Gradăt: simvoli, obrazi, identičnosti:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | Bulgarian |
Veröffentlicht: |
Sofija
Izdat. "LIK"
2002
|
Ausgabe: | 1. izd. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Abstract |
Beschreibung: | In kyrill. Schr., bulg. - Zsfassung in engl. Sprache |
Beschreibung: | 222 S. Ill., Kt. |
ISBN: | 9546075329 |
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adam_text |
СЪДЪРЖАНИЕ
Въведение.
I
ЧАСТ
ГРАДЪТ: ГРАНИЦИ, ИДЕНТИЧНОСТИ
Българският възрожденски град:
ретроспекции и
проекции
.,.11
Райна Гаврилова
Малкият град и формите на моделиране
на национална идентичност
.17
Мила Сантова
Град и граница: идентичността
като съзнателен избор
.26
Светлана Христова
Между селския корен и градската идентичност
.54
Веска Кожухарова
Постмодерният град
-
глобален или национален?
.62
Дияна Петкова
Структурният анализ при изследване
на историческите градове
.70
Добрина Желева-Мартинс
II
ЧАСТ
ГРАДЪТ: ОБРАЗИ, ЗНАЦИ, СИМВОЛИ
От колективизъм към индивидуализъм:
нови знаци и символи в жилищната архитектура
на 90-те години в българския град
.89
Искра Дандолова
Урбанистичното пространство
във визуалния проект на 90-те години
.117
Свилен Стефанов
Столичният център
-
човешка перспектива
.122
Дмитрий Варзоновцев
Генеалогия на
българската столица
-
ресемиотизация и десемиотизация на контекста
.130
Дафина Дичева
Утопиите за центъра: от фантазиите
на възрастните до погледа на децата
.146
Петер Цанев
Градът и културата на детството
.152
Мария Вълкова
Градът: философия и визия
във възрожденската поезия
.169
Елена Тачева
Скулптурната украса на Благоевград
-
1950-2001
година
.180
Дора Каменова
Приложения
Илюстрации
.189
Резюмета на български
.205
Резюмета на английски
.215
CONTENTS
Foreword
.9
PARTI
THE
CITY
-
BOUNDARIES AND IDENTITIES
The Bulgarian Renaissance town:
retrospections and projections
.11
Raina Gavrilova
The small town and modelling
forms of national identity
.17
Milla
Santova
The city and its boundaries
-
the identity as a conscious choice
.26
Svetlana Hristova
Between the rural origin and urban identity
.54
Veska Kozhoharova
The postmodern city
-
global or national?
.62
Diana Petkova
Structural
análisis
in studies of historic
towns on examples from Bulgaria
.70
Dobrina Zheleva-Martins
PART II
THE CITY: IMAGES, SIGNS, SYMBOLS
From collectivism to individualism: new signs
and symbols in housing architecture
of bulgarian city end of 20th century
.89
Iskra Dandolova
The urban space in the visual project of the
90s.117
Svilen
Štefanov
The city center from human perspecives.
An attempt for subject-and-role reconstruction
.122
Dmitrii Varzonovtsev
Genealogy of the Bulgarian capital
-
resemeotization and desemeotization of the context
.130
Dafina Dicheva
Utopias about the City: from the fantasies
of adults to the appreciation of children
.146
Peter Tsanev
The town and the culture of childhood
.152
Maria Vulkova
The town: philosophy and vision in
the Bulgarian Renaissance poetry
.169
Elena Tacheva
The sculptural decoration of Blagoevgrad
- 1950-2001. 180
Dora
Kamenova
Applications
Illustrations
.189
Abstracts in bulgarian
.205
Abstracts in english
.215
SUMMARIES
The Bulgarian Renaissance town:
retrospections and projections
Raina Gavrilova
The text is an attempt to systematize those repeating fea¬
tures of the Bulgarian
Renaissant
town which define it as a re¬
search subject, putting the accent on the specificity of the re¬
gional urban culture, on the one hand, and on the Bulgarian
cultural tradition, on the other.
