Music, thought, and feeling: understanding the psychology of music
From the Publisher: Examining the intersection of music, psychology, and neuroscience, Music, Thought, and Feeling surveys the rapidly growing field of music cognition and explores its most interesting questions. Written in clear, engaging language that balances scientific and artistic perspectives,...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2009
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | From the Publisher: Examining the intersection of music, psychology, and neuroscience, Music, Thought, and Feeling surveys the rapidly growing field of music cognition and explores its most interesting questions. Written in clear, engaging language that balances scientific and artistic perspectives, this book provides an excellent introduction to-and critical analysis of-the major issues in music cognition, making it ideal for courses in psychology of music. Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior. It also covers: How humans perceive music; Links between music and emotion; Modern neuroimaging techniques and what they tell us about music's effect on the brain; Psychological processes involved in imagining, composing, and performing music; Potential cognitive benefits of musical engagement. Music, Thought, and Feeling references numerous "Sound Examples" and is supplemented by a companion website (www.oup.com/us/Thompson) containing an extensive collection of music sample audio files, most created specifically for this book. In addition, the website provides a link to iTunes, where readers can access an iMix created to accompany the book. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VIII, 311 S. Ill., graph. Darst. |
| ISBN: | 9780195377071 9780195140859 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV023471762 | ||
| 003 | DE-604 | ||
| 005 | 20140611 | ||
| 007 | t | ||
| 008 | 080801s2009 xxkad|| |||| 00||| eng d | ||
| 010 | |a 2008017657 | ||
| 020 | |a 9780195377071 |9 978-0-19-537707-1 | ||
| 020 | |a 9780195140859 |9 978-0-19-514085-9 | ||
| 035 | |a (OCoLC)227000166 | ||
| 035 | |a (DE-599)BVBBV023471762 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c GB | ||
| 049 | |a DE-12 |a DE-355 |a DE-29 | ||
| 050 | 0 | |a ML3830 | |
| 082 | 0 | |a 781/.11 | |
| 084 | |a CP 4000 |0 (DE-625)18984: |2 rvk | ||
| 084 | |a CP 9500 |0 (DE-625)19001: |2 rvk | ||
| 084 | |a LR 56650 |0 (DE-625)109805:13528 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 084 | |a 5,3 |2 ssgn | ||
| 100 | 1 | |a Thompson, William Forde |d 1957- |e Verfasser |0 (DE-588)1031262148 |4 aut | |
| 245 | 1 | 0 | |a Music, thought, and feeling |b understanding the psychology of music |c William Forde Thompson |
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 2009 | |
| 300 | |a VIII, 311 S. |b Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a From the Publisher: Examining the intersection of music, psychology, and neuroscience, Music, Thought, and Feeling surveys the rapidly growing field of music cognition and explores its most interesting questions. Written in clear, engaging language that balances scientific and artistic perspectives, this book provides an excellent introduction to-and critical analysis of-the major issues in music cognition, making it ideal for courses in psychology of music. Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior. It also covers: How humans perceive music; Links between music and emotion; Modern neuroimaging techniques and what they tell us about music's effect on the brain; Psychological processes involved in imagining, composing, and performing music; Potential cognitive benefits of musical engagement. Music, Thought, and Feeling references numerous "Sound Examples" and is supplemented by a companion website (www.oup.com/us/Thompson) containing an extensive collection of music sample audio files, most created specifically for this book. In addition, the website provides a link to iTunes, where readers can access an iMix created to accompany the book. | |
