A theory of musical narrative:
Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musica...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington [u.a.]
Indiana Univ. Press
2008
|
| Schriftenreihe: | Musical meaning and interpretation
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative, a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a diverse range of musical examples illustrating the range and applicability of the theoretical apparatus, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrativeprovides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 248 S. Notenbeisp. |
| ISBN: | 9780253352385 |
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| 520 | 3 | |a Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative, a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a diverse range of musical examples illustrating the range and applicability of the theoretical apparatus, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrativeprovides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics. | |
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Datensatz im Suchindex
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| adam_text | Titel: A theory of musical narrative
Autor: Almén, Byron
Jahr: 2008
Contents
Preface ix
Acknowledgments xiii
PART ONE: A THEORY OF MUSICAL NARRATIVE 1
1. An Introduction to Narrative Analysis: Chopin s Prelude in
G Major, Op. 28, No. 3 3
2. Perspectives and Critiques 11
3. A Theory of Musical Narrative: Conceptual Considerations 38
4. A Theory of Musical Narrative: Analytical Considerations 55
5. Narrative and Topic 68
PART TWO: ARCHETYPAL NARRATIVES AND PHASES 93
6. Romance Narratives and Micznik s Degrees of Narrativity 97
7. Tragic Narratives: An Extended Analysis of Schubert, Piano
Sonata in Bt Major, D. 960, First Movement 139
8. Ironic Narratives: Subtypes and Phases 162
9. Comic Narratives and Discursive Strategies 187
10. Summary and Conclusion 222
Glossary 229
Notes 233
Bibliography 239
Index 245
|
| adam_txt |
Titel: A theory of musical narrative
Autor: Almén, Byron
Jahr: 2008
Contents
Preface ix
Acknowledgments xiii
PART ONE: A THEORY OF MUSICAL NARRATIVE 1
1. An Introduction to Narrative Analysis: Chopin's Prelude in
G Major, Op. 28, No. 3 3
2. Perspectives and Critiques 11
3. A Theory of Musical Narrative: Conceptual Considerations 38
4. A Theory of Musical Narrative: Analytical Considerations 55
5. Narrative and Topic 68
PART TWO: ARCHETYPAL NARRATIVES AND PHASES 93
6. Romance Narratives and Micznik's Degrees of Narrativity 97
7. Tragic Narratives: An Extended Analysis of Schubert, Piano
Sonata in Bt Major, D. 960, First Movement 139
8. Ironic Narratives: Subtypes and Phases 162
9. Comic Narratives and Discursive Strategies 187
10. Summary and Conclusion 222
Glossary 229
Notes 233
Bibliography 239
Index 245 |
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| spelling | Almén, Byron Verfasser aut A theory of musical narrative Byron Almén Bloomington [u.a.] Indiana Univ. Press 2008 XIV, 248 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Musical meaning and interpretation Includes bibliographical references and index Byron Almen proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative, a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a diverse range of musical examples illustrating the range and applicability of the theoretical apparatus, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrativeprovides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics. Interpretatie gtt Muziekwerken gtt Vertelkunst gtt Musik Music Philosophy and aesthetics Musical analysis Music Semiotics Music and literature Music theory Narrativität (DE-588)4379691-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musik (DE-588)4040802-4 s Narrativität (DE-588)4379691-6 s DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016656054&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Almén, Byron A theory of musical narrative Interpretatie gtt Muziekwerken gtt Vertelkunst gtt Musik Music Philosophy and aesthetics Musical analysis Music Semiotics Music and literature Music theory Narrativität (DE-588)4379691-6 gnd Musik (DE-588)4040802-4 gnd |
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| title | A theory of musical narrative |
| title_auth | A theory of musical narrative |
| title_exact_search | A theory of musical narrative |
| title_exact_search_txtP | A theory of musical narrative |
| title_full | A theory of musical narrative Byron Almén |
| title_fullStr | A theory of musical narrative Byron Almén |
| title_full_unstemmed | A theory of musical narrative Byron Almén |
| title_short | A theory of musical narrative |
| title_sort | a theory of musical narrative |
| topic | Interpretatie gtt Muziekwerken gtt Vertelkunst gtt Musik Music Philosophy and aesthetics Musical analysis Music Semiotics Music and literature Music theory Narrativität (DE-588)4379691-6 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Interpretatie Muziekwerken Vertelkunst Musik Music Philosophy and aesthetics Musical analysis Music Semiotics Music and literature Music theory Narrativität |
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