Although for the Bulgarian citizens of the Empire of
19
с
the town is not an entirely articulated notion, the analysis re¬
veals that for the
Renaissant
Bulgarians the town is character¬
ized by a series of mutually connected features such as the size
of the settlement, the presence of 'urban quality', revealed mostly
in the leizure time, the size of houses and specific urabn gar¬
ments; concentration of institutions and power.
The small town and modelling
forms of national identity
Mila
Santova
The text presents the general outcomes from an extensive
comparative research of a small town .in Eastern and Western
Europe.
Small towns has been typologized as deffinitive (in Western
Europe) and evolutionist (in Eastern Europe).
216
ГРАДЪТ: СИМВОЛИ, ОБРАЗИ, ИДЕНТИЧНОСТ
The oservation on
some basic cultural processes in the two
small town's types and more concretely, those in the field of art
creation, lead to the conclusion that the identification processes
in the both types are based as a whole on the dominant cultural
code of tradition. Inspite of this similarity there are some differ¬
ences as well: while for the deffinitive type the processes of iden¬
tification take place as a descending (from the top to the bot¬
tom) subordinating gradation, for the evolutionist type they are in
ascending (from the bottom to the top) coordinating gradation.
The city and its boundaries
-
the identity as a conscious choice
Svetlana Hristova
This text sets the problem of the city as a generator of iden¬
tities due to its main characteristic of internally differentiated
and differentiating social space, thus generating opportunities
for choice and self-expression. As it is well-known, the self-iden¬
tification passes through self-differentiation and defining one's
boundaries with the others. That is why the city as a heterogenic
space, consisting of various differences and external and inter¬
nal boundaries (social, psychological, cultural and only at the
last place
-
physical) switches on or at least stimulates the iden¬
tification processes (both on individual and on social group level);
awakes us for such questions which more and more often and in
different forms reecho in the Bulgarian public space: Who are
wel;
Why are we like this?; Where are we"! That is why in a certain
sense it is the city which determines the identity boundaries of
the modern man. Or to turn upside down Baumann's argument,
the modernity is not always urban but the city space is always
modern.
Here on the basis of an empirical material from a field re¬
search of the smallest Bulgarian town Melnik, situated on the
Bulgarian-Greek border we try to reveal the process of city iden¬
tification as an entirely cousious and rationally asserted choice
between different competing cultural models.
Summaries
217
Between rural origin and urban identity
Veska Kozhoharova
The text presents a historical analysis of the process of de¬
velopment of Bulgarian national identity in the theoretical frame¬
work of the eternal mythological 'game' between the
authochtonical dweller and the newcomer, in which new urbam
identities are produced, on the one hand, and old rural models
are modernized, on the other. The author asserts the thesis, that
in the space of transitions between the village and the town, the
rural cultural model enriches and transforms the urban identity
into a national: historically there can be delineated three waves
of rustification of the Bulgarian towns,
a processa in
which the
peasant
-
while rustifying the town, at the same time transmits
the authentically preserved Bulgarian cultural identity.
The postmodern city
-
global or national?
Diana Petkova
Three possible alternatives in the analysis of the concept of
„global city" are outlined in this article. The first one treats the
city as a global phenomenon in the civilizational development of
the humanity as a whole
-
from the antiquity to the present. The
second one puts the accent on the way the American and British
sociologists interpret this concept
-
mainly in socio-economic
aspect and closely connected to the modern processes of global¬
ization. The third alternative examines the city as an agent of a
specific supranational, global culture. To this category belong
not only the world economic centers but also every bigger or
smaller town where processes of cultural universalization develop.
218
ГРАДЪТ: СИМВОЛИ, ОБРАЗИ, ИДЕНТИЧНОСТ
Structural
análisis
in studies of historic
towns on examples from Bulgaria
Dobrina Zheleva-Martins
The paper will illustrate the abilities of the structural analy¬
sis, which combines the diachronic and
synchronie
analysis, to
study some of Bulgaria's oldest towns: Varna, Plovdiv,
Stara
Zagora,
Sofia, Kyustendil
,
and
Russe.
The diachronic analysis involves tracing the temporal evo¬
lution of urban settlements and obtaining the generative factors
that gave rise to the tectonic skeleton of the city structure.
