The Cambridge introduction to serialism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge introductions to music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 285 S. Notenbeisp. |
| ISBN: | 9780521863414 9780521682008 |
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| 245 | 1 | 0 | |a The Cambridge introduction to serialism |c Arnold Whittall |
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| 490 | 0 | |a Cambridge introductions to music | |
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| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
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| 650 | 4 | |a Musique sérielle | |
| 650 | 7 | |a Seriële muziek |2 gtt | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Music |y 20th century |x History and criticism | |
| 650 | 4 | |a Serialism (Music) | |
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Datensatz im Suchindex
| _version_ | 1804137893973721088 |
|---|---|
| adam_text | Contents
Preface
page
xi
Acknowledgements
xiii
Chapter
1
Introducing the Introduction
1
Some initial questions
1
History and hindsight: an ovemew
6
A
Webern
analysis
6
Collection, mode, series, set
8
Notes and numbers
9
Back to
Webern
10
Forms of post-tonal composition
12
Terms, techniques
13
Serialism in critical perspective
14
A personal perspective
15
Chapter
2
Schoenberg s path to the twelve-tone
method
17
Interpreting transition
17
Tonal or post-tonal?
18
Twelve-tone technique in embryo
19
Ideals and practicalities
21
Post-war problems
22
Parallels and pitfalls:
Hauer
24
Eye witness: Gerhard
27
Chapter
3
Serialism in close-up
31
From Bach to
Schoenberg
31
Schoenberg
as music
32
Serialism as music
35
ла
Contents
Fixed and free
36
Op.
25:
further details
37
A twelve-tone canon
40
Coda
43
Chapter
4
Schoenberg
in the
1920s 45
1920-3 45
Making, meaning: Op.
23
No.
5 47
1923-4 50
Schoenberg
on
Schoenberg:
the Wind Quintet
51
More on the Wind Quintet
53
The Wind Quintet s finale
54
1925-9 56
Op.
29
and after
58
Meaning, making
61
Chapter
5
Alban
Berg: reverence and resistance
65
Wozzeck and transition
65
Personal space
66
Berg-Klein-Berg
68
Berg s Chamber Concerto
70
A first step
71
Series, cycles
72
Lyric Suite
75
Lyric Suite: finale
76
The final dialogues
79
Serialismi in
Lulu and the Violin Concerto
80
Chapter
6
Anton
Webern:
discipline and licence
85
Purity, anxiety
85
Beginnings
86
The route to independence
90
String Trio, Op.
20 92
The method perfected
93
Form and feeling
94
Symmetry and balance
96
Twelve-tone canons
98
Contents
vii
Chapter
7
The later
Schoenberg
101
Laying down the law
101
Religion, politics and serialism
102
Exile and readjustment
104
Good old tradition! ? The Fourth String Quartet
107
Models for form and style
109
Suspended tonality?
