Russkaja teurgičeskaja ėstetika:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Moskva
Naučno-Izdat. Centr "Ladomir"
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | In kyrill. Schr., russ. - Zsfassung in engl. Sprache |
| Beschreibung: | 737 S. Ill. 23 cm |
| ISBN: | 9785862184686 5862184686 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV023404084 | ||
| 003 | DE-604 | ||
| 005 | 20110506 | ||
| 007 | t | ||
| 008 | 080718s2007 a||| |||| 00||| rus d | ||
| 020 | |a 9785862184686 |9 978-5-86218-468-6 | ||
| 020 | |a 5862184686 |9 5-86218-468-6 | ||
| 035 | |a (OCoLC)177187462 | ||
| 035 | |a (DE-599)BVBBV023404084 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a rus | |
| 049 | |a DE-29 |a DE-12 |a DE-11 |a DE-473 | ||
| 050 | 0 | |a N7956.A1 | |
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 084 | |a KI 1090 |0 (DE-625)76775: |2 rvk | ||
| 084 | |a 5,1 |2 ssgn | ||
| 100 | 1 | |a Byčkov, Viktor Vasilʹevič |d 1942- |e Verfasser |0 (DE-588)123248086 |4 aut | |
| 245 | 1 | 0 | |a Russkaja teurgičeskaja ėstetika |c V. V. Byčkov |
| 264 | 1 | |a Moskva |b Naučno-Izdat. Centr "Ladomir" |c 2007 | |
| 300 | |a 737 S. |b Ill. |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a In kyrill. Schr., russ. - Zsfassung in engl. Sprache | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte 1800-1950 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Christian art and symbolism / Russia | |
| 650 | 4 | |a Christian art and symbolism / Modern period, 1500- | |
| 650 | 4 | |a Aesthetics / Religious aspects / Christianity | |
| 650 | 4 | |a Aesthetics, Modern / 19th century | |
| 650 | 4 | |a Aesthetics, Modern / 20th century | |
| 650 | 4 | |a Art, Modern / 19th century / Philosophy | |
| 650 | 4 | |a Arts, Modern / 20th century / Philosophy | |
| 650 | 4 | |a Christentum | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Religion | |
| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Aesthetics |x Religious aspects |x Christianity | |
| 650 | 4 | |a Aesthetics, Modern |y 19th century | |
| 650 | 4 | |a Aesthetics, Modern |y 20th century | |
| 650 | 4 | |a Art, Modern |y 19th century |x Philosophy | |
| 650 | 4 | |a Arts, Modern |y 20th century |x Philosophy | |
| 650 | 4 | |a Christian art and symbolism |y Modern period, 1500- | |
| 650 | 4 | |a Christian art and symbolism |z Russia | |
| 650 | 0 | 7 | |a Religionsphilosophie |0 (DE-588)4049415-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Russisch |0 (DE-588)4051038-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theurgie |0 (DE-588)4384007-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Russland | |
| 651 | 7 | |a Russland |0 (DE-588)4076899-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Russland |0 (DE-588)4076899-5 |D g |
| 689 | 0 | 1 | |a Theurgie |0 (DE-588)4384007-3 |D s |
| 689 | 0 | 2 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 0 | 3 | |a Geschichte 1800-1950 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Russisch |0 (DE-588)4051038-4 |D s |
| 689 | 1 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 1 | 2 | |a Theurgie |0 (DE-588)4384007-3 |D s |
| 689 | 1 | 3 | |a Geschichte 1800-1900 |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Russland |0 (DE-588)4076899-5 |D g |
| 689 | 2 | 1 | |a Religionsphilosophie |0 (DE-588)4049415-9 |D s |
| 689 | 2 | 2 | |a Theurgie |0 (DE-588)4384007-3 |D s |
| 689 | 2 | 3 | |a Geschichte 1800-1900 |A z |
| 689 | 2 | |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung BSBMuenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586810&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586810&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Abstract |
| 940 | 1 | |n oe | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-016586810 | ||
| 942 | 1 | 1 | |c 709 |e 22/bsb |f 0904 |g 471 |
| 942 | 1 | 1 | |c 809 |e 22/bsb |f 09034 |g 471 |
| 942 | 1 | 1 | |c 001.09 |e 22/bsb |f 0904 |g 471 |
| 942 | 1 | 1 | |c 001.09 |e 22/bsb |f 09034 |g 471 |
Datensatz im Suchindex
| _version_ | 1804137788280406016 |
|---|---|
| adam_text | СОДЕРЖАНИЕ
Введение
...................................................................................................................5
Глава
I.