The
synchronie
analysis delineates the paradigmatic elements
of the city structure. They mark different historical periods when
the selected towns flourished, possessed their own specific im¬
ages and at the same time conformed to the archetype. Examples
of such towns from the antiquity are Odesos, Philipopolis, Serdica,
Pautalia, Augusta Trayana, among others.
Conducting a simultaneous diachronic and
synchronie
analy¬
sis reveals the structural evolution of the historic town and ex¬
poses both the continuity in the town's development in time and
its most salient images that identify it as belonging to a certain
period flourish.
Thanks to the structural analysis, it is possible to influence
the overall policy of planning and managing of historic towns.
Thus, it is possible to see which historical layers determined the
image of given town so that they that need to be uncovered, ex¬
posed, described and preserved, and those layers that need to be
"marked as points or described by means of separate 'windows'.
The paper will illustrate the possibilities of technological pro¬
cessing of the data obtained by means of the structural analysis.
Summaries
219
From collectivism to individualism:
new signs and symbols in housing
architecture of bulgarian city
end of
20
th century
Iskra Dandolova
The architecture of the Bulgarian City reflects the aesthetic
traditions and the art of building which the population has evolved
over centuries. The architectural signs and symbols of different
historic times reveal the social-cultural characteristics of the in¬
habitants, the social order, the abundance of political events and
economic peculiarities at each period. In this multitude of chang¬
ing values and symbols it is interesting for us to study the trans¬
formation in the architectural language from the time of mass
building of housing, characterised by the symbols of political
centralism and "socialist" architecture, towards the period ac¬
tive civil participation and expression in the build environment,
typical for the newly adopted market economy and democratising
society during the 1990's. The Bulgarian city is generally under¬
going a process of shock transformation of its build environ¬
ment, marked by the shift from collectivism to individualism.
What are the new signs and symbols of housing architecture
in a Bulgarian city? How do new architectural values emerge?
What is the new and different in the physical appearance of the
housing architecture in the Bulgarian City during the 1990's?
The urban space in
the visual project of the
90s
Svilen
Štefanov
The development of the urban iconography in Bulgarian
visual arts in the period between the
60s
and the
90s
of the 20th
century is being focused upon here. The opposition „folklore"
(rural)
-
„modern" (urban) is important for the advance of Bul¬
garian art as it marks the leaving off of industrialism of the 50s
220
ГРАДЪТ: СИМВОЛИ, ОБРАЗИ, ИДЕНТИЧНОСТ
by means of returning to the „folklore" and later on shows a new
return of the urban and negation of what is not urban in the last
decade of the 20th century. For the thesis basis I have had in
mind concepts and pieces of art of the youngest post-conceptual
generation in Bulgarian art from the
90s.
The city center from human perspecives.
An attempt for subject-and-role reconstruction
Dmitrii Varzonovtsev
The aim of the simulative game 'The big Sofian dislocations'
(May
1999)
is to reconstruct the strucural profile of the latent
attitudes to the situation of the center and the whole city by re¬
vealing the emotional tensions and conflicts that appeared in the
course of the discussion.
It turned out that for the participants in the discussion the
capital city is devided into municipalities not only on the basis of
their functional and territorial features, but also according some
subjective characteristics. The real center has been associated
mostly with concentration of power and culture, which reached
its limit. There should be no more new construction in the center,
but only reconstruction and resoreation of the old buildings. The
real problem of the city is in the in the violating ballance of
concentration and as a consequence
-
the noise, polluted air,
gabbage, big traffic jams and
-
homeless dogs.
Genealogy of the Bulgarian capital
-
resemiotisation and desemiotisation
of the context
Dafina Dicheva
The article is a retrospective analysis of the development of
the city center during the last
120
years, a process, presented as
a palimpseston, a contineous renovation, overlapping and eras-
Summaries
221
ing of the messages of urban space. The center is treated not
only as a topology of power concentration (political, economic
and religious one) but in its symbolic (sense-generating) and an¬
thropological aspects. This interpretation of the history unites in
a common text such 'points of memory' as the konak I the Pal¬
ace; demolishion of the City garden fence; the Palace I the Na¬
tional Gallery I the Mausoleum; construction of the Mausoleum
and its demolition. It this interpretation of the city center a con¬
clusion is drawn about the prevailing tendencies of demolition,
not bringing a freedom, but
desintegration
of the
Bulgarion
cul¬
ture.
