Verfügbarkeit: Music theory for computer musicians

Music theory for computer musicians:

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1. Verfasser:	Hewitt, Michael (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Boston, Mass. Course Technology, CENGAGE Learning 2008
Schlagworte:	Music theory Computer music > Instruction and study Computermusik Musiktheorie Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Compact disc track list (p. 291-299). -- Includes index.
Beschreibung:	XVI, 309 S. Ill., Notenbeisp. 24 cm. CD (12 cm)
ISBN:	9781598635034 1598635034

Internformat

MARC


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Datensatz im Suchindex

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adam_text	Contents Introduction .................................................... ^ Chapter I Musical Sound _______________________ V Music versus Noise ...............................................* Pitch (Frequency) ................................................. ^ Learning Note Names ............................................. Intensity (Amplitude) .............................................. ^ Tone Quality (Waveform) .......................................... 8 Synthesis ...................................................... H Exercises ......................................................13 Chapter 2 The Notes ____________ IZ. Learning the Notes .............................................. Locating Note С ............................................. The Musical Alphabet ......................................... ^ The Names of the Black Keys ....................................... Importance of Note Names ........................................ Z, Exercises .............. ................... ^ Chapter 3 ŢheJ^ajor^cak __________________________—— -^ Types of šcdel~7. ............................... ТТТТТТТГГГГТТГГ^ Introducing the Major Scale ..................................... L Key .. ........ 30 Contents VII Playing the С Major Scale ......................................... 32 Understanding Intervals ........................................... 33 Exercises ...................................................... 36 Chapter 4 Rhythm, Tempo, and Note Lengths 39 Pulse and Beat .................................................. 40 Tempo ....................................................... 40 Note Lengths .................................................. 41 Dotted Notes .................................................. 45 Rests ........................................................ 46 Resolution, Snap to Grid, and Quantization ............................. 47 Exercises ...................................................... 49 Chapter 5 Score Editing 53 Pitch Notation ................................................. 53 The Treble Clef .............................................. 53 The Bass Clef ............................................... 55 Alternative Clefs ............................................. 56 Sharps and Flats on the Clefs .................................... 57 Rhythmic Notation .............................................. 57 Beaming Notes .............................................. 58 Percussion Staffs ............................................. 58 Score-Editing Symbols ............................................ 59 Exercises ...................................................... 60 Chapter 6 Intervals ______________________________________ 63 Understanding Intervals ........................................... 63 Working Out Intervals ............................................ 64 Compound Intervals ............................................. 66 Exercises ...................................................... 68 VIU Music Theory for Computer Musicians Chapter 7 Meter ___________________________________.---------------- Metric Cycles ..................................................„2 Time Signatures .................................................„. Compound Time Signatures ........................................ Developing and Composing Rhythms ................................. Rhythmic Motives ............................................... _ Triplets ....................................................... 9 Shuffle Rhythm ................................................. Cross Rhythm .................................................. Exercises ...................................................... Chapter 8 Chords ________________________________________ ___J?Z- Perfect Concords ................................................ 88 90 Imperfect Concords .............................................. Thirds and Sixths ............................................ Seconds and Sevenths .......................................... Types of Intervals ............................................... ° Triadic Harmony ................................................ °^ Chord Progressions ........................................... ^ Triads .................................................... 96 Triads in the С Major Scale ........................................ 97 Chordal Functions ............................................... 99 Exercises ..................................................... Chapter 9 The Natural Minor Scale Ш Understanding Minor Keys ........................................ 111 Chords in the Minor Scale ........................................ 114 Exercises ..................................................... 118 Chapter 10 Melody and Motives ___________ 123 Motives ...............................,..............,...... 124 Writing a Strong Motive ......................................... 12.5 Exercises ................................. ..... 12.7 Contents IX Chapter 11 The Harmonic and Melodic Minor Scales 131 The Harmonic Minor Scale ....................................... 132 The Melodic Minor Scale ......................................... 136 Exercises ..................................................... 140 Chapter 12 Augmented and Diminished Intervals and Interval Inversions 145 Augmented and Diminished Intervals ................................. 145 Interval Inversions .............................................. 150 Exercises ..................................................... 151 Chapter 13 Chordal Inversions, Octave Doubling, and Spacing 157 Harmony .................................................... 158 Inverted Chords ................................................ 158 Octave Doubling ............................................... 160 Spacing ...................................................... 161 Exercises ..................................................... 163 Chapter 14 Additive Rhythms ______________________________________167 Understanding Additive Rhythms ................................... 167 Practical Exercises .............................................. 169 Exercises ..................................................... 171 Chapter 15 Expanding Your Knowledge of Keys 173 Understanding Keys ............................................. 173 Major and Relative Minor Keys .................................... 176 Exercises ..................................................... 178 Chapter 16 The Pentatonic Scale 181 Understanding Mode ............................................ 181 Introducing the Pentatonic Scale .................................... 181 Pentatonic Modes .............................................. 184 χ Music Theory for Computer Musicians ..............188 Pentatonic Harmony .................................. Exercises ....................................... Chapter 17 . . Major, Minor, Augmented, and Diminished Triads _______------- The Diminished Triad .......................................... The Augmented Triad The Four Types of Triads Exercises .................................................. Chapter 18 Chord Progressions and Root Movement _____________— Root Movement ............................................... Root Movement by Fourths ....................................... Root Movement by Thirds ........................................ Root Movement by Seconds ....................................... Exercises ..................................................... Chapter 19 The Cycle of Fifths ____________________________________ Keys on the Bright Side (Sharp Keys) ................................. 205 Keys on the Dark Side (Flat Keys) ................................... 20 Closing the Cycle .............................................. 208 The Cycle of Fifths and Minor Keys ................................. 21° 019 Exercises ..................................................... Chapter 20 The Seven Diatonic Modes ______ jQL· Modal Music ................................................. 215 The Seven Modal Scales .......................................... 216 The Ionian Mode ............................................ 216 The Dorian Mode ........................................... 217 The Phrygian Mode .......................................... 218 The Lydian Mode ........................................... 219 The Mixolydian Mode ........................................ 220 The Aeolian Mode ..............,............................ 220 The Locrian Mode ............ . . 221 Contents Xi Modes in Other Keys ............................................ 221 Exercises ..................................................... 225 Chapter 21 Chords of the Seventh 229 Seventh Chords ................................................ 229 Sevenths in the С Major Scale ...................................... 