110
Grammar or gibberish? Ill
Matters of quality
112
Ambiguous endings
113
Chapter
8
American counterpoints: I
117
From method to system
117
Várese
118
More pioneers
119
Krenek
119
Sessions, Copland,
Perle
120
Babbitt: words
122
Babbitt: music
125
Babbitt: music, words and politics
131
Consequences and contingencies
133
Chapter
9
American counterpoints: II
135
Stravinsky: a balance of tensions
135
Stravinsky
:
series and centres
137
Cage and Nancarrow
141
The Minimalists
142
The serial inheritance
144
Carter
145
Carter s practice
146
Gra:
playing with sets
148
Chapter
10
European repercussions: I
151
Facing both ways
151
Britten and the British
152
Shostakovich and the Soviets
155
Lutosławski
and the Poles
157
viii Contents
Cold War and style wars: Dallapiccola
160
Nono:
commitment to progress
163
Nono: II
canto
sospeso
166
Chapter
11
European repercussions: II
171
From Messiaen to
Boulez
171
Testing extremes
174
Structures
175
Hearing techniques
176
Behind
Le Marteau sans maître
177
Serialism in Le Marteau sans maître
178
Stockhausen:
Cologne, Paris,
Darmstadt
181
Stockhausen
and the piano
182
Gruppen 184
Chapter
12
European repercussions: III
187
Xenakis
187
Ligeti
189
Ligeti s techniques
191
Berio
193
Berio s transformations
197
Kagel
198
Chapter
13
European repercussions: IV
203
The later
Boulez
203
Boulez as
lecturer
204
Style and idea in Incises
205
The later
Stockhausen 209
Serialism in excelsis
213
Kurtág
216
Chapter
14
European repercussions: V
219
The contemporary scene
219
Scandinavia:
Norgård
220
British serialism after
1950 221
Maxwell Davies: before
1970 223
Magic squares and serial structures
225
Contents ix
Maxwell Davies
since the
1970s 227
From
Manchester
to
Cambridge 228
Birtwistle 231
Ferneyhough 232
Knussen 235
An
ending
236
Notes 239
Bibliography
259
Glossary
271
Index 279
|
| adam_txt |
Contents
Preface
page
xi
Acknowledgements
xiii
Chapter
1
Introducing the Introduction
1
Some initial questions
1
History and hindsight: an ovemew
6
A
Webern
analysis
6
Collection, mode, series, set
8
Notes and numbers
9
Back to
Webern
10
Forms of post-tonal composition
12
Terms, techniques
13
Serialism in critical perspective
14
A personal perspective
15
Chapter
2
Schoenberg's path to the twelve-tone
method
17
Interpreting transition
17
Tonal or post-tonal?
18
Twelve-tone technique in embryo
19
Ideals and practicalities
21
Post-war problems
22
Parallels and pitfalls:
Hauer
24
Eye witness: Gerhard
27
Chapter
3
Serialism in close-up
31
From Bach to
Schoenberg
31
Schoenberg
as music
32
Serialism as music
35
ла
Contents
Fixed and free
36
Op.
25:
further details
37
A twelve-tone canon
40
Coda
43
Chapter
4
Schoenberg
in the
1920s 45
1920-3 45
Making, meaning: Op.
23
No.
5 47
1923-4 50
Schoenberg
on
Schoenberg:
the Wind Quintet
51
More on the Wind Quintet
53
The Wind Quintet's finale
54
1925-9 56
Op.
29
and after
58
Meaning, making
61
Chapter
5
Alban
Berg: reverence and resistance
65
Wozzeck and transition
65
Personal space
66
Berg-Klein-Berg
68
Berg's Chamber Concerto
70
A first step
71
Series, cycles
72
Lyric Suite
75
Lyric Suite: finale
76
The final dialogues
79
Serialismi in
Lulu and the Violin Concerto
80
Chapter
6
Anton
Webern:
discipline and licence
85
Purity, anxiety
85
Beginnings
86
The route to independence
90
String Trio, Op.
20 92
The method perfected
93
Form and feeling
94
Symmetry and balance
96
Twelve-tone canons
98
Contents
vii
Chapter
7
The later
Schoenberg
101
Laying down the law
101
Religion, politics and serialism
102
Exile and readjustment
104
'Good old tradition!'? The Fourth String Quartet
107
Models for form and style
109
Suspended tonality?