Utopias about the City:
from the fantasies of adults
to the appreciation of children
Peter Tzanev
The paper describes some extraordinary tendencies of pic¬
torial interpretation of modern city, presented in drawings of
12-14-year-old children. The author discuses historical-cultural
changes in pictorial representation of such universal anthropo¬
logical constructs as spatial relationship and self body image.
The town and the culture of childhood
Maria Valkova
Some aspects of the cultural
-
aesthetic development of the
children from the big and the little town are treated in that ma¬
terial. The aesthetic relationships, seen from the children's im¬
ages for beautiful, ugly, funny and sad, are considered as an
important mechanism for ordering and harmonization of the
gathered life experience. Children from four groups
- 7, 10, 14
and
17
years are investigated.
222
ГРАДЪТ: СИМВОЛИ, ОБРАЗИ, ИДЕНТИЧНОСТ
The results of that empirical study show very interesting dif¬
ferences between the children from the big town and the chil¬
dren from the little town in the process of their enculturation.
The Town: philosophy and vision
in the Bulgarian Renaissance poetry
Elena Tacheva
The literature vision of the Renaiassance town includes ob¬
jects from different cultural realities:
1)
a series of urban
toponimies as street, square, house, coffee-houses;
2)
a set of
urban characters, among which are the intelligent, the crafts¬
man, the chorbadjia (the rich man), the administrator;
3)
the
paradigm of socio-anthroplogical and philosophical ideas, re¬
vealing by the means of artistic mind the
Renaissant concepr
of
the urban.
The research differentiates three different types of urban artis¬
tic speech, developed respectively by the schoolmasterish poetry,
the poets-emigrants in Odessa and Moscow, and the philosophical
poetry of Slaveikov, connected with the megapollis
Istambul.
The adoption of urban problems in the pre-liberation po¬
etry has been interpreted as a symbolic phenomenon, a marker
of the cross-point between specific artistic phenomenon and his¬
torical and
econome
processes of that age.
The monumental decoration of Blagoevgrad
Dora
Kamenova
The article traces chronologically the growth of monumen¬
tal plastic arts in the town of Blagoevgrad. Aesthetic and urban-
planning questions connected with sculptures of different genres
and authors' styles have been concerned. The conclusion treats
the contemporary difficulties of socialization and preservation
of the late (XX century) monuments of culture in Blagoevgrad. |
adam_txt |
СЪДЪРЖАНИЕ
Въведение.
I
ЧАСТ
ГРАДЪТ: ГРАНИЦИ, ИДЕНТИЧНОСТИ
Българският възрожденски град:
ретроспекции и
проекции
.,.11
Райна Гаврилова
Малкият град и формите на моделиране
на национална идентичност
.17
Мила Сантова
Град и граница: идентичността
като съзнателен избор
.26
Светлана Христова
Между селския корен и градската идентичност
.54
Веска Кожухарова
Постмодерният град
-
глобален или национален?
.62
Дияна Петкова
Структурният анализ при изследване
на историческите градове
.70
Добрина Желева-Мартинс
II
ЧАСТ
ГРАДЪТ: ОБРАЗИ, ЗНАЦИ, СИМВОЛИ
От колективизъм към индивидуализъм:
нови знаци и символи в жилищната архитектура
на 90-те години в българския град
.89
Искра Дандолова
Урбанистичното пространство
във визуалния проект на 90-те години
.117
Свилен Стефанов
Столичният център
-
човешка перспектива
.122
Дмитрий Варзоновцев
Генеалогия на
българската столица
-
ресемиотизация и десемиотизация на контекста
.130
Дафина Дичева
Утопиите за центъра: от фантазиите
на възрастните до погледа на децата
.146
Петер Цанев
Градът и културата на детството
.152
Мария Вълкова
Градът: философия и визия
във възрожденската поезия
.169
Елена Тачева
Скулптурната украса на Благоевград
-
1950-2001
година
.180
Дора Каменова
Приложения
Илюстрации
.189
Резюмета на български
.205
Резюмета на английски
.215
CONTENTS
Foreword
.9
PARTI
THE
CITY
-
BOUNDARIES AND IDENTITIES
The Bulgarian Renaissance town:
retrospections and projections
.11
Raina Gavrilova
The small town and modelling
forms of national identity
.17
Milla
Santova
The city and its boundaries
-
the identity as a conscious choice
.26
Svetlana Hristova
Between the rural origin and urban identity
.54
Veska Kozhoharova
The postmodern city
-
global or national?
