Becoming an orchestral musician: a guide for aspiring professionals
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Giles de la Mare
2004
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes index |
| Beschreibung: | XI, 236 S. graph. Darst., Notenbeisp. 22 cm |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
When music sounds, all that I was I am
Ere to this haunt of brooding dust I came
...
Walter
de
la Mare, poet, 1873-1956
page
Preface by Sir Peter Maxwell Davies
vii
Prologue
1
Foreword
3
Acknowledgements
7
1
Introduction to the Orchestral Profession
13
What Are the Chances of Success?
2.
The Formative Years
19
Persistence, Music Competitions, Is Your Teacher Right
for You? Quality of Instrument, How Dear Can They Be?
Stolen Instruments, Wrong Notes, Learn the Score, Goals,
Play Music With and For People, Music School, You Are
Not Doing Enough Practice! Warming Up, Injuries, Music
College
..., ...
Or University? Are You Sure You Want to
Do This? The Right Personality, After College
3
Performing Philosophies
43
A Musical Vision, The
Je Ne Sais Quoi,
The Journey, Singers
in the Coffee Queue, Learn to Conduct, The Composer s
Condensed Universe, Style, The Bar, CD Culture, How Many
Takes Does It Take? Study or Mimic, Soul Music
CONTENTS
4
Auditions
5
г
When Should You Start Applying? Students,
CV
Versus
Resume, The Audition Loophole
-
Back Door, The Audition,
The Panel, How Long Will I Be in There? What Are We
Looking For in an Audition? Orchestral Excerpts, What
Do You Do with the Bars Rest? Sight-Reading, The Truth
About Sight-Reading in the Profession, Audition Nerves,
The Warm-Up Room, Rumours, Auditions for Extra Work,
Subsidiary Instruments, Pre-Audition, Post-Audition,
Rejection Letter, At What Point Should I Quit?
5
Ensemble
8 5
All Orchestras Are Different, Know Your Role, Accompany¬
ing, Blending, Vibrato, Note-Endings, Articulation, Rhythm,
Rubato,
Dynamics, ppp-fff, Back-Desk Soloists, Finally
6
Nerves
112.
Why Do You Get Nervous? Practice, Nerve Targets, Split It
Up, Visualization, Don t Worry
...,
The Public, The Perform¬
ing Circle, Red-Light Nerves, Re-takes, Nerves: the Virus ,
Diet, Drugs, Alcohol, Lucky Charms, Controlling Your
Nerves Before the Performance, Controlling Your Nerves
During the Performance, Still Nervous? Should You Give
Up? Towel in the Bidet
7
Counting
133
Look Out, The Domino Factor, Counting Strategies, What
Do You Do? Sounds Wrong? Sounds Right? Not Sure?
Asking for Help, Still Lost, Emergency Mode, Count
Upwards, Complex Music Shouldn t Mean Complicated
Counting, You Are Not Alone, Lost Souls
8
Conductors
143
The Player s Wish: A Clear Up-Beat, Do You Know Exactly
When You Are About to Play? Upsetting the Apple Cart,
What Difference Do Conductors Make? Bad Conductors,
Why We Need Them, Where Did They Come From?
Conductors Traits, How to Cook a Conductor, The Baton
Makes No Sound, There Are Wonderful Conductors, Too,
When to Play, a Possible Answer
CONTENTS
9 Intonation 156
Science
Lesson,
Hearing,
Natural Harmonics,
Harmonie
Mixtures, Maths Lesson, Singing Lesson, Making Cents,
History Lesson, Pythagorean Tuning, Meantone Tuning,
Well-Tempered Tuning, Equal Temperament Tuning,
Orchestral Temperament, Warning! Practical Experiment,
Wolves and Ghosts, Second Maths Lesson, The Oboe s A,
Tuning Up Orchestras, Which is Best: Sharp or Flat?
Tuning Tips, Still Out of Tune? How Much Work?
10
The Mechanics of the Orchestra
185
Behind the Scenes, How Much Does an Orchestra Cost to
Run? Do Any Orchestras Make a Profit? The Duty Sheet,
We Don t Work Very Hard! Maintenance, Cello Strings,
Oboe Reeds, Bumping, Breathing and Bowing, Transposing
Instruments, How to Transpose, The Clarinet Problem,
The Union, Rotation in the Ranks, Working Your Way Up
the Ranks, What Are We Worth?
и
Surviving in the Orchestral Profession
205
Being Booked, The Fixer, A Fixer s Top Tips, The Route to
Work, All Those Notes to Learn, Networking and Common
Mistakes, Keeping in Shape, Waiting in the Green Room,
Tours, Holidays, Survival Tips
12
Alternative Careers
2.2.0
Chamber Music, Strike Up the Band, Original Instruments,
Management or Administration, Music Critic
Epilogue
230
Index
233
|
| adam_txt |
Contents
'When music sounds, all that I was I am
Ere to this haunt of brooding dust I came
.'