| 650 | 7 | |a Emoties |2 gtt | |
| 650 | 7 | |a Muziekpsychologie |2 gtt | |
| 650 | 7 | |a Neuropsychologie |2 gtt | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Psychologie | |
| 650 | 4 | |a Music |x Psychological aspects | |
| 650 | 4 | |a Musical perception | |
| 650 | 4 | |a Cognition | |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Wahrnehmung |0 (DE-588)4064317-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikpsychologie |0 (DE-588)4127817-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikwahrnehmung |0 (DE-588)4126097-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kognition |0 (DE-588)4031630-0 |2 gnd |9 rswk-swf |
| 655 | 7 | |8 1\p |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Wahrnehmung |0 (DE-588)4064317-7 |D s |
| 689 | 0 | 2 | |a Kognition |0 (DE-588)4031630-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Musikpsychologie |0 (DE-588)4127817-3 |D s |
| 689 | 1 | 1 | |a Musikwahrnehmung |0 (DE-588)4126097-1 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung BSBMuenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016654085&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-016654085 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804137893996789760 |
|---|---|
| adam_text | Contents
Preface
vu
CHAPTER
Ί
Introduction
Learning Outcomes
1
Overview of Book Contents
2
Abiding Controversies
8
Recent Areas of Research Growth
25
Additional Readings
17
CHAPTER
2
Origins of Music
19
Learning Outcomes
19
Prehistoric Music
20
Adaptationist
Accounts
21
Theories Based on Reproductive Benefits
23
Theories Based on Survival Benefits
25
Nonadaptationist Accounts
32
Precursors to Music
36
Additional Readings
41
CHAPTER
3
Musical Building Blocks
43
Learning Outcomhs
43
The Elements of Sound
44
Periodic Motion
46
The Discoveiy of Music Within Sound
47
Sensory Consonance and Dissonance
48
Tuning Systems
51
Sensitivity to Pitch
52
Models of Pitch Perception
53
Absolute Pitch
57
Timbre
59
IV
Contents
Reconstructing
Music
65
Additional Readings
66
CHAPTER
4
Music Acquisition
67
Learning Outcomes
67
Musical Infants
68
Music in the Womb
70
Investigating Music Perception Among Infants
71
Melodic Contour
74
Consonance and Dissonance
75
Pitch Relations
78
Scale Structure
81
Phrase Structure
83
Harmony
84
Key
85
Rhythm
87
Memory for Music
88
Learning and Enculturation
89
Additional Readings
90
CHAPTER
D
Perceiving Music Structure
91
Learning Outcomes
91
Arrangements of Sounds
92
Relative Pitch
93
Melodic Contour
95
Scale Structure
98
Large-Scale Structure
99
Melodic Expectancies
200
Implicit Memory for Music
102
Implied Harmony
105
Musical Key
107
Implied Key 111
Contents
Rhythm
112
Additional Readings
118
CHAPTER
6
Music and Emotion
119
CHAPTER
Learning Outcomes
119
Emotion Work
120
Emotion and Cognition
121
Theories of Music and Emotion
125
Empirical Studies
138
Do Listeners Agree on the Emotional Meaning of Music?
138
How Do Listeners Respond Emotionally to Music?
141
Compositional and Expressive Signals of Emotion
144
What Properties of Music Lead to an Emotional Response?
146
Is There a Universal Link Between Music and Emotion?
148
Sources of Emotion in Music
149
Additional Readings
150
I Music and the Brain
151
Learning Outcomes
151
What s in a Brain?
152
The Search for Music Inside the Brain
Neurological Disorders
158
Techniques of Neuroimaging
165
Neuroimaging and Music
169
A Rapidly Evolving Field
179
Additional Readings
181
155
CHAPTER
8
Performing Music
183
Learning Outcomes
183
Playing Music
184
Acquiring Performance Skill
186
Communicating Musical Structure
188
Communicating Emotional Meaning
193
VI
Contents
Singing
195
Improvising
198
Gestures and Facial Expressions
200
Evaluating Performance
203
The Craft of the Performer
206
Additional Readings
208
CHAPTER
9
Composing Music
209
Learning Outcomes
209
The Radius of Creativity
210
Composers and Listeners
213
Cognitive Constraints on Composition
215
Composing with Multiple Voices
219
Where Do New Ideas Come From?
