Mendelssohn in performance:
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Bloomington [u.a.]
Indiana Univ. Press
2008
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | X, 260 S. graph. Darst., Notenbeisp. |
ISBN: | 9780253351999 |
Internformat
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Datensatz im Suchindex
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adam_text | CONTENTS
Foreword CHRISTOPHER HOGWOOD
VU
1.
Mendelssohn s Audience Douglass seaton
1
2.
Mendelssohn and the Piano
Kenneth
Hamilton
19
3.
Mendelssohn and the Organ peter ward
jones
41
4.
The Performance of Mendelssohn s Chamber and Solo
Music for Violin
clive
brown
59
5.
Mendelssohn and the Orchestra
da vid
milšom
85
6.
Mendelssohn as Composer/Conductor: Early Performances
of
Paulus SIEGWART REICHWALD 101
7.
From Drawing Room to Theater: Performance Traditions of
Mendelssohn s Stage Works
Monika hennemann 115
8.
Mendelssohn and the Performance of Handel s Vocal Works
RALF WEHNER 147
9.
From Notation to Edition to Performance:
Issues in Interpretation john michael cooper
171
10.
Mendelssohn s Tempo Indications
siegwart reichwald 189
11.
ForYou See I Am the Eternal Objector : On Performing
Mendelssohn s Music in Translation john michael cooper
207
List of Contributors
251
Index
253
Ше/гае/&ѕаАл &
prolific
career as both composer and conduc¬
tor places him at the center of music
making in the first half of the nine¬
teenth century; no one exerted more
influence on the German concert hall.
While recent studies have aided greatly
in gaining a fuller understanding of
Mendelssohn s life and work, no seri¬
ous attempt has been made to capture
Mendelssohn s approach to performing.
Essays in this book explore many aspects
of Mendelssohn s multi-faceted career
as musician and how it intersected with
his work as composer. Contributors
discuss practical issues of music making
such as performance space, instruments,
tempo markings, dynamics, phrasings,
articulation, fingerings, and instrument
techniques. Conceptual and ideological
underpinnings of Mendelssohn s ap¬
proach to performance, interpretation,
and composition are explored through
the contextualization of specific perfor¬
mance events and through the theoretic
actualization of performances of specific
works. The study of Mendelssohn s work
as conductor, pianist, organist,
violist,
accompanist, music director, and edi¬
tor of old and new music has resulted
in valuable insights into nineteenth-
century performance practice issues. In
this new collection, contributors rely on
manuscripts, marked or edited scores,
and performance parts to gain a deeper
understanding of musical expression in
nineteenth-century Germany.
SIEGWART REICHWALD
is Associate
Professor of Music History at Converse Col¬
lege and conducts the Converse Symphony
Orchestra. He is author of The Musical Gen¬
esis of Felix Mendelssohn s
Paulus.
He lives in
Spartanburg, South Carolina.
CONTRIBUTORS
Clive
Brown
John Michael Cooper
Kenneth Hamilton
Monika Hennemann
Peter Ward Jones
David
Milšom
Siegwart Reichwald
Douglass Seaton
Ralf Wehner
Jacket illustration: Wedge stage setup,
from
Das niederrheinische Musikfest in
Aachen,
Illustrirte
Zeitung 7,
no.
161
Author photograph: Courtesy of Mark Olencki
|
adam_txt |
CONTENTS
Foreword CHRISTOPHER HOGWOOD
VU
1.
Mendelssohn's Audience Douglass seaton
1
2.
Mendelssohn and the Piano
Kenneth
Hamilton
19
3.
Mendelssohn and the Organ peter ward
jones
41
4.
The Performance of Mendelssohn's Chamber and Solo
Music for Violin
clive
brown
59
5.
Mendelssohn and the Orchestra
da vid
milšom
85
6.
Mendelssohn as Composer/Conductor: Early Performances
of
Paulus SIEGWART REICHWALD 101
7.
From Drawing Room to Theater: Performance Traditions of
Mendelssohn's Stage Works
Monika hennemann 115
8.
Mendelssohn and the Performance of Handel's Vocal Works
RALF WEHNER 147
9.
From Notation to Edition to Performance:
Issues in Interpretation john michael cooper
171
10.
Mendelssohn's Tempo Indications
siegwart reichwald 189
11.
"ForYou See I Am the Eternal Objector": On Performing
Mendelssohn's Music in Translation john michael cooper
207
List of Contributors
251
Index
253
Ше/гае/&ѕаАл'&
prolific
career as both composer and conduc¬
tor places him at the center of music
making in the first half of the nine¬
teenth century; no one exerted more
influence on the German concert hall.
While recent studies have aided greatly
in gaining a fuller understanding of
Mendelssohn's life and work, no seri¬
ous attempt has been made to capture
Mendelssohn's approach to performing.
