle Hottentot — early nineteenth-century French print depicting
Saartjie Baartman on display in London 12
2 An Iraqi man comforts his four-year-old son at a regroupment centre
for prisoners of war of the lOlst Airborne Division near An Najaf 13
3 A detainee in an outdoor solitary confinement cell talks with
a military policeman at the Abu Ghraib prison on the outskirts
ofBaghdad 13
4 Truth against Truth. Front and back cover of Gush Shalom brochure
(English translation) 36
5 Paul Fitzgerald s Big Bad World cartoon, New Internationalist (April 2005) 53
6 Members of the Grassroots Palestinian Anti-Apartheid Wall Campaign
pose as indigenous Americans, Ramallah, 8 April 2004 60
7 Screen shot fern Jenin Jenin: We are still pulling victims out of the nibble 65
8 AIR (Annais of Improbable Research): Front cover of the January/
February 2002 Issue 90
9 AIR (Annais of Improbable Research): Front Cover of the September/
October 2004 Issue 90
10 Preparingfor Emergencies (www.preparingforemergencies.co.uk) 91
11 Book cover of Hart Seely s Pieces of Intelligence: The Existential Poetry
of Donald H. Rumsfeld 94
12/13 A variant of culture jamming — graffiti and slogans on Israel s
Separation wall 94
14 Screen shot (comJenin, Jenin: What can I say? Not even Vietnam
was as bad as this 100
15 The Lysistrata Project 113
16 Where values enter an argument 158
|
| adam_txt |
List offigures xi
Acknowledgements xiii
1 Introduction 1
1.1 Translation, power, conßict 1
1.2 Why narrative? 3
1.3 Overview qfchapters 4
2 Introducing narrative theory 8
2.1 The Status and effects qf narrativity 8
2.2 Defining narrative 19
2.3 The political import qf narratiues 20
3 A typology of narrative 28
3.1 Ontological narratiues 28
3.2 Public narratives 33
3.3 Conceptual (disäplinary) narratives 39
3.4 Meta- (master) narratives 44
4 Understanding how narratives work: features of narrativity I 50
4.1 Temporality (Bruner's narrative diachronicity) 50
4.2 Relationality (hermeneutic composability) 61
4.3 Causal emplotment 61
4.4 Selective appropriation 11
5 Understanding how narratives work: features of narrativity II 78
5.1 Particularity 18
5.2 Genericness 85
5.3 Normativeness/canonicity and breach 98
5.4 Narrative accrual 101
6 Framing narratives in translation 105
6.1 Framing, frame ambiguity and frame space 105
6.2 Temporal and spatial framing 112
6.3 Selective appropriation oftextual material 114
6.4 Framing by labelling 122
6.5 Repositioning of partiäpants 132
7 Assessing narratives: the narrative paradigm 141
1.1 The narrative paradigm: basic tenets 142
1.2 Coherence (probability) 143
1.3 Fidelity 152
1.4 Assessing narratives: applying the model 155
1.5 Concluding remarks 162
Glossary 165
Notes 173
Bibliography 181
Index 195
Figures
Every effort has been made to obtain permission to reproduce Copyright material.
Any omissions brought to our attention will be remedied in future editions.
1 'La Belle Hottentot' — early nineteenth-century French print depicting
Saartjie Baartman on display in London 12
2 An Iraqi man comforts his four-year-old son at a regroupment centre
for prisoners of war of the lOlst Airborne Division near An Najaf 13
3 A detainee in an outdoor solitary confinement cell talks with
a military policeman at the Abu Ghraib prison on the outskirts
ofBaghdad 13
4 Truth against Truth. Front and back cover of Gush Shalom brochure
(English translation) 36
5 Paul Fitzgerald's 'Big Bad World' cartoon, New Internationalist (April 2005) 53
6 Members of the Grassroots Palestinian Anti-Apartheid Wall Campaign
pose as indigenous Americans, Ramallah, 8 April 2004 60
7 Screen shot fern Jenin Jenin: 'We are still pulling victims out of the nibble' 65
8 AIR (Annais of Improbable Research): Front cover of the January/
February 2002 Issue 90
9 AIR (Annais of Improbable Research): Front Cover of the September/
October 2004 Issue 90
10 Preparingfor Emergencies (www.preparingforemergencies.co.uk) 91
11 Book cover of Hart Seely's Pieces of Intelligence: The Existential Poetry
of Donald H. Rumsfeld 94
12/13 A variant of culture jamming — graffiti and slogans on Israel's
Separation wall 94
14 Screen shot (comJenin, Jenin: 'What can I say? Not even Vietnam
was as bad as this' 100
15 The Lysistrata Project 113
16 Where values enter an argument 158 |
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| illustrated | Illustrated |
| index_date | 2024-07-02T22:35:22Z |
| indexdate | 2024-08-01T11:12:47Z |
| institution | BVB |
| isbn | 041538396X 0415383951 9780415383967 9780415383950 |
| language | English |
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| physical | XIV, 203 S. Ill. 24 cm |
| publishDate | 2006 |
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| publisher | Routledge |
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| spellingShingle | Baker, Mona 1953- Translation and conflict a narrative account Translating and interpreting Narration (Rhetoric) Discourse analysis, Narrative |
| title | Translation and conflict a narrative account |
| title_auth | Translation and conflict a narrative account |
| title_exact_search | Translation and conflict a narrative account |
| title_exact_search_txtP | Translation and conflict a narrative account |
| title_full | Translation and conflict a narrative account Mona Baker |
| title_fullStr | Translation and conflict a narrative account Mona Baker |
| title_full_unstemmed | Translation and conflict a narrative account Mona Baker |
| title_short | Translation and conflict |
| title_sort | translation and conflict a narrative account |
| title_sub | a narrative account |
| topic | Translating and interpreting Narration (Rhetoric) Discourse analysis, Narrative |
| topic_facet | Translating and interpreting Narration (Rhetoric) Discourse analysis, Narrative |
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Inhaltsverzeichnis
THWS Würzburg Zentralbibliothek Lesesaal
| Signatur: |
1000 ES 700 B168 T7 |
|---|---|
| Exemplar 1 | ausleihbar Verfügbar Bestellen |