224
The Craft of Music Composition
231
Additional Readings
232
CHAPTER
1 0
Music and Other Abilities
233
Learning Outcomes
233
Is Music Unique?
234
Short-Term Effects of Music
236
Long-Term Benefits of Music
241
Educational Implications
257
Additional Readings
257
Glossary
259
References
281
Author Index
301
Subject Index
306
|
| adam_txt |
Contents
Preface
vu
CHAPTER
Ί
Introduction
Learning Outcomes
1
Overview of Book Contents
2
Abiding Controversies
8
Recent Areas of Research Growth
25
Additional Readings
17
CHAPTER
2
Origins of Music
19
Learning Outcomes
19
Prehistoric Music
20
Adaptationist
Accounts
21
Theories Based on Reproductive Benefits
23
Theories Based on Survival Benefits
25
Nonadaptationist Accounts
32
Precursors to Music
36
Additional Readings
41
CHAPTER
3
Musical Building Blocks
43
Learning Outcomhs
43
The Elements of Sound
44
Periodic Motion
46
The Discoveiy of Music Within Sound
47
Sensory Consonance and Dissonance
48
Tuning Systems
51
Sensitivity to Pitch
52
Models of Pitch Perception
53
Absolute Pitch
57
Timbre
59
IV
Contents
Reconstructing
Music
65
Additional Readings
66
CHAPTER
4
Music Acquisition
67
Learning Outcomes
67
Musical Infants
68
Music in the Womb
70
Investigating Music Perception Among Infants
71
Melodic Contour
74
Consonance and Dissonance
75
Pitch Relations
78
Scale Structure
81
Phrase Structure
83
Harmony
84
Key
85
Rhythm
87
Memory for Music
88
Learning and Enculturation
89
Additional Readings
90
CHAPTER
D
Perceiving Music Structure
91
Learning Outcomes
91
Arrangements of Sounds
92
Relative Pitch
93
Melodic Contour
95
Scale Structure
98
Large-Scale Structure
99
Melodic Expectancies
200
Implicit Memory for Music
102
Implied Harmony
105
Musical Key
107
Implied Key 111
Contents
Rhythm
112
Additional Readings
118
CHAPTER
6
Music and Emotion
119
CHAPTER
Learning Outcomes
119
Emotion Work
120
Emotion and Cognition
121
Theories of Music and Emotion
125
Empirical Studies
138
Do Listeners Agree on the Emotional Meaning of Music?
138
How Do Listeners Respond Emotionally to Music?
141
Compositional and Expressive Signals of Emotion
144
What Properties of Music Lead to an Emotional Response?
146
Is There a Universal Link Between Music and Emotion?
148
Sources of Emotion in Music
149
Additional Readings
150
I Music and the Brain
151
Learning Outcomes
151
What's in a Brain?
152
The Search for Music Inside the Brain
Neurological Disorders
158
Techniques of Neuroimaging
165
Neuroimaging and Music
169
A Rapidly Evolving Field
179
Additional Readings
181
155
CHAPTER
8
Performing Music
183
Learning Outcomes
183
Playing Music
184
Acquiring Performance Skill
186
Communicating Musical Structure
188
Communicating Emotional Meaning
193
VI
Contents
Singing
195
Improvising
198
Gestures and Facial Expressions
200
Evaluating Performance
203
The Craft of the Performer
206
Additional Readings
208
CHAPTER
9
Composing Music
209
Learning Outcomes
209
The Radius of Creativity
210
Composers and Listeners
213
Cognitive Constraints on Composition
215
Composing with Multiple Voices
219
Where Do New Ideas Come From?
224
The Craft of Music Composition
231
Additional Readings
232
CHAPTER
1 0
Music and Other Abilities
233
Learning Outcomes
233
Is Music Unique?