.62
Diana Petkova
Structural
análisis
in studies of historic
towns on examples from Bulgaria
.70
Dobrina Zheleva-Martins
PART II
THE CITY: IMAGES, SIGNS, SYMBOLS
From collectivism to individualism: new signs
and symbols in housing architecture
of bulgarian city end of 20th century
.89
Iskra Dandolova
The urban space in the visual project of the
90s.117
Svilen
Štefanov
The city center from human perspecives.
An attempt for subject-and-role reconstruction
.122
Dmitrii Varzonovtsev
Genealogy of the Bulgarian capital
-
resemeotization and desemeotization of the context
.130
Dafina Dicheva
Utopias about the City: from the fantasies
of adults to the appreciation of children
.146
Peter Tsanev
The town and the culture of childhood
.152
Maria Vulkova
The town: philosophy and vision in
the Bulgarian Renaissance poetry
.169
Elena Tacheva
The sculptural decoration of Blagoevgrad
- 1950-2001. 180
Dora
Kamenova
Applications
Illustrations
.189
Abstracts in bulgarian
.205
Abstracts in english
.215
SUMMARIES
The Bulgarian Renaissance town:
retrospections and projections
Raina Gavrilova
The text is an attempt to systematize those repeating fea¬
tures of the Bulgarian
Renaissant
town which define it as a re¬
search subject, putting the accent on the specificity of the re¬
gional urban culture, on the one hand, and on the Bulgarian
cultural tradition, on the other.
Although for the Bulgarian citizens of the Empire of
19
с
the town is not an entirely articulated notion, the analysis re¬
veals that for the
Renaissant
Bulgarians the town is character¬
ized by a series of mutually connected features such as the size
of the settlement, the presence of 'urban quality', revealed mostly
in the leizure time, the size of houses and specific urabn gar¬
ments; concentration of institutions and power.
The small town and modelling
forms of national identity
Mila
Santova
The text presents the general outcomes from an extensive
comparative research of a small town .in Eastern and Western
Europe.
Small towns has been typologized as deffinitive (in Western
Europe) and evolutionist (in Eastern Europe).
216
ГРАДЪТ: СИМВОЛИ, ОБРАЗИ, ИДЕНТИЧНОСТ
The oservation on
some basic cultural processes in the two
small town's types and more concretely, those in the field of art
creation, lead to the conclusion that the identification processes
in the both types are based as a whole on the dominant cultural
code of tradition. Inspite of this similarity there are some differ¬
ences as well: while for the deffinitive type the processes of iden¬
tification take place as a descending (from the top to the bot¬
tom) subordinating gradation, for the evolutionist type they are in
ascending (from the bottom to the top) coordinating gradation.
The city and its boundaries
-
the identity as a conscious choice
Svetlana Hristova
This text sets the problem of the city as a generator of iden¬
tities due to its main characteristic of internally differentiated
and differentiating social space, thus generating opportunities
for choice and self-expression. As it is well-known, the self-iden¬
tification passes through self-differentiation and defining one's
boundaries with the others. That is why the city as a heterogenic
space, consisting of various differences and external and inter¬
nal boundaries (social, psychological, cultural and only at the
last place
-
physical) switches on or at least stimulates the iden¬
tification processes (both on individual and on social group level);
awakes us for such questions which more and more often and in
different forms reecho in the Bulgarian public space: Who are
wel;
Why are we like this?; Where are we"! That is why in a certain
sense it is the city which determines the identity boundaries of
the modern man. Or to turn upside down Baumann's argument,
the modernity is not always urban but the city space is always
modern.
