Compositional crossroads: music, McGill, Montreal
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Montreal
McGill-Queen's Univ. Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VIII, 369 S. Ill., Notenbeisp. 24 cm |
Internformat
MARC
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| 245 | 1 | 0 | |a Compositional crossroads |b music, McGill, Montreal |c ed. by Eleanor Stubley |
| 264 | 1 | |a Montreal |b McGill-Queen's Univ. Press |c 2008 | |
| 300 | |a VIII, 369 S. |b Ill., Notenbeisp. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a "Recordings": p. [349]-357 | |
| 610 | 1 | 4 | |a McGill University / Faculty of Music / History and criticism |
| 610 | 1 | 4 | |a McGill University - Faculty of Music - Histoire et critique |
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| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1970-2004 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Composers / Canada / 20th century | |
| 650 | 4 | |a Compositeurs - Canada - 20e siècle | |
| 650 | 4 | |a Geschichte | |
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Datensatz im Suchindex
| _version_ | 1804137796076568576 |
|---|---|
| adam_text | Contents
Letter
from the Dean
vii
Acknowledgments
ix
Introduction: Crossroads
3
PART ONE: MAPPING THE INFRASTRUCTURES
OF THE FACULTY OF MUSIC, MCGILL UNIVERSITY,
AS A CENTRE FOR NEW MUSIC
17
Introduction
19
1
Robin Elliott:
István
Anhalt
and New Music at McGill
33
2
alcid.es
lanza
and Meg Sheppard: A Brief History
of McGill University s Electronic Music Studio,
1964-2004:
alcides
lanza
in Conversation with Meg Sheppard
56
3
John
Rea:
Better than a Thousand Days of Diligent Study
is One Day with a Great Teacher: Visiting Foreign
Artist Residencies at
McGilľs
Faculty of Music,
1975-1981 72
4
Paul Pedersen: McGill University Records,
1976-1990:
A Brief History
110 .
5
James Harley: The Making of New Music:
Composer as Collaborator
129 ■ ·
6
Laurie Radford: From Mixed Up to Mixin It Up:
Evolving Paradigms in Electronic Music Performance Practice
150
vi
Contents
PART TWO:. COMPOSER-WORK STUDIES
169
Introduction
171
7
Bruce Mather: The Lost Recital: An Analysis of
Bengt
Hambraeus s
Carillon for Two Pianos
178
8
Pamela Jones: The Soles of the Feet: alcides
lanza
Reconnects with his Roots
199
9
Neil Middleton: Hidden Meaning in Brian Cherney s
Die
klingende Zeit 227
10
Steven Huebner: Bruce Mather s Theatre
de l àme
246
11
Jerome
Biais:
Music under the Influence : On
la nécessité extérieure
in the Music of John
Rea
264
12
Patrick Levesque: Illusions, Collapsing Worlds,
and Magic Realism: The Music of Denys Bouliane
301
Epilogue: The
Schulich
School of Music:
Hearing the Future
328 . ·
Chronology
335
APPENDICES
1:
Recordings
349
2:
The Aims and Philosophy of McGill University Records
359
Index
361
|
| adam_txt |
Contents
Letter
from the Dean
vii
Acknowledgments
ix
Introduction: Crossroads
3
PART ONE: MAPPING THE INFRASTRUCTURES
OF THE FACULTY OF MUSIC, MCGILL UNIVERSITY,
AS A CENTRE FOR NEW MUSIC
17
Introduction
19
1
Robin Elliott:
István
Anhalt
and New Music at McGill
33
2
alcid.es
lanza
and Meg Sheppard: A Brief History
of McGill University's Electronic Music Studio,
1964-2004:
alcides
lanza
in Conversation with Meg Sheppard
56
3
John
Rea:
Better than a Thousand Days of Diligent Study
is One Day with a Great Teacher: Visiting Foreign
Artist Residencies at
McGilľs
Faculty of Music,
1975-1981 72
4
Paul Pedersen: McGill University Records,
1976-1990:
A Brief History
110 .
