A history of film music:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Contributor biographical information Publisher description Table of contents only Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXI, 562 S. Ill. |
| ISBN: | 9780521811736 9780521010481 |
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Datensatz im Suchindex
| _version_ | 1804137798288015360 |
|---|---|
| adam_text | Contents
List of illustrations [page
xi]
Preface and acknowledgements
[xv]
1
The silent cinema
[1]
Why sound?
[1]
Why music?
[4]
The birth of film music
[7]
Categories of film music
[9]
Camille Saint-Saëns
and film
d art
[14]
Cue sheets and anthologies
[15]
Venues and ensembles
[18]
Photoplayers
and cinema organs
[21]
Music for silent epics
[23]
Charlie Chaplin and music for comedies
[27]
Early film music in Europe and the Soviet Union
[30]
Postlude: the silent-film revival
[37]
2
Sound on track
[42]
A sound debate
[43]
New technology
[47]
Photographing sound
[52]
Animated sound
[58]
Creative possibilities
[59]
3
Hollywood s Golden Age: narrative cinema and the classical
film score
[67]
The studio system
[69]
Practicalities
[73]
Style
[78]
Wagner and the filmic leitmotif
[80]
Structure
[83]
Max
Steiner [87]
Erich Wolfgang Korngold
[93]
Franz Waxman: horror and sophistication
[98]
Alfred Newman
[103]
Miklós Rózsa,
Roy Webb and David Raksin: film
noir
and the
[vii]
music of psychological drama
[108]
viii Contents
Dimitri
Tiomkin
and others
[119]
Aaron Copland and the sounds of America
[123]
4
Stage and screen
[131]
Opera on film
[132]
Film in opera; opera in film
[141]
The film musical
[145]
Scoring Shakespeare
[166]
5
The mainstream divides: post-war horizons in Hollywood
[183]
The epic and the intimate
[187]
Modernism
[194]
Bernard Herrmann: the composer as
auteur
[201]
Jazz and its influence
[212]
6
Never let it be mediocre : film music in the United Kingdom
[226]
Visitors from abroad
[231]
Ralph Vaughan Williams
[234]
Brian Easdale, William Alwyn and Benjamin
Frankéi
[237]
William Walton and Malcolm Arnold
[248]
Generic (re)takes: horror and comedy
[253]
End of an era
[258]
7
Defectors to television
[265]
THE DOCUMENTARY FILM
[266]
Hanns Eisler [268]
Documentaries in the United States
[271]
Information films in the United Kingdom
[273]
The movies at war: reportage and propaganda
[278]
Theatrical documentaries for the modern age
[283]
animation
[287]
Cartoon music in the silent era
[288]
Walt Disney and the animated musical
[290]
Warner Bros, and MGM: comic shorts
[294]
Classical music
[298]
Migration to the small screen
[301]
Experimental animation
[303]
Animation in Europe
[306]
8
Film music in France
[309]
Symphony and song
[310]
The
1930s:
Maurice Jaubert and Joseph Kosma
[312]
Georges Auric and others
[316]
Nouvelle
vague
[319]
ix Contents
Jean-Luc Godard
[321]
François Truffaut
[326]
French modernism
[328]
At home and abroad
[332]
Poles apart:
Krzysztof Kieślowski
and
Zbigniew
Preisner [338]
9
Global highlights
[342]
EARLY SOUND FILMS IN THE SOVIET UNION
[342]
Dmitri Shostakovich
[342]
Vsevolod Pudovkin and Yuri Shaporin
[345]
Sergei
Eisenstein
and Sergei Prokofiev
[347]
INDIA: BOLLYWOOD AND BEYOND
[353]
Early Indian cinema
[354]
Successes abroad: Ravi Shankar and Satyajit Ray
[356]
Modern commercial cinema
[361]
FROM ITALY TO LITTLE ITALY
[365]
Federico
Fellini,
Nino Rota and the circus of life
[366]
Ennio Morricone and the spaghetti western: eccentricity and
populism
[371]
Italians abroad
[376]
japan
[382]
Traditional elements in silent and early sound films
[382]
The films of Yasujiro Ozu and Akira Kurosawa
[384]
Tom Takemitsu
[389]
Modern composers, modern genres
[392]
10
Popular music in the cinema
[396]
Music of youth and race
[398]
Title songs and interpolated songs
[405]
Compilation scores and original song scores
[408]
Synergistic marketing
[415]
Pop (stars) in performance
[418]
11
Classical music in the cinema
[422]
Romantic concerto and war film
[425]
Classical biopics and milieu films
[429]
Period, nationality, class
[437]
Stanley Kubrick
[440]
Back to Bach
[448]
12
State ofthe art: film music since the New Hollywood
[454]
John Williams and the new symphonism
[456]
Electronics, sound technology and recording
[467]
χ
Contents
Pop scoring, dual tracking and the modern soundtrack
album
[474]
Minimalism
[478]
Modern
auteurs:
Martin Scorsese,
Quentin
Tarantino
and
David Lynch
[483]
The modern mainstream
[489]
The global and the
giocai
[503]
Bibliography
[511]
Index of film titles
[530]
Generalindex
[547]
|
| adam_txt |
Contents
List of illustrations [page
xi]
Preface and acknowledgements
[xv]
1
The'silent'cinema
[1]
Why sound?
[1]
Why music?
