Why we fought: America's wars in film and history
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Lexington, Kentucky
The University Press of Kentucky
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 604 Seiten Illustrationen |
| ISBN: | 9780813124933 9780813191911 |
Internformat
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| 245 | 1 | 0 | |a Why we fought |b America's wars in film and history |c edited by Peter C. Rollins and John E. O'Connor |
| 264 | 1 | |a Lexington, Kentucky |b The University Press of Kentucky |c 2008 | |
| 300 | |a XIV, 604 Seiten |b Illustrationen | ||
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Datensatz im Suchindex
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|---|---|
| adam_text |
Contents
Foreword
xi
Robert Fyne
Acknowledgments
xiii
Introduction
1
John E.
О
'Connor and Peter C. Rollins
Part I. The Eighteenth and Nineteenth Centuries:
Revolution, Conquest, and Union
39
Chapter
1.
The American Revolution on the Screen: Drums Along the
Mohawk and The Patriot
41
John
E
.
O'Connor
Chapter
2.
Reprinting the Legend: The Alamo on Film
63
Frank Thompson
Chapter
3.
Assessing Television's Version of History: The Mexican-
American War and the KERA Documentary Series
77
James
Yates
Chapter
4.
Ken Burns's Rebirth of a Nation: The Civil War as Made-
for-Television History
99
Gary R. Edgerlon
Chapter
5.
"It's What People Say We're Fighting For": Representing
the Lost Cause in Cold Mountain
121
Robert M. Myers
viii
/ Contents
Part II. The Twentieth Century: Total War
135
Chapter
6.
The Great War Viewed from the
1920s:
The Big Parade
137
Michael
T. Isenberg
Chapter
7.
Technology and "Reel Patriotism" in American Film
Advertising of the World War I Era
156
James Latham
Chapter
8.
Culture Wars and the Local Screen: The Reception
of
Westfront 1918
and All Quiet on the Western Front in One German
City
175
David Imhoof
Chapter
9.
The Peace, Isolationist, and Anti-interventionist
Movements and Interwar Hollywood
196
John Whiteclay Chambers II
Chapter
10.
The
В
Movie Goes to War in Hitler, Beast of Berlin
226
Cynthia J. Miller
Chapter
11.
Why We Fight and Projections of America: Frank
Capra,
Robert Riskin, and the Making of World War II Propaganda
242
Ian S. Scott
Chapter
12.
On Telling the Truth about War: World War II and
Hollywood's Moral Fiction,
1945-1956 259
Frank J. Wetta and Martin
A. Novelli
Chapter
13.
Jamesjones, Columbia Pictures, and the Historical
Confrontations of From Here to Eternity
283
/.
E. Smyth
Chapter
14.
Hollywood's D-Day from the Perspective of the
1960s
and
1990s:
The Longest Day and Saving Private Ryan
303
Robert Brent Toplin
Part III. Cold War and Insurgency:
The Paradox of Limited Wars
315
Chapter
15.
Cold War Berlin in the Movies: From The Big Lift to The
Promise
317
Thomas W. Maulucci Jr.
Contents
Chapter
16.
Invaders of the Cold War: Generic Disruptions and
Shifting Gender Roles in The Day the Earth Stood Still
349
Susan A. Gee
Chapter
17.
Using Popular Culture to Study the Vietnam War: Perils
and Possibilities
367
Peter C. Rollins
Chapter
18.
Fragments of War: Oliver Stone's Platoon
390
Lawrence W. Lichty and Raymond L. Carroll
Chapter
19.
The Quiet American: Graham Greene's Vietnam Novel
through the Lenses of Two Eras
404
William S. Bushnell
Part IV. The Twenty-first Century:
Terrorism and Asymmetrical Conflicts
429
Chapter
20.
Operation Restore Honor in Black Hawk Down
431
John Shelton Lawrence and John G. McGarrahan
Chapter
21.
Documentary and the Iraq War: A New Genre for New
Realities
458
Jeffrey Chown
Chapter
22.
Jessica Lynch and the Regeneration of American Identity
Post
9/11 488
Stacy
Takács
Chapter
23.
Representing the Unrepresentable:
9/11
on Film and
Television
511
James Kendrick
Filmography
529
John Shelton Lawrence
Bibliography
566
John Shelton Lawrence
Contributors
575
Index
584 |
| adam_txt |
Contents
Foreword
xi
Robert Fyne
Acknowledgments
xiii
Introduction
1
John E.
О
'Connor and Peter C. Rollins
Part I. The Eighteenth and Nineteenth Centuries:
Revolution, Conquest, and Union
39
Chapter
1.
The American Revolution on the Screen: Drums Along the
Mohawk and The Patriot
41
John
E
.
O'Connor
Chapter
2.
Reprinting the Legend: The Alamo on Film
63
Frank Thompson
Chapter
3.