ОБРАЩЕНИЕ К ХРИСТИАНСКИМ ТРАДИЦИЯМ
В ЭСТЕТИКЕ
XIX
ВЕКА
Николай Гоголь. Попытка духовного обращения
........................ 11
Отец Феодор (Бухарев). Духовная герменевтика/экзегеза
искусства
...................................................................................... 23
Федор Достоевский. Эстетическое измерение искусства
............ 27
Константин Леонтьев. Эстетический смысл литературы
........... 33
Лев Толстой. Негативная эстетика
................................................. 41
Глава П. ВЛАДИМИР СОЛОВЬЕВ. ОСНОВЫ ТЕУРГИЧЕСКОЙ
ЭСТЕТИКИ
Онтологический смысл красоты
................................................... 58
Софиология
...................................................................................... 67
Искусство как путь к свободной теургии
..................................... 75
Гл ав а Ш. ДМИТРИЙ МЕРЕЖКОВСКИЙ. МЕЖДУ ТРАДИЦИЕЙ
И НОВАТОРСТВОМ
Культура и одичание
....................................................................... 95
Эстетически настроенный глаз
...................................................... 101
Эстетические смыслы литературы
............................................... 113
«Новое идеальное искусство»
......................................................... 124
Художественность как принцип критики
.................................... 133
Глава
IV.
ВАСИЛИЙ РОЗАНОВ. У ИСТОКОВ СЕРЬЕЗНОЙ
ИГРОВОЙ ПАРАДОКСАЛЬНОСТИ
Религия и Церковь
........................................................................... 143
В преддверии яош-культуры
.......................................................... 158
Пространства эстетического опыта
.............................................. 167
Классическое и нонклассика
.......................................................... 189
Глава
V.
ПАВЕЛ ФЛОРЕНСКИЙ. ФИЛОСОФИЯ ИСКУССТВА
Жизнь как философия
................................................................... 202
ФилософсксйЗогословские предпосылки эстетики
..................... 210
Искусство как духовный феномен
................................................ 222
Икона как вершина искусства
........................................................ 242
Глава
VI.
СЕРГЕЙ БУЛГАКОВ. СОФИЙНАЯ ЭСТЕТИКА
Софиология как эстетика
............................................................... 263
Софийный смысл красоты
............................................................. 282
Философия искусства
...................................................................... 290
Софиология иконы
........................................,................................. 310
Глава
VE.
АЛЕКСЕЙ ЛОСЕВ. ЭСТЕТИКА САМОДОВЛЕЮЩЕГО
ВЫРАЖЕНИЯ
Самодостаточность художественной формы
.............................. 331
Основные эстетические антиномии
.............................................. 339
Многомерность эстетического
....................................................... 347
Музыка как эстетическая парадигма
............................................ 350
Эстетические акценты позднего Лосева
...................................... 351
Глава
Vin.
ИВАН ИЛЬИН. ФИЛОСОФИЯ СОВЕРШЕННОГО
В ИСКУССТВЕ
Духовность как смысл «художественного искусства», «худо¬
жества»
....................................................................................... 355
Художник
—
созерцатель и творец
............................................... 360
Закон художественности
................................................................. 364
Основные измерения искусства
..................................................... 366
Эстетический анализ искусства
..................................................... 374
Христианская культура
................................................................... 389
Глава
IX.
РЕЛИГИОЗНО ОРИЕНТИРОВАННАЯ ЭСТЕТИКА
XX
ВЕКА
Николай Лососий. Красота как ценность
.................................... 395
Семен Франк. Красота как выражение «исконного единства
бытия»
..............................................„......................................... 402
Борис Вышеславцев. Анагогический смысл сублимации
и эстетического опыта
............................................................. 408
Николай Арсеньев. Томление по Красоте и «жизни преиз-
бьггочествующей»
..................................................................... 416
Владимир Вейдле. Узрение смерти искусства
............................ 427
Дмитрий Шаховской. Искусство как «тихое чудо» и «тайно-
зрение»
.......................... .............................................................. 433
Глава
X.