[4]
The birth of film music
[7]
Categories of film music
[9]
Camille Saint-Saëns
and film
d'art
[14]
Cue sheets and anthologies
[15]
Venues and ensembles
[18]
Photoplayers
and cinema organs
[21]
Music for silent epics
[23]
Charlie Chaplin and music for comedies
[27]
Early film music in Europe and the Soviet Union
[30]
Postlude: the silent-film revival
[37]
2
Sound on track
[42]
A sound debate
[43]
New technology
[47]
Photographing sound
[52]
Animated sound
[58]
Creative possibilities
[59]
3
Hollywood's Golden Age: narrative cinema and the classical
film score
[67]
The studio system
[69]
Practicalities
[73]
Style
[78]
Wagner and the filmic leitmotif
[80]
Structure
[83]
Max
Steiner [87]
Erich Wolfgang Korngold
[93]
Franz Waxman: horror and sophistication
[98]
Alfred Newman
[103]
Miklós Rózsa,
Roy Webb and David Raksin: film
noir
and the
[vii]
music of psychological drama
[108]
viii Contents
Dimitri
Tiomkin
and others
[119]
Aaron Copland and the sounds of America
[123]
4
Stage and screen
[131]
Opera on film
[132]
Film in opera; opera in film
[141]
The film musical
[145]
Scoring Shakespeare
[166]
5
The mainstream divides: post-war horizons in Hollywood
[183]
The epic and the intimate
[187]
Modernism
[194]
Bernard Herrmann: the composer as
auteur
[201]
Jazz and its influence
[212]
6
'Never let it be mediocre': film music in the United Kingdom
[226]
Visitors from abroad
[231]
Ralph Vaughan Williams
[234]
Brian Easdale, William Alwyn and Benjamin
Frankéi
[237]
William Walton and Malcolm Arnold
[248]
Generic (re)takes: horror and comedy
[253]
End of an era
[258]
7
Defectors to television
[265]
THE DOCUMENTARY FILM
[266]
Hanns Eisler [268]
Documentaries in the United States
[271]
Information films in the United Kingdom
[273]
The movies at war: reportage and propaganda
[278]
Theatrical documentaries for the modern age
[283]
animation
[287]
Cartoon music in the silent era
[288]
Walt Disney and the animated musical
[290]
Warner Bros, and MGM: comic shorts
[294]
Classical music
[298]
Migration to the small screen
[301]
Experimental animation
[303]
Animation in Europe
[306]
8
Film music in France
[309]
Symphony and song
[310]
The
1930s:
Maurice Jaubert and Joseph Kosma
[312]
Georges Auric and others
[316]
Nouvelle
vague
[319]
ix Contents
Jean-Luc Godard
[321]
François Truffaut
[326]
French modernism
[328]
At home and abroad
[332]
Poles apart:
Krzysztof Kieślowski
and
Zbigniew
Preisner [338]
9
Global highlights
[342]
EARLY SOUND FILMS IN THE SOVIET UNION
[342]
Dmitri Shostakovich
[342]
Vsevolod Pudovkin and Yuri Shaporin
[345]
Sergei
Eisenstein
and Sergei Prokofiev
[347]
INDIA: BOLLYWOOD AND BEYOND
[353]
Early Indian cinema
[354]
Successes abroad: Ravi Shankar and Satyajit Ray
[356]
Modern commercial cinema
[361]
FROM ITALY TO LITTLE ITALY
[365]
Federico
Fellini,
Nino Rota and the circus of life
[366]
Ennio Morricone and the spaghetti western: eccentricity and
populism
[371]
Italians abroad
[376]
japan
[382]
Traditional elements in silent and early sound films
[382]
The films of Yasujiro Ozu and Akira Kurosawa
[384]
Tom Takemitsu
[389]
Modern composers, modern genres
[392]
10
Popular music in the cinema
[396]
Music of youth and race
[398]
Title songs and interpolated songs
[405]
Compilation scores and original song scores
[408]
Synergistic marketing
[415]
Pop (stars) in performance
[418]
11
Classical music in the cinema
[422]
Romantic concerto and war film
[425]
Classical biopics and milieu films
[429]
Period, nationality, class
[437]
Stanley Kubrick
[440]
Back to Bach
[448]
12
State ofthe art: film music since the New Hollywood
[454]
John Williams and the new symphonism
[456]
Electronics, sound technology and recording
[467]
χ
Contents
Pop scoring, dual tracking and the modern soundtrack
album
[474]
Minimalism
[478]
Modern
auteurs:
Martin Scorsese,
Quentin
Tarantino
and
David Lynch
[483]
The modern mainstream
[489]
The global and the
giocai
[503]
Bibliography
[511]
Index of film titles
[530]
Generalindex
[547] |
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| id | DE-604.BV023410647 |
| illustrated | Illustrated |
| index_date | 2024-07-02T21:27:23Z |
| indexdate | 2024-07-09T21:18:01Z |
| institution | BVB |
| isbn | 9780521811736 9780521010481 |
| language | English |
| lccn | 2008019383 |
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| spelling | Cooke, Mervyn 1963- Verfasser (DE-588)143604759 aut A history of film music Mervyn Cooke 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 XXI, 562 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 s Geschichte z DE-604 http://www.loc.gov/catdir/enhancements/fy0833/2008019383-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0833/2008019383-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0833/2008019383-t.html Table of contents only Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016593262&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cooke, Mervyn 1963- A history of film music Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 |
| title | A history of film music |
| title_auth | A history of film music |
| title_exact_search | A history of film music |
| title_exact_search_txtP | A history of film music |
| title_full | A history of film music Mervyn Cooke |
| title_fullStr | A history of film music Mervyn Cooke |
| title_full_unstemmed | A history of film music Mervyn Cooke |
| title_short | A history of film music |
| title_sort | a history of film music |
| topic | Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Film, Musique de - Histoire et critique Filmmuziek Motion picture music History and criticism Filmmusik |
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