5
James Harley: The Making of New Music:
Composer as Collaborator
129 ■ ·
6
Laurie Radford: From Mixed Up to Mixin' It Up:
Evolving Paradigms in Electronic Music Performance Practice
150
vi
Contents
PART TWO:. COMPOSER-WORK STUDIES
169
Introduction
171
7
Bruce Mather: The Lost Recital: An Analysis of
Bengt
Hambraeus's
Carillon for Two Pianos
178
8
Pamela Jones: The Soles of the Feet: alcides
lanza
Reconnects with his Roots
199
9
Neil Middleton: Hidden Meaning in Brian Cherney's
Die
klingende Zeit 227
10
Steven Huebner: Bruce Mather's Theatre
de l'àme
246
11
Jerome
Biais:
"Music under the Influence": On
la nécessité extérieure
in the Music of John
Rea
264
12
Patrick Levesque: Illusions, Collapsing Worlds,
and Magic Realism: The Music of Denys Bouliane
301
Epilogue: The
Schulich
School of Music:
Hearing the Future
328 . ·
Chronology
335
APPENDICES
1:
Recordings
349
2:
The Aims and Philosophy of McGill University Records
359
Index
361 |
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| contents | "Recordings": p. [349]-357 |
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| indexdate | 2024-07-09T21:17:59Z |
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| spelling | Compositional crossroads music, McGill, Montreal ed. by Eleanor Stubley Montreal McGill-Queen's Univ. Press 2008 VIII, 369 S. Ill., Notenbeisp. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "Recordings": p. [349]-357 McGill University / Faculty of Music / History and criticism McGill University - Faculty of Music - Histoire et critique McGill University. Faculty of Music History McGill University Faculty of Music (DE-588)44782-1 gnd rswk-swf Geschichte 1900-2000 Geschichte 1970-2004 gnd rswk-swf Composers / Canada / 20th century Compositeurs - Canada - 20e siècle Geschichte Composers Canada 20th century Neue Musik (DE-588)4428235-7 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Kanada McGill University Faculty of Music (DE-588)44782-1 b Neue Musik (DE-588)4428235-7 s Komposition Musik (DE-588)4133320-2 s Geschichte 1970-2004 z DE-604 Stubley, Eleanor V. Sonstige oth Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016591803&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Compositional crossroads music, McGill, Montreal "Recordings": p. [349]-357 McGill University / Faculty of Music / History and criticism McGill University - Faculty of Music - Histoire et critique McGill University. Faculty of Music History McGill University Faculty of Music (DE-588)44782-1 gnd Composers / Canada / 20th century Compositeurs - Canada - 20e siècle Geschichte Composers Canada 20th century Neue Musik (DE-588)4428235-7 gnd Komposition Musik (DE-588)4133320-2 gnd |
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| title | Compositional crossroads music, McGill, Montreal |
| title_auth | Compositional crossroads music, McGill, Montreal |
| title_exact_search | Compositional crossroads music, McGill, Montreal |
| title_exact_search_txtP | Compositional crossroads music, McGill, Montreal |
| title_full | Compositional crossroads music, McGill, Montreal ed. by Eleanor Stubley |
| title_fullStr | Compositional crossroads music, McGill, Montreal ed. by Eleanor Stubley |
| title_full_unstemmed | Compositional crossroads music, McGill, Montreal ed. by Eleanor Stubley |
| title_short | Compositional crossroads |
| title_sort | compositional crossroads music mcgill montreal |
| title_sub | music, McGill, Montreal |
| topic | McGill University / Faculty of Music / History and criticism McGill University - Faculty of Music - Histoire et critique McGill University. Faculty of Music History McGill University Faculty of Music (DE-588)44782-1 gnd Composers / Canada / 20th century Compositeurs - Canada - 20e siècle Geschichte Composers Canada 20th century Neue Musik (DE-588)4428235-7 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | McGill University / Faculty of Music / History and criticism McGill University - Faculty of Music - Histoire et critique McGill University. Faculty of Music History McGill University Faculty of Music Composers / Canada / 20th century Compositeurs - Canada - 20e siècle Geschichte Composers Canada 20th century Neue Musik Komposition Musik Kanada |
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