233 The Dominant Seventh Chord ...................................... 235 Modulation ................................................... 235 Using Seventh Chords ........................................... 236 Seventh Chord Harmony in the Minor Scale ........................... 236 Exercises ..................................................... 238 Chapter 22 Exotic Scales 243 Two Kinds of Exotic Scales ....................................... 243 Experimenting with Exotic Scales ................................... 243 Neapolitan Modes ........................................... 244 Middle Eastern Scales ........................................ 245 Eastern European Scales ....................................... 245 Hindu Melas ............................................... 247 Jazz and Blues Scales ......................................... 247 Ancient Egyptian Pentatonic Scales ............................... 248 Japanese Pentatonic Scales ..................................... 249 Balinese Pentatonic Scales ...................................... 249 Whole Tone Scale ........................................... 250 Artificial Scales ............................................. 250 Exercises .....................................................251 Chapter 23 Complex Harmony 253 Ninth Chords ................................................. 254 Chords of the Eleventh ........................................... 261 Chords of the Thirteenth ......................................... 262 Exercises ..................................................... 265 XU Music Theory for Computer Musicians Chapter 24 Arpeggiation _______________________________________ 269 Arpeggios .................................................... 2.69 Arpeggiation and Non-Chord Tones ................................. 2,69 Passing Notes .............................................. 2,69 Returning Tones ............................................ 2.70 Using Non-Chord Tones ...................................... 270 Steps in an Arpeggio ............................................ 271 Exercises ..................................................... 2,75 Chapter 25 Intonation ______277 History of Intonation ............................................ 277 Just Intonation ................................................ 278 Pythagorean Intonation .......................................... 278 Problems with Alternative Tunings .................................. 279 Tuning Balinese Scales ........................................... 279 Tuning Arabian and Hindustani Scales ...............................279 ι Tuning Overtone Melodies ........................................ 280 Exercises ..................................................... 281 Chapter 26 Conclusion 283 Appendix A Scales _________________________________________ 2^ Major Scales .................................................. 2,85 Natural Minor Scales ............................................ 2,86 Harmonic Minor Scales .......................................... 2.87 Melodic Minor Scales ........................................... 288 The Chromatic Scale Harmonic Form ................................ 289 Triads in the Chromatic Scale (Harmonic Form: Key of C) ................. 290 Seventh Chords in the Chromatic Scale (Harmonic Form: Key of C) ..................................... 290 Contents XIII Appendix В Audio CD and Accompanying Text Sidebars 291 Track 1 ..................................................... 291 Track 2 ..................................................... 291 Track 3 ..................................................... 291 Track 4 ..................................................... 291 Track 5 ..................................................... 292 Track 6 ..................................................... 292 Track 7 ..................................................... 292 Track 8 ..................................................... 292 Track 9 ..................................................... 292 Track 10 .................................................... 292 Track 11 .................................................... 293 Track 12 .................................................... 293 Track 13 .................................................... 293 Track 14 .................................................... 293 Track 15 .................................................... 293 Track 16 .................................................... 293 Track 17 .................................................... 294 Track 18 .................................................... 294 Track 19 .................................................... 294 Track 20 .................................................... 295 Track 21 .................................................... 