ИКОНА В ЗЕРКАЛЕ РУССКОЙ ДУХОВНОЙ ТРАДИЦИИ
XIX
век: Богословская традиция
................................................... 436
XX
век: Открытие эстетического смысла иконы
....................... 443
Первые искусствоведы
............................................................. 443
Русское зарубежье
.................................................................... 458
Глава
XL
СИМВОЛИЗМ В ПОИСКАХ ТЕУРГИИ
Вячеслав Иванов. От символизма к теургии
............................... 489
Андрей Белый. Эзотерика символизма
....................................... 513
Эллис. Рефлексия символизма
...................................................... 548
Максимилиан Волошин. От символизма к нео-реализму
......... 558
Глава ХП. АПОКАЛИПТИЧЕСКИЕ ВИДЕНИЯ АВАНГАРДА
Василий Кандинский. Духовное измерение искусства
............... 576
Казимир Малевич. Беспредметность как смысл искусства
...... 595
Футуристы. Заумный язык искусства
........................................... 613
Авангард в зеркале неоправославия
............................................. 621
Глава ХШ. НИКОЛАЙ БЕРДЯЕВ. ЭСТЕТИКА ЭСХАТОЛОГИ¬
ЧЕСКИХ ПРОЗРЕНИЙ
Кризис христианства. Кризис культуры. Кризис человека
...... 635
Эстетические смыслы жизни и культуры
.................................... 653
Метафизический зов красоты
........................................................ 655
Искусство как «упреждение» иного бытия, как приращение
бытия
........................................................................................... 663
Эсхатологический смысл кризиса искусства
............................... 678
Творчество как антроподицея
....................................................... 683
Многомерность творческого акта
................................................. 691
Эсхатология творчества
.................................................................. 696
Теургия
.............................................................................................. 703
Заключение
........................................................................................................ 712
Указатель имен
.................................................................................................. 729
Summary
............................................................................................................... 735
VICTOR
BYCHKOV
RUSSIAN THEOURGIC AESTHETICS
Summary
This monograph continues and completes the work on religiously
oriented Russian aesthetics that was begun in the book Russian Medieval
Aesthetics,
11—1
7th
с
(Moscow:
Mysl,
1992).
As a whole, these two
books complete the cycle of the author s work in the area of Eastern
Christian (Orthodox) aesthetics. The results of this work were published
in the following monographs by the author:
Áesthetica patrům.
Aesthetics
of the Church Fathers (Moscow: Ladomir,
1995);
Byzantine Aesthetics:
Theoretical Problems (Moscow: Iskusstvo,
1977);
Conche
History of Byzan¬
tine Aesthetics (Kiev: Put
k Istine,
1991); 2000
Years of Christian Culture
sub specie aesthetica,
2
vols.
(Moscow; St. Petersburg: Universitetskaya
Kniga,
1999).
The author introduces the notion «theourgic aesthetics» in order to
signify a powerful trend—up to this point practically untouched—in the
Russian aesthetics (of the implicit kind) of the end of the 19th first half
of the 20th
с
This trend in aesthetics in its own right resurrects and
continues the traditions of medieval Byzantine-Russian aesthetics. The
notion of «theourgy» itself is actively developed by many religious thin¬
kers of the
Neochrisüan
orientation, starting with Vladimir Solovyov, as
well as by the 20th
с
Russian Symbolists. They thought of it in terms
of a specific creative method in art aimed at shaping
Ufe
itself according
to aesthetic laws, where the artist co-creates together with the divine
energy. It was conceptualized as the continuation and completion by
man of God s incomplete work of creation. Theourgic aesthetics was <he
inner spiritual force behind practically all artistic pursuits of the Silver
Age of Russian culture.