Here on the basis of an empirical material from a field re¬
search of the smallest Bulgarian town Melnik, situated on the
Bulgarian-Greek border we try to reveal the process of city iden¬
tification as an entirely cousious and rationally asserted choice
between different competing cultural models.
Summaries
217
Between rural origin and urban identity
Veska Kozhoharova
The text presents a historical analysis of the process of de¬
velopment of Bulgarian national identity in the theoretical frame¬
work of the eternal mythological 'game' between the
authochtonical dweller and the newcomer, in which new urbam
identities are produced, on the one hand, and old rural models
are modernized, on the other. The author asserts the thesis, that
in the space of transitions between the village and the town, the
rural cultural model enriches and transforms the urban identity
into a national: historically there can be delineated three waves
of rustification of the Bulgarian towns,
a processa in
which the
peasant
-
while rustifying the town, at the same time transmits
the authentically preserved Bulgarian cultural identity.
The postmodern city
-
global or national?
Diana Petkova
Three possible alternatives in the analysis of the concept of
„global city" are outlined in this article. The first one treats the
city as a global phenomenon in the civilizational development of
the humanity as a whole
-
from the antiquity to the present. The
second one puts the accent on the way the American and British
sociologists interpret this concept
-
mainly in socio-economic
aspect and closely connected to the modern processes of global¬
ization. The third alternative examines the city as an agent of a
specific supranational, global culture. To this category belong
not only the world economic centers but also every bigger or
smaller town where processes of cultural universalization develop.
218
ГРАДЪТ: СИМВОЛИ, ОБРАЗИ, ИДЕНТИЧНОСТ
Structural
análisis
in studies of historic
towns on examples from Bulgaria
Dobrina Zheleva-Martins
The paper will illustrate the abilities of the structural analy¬
sis, which combines the diachronic and
synchronie
analysis, to
study some of Bulgaria's oldest towns: Varna, Plovdiv,
Stara
Zagora,
Sofia, Kyustendil
,
and
Russe.
The diachronic analysis involves tracing the temporal evo¬
lution of urban settlements and obtaining the generative factors
that gave rise to the tectonic skeleton of the city structure.
The
synchronie
analysis delineates the paradigmatic elements
of the city structure. They mark different historical periods when
the selected towns flourished, possessed their own specific im¬
ages and at the same time conformed to the archetype. Examples
of such towns from the antiquity are Odesos, Philipopolis, Serdica,
Pautalia, Augusta Trayana, among others.
Conducting a simultaneous diachronic and
synchronie
analy¬
sis reveals the structural evolution of the historic town and ex¬
poses both the continuity in the town's development in time and
its most salient images that identify it as belonging to a certain
period flourish.
Thanks to the structural analysis, it is possible to influence
the overall policy of planning and managing of historic towns.
Thus, it is possible to see which historical layers determined the
image of given town so that they that need to be uncovered, ex¬
posed, described and preserved, and those layers that need to be
"marked as points or described by means of separate 'windows'.
The paper will illustrate the possibilities of technological pro¬
cessing of the data obtained by means of the structural analysis.
Summaries
219
From collectivism to individualism:
new signs and symbols in housing
architecture of bulgarian city
end of
20
th century
Iskra Dandolova
The architecture of the Bulgarian City reflects the aesthetic
traditions and the art of building which the population has evolved
over centuries. The architectural signs and symbols of different
historic times reveal the social-cultural characteristics of the in¬
habitants, the social order, the abundance of political events and
economic peculiarities at each period. In this multitude of chang¬
ing values and symbols it is interesting for us to study the trans¬
formation in the architectural language from the time of mass
building of housing, characterised by the symbols of political
centralism and "socialist" architecture, towards the period ac¬
tive civil participation and expression in the build environment,
typical for the newly adopted market economy and democratising
society during the 1990's. The Bulgarian city is generally under¬
going a process of shock transformation of its build environ¬
ment, marked by the shift from collectivism to individualism.