Assessing Television's Version of History: The Mexican-
American War and the KERA Documentary Series
77
James
Yates
Chapter
4.
Ken Burns's Rebirth of a Nation: The Civil War as Made-
for-Television History
99
Gary R. Edgerlon
Chapter
5.
"It's What People Say We're Fighting For": Representing
the Lost Cause in Cold Mountain
121
Robert M. Myers
viii
/ Contents
Part II. The Twentieth Century: Total War
135
Chapter
6.
The Great War Viewed from the
1920s:
The Big Parade
137
Michael
T. Isenberg
Chapter
7.
Technology and "Reel Patriotism" in American Film
Advertising of the World War I Era
156
James Latham
Chapter
8.
Culture Wars and the Local Screen: The Reception
of
Westfront 1918
and All Quiet on the Western Front in One German
City
175
David Imhoof
Chapter
9.
The Peace, Isolationist, and Anti-interventionist
Movements and Interwar Hollywood
196
John Whiteclay Chambers II
Chapter
10.
The
В
Movie Goes to War in Hitler, Beast of Berlin
226
Cynthia J. Miller
Chapter
11.
Why We Fight and Projections of America: Frank
Capra,
Robert Riskin, and the Making of World War II Propaganda
242
Ian S. Scott
Chapter
12.
On Telling the Truth about War: World War II and
Hollywood's Moral Fiction,
1945-1956 259
Frank J. Wetta and Martin
A. Novelli
Chapter
13.
Jamesjones, Columbia Pictures, and the Historical
Confrontations of From Here to Eternity
283
/.
E. Smyth
Chapter
14.
Hollywood's D-Day from the Perspective of the
1960s
and
1990s:
The Longest Day and Saving Private Ryan
303
Robert Brent Toplin
Part III. Cold War and Insurgency:
The Paradox of Limited Wars
315
Chapter
15.
Cold War Berlin in the Movies: From The Big Lift to The
Promise
317
Thomas W. Maulucci Jr.
Contents
Chapter
16.
Invaders of the Cold War: Generic Disruptions and
Shifting Gender Roles in The Day the Earth Stood Still
349
Susan A. Gee
Chapter
17.
Using Popular Culture to Study the Vietnam War: Perils
and Possibilities
367
Peter C. Rollins
Chapter
18.
Fragments of War: Oliver Stone's Platoon
390
Lawrence W. Lichty and Raymond L. Carroll
Chapter
19.
The Quiet American: Graham Greene's Vietnam Novel
through the Lenses of Two Eras
404
William S. Bushnell
Part IV. The Twenty-first Century:
Terrorism and Asymmetrical Conflicts
429
Chapter
20.
Operation Restore Honor in Black Hawk Down
431
John Shelton Lawrence and John G. McGarrahan
Chapter
21.
Documentary and the Iraq War: A New Genre for New
Realities
458
Jeffrey Chown
Chapter
22.
Jessica Lynch and the Regeneration of American Identity
Post
9/11 488
Stacy
Takács
Chapter
23.
Representing the Unrepresentable:
9/11
on Film and
Television
511
James Kendrick
Filmography
529
John Shelton Lawrence
Bibliography
566
John Shelton Lawrence
Contributors
575
Index
584 |
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| era | Geschichte gnd |
| era_facet | Geschichte |
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| spellingShingle | Why we fought America's wars in film and history Films de guerre - Histoire et critique War films History and criticism Kriegsfilm (DE-588)4165687-8 gnd Film (DE-588)4017102-4 gnd Krieg Motiv (DE-588)4136410-7 gnd |
| subject_GND | (DE-588)4165687-8 (DE-588)4017102-4 (DE-588)4136410-7 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Why we fought America's wars in film and history |
| title_auth | Why we fought America's wars in film and history |
| title_exact_search | Why we fought America's wars in film and history |
| title_exact_search_txtP | Why we fought America's wars in film and history |
| title_full | Why we fought America's wars in film and history edited by Peter C. Rollins and John E. O'Connor |
| title_fullStr | Why we fought America's wars in film and history edited by Peter C. Rollins and John E. O'Connor |
| title_full_unstemmed | Why we fought America's wars in film and history edited by Peter C. Rollins and John E. O'Connor |
| title_short | Why we fought |
| title_sort | why we fought america s wars in film and history |
| title_sub | America's wars in film and history |
| topic | Films de guerre - Histoire et critique War films History and criticism Kriegsfilm (DE-588)4165687-8 gnd Film (DE-588)4017102-4 gnd Krieg Motiv (DE-588)4136410-7 gnd |
| topic_facet | Films de guerre - Histoire et critique War films History and criticism Kriegsfilm Film Krieg Motiv États-Unis - Histoire militaire USA United States History, Military Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586981&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rollinspeterc whywefoughtamericaswarsinfilmandhistory AT oconnorjohn whywefoughtamericaswarsinfilmandhistory |