The book starts with the analysis of the aesthetic views of the forerun¬
ners of theourgic aesthetics: such important 19th
с
religious writers and
thinkers as Nikolay Gogol, Fyodor Bukharev, Fyodor Dostoyevskij,
Konstantin Leontyev,
Leo Tolstoy. However, the main focus is the
aesthetics of the religious philosophers at the threshold of the 20th c:
Vladimir Solovyov, Dmitrij Merezhkovskij, Vasilij Rozanov, Pavel
735
Summary
Working within the framework of theourgic aesthetics, Russian
thinkers demonstrated the following. Art and culture are not opposed
to religion but historically emerge in close contact with it and on its
basis. They also share with religion its spiritual-anagogical orientation
towards highest spiritual values. Art in its essence is the expression of
the meaning of being, and the main function of art is creativetrans-
formative: it is aimed both at every concrete person and in general at
the earthly world. Art gives humanity, through the phenomenon of
genius, the laws of transforming or transfiguring life by way of sophianic-
theourgic creativity. Finally, personal or individual creativity can actively
contribute to the transformation of the world when it is organic and
dialectically fits within the structure of the sobornoe (communal) consious-
ness of humanity as a whole; when it is nurtured by it and nurtures it
with its energy.
The main figures in theourgic aesthetics worked out in detail many
themes in aesthetics that are topical even today: aesthetics as science that
studies the ways of approaching the fullness of being; expression as the
basis of the aesthetic; multi-dimensionality of aesthetic experience; the
value aspect of beauty; the ontological meaning of beauty; the sophianic
aspect of beauty; beauty as the expression of the primordial unity of being;
metaphysical meaning of the beautiful and the ugly; eschatology of
creativity; creativity as anthropodicy; art as the
«superaddition»
of being
and foreshadowing «other-worldly being»; the essence of art, its spiritual
and sophianic meaning; the self-contained nature of artistic form; the
spiritual hermeneutics of art; the problem of artistic symbol and image;
theology, philosophy and aesthetics of the icon; eschatological meaning
of the crisis of culture and art in the 20th c; cultural and savage states
generated by technology; the death of art in the 20th c; foundations of the
ideal art of the future; music as the aesthetic paradigm of art; spirituality
as the foundation of artistry in art; anagogical meaning of sublimation in
aesthetic experience; symbol as the foundation of artistic creativity; the
esoteric meaning of symbolism; non-representational method as the
artistic content of art;
absurdism
as an important artistic principle,
—
and
some other themes.
During the initial period of the global crisis of culture and humanity,
amid a methodic re-evaluation of all traditional cultural values, Russian
theourgic aesthetics, one of the main trends in aesthetics in the second
half of the 19th.-first half of the 20th c, convincingly demonstrated the
following. Aesthetic experience in all its forms, beauty as the highest
value, art in its traditional understanding as an expression of the spiritual
in a sensibly perceptible form, make up an essential part of the existence
of man as the homo sapiens. Without them, human beings can lose their
737
|
| adam_txt |
СОДЕРЖАНИЕ
Введение
.5
Глава
I.
ОБРАЩЕНИЕ К ХРИСТИАНСКИМ ТРАДИЦИЯМ
В ЭСТЕТИКЕ
XIX
ВЕКА
Николай Гоголь. Попытка духовного обращения
. 11
Отец Феодор (Бухарев). Духовная герменевтика/экзегеза
искусства
. 23
Федор Достоевский. Эстетическое измерение искусства
. 27
Константин Леонтьев. Эстетический смысл литературы
. 33
Лев Толстой. Негативная эстетика
. 41
Глава П. ВЛАДИМИР СОЛОВЬЕВ. ОСНОВЫ ТЕУРГИЧЕСКОЙ
ЭСТЕТИКИ
Онтологический смысл красоты
. 58
Софиология
. 67
Искусство как путь к свободной теургии
. 75
Гл ав а Ш. ДМИТРИЙ МЕРЕЖКОВСКИЙ. МЕЖДУ ТРАДИЦИЕЙ
И НОВАТОРСТВОМ
Культура и одичание
. 95
Эстетически настроенный глаз
. 101
Эстетические смыслы литературы
. 113
«Новое идеальное искусство»
. 124
Художественность как принцип критики
. 133
Глава
IV.
ВАСИЛИЙ РОЗАНОВ. У ИСТОКОВ СЕРЬЕЗНОЙ
ИГРОВОЙ ПАРАДОКСАЛЬНОСТИ
Религия и Церковь
. 143
В преддверии яош-культуры
. 158
Пространства эстетического опыта
. 167
Классическое и нонклассика
. 189
Глава
V.
