A history of film music:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Contributor biographical information Publisher description Table of contents only Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XXI, 562 S. Ill. |
| ISBN: | 9780521811736 9780521010481 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV023410647 | ||
| 003 | DE-604 | ||
| 005 | 20110527 | ||
| 007 | t | ||
| 008 | 080723s2008 a||| ||||z00||| eng d | ||
| 010 | |a 2008019383 | ||
| 020 | |a 9780521811736 |c hardback |9 978-0-521-81173-6 | ||
| 020 | |a 9780521010481 |c pbk. |9 978-0-521-01048-1 | ||
| 035 | |a (OCoLC)213400651 | ||
| 035 | |a (DE-599)BVBBV023410647 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-29 |a DE-703 |a DE-M472 |a DE-W89 |a DE-19 |a DE-824 |a DE-11 |a DE-Po75 | ||
| 084 | |a AP 51450 |0 (DE-625)7702: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Cooke, Mervyn |d 1963- |e Verfasser |0 (DE-588)143604759 |4 aut | |
| 245 | 1 | 0 | |a A history of film music |c Mervyn Cooke |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2008 | |
| 300 | |a XXI, 562 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film, Musique de - Histoire et critique | |
| 650 | 7 | |a Filmmuziek |2 gtt | |
| 650 | 4 | |a Motion picture music |x History and criticism | |
| 650 | 0 | 7 | |a Filmmusik |0 (DE-588)4017129-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Filmmusik |0 (DE-588)4017129-2 |D s |
| 689 | 0 | 1 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | |u http://www.loc.gov/catdir/enhancements/fy0833/2008019383-b.html |3 Contributor biographical information | |
| 856 | 4 | |u http://www.loc.gov/catdir/enhancements/fy0833/2008019383-d.html |3 Publisher description | |
| 856 | 4 | |u http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html |3 Table of contents only | |
| 856 | 4 | 2 | |m Digitalisierung UB Bayreuth |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016593262&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-016593262 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |
Record in the Search Index
| _version_ | 1804137798288015360 |
|---|---|
| adam_text | Contents
List of illustrations [page
xi]
Preface and acknowledgements
[xv]
1
The silent cinema
[1]
Why sound?
[1]
Why music?
[4]
The birth of film music
[7]
Categories of film music
[9]
Camille Saint-Saëns
and film
d art
[14]
Cue sheets and anthologies
[15]
Venues and ensembles
[18]
Photoplayers
and cinema organs
[21]
Music for silent epics
[23]
Charlie Chaplin and music for comedies
[27]
Early film music in Europe and the Soviet Union
[30]
Postlude: the silent-film revival
[37]
2
Sound on track
[42]
A sound debate
[43]
New technology
[47]
Photographing sound
[52]
Animated sound
[58]
Creative possibilities
[59]
3
Hollywood s Golden Age: narrative cinema and the classical
film score
[67]
The studio system
[69]
Practicalities
[73]
Style
[78]
Wagner and the filmic leitmotif
[80]
Structure
[83]
Max
Steiner [87]
Erich Wolfgang Korngold
[93]
Franz Waxman: horror and sophistication
[98]
Alfred Newman
[103]
Miklós Rózsa,
Roy Webb and David Raksin: film
noir
and the
[vii]
music of psychological drama
[108]
viii Contents
Dimitri
Tiomkin
and others
[119]
Aaron Copland and the sounds of America
[123]
4
Stage and screen
[131]
Opera on film
[132]
Film in opera; opera in film
[141]
The film musical
[145]
Scoring Shakespeare
[166]
5
The mainstream divides: post-war horizons in Hollywood
[183]
The epic and the intimate
[187]
Modernism
[194]
Bernard Herrmann: the composer as
auteur
[201]
Jazz and its influence
[212]
6
Never let it be mediocre : film music in the United Kingdom
[226]
Visitors from abroad
[231]
Ralph Vaughan Williams
[234]
Brian Easdale, William Alwyn and Benjamin
Frankéi
[237]
William Walton and Malcolm Arnold
[248]
Generic (re)takes: horror and comedy
[253]
End of an era
[258]
7
Defectors to television
[265]
THE DOCUMENTARY FILM
[266]
Hanns Eisler [268]
Documentaries in the United States
[271]
Information films in the United Kingdom
[273]
The movies at war: reportage and propaganda
[278]
Theatrical documentaries for the modern age
[283]
animation
[287]
Cartoon music in the silent era
[288]
Walt Disney and the animated musical
[290]
Warner Bros, and MGM: comic shorts
[294]
Classical music
[298]
Migration to the small screen
[301]
Experimental animation
[303]
Animation in Europe
[306]
8
Film music in France
[309]
Symphony and song
[310]
The
1930s:
Maurice Jaubert and Joseph Kosma
[312]
Georges Auric and others
[316]
Nouvelle
vague
[319]
ix Contents
Jean-Luc Godard
[321]
François Truffaut
[326]
French modernism
[328]
At home and abroad
[332]
Poles apart:
Krzysztof Kieślowski
and
Zbigniew
Preisner [338]
9
Global highlights
[342]
EARLY SOUND FILMS IN THE SOVIET UNION
[342]
Dmitri Shostakovich
[342]
Vsevolod Pudovkin and Yuri Shaporin
[345]
Sergei
Eisenstein
and Sergei Prokofiev
[347]
INDIA: BOLLYWOOD AND BEYOND
[353]
Early Indian cinema
[354]
Successes abroad: Ravi Shankar and Satyajit Ray
[356]
Modern commercial cinema
[361]
FROM ITALY TO LITTLE ITALY
[365]
Federico
Fellini,
Nino Rota and the circus of life