234
Short-Term Effects of Music
236
Long-Term Benefits of Music
241
Educational Implications
257
Additional Readings
257
Glossary
259
References
281
Author Index
301
Subject Index
306 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Thompson, William Forde 1957- |
| author_GND | (DE-588)1031262148 |
| author_facet | Thompson, William Forde 1957- |
| author_role | aut |
| author_sort | Thompson, William Forde 1957- |
| author_variant | w f t wf wft |
| building | Verbundindex |
| bvnumber | BV023471762 |
| callnumber-first | M - Music |
| callnumber-label | ML3830 |
| callnumber-raw | ML3830 |
| callnumber-search | ML3830 |
| callnumber-sort | ML 43830 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | CP 4000 CP 9500 LR 56650 |
| ctrlnum | (OCoLC)227000166 (DE-599)BVBBV023471762 |
| dewey-full | 781/.11 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781/.11 |
| dewey-search | 781/.11 |
| dewey-sort | 3781 211 |
| dewey-tens | 780 - Music |
| discipline | Psychologie Musikwissenschaft |
| discipline_str_mv | Psychologie Musikwissenschaft |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03955nam a2200709zc 4500</leader><controlfield tag="001">BV023471762</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20140611 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">080801s2009 xxkad|| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2008017657</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780195377071</subfield><subfield code="9">978-0-19-537707-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780195140859</subfield><subfield code="9">978-0-19-514085-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)227000166</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV023471762</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-29</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3830</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781/.11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CP 4000</subfield><subfield code="0">(DE-625)18984:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CP 9500</subfield><subfield code="0">(DE-625)19001:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56650</subfield><subfield code="0">(DE-625)109805:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">5,3</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Thompson, William Forde</subfield><subfield code="d">1957-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1031262148</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music, thought, and feeling</subfield><subfield code="b">understanding the psychology of music</subfield><subfield code="c">William Forde Thompson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York [u.a.]</subfield><subfield code="b">Oxford Univ. Press</subfield><subfield code="c">2009</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VIII, 311 S.</subfield><subfield code="b">Ill., graph. Darst.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">From the Publisher: Examining the intersection of music, psychology, and neuroscience, Music, Thought, and Feeling surveys the rapidly growing field of music cognition and explores its most interesting questions. Written in clear, engaging language that balances scientific and artistic perspectives, this book provides an excellent introduction to-and critical analysis of-the major issues in music cognition, making it ideal for courses in psychology of music. Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior. It also covers: How humans perceive music; Links between music and emotion; Modern neuroimaging techniques and what they tell us about music's effect on the brain; Psychological processes involved in imagining, composing, and performing music; Potential cognitive benefits of musical engagement. Music, Thought, and Feeling references numerous "Sound Examples" and is supplemented by a companion website (www.oup.com/us/Thompson) containing an extensive collection of music sample audio files, most created specifically for this book. In addition, the website provides a link to iTunes, where readers can access an iMix created to accompany the book.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Emoties</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Muziekpsychologie</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Neuropsychologie</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Psychologie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">Psychological aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical perception</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cognition</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikpsychologie</subfield><subfield code="0">(DE-588)4127817-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwahrnehmung</subfield><subfield code="0">(DE-588)4126097-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kognition</subfield><subfield code="0">(DE-588)4031630-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)4151278-9</subfield><subfield code="a">Einführung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Wahrnehmung</subfield><subfield code="0">(DE-588)4064317-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kognition</subfield><subfield code="0">(DE-588)4031630-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Musikpsychologie</subfield><subfield code="0">(DE-588)4127817-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Musikwahrnehmung</subfield><subfield code="0">(DE-588)4126097-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSBMuenchen</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016654085&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-016654085</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV023471762 |