ПАВЕЛ ФЛОРЕНСКИЙ. ФИЛОСОФИЯ ИСКУССТВА
Жизнь как философия
. 202
ФилософсксйЗогословские предпосылки эстетики
. 210
Искусство как духовный феномен
. 222
Икона как вершина искусства
. 242
Глава
VI.
СЕРГЕЙ БУЛГАКОВ. СОФИЙНАЯ ЭСТЕТИКА
Софиология как эстетика
. 263
Софийный смысл красоты
. 282
Философия искусства
. 290
Софиология иконы
.,. 310
Глава
VE.
АЛЕКСЕЙ ЛОСЕВ. ЭСТЕТИКА САМОДОВЛЕЮЩЕГО
ВЫРАЖЕНИЯ
Самодостаточность художественной формы
. 331
Основные эстетические антиномии
. 339
Многомерность эстетического
. 347
Музыка как эстетическая парадигма
. 350
Эстетические акценты позднего Лосева
. 351
Глава
Vin.
ИВАН ИЛЬИН. ФИЛОСОФИЯ СОВЕРШЕННОГО
В ИСКУССТВЕ
Духовность как смысл «художественного искусства», «худо¬
жества»
. 355
Художник
—
созерцатель и творец
. 360
Закон художественности
. 364
Основные измерения искусства
. 366
Эстетический анализ искусства
. 374
Христианская культура
. 389
Глава
IX.
РЕЛИГИОЗНО ОРИЕНТИРОВАННАЯ ЭСТЕТИКА
XX
ВЕКА
Николай Лососий. Красота как ценность
. 395
Семен Франк. Красота как выражение «исконного единства
бытия»
.„. 402
Борис Вышеславцев. Анагогический смысл сублимации
и эстетического опыта
. 408
Николай Арсеньев. Томление по Красоте и «жизни преиз-
бьггочествующей»
. 416
Владимир Вейдле. Узрение смерти искусства
. 427
Дмитрий Шаховской. Искусство как «тихое чудо» и «тайно-
зрение»
.'. 433
Глава
X.
ИКОНА В ЗЕРКАЛЕ РУССКОЙ ДУХОВНОЙ ТРАДИЦИИ
XIX
век: Богословская традиция
. 436
XX
век: Открытие эстетического смысла иконы
. 443
Первые искусствоведы
. 443
Русское зарубежье
. 458
Глава
XL
СИМВОЛИЗМ В ПОИСКАХ ТЕУРГИИ
Вячеслав Иванов. От символизма к теургии
. 489
Андрей Белый. Эзотерика символизма
. 513
Эллис. Рефлексия символизма
. 548
Максимилиан Волошин. От символизма к нео-реализму
. 558
Глава ХП. АПОКАЛИПТИЧЕСКИЕ ВИДЕНИЯ АВАНГАРДА
Василий Кандинский. Духовное измерение искусства
. 576
Казимир Малевич. Беспредметность как смысл искусства
. 595
Футуристы. Заумный язык искусства
. 613
Авангард в зеркале неоправославия
. 621
Глава ХШ. НИКОЛАЙ БЕРДЯЕВ. ЭСТЕТИКА ЭСХАТОЛОГИ¬
ЧЕСКИХ ПРОЗРЕНИЙ
Кризис христианства. Кризис культуры. Кризис человека
. 635
Эстетические смыслы жизни и культуры
. 653
Метафизический зов красоты
. 655
Искусство как «упреждение» иного бытия, как приращение
бытия
. 663
Эсхатологический смысл кризиса искусства
. 678
Творчество как антроподицея
. 683
Многомерность творческого акта
. 691
Эсхатология творчества
. 696
Теургия
. 703
Заключение
. 712
Указатель имен
. 729
Summary
. 735
VICTOR
BYCHKOV
RUSSIAN THEOURGIC AESTHETICS
Summary
This monograph continues and completes the work on religiously
oriented Russian aesthetics that was begun in the book Russian Medieval
Aesthetics,
11—1
'7th
с
(Moscow:
Mysl,
1992).
As a whole, these two
books complete the cycle of the author's work in the area of Eastern
Christian (Orthodox) aesthetics. The results of this work were published
in the following monographs by the author:
Áesthetica patrům.