What are the new signs and symbols of housing architecture
in a Bulgarian city? How do new architectural values emerge?
What is the new and different in the physical appearance of the
housing architecture in the Bulgarian City during the 1990's?
The urban space in
the visual project of the
90s
Svilen
Štefanov
The development of the urban iconography in Bulgarian
visual arts in the period between the
60s
and the
90s
of the 20th
century is being focused upon here. The opposition „folklore"
(rural)
-
„modern" (urban) is important for the advance of Bul¬
garian art as it marks the leaving off of industrialism of the 50s
220
ГРАДЪТ: СИМВОЛИ, ОБРАЗИ, ИДЕНТИЧНОСТ
by means of returning to the „folklore" and later on shows a new
return of the urban and negation of what is not urban in the last
decade of the 20th century. For the thesis basis I have had in
mind concepts and pieces of art of the youngest post-conceptual
generation in Bulgarian art from the
90s.
The city center from human perspecives.
An attempt for subject-and-role reconstruction
Dmitrii Varzonovtsev
The aim of the simulative game 'The big Sofian dislocations'
(May
1999)
is to reconstruct the strucural profile of the latent
attitudes to the situation of the center and the whole city by re¬
vealing the emotional tensions and conflicts that appeared in the
course of the discussion.
It turned out that for the participants in the discussion the
capital city is devided into municipalities not only on the basis of
their functional and territorial features, but also according some
subjective characteristics. The real center has been associated
mostly with concentration of power and culture, which reached
its limit. There should be no more new construction in the center,
but only reconstruction and resoreation of the old buildings. The
real problem of the city is in the in the violating ballance of
concentration and as a consequence
-
the noise, polluted air,
gabbage, big traffic jams and
-
homeless dogs.
Genealogy of the Bulgarian capital
-
resemiotisation and desemiotisation
of the context
Dafina Dicheva
The article is a retrospective analysis of the development of
the city center during the last
120
years, a process, presented as
a palimpseston, a contineous renovation, overlapping and eras-
Summaries
221
ing of the messages of urban space. The center is treated not
only as a topology of power concentration (political, economic
and religious one) but in its symbolic (sense-generating) and an¬
thropological aspects. This interpretation of the history unites in
a common text such 'points of memory' as the konak I the Pal¬
ace; demolishion of the City garden fence; the Palace I the Na¬
tional Gallery I the Mausoleum; construction of the Mausoleum
and its demolition. It this interpretation of the city center a con¬
clusion is drawn about the prevailing tendencies of demolition,
not bringing a freedom, but
desintegration
of the
Bulgarion
cul¬
ture.
Utopias about the City:
from the fantasies of adults
to the appreciation of children
Peter Tzanev
The paper describes some extraordinary tendencies of pic¬
torial interpretation of modern city, presented in drawings of
12-14-year-old children. The author discuses historical-cultural
changes in pictorial representation of such universal anthropo¬
logical constructs as spatial relationship and self body image.
The town and the culture of childhood
Maria Valkova
Some aspects of the cultural
-
aesthetic development of the
children from the big and the little town are treated in that ma¬
terial. The aesthetic relationships, seen from the children's im¬
ages for beautiful, ugly, funny and sad, are considered as an
important mechanism for ordering and harmonization of the
gathered life experience. Children from four groups
- 7, 10, 14
and
17
years are investigated.
222
ГРАДЪТ: СИМВОЛИ, ОБРАЗИ, ИДЕНТИЧНОСТ
The results of that empirical study show very interesting dif¬
ferences between the children from the big town and the chil¬
dren from the little town in the process of their enculturation.
The Town: philosophy and vision
in the Bulgarian Renaissance poetry
Elena Tacheva
The literature vision of the Renaiassance town includes ob¬
jects from different cultural realities:
1)
a series of urban
toponimies as street, square, house, coffee-houses;
2)
a set of
urban characters, among which are the intelligent, the crafts¬
man, the chorbadjia (the rich man), the administrator;
3)
the
paradigm of socio-anthroplogical and philosophical ideas, re¬
vealing by the means of artistic mind the
Renaissant concepr
of
the urban.