| illustrated | Illustrated |
| index_date | 2024-07-02T21:34:36Z |
| indexdate | 2024-07-09T21:19:32Z |
| institution | BVB |
| isbn | 9780195377071 9780195140859 |
| language | English |
| lccn | 2008017657 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016654085 |
| oclc_num | 227000166 |
| open_access_boolean | |
| owner | DE-12 DE-355 DE-BY-UBR DE-29 |
| owner_facet | DE-12 DE-355 DE-BY-UBR DE-29 |
| physical | VIII, 311 S. Ill., graph. Darst. |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Thompson, William Forde 1957- Verfasser (DE-588)1031262148 aut Music, thought, and feeling understanding the psychology of music William Forde Thompson New York [u.a.] Oxford Univ. Press 2009 VIII, 311 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index From the Publisher: Examining the intersection of music, psychology, and neuroscience, Music, Thought, and Feeling surveys the rapidly growing field of music cognition and explores its most interesting questions. Written in clear, engaging language that balances scientific and artistic perspectives, this book provides an excellent introduction to-and critical analysis of-the major issues in music cognition, making it ideal for courses in psychology of music. Assuming minimal background in music or psychology, the book begins with an overview of the major theories on how and when music became a widespread aspect of human behavior. It also covers: How humans perceive music; Links between music and emotion; Modern neuroimaging techniques and what they tell us about music's effect on the brain; Psychological processes involved in imagining, composing, and performing music; Potential cognitive benefits of musical engagement. Music, Thought, and Feeling references numerous "Sound Examples" and is supplemented by a companion website (www.oup.com/us/Thompson) containing an extensive collection of music sample audio files, most created specifically for this book. In addition, the website provides a link to iTunes, where readers can access an iMix created to accompany the book. Emoties gtt Muziekpsychologie gtt Neuropsychologie gtt Musik Psychologie Music Psychological aspects Musical perception Cognition Musik (DE-588)4040802-4 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Musikpsychologie (DE-588)4127817-3 gnd rswk-swf Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf Kognition (DE-588)4031630-0 gnd rswk-swf 1\p (DE-588)4151278-9 Einführung gnd-content Musik (DE-588)4040802-4 s Wahrnehmung (DE-588)4064317-7 s Kognition (DE-588)4031630-0 s DE-604 Musikpsychologie (DE-588)4127817-3 s Musikwahrnehmung (DE-588)4126097-1 s 2\p DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016654085&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Thompson, William Forde 1957- Music, thought, and feeling understanding the psychology of music Emoties gtt Muziekpsychologie gtt Neuropsychologie gtt Musik Psychologie Music Psychological aspects Musical perception Cognition Musik (DE-588)4040802-4 gnd Wahrnehmung (DE-588)4064317-7 gnd Musikpsychologie (DE-588)4127817-3 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Kognition (DE-588)4031630-0 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4064317-7 (DE-588)4127817-3 (DE-588)4126097-1 (DE-588)4031630-0 (DE-588)4151278-9 |
| title | Music, thought, and feeling understanding the psychology of music |
| title_auth | Music, thought, and feeling understanding the psychology of music |
| title_exact_search | Music, thought, and feeling understanding the psychology of music |
| title_exact_search_txtP | Music, thought, and feeling understanding the psychology of music |
| title_full | Music, thought, and feeling understanding the psychology of music William Forde Thompson |
| title_fullStr | Music, thought, and feeling understanding the psychology of music William Forde Thompson |
| title_full_unstemmed | Music, thought, and feeling understanding the psychology of music William Forde Thompson |
| title_short | Music, thought, and feeling |
| title_sort | music thought and feeling understanding the psychology of music |
| title_sub | understanding the psychology of music |
| topic | Emoties gtt Muziekpsychologie gtt Neuropsychologie gtt Musik Psychologie Music Psychological aspects Musical perception Cognition Musik (DE-588)4040802-4 gnd Wahrnehmung (DE-588)4064317-7 gnd Musikpsychologie (DE-588)4127817-3 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Kognition (DE-588)4031630-0 gnd |
| topic_facet | Emoties Muziekpsychologie Neuropsychologie Musik Psychologie Music Psychological aspects Musical perception Cognition Wahrnehmung Musikpsychologie Musikwahrnehmung Kognition Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016654085&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT thompsonwilliamforde musicthoughtandfeelingunderstandingthepsychologyofmusic |