Shakespeare and the power of performance: stage and page in the Elizabethan theatre
Bridging the gap between today's page- and stage-centred interpretations, the authors demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how he explored issues of performance through the resonant trio of...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | Bridging the gap between today's page- and stage-centred interpretations, the authors demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how he explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. |
| Beschreibung: | X, 266 S. |
| ISBN: | 9780521895323 |
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Datensatz im Suchindex
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| adam_text | This study opens new horizons upon Shakespeare s achievement by redefining
the relationship between language and performance in the early modern
playhouse. In Shakespeare s theatre the growing authority of the text was not
superimposed upon performance; rather, the Renaissance impulse of mighty
eloquence accommodated
-
even collaborated with
-
a performance practice
marked by self-sustained energies and appeals. Shakespeare foregrounds this
power of performance in its boldest bodily delivery through his use of Vice
descendants, clowns and fools, gendered disguise, and secretly open modes
of role-playing. Throughout his career, Shakespeare s plays were therefore
driven by a dynamic relationship between language and show. Meeting the
challenge of Performance Studies, the authors effectively bridge the gulf
between stage-centered and text-centered approaches. This book rewrites the
history of a formative phase in Shakespeare s contribution to world theatre.
Contents
Acknowledgments page viii
Introduction i
1 Moralize two meanings in one play: contrariety
on the Tudor stage 26
2 Performance, game, and representation in Richard III 42
3 Mingling vice and worthiness in King John 57
4 Clowning: agencies between voice and pen 77
5 Clowning at the frontiers of representation 99
6 Cross-dressing and performance in disguise 117
7 Personation and playing: secretly open role-playing 139
8 Character/actor: the deep matrix 160
9 Character: depth, dialogue, page 178
10 King Lear, representations on stage and page 199
Notes 224
Index 256
vn
|
| adam_txt |
This study opens new horizons upon Shakespeare's achievement by redefining
the relationship between language and performance in the early modern
playhouse. In Shakespeare's theatre the growing authority of the text was not
superimposed upon performance; rather, the Renaissance impulse of "mighty"
eloquence accommodated
-
even collaborated with
-
a performance practice
marked by self-sustained energies and appeals. Shakespeare foregrounds this
power of performance in its boldest bodily delivery through his use of Vice
descendants, clowns and fools, gendered disguise, and "secretly open" modes
of role-playing. Throughout his career, Shakespeare's plays were therefore
driven by a dynamic relationship between language and show. Meeting the
challenge of Performance Studies, the authors effectively bridge the gulf
between stage-centered and text-centered approaches. This book rewrites the
history of a formative phase in Shakespeare's contribution to world theatre.
Contents
Acknowledgments page viii
Introduction i
1 "Moralize two meanings" in one play: contrariety
on the Tudor stage 26
2 Performance, game, and representation in Richard III 42
3 Mingling vice and "worthiness" in King John 57
4 Clowning: agencies between voice and pen 77
5 Clowning at the frontiers of representation 99
6 Cross-dressing and performance in disguise 117
7 Personation and playing: "secretly open" role-playing 139
8 Character/actor: the deep matrix 160
9 Character: depth, dialogue, page 178
10 King Lear, representations on stage and page 199
Notes 224
Index 256
vn |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Weimann, Robert 1928-2019 Bruster, Douglas |
| author_GND | (DE-588)115500308 |
| author_facet | Weimann, Robert 1928-2019 Bruster, Douglas |
| author_role | aut aut |
| author_sort | Weimann, Robert 1928-2019 |
| author_variant | r w rw d b db |
| building | Verbundindex |
| bvnumber | BV023425506 |
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| callnumber-subject | PR - English Literature |
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| dewey-full | 822/.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.33 |
| dewey-search | 822/.33 |
| dewey-sort | 3822 233 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1. publ. |
| era | Geschichte 1600-1700 |
| era_facet | Geschichte 1600-1700 |
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| spelling | Weimann, Robert 1928-2019 Verfasser (DE-588)115500308 aut Shakespeare and the power of performance stage and page in the Elizabethan theatre Robert Weimann and Douglas Bruster 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 X, 266 S. txt rdacontent n rdamedia nc rdacarrier Bridging the gap between today's page- and stage-centred interpretations, the authors demonstrate the artful means by which Shakespeare responded to the competing claims of acting and writing in the Elizabethan era. They examine how he explored issues of performance through the resonant trio of clown, fool and cross-dressed boy actor. Shakespeare, William / 1564-1616 / Technique Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Characters Shakespeare, William <1564-1616> Characters Shakespeare, William <1564-1616> Dramatic production Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Geschichte 1600-1700 English drama / 17th century / History and criticism English drama 17th century History and criticism Drama (DE-588)4012899-4 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Leser (DE-588)4035441-6 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Sprache (DE-588)4056449-6 s Aufführung (DE-588)4143388-9 s DE-604 Leser (DE-588)4035441-6 s Bruster, Douglas Verfasser aut Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016607870&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016607870&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Weimann, Robert 1928-2019 Bruster, Douglas Shakespeare and the power of performance stage and page in the Elizabethan theatre Shakespeare, William / 1564-1616 / Technique Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Characters Shakespeare, William <1564-1616> Characters Shakespeare, William <1564-1616> Dramatic production Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd English drama / 17th century / History and criticism English drama 17th century History and criticism Drama (DE-588)4012899-4 gnd Sprache (DE-588)4056449-6 gnd Leser (DE-588)4035441-6 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4056449-6 (DE-588)4035441-6 (DE-588)4143388-9 |
| title | Shakespeare and the power of performance stage and page in the Elizabethan theatre |
| title_auth | Shakespeare and the power of performance stage and page in the Elizabethan theatre |
| title_exact_search | Shakespeare and the power of performance stage and page in the Elizabethan theatre |
| title_exact_search_txtP | Shakespeare and the power of performance stage and page in the Elizabethan theatre |
| title_full | Shakespeare and the power of performance stage and page in the Elizabethan theatre Robert Weimann and Douglas Bruster |
| title_fullStr | Shakespeare and the power of performance stage and page in the Elizabethan theatre Robert Weimann and Douglas Bruster |
| title_full_unstemmed | Shakespeare and the power of performance stage and page in the Elizabethan theatre Robert Weimann and Douglas Bruster |
| title_short | Shakespeare and the power of performance |
| title_sort | shakespeare and the power of performance stage and page in the elizabethan theatre |
| title_sub | stage and page in the Elizabethan theatre |
| topic | Shakespeare, William / 1564-1616 / Technique Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Characters Shakespeare, William <1564-1616> Characters Shakespeare, William <1564-1616> Dramatic production Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 (DE-588)118613723 gnd English drama / 17th century / History and criticism English drama 17th century History and criticism Drama (DE-588)4012899-4 gnd Sprache (DE-588)4056449-6 gnd Leser (DE-588)4035441-6 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Technique Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William / 1564-1616 / Characters Shakespeare, William <1564-1616> Characters Shakespeare, William <1564-1616> Dramatic production Shakespeare, William <1564-1616> Technique Shakespeare, William 1564-1616 English drama / 17th century / History and criticism English drama 17th century History and criticism Drama Sprache Leser Aufführung |
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