The research differentiates three different types of urban artis¬
tic speech, developed respectively by the schoolmasterish poetry,
the poets-emigrants in Odessa and Moscow, and the philosophical
poetry of Slaveikov, connected with the megapollis
Istambul.
The adoption of urban problems in the pre-liberation po¬
etry has been interpreted as a symbolic phenomenon, a marker
of the cross-point between specific artistic phenomenon and his¬
torical and
econome
processes of that age.
The monumental decoration of Blagoevgrad
Dora
Kamenova
The article traces chronologically the growth of monumen¬
tal plastic arts in the town of Blagoevgrad. Aesthetic and urban-
planning questions connected with sculptures of different genres
and authors' styles have been concerned. The conclusion treats
the contemporary difficulties of socialization and preservation
of the late (XX century) monuments of culture in Blagoevgrad. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
building | Verbundindex |
bvnumber | BV023470960 |
ctrlnum | (OCoLC)259841645 (DE-599)BVBBV023470960 |
edition | 1. izd. |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | Bulgarien (DE-588)4008866-2 gnd |
geographic_facet | Bulgarien |
id | DE-604.BV023470960 |
illustrated | Illustrated |
index_date | 2024-07-02T21:34:17Z |
indexdate | 2024-08-10T01:06:21Z |
institution | BVB |
isbn | 9546075329 |
language | Bulgarian |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016653291 |
oclc_num | 259841645 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 222 S. Ill., Kt. |
publishDate | 2002 |
publishDateSearch | 2002 |
publishDateSort | 2002 |
publisher | Izdat. "LIK" |
record_format | marc |
spelling | Gradăt: simvoli, obrazi, identičnosti săst. Svetlana Christova 1. izd. Sofija Izdat. "LIK" 2002 222 S. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier In kyrill. Schr., bulg. - Zsfassung in engl. Sprache Geschichte gnd rswk-swf Städtebau (DE-588)4056795-3 gnd rswk-swf Identität (DE-588)4026482-8 gnd rswk-swf Stadtforschung (DE-588)4182741-7 gnd rswk-swf Stadt (DE-588)4056723-0 gnd rswk-swf Bulgarien (DE-588)4008866-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Bulgarien (DE-588)4008866-2 g Stadtforschung (DE-588)4182741-7 s DE-604 Stadt (DE-588)4056723-0 s Identität (DE-588)4026482-8 s Geschichte z Städtebau (DE-588)4056795-3 s 1\p DE-604 Christova, Svetlana Sonstige oth Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016653291&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016653291&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Gradăt: simvoli, obrazi, identičnosti Städtebau (DE-588)4056795-3 gnd Identität (DE-588)4026482-8 gnd Stadtforschung (DE-588)4182741-7 gnd Stadt (DE-588)4056723-0 gnd |
subject_GND | (DE-588)4056795-3 (DE-588)4026482-8 (DE-588)4182741-7 (DE-588)4056723-0 (DE-588)4008866-2 (DE-588)4143413-4 |
title | Gradăt: simvoli, obrazi, identičnosti |
title_auth | Gradăt: simvoli, obrazi, identičnosti |
title_exact_search | Gradăt: simvoli, obrazi, identičnosti |
title_exact_search_txtP | Gradăt: simvoli, obrazi, identičnosti |
title_full | Gradăt: simvoli, obrazi, identičnosti săst. Svetlana Christova |
title_fullStr | Gradăt: simvoli, obrazi, identičnosti săst. Svetlana Christova |
title_full_unstemmed | Gradăt: simvoli, obrazi, identičnosti săst. Svetlana Christova |
title_short | Gradăt: simvoli, obrazi, identičnosti |
title_sort | gradat simvoli obrazi identicnosti |
topic | Städtebau (DE-588)4056795-3 gnd Identität (DE-588)4026482-8 gnd Stadtforschung (DE-588)4182741-7 gnd Stadt (DE-588)4056723-0 gnd |
topic_facet | Städtebau Identität Stadtforschung Stadt Bulgarien Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016653291&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016653291&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT christovasvetlana gradatsimvoliobraziidenticnosti |