Walter
de
la Mare, poet, 1873-1956
page
Preface by Sir Peter Maxwell Davies
vii
Prologue
1
Foreword
3
Acknowledgements
7
1
Introduction to the Orchestral Profession
13
What Are the Chances of Success?
2.
The Formative Years
19
Persistence, Music Competitions, Is Your Teacher Right
for You? Quality of Instrument, How Dear Can They Be?
Stolen Instruments, Wrong Notes, Learn the Score, Goals,
Play Music With and For People, Music School, You Are
Not Doing Enough Practice! Warming Up, Injuries, Music
College
., .
Or University? Are You Sure You Want to
Do This? The Right Personality, After College
3
Performing Philosophies
43
A Musical Vision, The
Je Ne Sais Quoi,
The Journey, Singers
in the Coffee Queue, Learn to Conduct, The Composer's
Condensed Universe, Style, The Bar, CD Culture, How Many
Takes Does It Take? Study or Mimic, Soul Music
CONTENTS
4
Auditions
5
г
When Should You Start Applying? Students,
CV
Versus
Resume, The Audition Loophole
-
Back Door, The Audition,
The Panel, How Long Will I Be in There? What Are We
Looking For in an Audition? Orchestral Excerpts, What
Do You Do with the Bars' Rest? Sight-Reading, The Truth
About Sight-Reading in the Profession, Audition Nerves,
The Warm-Up Room, Rumours, Auditions for Extra Work,
Subsidiary Instruments, Pre-Audition, Post-Audition,
Rejection Letter, At What Point Should I Quit?
5
Ensemble
8 5
All Orchestras Are Different, Know Your Role, Accompany¬
ing, Blending, Vibrato, Note-Endings, Articulation, Rhythm,
Rubato,
Dynamics, ppp-fff, Back-Desk Soloists, Finally
6
Nerves
112.
Why Do You Get Nervous? Practice, Nerve Targets, Split It
Up, Visualization, Don't Worry
.,
The Public, The Perform¬
ing Circle, Red-Light Nerves, Re-takes, Nerves: the 'Virus',
Diet, Drugs, Alcohol, Lucky Charms, Controlling Your
Nerves Before the Performance, Controlling Your Nerves
During the Performance, Still Nervous? Should You Give
Up? Towel in the Bidet
7
Counting
133
Look Out, The Domino Factor, Counting Strategies, What
Do You Do? Sounds Wrong? Sounds Right? Not Sure?
Asking for Help, Still Lost, Emergency Mode, Count
Upwards, Complex Music Shouldn't Mean Complicated
Counting, You Are Not Alone, Lost Souls
8
Conductors
143
The Player's Wish: A Clear Up-Beat, Do You Know Exactly
When You Are About to Play? Upsetting the Apple Cart,
What Difference Do Conductors Make? Bad Conductors,
Why We Need Them, Where Did They Come From?
Conductors' Traits, How to Cook a Conductor, The Baton
Makes No Sound, There Are Wonderful Conductors, Too,
When to Play, a Possible Answer
CONTENTS
9 Intonation 156
Science
Lesson,
Hearing,
Natural Harmonics,
Harmonie
Mixtures, Maths Lesson, Singing Lesson, Making Cents,
History Lesson, Pythagorean Tuning, Meantone Tuning,
Well-Tempered Tuning, Equal Temperament Tuning,
Orchestral Temperament, Warning! Practical Experiment,
Wolves and Ghosts, Second Maths Lesson, The Oboe's A,
Tuning Up Orchestras, Which is Best: Sharp or Flat?
Tuning Tips, Still Out of Tune? How Much Work?
10
The Mechanics of the Orchestra
185
Behind the Scenes, How Much Does an Orchestra Cost to
Run? Do Any Orchestras Make a Profit? The Duty Sheet,
We Don't Work Very Hard! Maintenance, 'Cello Strings,
Oboe Reeds, Bumping, Breathing and Bowing, Transposing
Instruments, How to Transpose, The Clarinet Problem,
The Union, Rotation in the Ranks, Working Your Way Up
the Ranks, What Are We Worth?
и
Surviving in the Orchestral Profession
205
Being Booked, The Fixer, A Fixer's Top Tips, The Route to
Work, All Those Notes to Learn, Networking and Common
Mistakes, Keeping in Shape, Waiting in the Green Room,
Tours, Holidays, Survival Tips
12
Alternative Careers
2.2.0
Chamber Music, Strike Up the Band, Original Instruments,
Management or Administration, Music Critic
Epilogue
230
Index
233 |
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| title | Becoming an orchestral musician a guide for aspiring professionals |
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