295 Track 22 .................................................... 295 Track 23 .................................................... 295 Track 24 .................................................... 295 Track 25 .................................................... 295 Track 26 .................................................... 296 Track 27 .................................................... 296 Track 28 .................................................... 296 Track 29 .................................................... 296 Track 30 .................................................... 296 Track 31 .................................................... 296 Track 32 .................................................... 296 Track 33 .................................................... 296 Track 34 .................................................... 297 Track 35 .................................................... 297 Track 36 .................................................... 297 Track 37 .................................................... 297 XIV Music Theory for Computer Musicians Track 38 ....................................................298 Track 39 ....................................................298 Track 40 ....................................................298 Track 41 ....................................................298 Track 42 ....................................................298 Track 43 ....................................................298 Track 44 ....................................................298 Track 45 ....................................................298 Track 46 ....................................................299 Track 47 ....................................................299 Track 48 ....................................................299 Track 49 ....................................................299 Track 50 ....................................................299 Track 51 ....................................................299 Track 52 ....................................................299 Index ..........................................301
adam_txt	Contents Introduction . ^ Chapter I Musical Sound _ V Music versus Noise .* Pitch (Frequency) . ^ Learning Note Names . Intensity (Amplitude) . ^ Tone Quality (Waveform) . 8 Synthesis . H Exercises .13 Chapter 2 The Notes _ IZ. Learning the Notes . Locating Note С . The Musical Alphabet . ^ The Names of the Black Keys . \ Importance of Note Names . Z, Exercises . . ^ Chapter 3 ŢheJ^ajor^cak _—— -^ Types of šcdel~7. . ТТТТТТТГГГГТТГГ^ Introducing the Major Scale . L Key . . 30 Contents VII Playing the С Major Scale . 32 Understanding Intervals . 33 Exercises . 36 Chapter 4 Rhythm, Tempo, and Note Lengths 39 Pulse and Beat . 40 Tempo . 40 Note Lengths . 41 Dotted Notes . 45 Rests . 46 Resolution, Snap to Grid, and Quantization . 47 Exercises . 49 Chapter 5 Score Editing 53 Pitch Notation . 53 The Treble Clef . 53 The Bass Clef . 55 Alternative Clefs . 56 Sharps and Flats on the Clefs . 57 Rhythmic Notation . 57 Beaming Notes . 58 Percussion Staffs . 58 Score-Editing Symbols . 59 Exercises . 60 Chapter 6 Intervals _ 63 Understanding Intervals . 63 Working Out Intervals . 64 Compound Intervals . 66 Exercises . 68 VIU Music Theory for Computer Musicians Chapter 7 Meter _.---------------- Metric Cycles .„2 Time Signatures .„. Compound Time Signatures . Developing and Composing Rhythms . Rhythmic Motives . _ Triplets . 9 Shuffle Rhythm . Cross Rhythm . Exercises . Chapter 8 Chords _ _J?Z- Perfect Concords . 88 90 Imperfect Concords . Thirds and Sixths . Seconds and Sevenths . " Types of Intervals . ° Triadic Harmony . °^ Chord Progressions . "^ Triads . 96 Triads in the С Major Scale . 97 Chordal Functions . 99 Exercises . Chapter 9 The Natural Minor Scale Ш Understanding Minor Keys . 111 Chords in the Minor Scale . 114 Exercises . 118 Chapter 10 Melody and Motives _ 123 Motives .,.,. 124 Writing a Strong Motive . 12.5 Exercises . . 12.7 Contents IX Chapter 11 The Harmonic and Melodic Minor Scales 131 The Harmonic Minor Scale . 132 The Melodic Minor Scale . 136 Exercises . 140 Chapter 12 Augmented and Diminished Intervals and Interval Inversions 145 Augmented and Diminished Intervals . 145 Interval Inversions . 150 Exercises . 151 Chapter 13 Chordal Inversions, Octave Doubling, and Spacing 157 Harmony . 158 Inverted Chords . 158 Octave Doubling . 160 Spacing . 161 Exercises . 163 Chapter 14 Additive Rhythms _167 Understanding Additive Rhythms . 167 Practical Exercises . 169 Exercises . 171 Chapter 15 Expanding Your Knowledge of Keys 173 Understanding Keys . 173 Major and Relative Minor Keys . 176 Exercises . 178 Chapter 16 The Pentatonic Scale 181 Understanding Mode . 181 Introducing the Pentatonic Scale . 181 Pentatonic Modes . 