Essays in this book explore many aspects
of Mendelssohn's multi-faceted career
as musician and how it intersected with
his work as composer. Contributors
discuss practical issues of music making
such as performance space, instruments,
tempo markings, dynamics, phrasings,
articulation, fingerings, and instrument
techniques. Conceptual and ideological
underpinnings of Mendelssohn's ap¬
proach to performance, interpretation,
and composition are explored through
the contextualization of specific perfor¬
mance events and through the theoretic
actualization of performances of specific
works. The study of Mendelssohn's work
as conductor, pianist, organist,
violist,
accompanist, music director, and edi¬
tor of old and new music has resulted
in valuable insights into nineteenth-
century performance practice issues. In
this new collection, contributors rely on
manuscripts, marked or edited scores,
and performance parts to gain a deeper
understanding of musical expression in
nineteenth-century Germany.
SIEGWART REICHWALD
is Associate
Professor of Music History at Converse Col¬
lege and conducts the Converse Symphony
Orchestra. He is author of The Musical Gen¬
esis of Felix Mendelssohn's
Paulus.
He lives in
Spartanburg, South Carolina.
CONTRIBUTORS
Clive
Brown
John Michael Cooper
Kenneth Hamilton
Monika Hennemann
Peter Ward Jones
David
Milšom
Siegwart Reichwald
Douglass Seaton
Ralf Wehner
Jacket illustration: "Wedge" stage setup,
from
"Das niederrheinische Musikfest in
Aachen,"
Illustrirte
Zeitung 7,
no.
161
Author photograph: Courtesy of Mark Olencki |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author2 | Reichwald, Siegwart 1967- |
author2_role | edt |
author2_variant | s r sr |
author_GND | (DE-588)137350643 |
author_facet | Reichwald, Siegwart 1967- |
building | Verbundindex |
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callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.M5 |
callnumber-search | ML410.M5 |
callnumber-sort | ML 3410 M5 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 64852 LP 64857 |
ctrlnum | (OCoLC)216935814 (DE-599)BVBBV023410939 |
dewey-full | 780.92 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.92 |
dewey-search | 780.92 |
dewey-sort | 3780.92 |
dewey-tens | 780 - Music |
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discipline_str_mv | Musikwissenschaft |
era | Geschichte 1800-1900 |
era_facet | Geschichte 1800-1900 |
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spelling | Mendelssohn in performance ed. by Siegwart Reichwald Bloomington [u.a.] Indiana Univ. Press 2008 X, 260 S. graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Mendelssohn-Bartholdy, Felix 1809-1847 Mendelssohn Bartholdy, Felix 1809-1847 (DE-588)118580779 gnd rswk-swf Geschichte 1800-1900 Geschichte Performance practice (Music) Germany History 19th century Musik (DE-588)4040802-4 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Interpretation (DE-588)4072905-9 gnd rswk-swf Deutschland (DE-588)4143413-4 Aufsatzsammlung gnd-content Mendelssohn Bartholdy, Felix 1809-1847 (DE-588)118580779 p Musikalische Aufführungspraxis (DE-588)4170800-3 s DE-604 Interpretation (DE-588)4072905-9 s Musik (DE-588)4040802-4 s Reichwald, Siegwart 1967- (DE-588)137350643 edt Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016593552&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016593552&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Mendelssohn in performance Mendelssohn-Bartholdy, Felix 1809-1847 Mendelssohn Bartholdy, Felix 1809-1847 (DE-588)118580779 gnd Geschichte Performance practice (Music) Germany History 19th century Musik (DE-588)4040802-4 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Interpretation (DE-588)4072905-9 gnd |
subject_GND | (DE-588)118580779 (DE-588)4040802-4 (DE-588)4170800-3 (DE-588)4072905-9 (DE-588)4143413-4 |
title | Mendelssohn in performance |
title_auth | Mendelssohn in performance |
title_exact_search | Mendelssohn in performance |
title_exact_search_txtP | Mendelssohn in performance |
title_full | Mendelssohn in performance ed. by Siegwart Reichwald |
title_fullStr | Mendelssohn in performance ed. by Siegwart Reichwald |
title_full_unstemmed | Mendelssohn in performance ed. by Siegwart Reichwald |
title_short | Mendelssohn in performance |
title_sort | mendelssohn in performance |
topic | Mendelssohn-Bartholdy, Felix 1809-1847 Mendelssohn Bartholdy, Felix 1809-1847 (DE-588)118580779 gnd Geschichte Performance practice (Music) Germany History 19th century Musik (DE-588)4040802-4 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Interpretation (DE-588)4072905-9 gnd |
topic_facet | Mendelssohn-Bartholdy, Felix 1809-1847 Mendelssohn Bartholdy, Felix 1809-1847 Geschichte Performance practice (Music) Germany History 19th century Musik Musikalische Aufführungspraxis Interpretation Deutschland Aufsatzsammlung |
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