110
Grammar or gibberish? Ill
Matters of quality
112
Ambiguous endings
113
Chapter
8
American counterpoints: I
117
From method to system
117
Várese
118
More pioneers
119
Krenek
119
Sessions, Copland,
Perle
120
Babbitt: words
122
Babbitt: music
125
Babbitt: music, words and politics
131
Consequences and contingencies
133
Chapter
9
American counterpoints: II
135
Stravinsky: a balance of tensions
135
Stravinsky
:
series and centres
137
Cage and Nancarrow
141
The Minimalists
142
The serial inheritance
144
Carter
145
Carter's practice
146
Gra:
playing with sets
148
Chapter
10
European repercussions: I
151
Facing both ways
151
Britten and the British
152
Shostakovich and the Soviets
155
Lutosławski
and the Poles
157
viii Contents
Cold War and style wars: Dallapiccola
160
Nono:
commitment to progress
163
Nono: II
canto
sospeso
166
Chapter
11
European repercussions: II
171
From Messiaen to
Boulez
171
Testing extremes
174
Structures
175
Hearing techniques
176
Behind
Le Marteau sans maître
177
Serialism in Le Marteau sans maître
178
Stockhausen:
Cologne, Paris,
Darmstadt
181
Stockhausen
and the piano
182
Gruppen 184
Chapter
12
European repercussions: III
187
Xenakis
187
Ligeti
189
Ligeti's techniques
191
Berio
193
Berio's transformations
197
Kagel
198
Chapter
13
European repercussions: IV
203
The later
Boulez
203
Boulez as
lecturer
204
Style and idea in Incises
205
The later
Stockhausen 209
Serialism in excelsis
213
Kurtág
216
Chapter
14
European repercussions: V
219
The contemporary scene
219
Scandinavia:
Norgård
220
British serialism after
1950 221
Maxwell Davies: before
1970 223
Magic squares and serial structures
225
Contents ix
Maxwell Davies
since the
1970s 227
From
Manchester
to
Cambridge 228
Birtwistle 231
Ferneyhough 232
Knussen 235
An
ending
236
Notes 239
Bibliography
259
Glossary
271
Index 279 |
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| index_date | 2024-07-02T21:34:36Z |
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| spelling | Whittall, Arnold 1935- Verfasser (DE-588)102556474X aut The Cambridge introduction to serialism Arnold Whittall Serialism 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 XIV, 285 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Cambridge introductions to music Includes bibliographical references and index Geschichte 1900-2000 Geschichte gnd rswk-swf Musique - 20e siècle - Histoire et critique Musique sérielle Seriële muziek gtt Musik Music 20th century History and criticism Serialism (Music) Serielle Musik (DE-588)4054608-1 gnd rswk-swf Minimal music (DE-588)4346530-4 gnd rswk-swf Serielle Musik (DE-588)4054608-1 s Geschichte z DE-604 Minimal music (DE-588)4346530-4 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016654066&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Whittall, Arnold 1935- The Cambridge introduction to serialism Musique - 20e siècle - Histoire et critique Musique sérielle Seriële muziek gtt Musik Music 20th century History and criticism Serialism (Music) Serielle Musik (DE-588)4054608-1 gnd Minimal music (DE-588)4346530-4 gnd |
| subject_GND | (DE-588)4054608-1 (DE-588)4346530-4 |
| title | The Cambridge introduction to serialism |
| title_alt | Serialism |
| title_auth | The Cambridge introduction to serialism |
| title_exact_search | The Cambridge introduction to serialism |
| title_exact_search_txtP | The Cambridge introduction to serialism |
| title_full | The Cambridge introduction to serialism Arnold Whittall |
| title_fullStr | The Cambridge introduction to serialism Arnold Whittall |
| title_full_unstemmed | The Cambridge introduction to serialism Arnold Whittall |
| title_short | The Cambridge introduction to serialism |
| title_sort | the cambridge introduction to serialism |
| topic | Musique - 20e siècle - Histoire et critique Musique sérielle Seriële muziek gtt Musik Music 20th century History and criticism Serialism (Music) Serielle Musik (DE-588)4054608-1 gnd Minimal music (DE-588)4346530-4 gnd |
| topic_facet | Musique - 20e siècle - Histoire et critique Musique sérielle Seriële muziek Musik Music 20th century History and criticism Serialism (Music) Serielle Musik Minimal music |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016654066&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT whittallarnold thecambridgeintroductiontoserialism AT whittallarnold serialism |