184 χ Music Theory for Computer Musicians .188 Pentatonic Harmony . Exercises . Chapter 17 . . Major, Minor, Augmented, and Diminished Triads _------- The Diminished Triad . The Augmented Triad The Four Types of Triads Exercises . Chapter 18 Chord Progressions and Root Movement _— Root Movement . Root Movement by Fourths . Root Movement by Thirds . Root Movement by Seconds . Exercises . Chapter 19 The Cycle of Fifths _ Keys on the Bright Side (Sharp Keys) . 205 Keys on the Dark Side (Flat Keys) . 20 Closing the Cycle . 208 The Cycle of Fifths and Minor Keys . 21° 019 Exercises . Chapter 20 The Seven Diatonic Modes _ jQL· Modal Music . 215 The Seven Modal Scales . 216 The Ionian Mode . 216 The Dorian Mode . 217 The Phrygian Mode . 218 The Lydian Mode . 219 The Mixolydian Mode . 220 The Aeolian Mode .,. 220 The Locrian Mode . . . 221 Contents Xi Modes in Other Keys . 221 Exercises . 225 Chapter 21 Chords of the Seventh 229 Seventh Chords . 229 Sevenths in the С Major Scale . 233 The Dominant Seventh Chord . 235 Modulation . 235 Using Seventh Chords . 236 Seventh Chord Harmony in the Minor Scale . 236 Exercises . 238 Chapter 22 Exotic Scales 243 Two Kinds of Exotic Scales . 243 Experimenting with Exotic Scales . 243 Neapolitan Modes . 244 Middle Eastern Scales . 245 Eastern European Scales . 245 Hindu Melas . 247 Jazz and Blues Scales . 247 Ancient Egyptian Pentatonic Scales . 248 Japanese Pentatonic Scales . 249 Balinese Pentatonic Scales . 249 Whole Tone Scale . 250 Artificial Scales . 250 Exercises .251 Chapter 23 Complex Harmony 253 Ninth Chords . 254 Chords of the Eleventh . 261 Chords of the Thirteenth . 262 Exercises . 265 XU Music Theory for Computer Musicians Chapter 24 Arpeggiation _ 269 Arpeggios . 2.69 Arpeggiation and Non-Chord Tones . 2,69 Passing Notes . 2,69 Returning Tones . 2.70 Using Non-Chord Tones . 270 Steps in an Arpeggio . 271 Exercises . 2,75 Chapter 25 Intonation _277 History of Intonation . 277 Just Intonation . 278 Pythagorean Intonation . 278 Problems with Alternative Tunings . 279 Tuning Balinese Scales . 279 Tuning Arabian and Hindustani Scales .279 ι Tuning Overtone Melodies . 280 Exercises . 281 Chapter 26 Conclusion 283 Appendix A Scales _ 2^ Major Scales . 2,85 Natural Minor Scales . 2,86 Harmonic Minor Scales . 2.87 Melodic Minor Scales . 288 The Chromatic Scale Harmonic Form . 289 Triads in the Chromatic Scale (Harmonic Form: Key of C) . 290 Seventh Chords in the Chromatic Scale (Harmonic Form: Key of C) . 290 Contents XIII Appendix В Audio CD and Accompanying Text Sidebars 291 Track 1 . 291 Track 2 . 291 Track 3 . 291 Track 4 . 291 Track 5 . 292 Track 6 . 292 Track 7 . 292 Track 8 . 292 Track 9 . 292 Track 10 . 292 Track 11 . 293 Track 12 . 293 Track 13 . 293 Track 14 . 293 Track 15 . 293 Track 16 . 293 Track 17 . 294 Track 18 . 294 Track 19 . 294 Track 20 . 295 Track 21 . 295 Track 22 . 295 Track 23 . 295 Track 24 . 295 Track 25 . 295 Track 26 . 296 Track 27 . 296 Track 28 . 296 Track 29 . 296 Track 30 . 296 Track 31 . 296 Track 32 . 296 Track 33 . 296 Track 34 . 297 Track 35 . 297 Track 36 . 297 Track 37 . 297 XIV Music Theory for Computer Musicians Track 38 .298 Track 39 .298 Track 40 .298 Track 41 .298 Track 42 .298 Track 43 .298 Track 44 .298 Track 45 .298 Track 46 .299 Track 47 .299 Track 48 .299 Track 49 .299 Track 50 .299 Track 51 .299 Track 52 .299 Index .301
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spelling	Hewitt, Michael Verfasser aut Music theory for computer musicians Michael Hewitt Boston, Mass. Course Technology, CENGAGE Learning 2008 XVI, 309 S. Ill., Notenbeisp. 24 cm. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Compact disc track list (p. 291-299). -- Includes index. Music theory Computer music Instruction and study Computermusik (DE-588)4113239-7 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Computermusik (DE-588)4113239-7 s Musiktheorie (DE-588)4040876-0 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016606568&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Hewitt, Michael Music theory for computer musicians Music theory Computer music Instruction and study Computermusik (DE-588)4113239-7 gnd Musiktheorie (DE-588)4040876-0 gnd
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title	Music theory for computer musicians
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title_full	Music theory for computer musicians Michael Hewitt
title_fullStr	Music theory for computer musicians Michael Hewitt
title_full_unstemmed	Music theory for computer musicians Michael Hewitt
title_short	Music theory for computer musicians
title_sort	music theory for computer musicians
topic	Music theory Computer music Instruction and study Computermusik (DE-588)4113239-7 gnd Musiktheorie (DE-588)4040876-0 gnd
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