[366]
Ennio Morricone and the spaghetti western: eccentricity and
populism
[371]
Italians abroad
[376]
japan
[382]
Traditional elements in silent and early sound films
[382]
The films of Yasujiro Ozu and Akira Kurosawa
[384]
Tom Takemitsu
[389]
Modern composers, modern genres
[392]
10
Popular music in the cinema
[396]
Music of youth and race
[398]
Title songs and interpolated songs
[405]
Compilation scores and original song scores
[408]
Synergistic marketing
[415]
Pop (stars) in performance
[418]
11
Classical music in the cinema
[422]
Romantic concerto and war film
[425]
Classical biopics and milieu films
[429]
Period, nationality, class
[437]
Stanley Kubrick
[440]
Back to Bach
[448]
12
State ofthe art: film music since the New Hollywood
[454]
John Williams and the new symphonism
[456]
Electronics, sound technology and recording
[467]
χ
Contents
Pop scoring, dual tracking and the modern soundtrack
album
[474]
Minimalism
[478]
Modern
auteurs:
Martin Scorsese,
Quentin
Tarantino
and
David Lynch
[483]
The modern mainstream
[489]
The global and the
giocai
[503]
Bibliography
[511]
Index of film titles
[530]
Generalindex
[547]
|
| adam_txt |
Contents
List of illustrations [page
xi]
Preface and acknowledgements
[xv]
1
The'silent'cinema
[1]
Why sound?
[1]
Why music?
[4]
The birth of film music
[7]
Categories of film music
[9]
Camille Saint-Saëns
and film
d'art
[14]
Cue sheets and anthologies
[15]
Venues and ensembles
[18]
Photoplayers
and cinema organs
[21]
Music for silent epics
[23]
Charlie Chaplin and music for comedies
[27]
Early film music in Europe and the Soviet Union
[30]
Postlude: the silent-film revival
[37]
2
Sound on track
[42]
A sound debate
[43]
New technology
[47]
Photographing sound
[52]
Animated sound
[58]
Creative possibilities
[59]
3
Hollywood's Golden Age: narrative cinema and the classical
film score
[67]
The studio system
[69]
Practicalities
[73]
Style
[78]
Wagner and the filmic leitmotif
[80]
Structure
[83]
Max
Steiner [87]
Erich Wolfgang Korngold
[93]
Franz Waxman: horror and sophistication
[98]
Alfred Newman
[103]
Miklós Rózsa,
Roy Webb and David Raksin: film
noir
and the
[vii]
music of psychological drama
[108]
viii Contents
Dimitri
Tiomkin
and others
[119]
Aaron Copland and the sounds of America
[123]
4
Stage and screen
[131]
Opera on film
[132]
Film in opera; opera in film
[141]
The film musical
[145]
Scoring Shakespeare
[166]
5
The mainstream divides: post-war horizons in Hollywood
[183]
The epic and the intimate
[187]
Modernism
[194]
Bernard Herrmann: the composer as
auteur
[201]
Jazz and its influence
[212]
6
'Never let it be mediocre': film music in the United Kingdom
[226]
Visitors from abroad
[231]
Ralph Vaughan Williams
[234]
Brian Easdale, William Alwyn and Benjamin
Frankéi
[237]
William Walton and Malcolm Arnold
[248]
Generic (re)takes: horror and comedy
[253]
End of an era
[258]
7
Defectors to television
[265]
THE DOCUMENTARY FILM
[266]
Hanns Eisler [268]
Documentaries in the United States
[271]
Information films in the United Kingdom
[273]
The movies at war: reportage and propaganda
[278]
Theatrical documentaries for the modern age
[283]
animation
[287]
Cartoon music in the silent era
[288]
Walt Disney and the animated musical
[290]
Warner Bros, and MGM: comic shorts
[294]
Classical music
[298]
Migration to the small screen
[301]
Experimental animation
[303]
Animation in Europe
[306]
8
Film music in France
[309]
Symphony and song
[310]
The
1930s:
Maurice Jaubert and Joseph Kosma
[312]
Georges Auric and others
[316]
Nouvelle
vague
[319]
ix Contents
Jean-Luc Godard
[321]
François Truffaut
[326]
French modernism
[328]
At home and abroad
[332]
Poles apart:
Krzysztof Kieślowski
and
Zbigniew
Preisner [338]
9
Global highlights
[342]
EARLY SOUND FILMS IN THE SOVIET UNION
[342]
Dmitri Shostakovich
[342]
Vsevolod Pudovkin and Yuri Shaporin
[345]
Sergei
Eisenstein
and Sergei Prokofiev
[347]
INDIA: BOLLYWOOD AND BEYOND
[353]
Early Indian cinema
[354]
Successes abroad: Ravi Shankar and Satyajit Ray
[356]
Modern commercial cinema
[361]
FROM ITALY TO LITTLE ITALY
[365]
Federico
Fellini,
Nino Rota and the circus of life
[366]
Ennio Morricone and the spaghetti western: eccentricity and
populism
[371]
Italians abroad
[376]
japan
[382]
Traditional elements in silent and early sound films
[382]
The films of Yasujiro Ozu and Akira Kurosawa
[384]
Tom Takemitsu
[389]
Modern composers, modern genres
[392]
10
Popular music in the cinema
[396]
Music of youth and race
[398]
Title songs and interpolated songs
[405]
Compilation scores and original song scores
[408]
Synergistic marketing
[415]
Pop (stars) in performance
[418]
11
Classical music in the cinema
[422]
Romantic concerto and war film
[425]
Classical biopics and milieu films
[429]
Period, nationality, class
[437]
Stanley Kubrick
[440]
Back to Bach
[448]
12
State ofthe art: film music since the New Hollywood
[454]
John Williams and the new symphonism
[456]
Electronics, sound technology and recording
[467]
χ
Contents
Pop scoring, dual tracking and the modern soundtrack
album
[474]
Minimalism
[478]
Modern
auteurs:
Martin Scorsese,
Quentin
Tarantino
and
David Lynch
[483]
The modern mainstream
[489]
The global and the
giocai
[503]
Bibliography
[511]
Index of film titles
[530]
Generalindex
[547] |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Cooke, Mervyn 1963- |
| author_GND | (DE-588)143604759 |
| author_facet | Cooke, Mervyn 1963- |
| author_role | aut |
| author_sort | Cooke, Mervyn 1963- |
| author_variant | m c mc |
| building | Verbundindex |
| bvnumber | BV023410647 |
| classification_rvk | AP 51450 |
| ctrlnum | (OCoLC)213400651 (DE-599)BVBBV023410647 |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02047nam a2200493 c 4500</leader><controlfield tag="001">BV023410647</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20110527 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">080723s2008 a||| ||||z00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2008019383</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521811736</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-521-81173-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780521010481</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-0-521-01048-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)213400651</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV023410647</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-W89</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 51450</subfield><subfield code="0">(DE-625)7702:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cooke, Mervyn</subfield><subfield code="d">1963-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)143604759</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A history of film music</subfield><subfield code="c">Mervyn Cooke</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge [u.a.]</subfield><subfield code="b">Cambridge Univ. Press</subfield><subfield code="c">2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XXI, 562 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Musique de - Histoire et critique</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Filmmuziek</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Filmmusik</subfield><subfield code="0">(DE-588)4017129-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://www.loc.gov/catdir/enhancements/fy0833/2008019383-b.html</subfield><subfield code="3">Contributor biographical information</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://www.loc.gov/catdir/enhancements/fy0833/2008019383-d.html</subfield><subfield code="3">Publisher description</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html</subfield><subfield code="3">Table of contents only</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Bayreuth</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016593262&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-016593262</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield></record></collection> |
| id | DE-604.BV023410647 |
| illustrated | Illustrated |
| index_date | 2024-07-02T21:27:23Z |
| indexdate | 2024-07-09T21:18:01Z |
| institution | BVB |
| isbn | 9780521811736 9780521010481 |
| language | English |
| lccn | 2008019383 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016593262 |
| oclc_num | 213400651 |
| open_access_boolean | |
| owner | DE-12 DE-29 DE-703 DE-M472 DE-W89 DE-19 DE-BY-UBM DE-824 DE-11 DE-Po75 |
| owner_facet | DE-12 DE-29 DE-703 DE-M472 DE-W89 DE-19 DE-BY-UBM DE-824 DE-11 DE-Po75 |
| physical | XXI, 562 S. Ill. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| spelling | Cooke, Mervyn 1963- Verfasser (DE-588)143604759 aut A history of film music Mervyn Cooke 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 XXI, 562 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 s Geschichte z DE-604 http://www.loc.gov/catdir/enhancements/fy0833/2008019383-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0833/2008019383-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html Table of contents only Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016593262&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cooke, Mervyn 1963- A history of film music Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 |
| title | A history of film music |
| title_auth | A history of film music |
| title_exact_search | A history of film music |
| title_exact_search_txtP | A history of film music |
| title_full | A history of film music Mervyn Cooke |
| title_fullStr | A history of film music Mervyn Cooke |
| title_full_unstemmed | A history of film music Mervyn Cooke |
| title_short | A history of film music |
| title_sort | a history of film music |
| topic | Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Film, Musique de - Histoire et critique Filmmuziek Motion picture music History and criticism Filmmusik |
| url | http://www.loc.gov/catdir/enhancements/fy0833/2008019383-b.html http://www.loc.gov/catdir/enhancements/fy0833/2008019383-d.html http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016593262&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT cookemervyn ahistoryoffilmmusic |