Aesthetics
of the Church Fathers (Moscow: Ladomir,
1995);
Byzantine Aesthetics:
Theoretical Problems (Moscow: Iskusstvo,
1977);
Conche
History of Byzan¬
tine Aesthetics (Kiev: Put
k Istine,
1991); 2000
Years of Christian Culture
sub specie aesthetica,
2
vols.
(Moscow; St. Petersburg: Universitetskaya
Kniga,
1999).
The author introduces the notion «theourgic aesthetics» in order to
signify a powerful trend—up to this point practically untouched—in the
Russian aesthetics (of the implicit kind) of the end of the 19th first half
of the 20th
с
This trend in aesthetics in its own right resurrects and
continues the traditions of medieval Byzantine-Russian aesthetics. The
notion of «theourgy» itself is actively developed by many religious thin¬
kers of the
Neochrisüan
orientation, starting with Vladimir Solovyov, as
well as by the 20th
с
Russian Symbolists. They thought of it in terms
of a specific creative method in art aimed at shaping
Ufe
itself according
to aesthetic laws, where the artist co-creates together with the divine
energy. It was conceptualized as the continuation and completion by
man of God's incomplete work of creation. Theourgic aesthetics was <he
inner spiritual force behind practically all artistic pursuits of the Silver
Age of Russian culture.
The book starts with the analysis of the aesthetic views of the forerun¬
ners of theourgic aesthetics: such important 19th
с
religious writers and
thinkers as Nikolay Gogol, Fyodor Bukharev, Fyodor Dostoyevskij,
Konstantin Leontyev,
Leo Tolstoy. However, the main focus is the
aesthetics of the religious philosophers at the threshold of the 20th c:
Vladimir Solovyov, Dmitrij Merezhkovskij, Vasilij Rozanov, Pavel
735
Summary
Working within the framework of theourgic aesthetics, Russian
thinkers demonstrated the following. Art and culture are not opposed
to religion but historically emerge in close contact with it and on its
basis. They also share with religion its spiritual-anagogical orientation
towards highest spiritual values. Art in its essence is the expression of
the meaning of being, and the main function of art is creativetrans-
formative: it is aimed both at every concrete person and in general at
the earthly world. Art gives humanity, through the phenomenon of
genius, the laws of transforming or transfiguring life by way of sophianic-
theourgic creativity. Finally, personal or individual creativity can actively
contribute to the transformation of the world when it is organic and
dialectically fits within the structure of the sobornoe (communal) consious-
ness of humanity as a whole; when it is nurtured by it and nurtures it
with its energy.
The main figures in theourgic aesthetics worked out in detail many
themes in aesthetics that are topical even today: aesthetics as science that
studies the ways of approaching the fullness of being; expression as the
basis of the aesthetic; multi-dimensionality of aesthetic experience; the
value aspect of beauty; the ontological meaning of beauty; the sophianic
aspect of beauty; beauty as the expression of the primordial unity of being;
metaphysical meaning of the beautiful and the ugly; eschatology of
creativity; creativity as anthropodicy; art as the
«superaddition»
of being
and foreshadowing «other-worldly being»; the essence of art, its spiritual
and sophianic meaning; the self-contained nature of artistic form; the
spiritual hermeneutics of art; the problem of artistic symbol and image;
theology, philosophy and aesthetics of the icon; eschatological meaning
of the crisis of culture and art in the 20th c; cultural and savage states
generated by technology; the death of art in the 20th c; foundations of the
ideal art of the future; music as the aesthetic paradigm of art; spirituality
as the foundation of artistry in art; anagogical meaning of sublimation in
aesthetic experience; symbol as the foundation of artistic creativity; the
esoteric meaning of symbolism; non-representational method as the
artistic content of art;
absurdism
as an important artistic principle,
—
and
some other themes.
During the initial period of the global crisis of culture and humanity,
amid a methodic re-evaluation of all traditional cultural values, Russian
theourgic aesthetics, one of the main trends in aesthetics in the second
half of the 19th.-first half of the 20th c, convincingly demonstrated the
following. Aesthetic experience in all its forms, beauty as the highest
value, art in its traditional understanding as an expression of the spiritual
in a sensibly perceptible form, make up an essential part of the existence
of man as the homo sapiens. Without them, human beings can lose their
737 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Byčkov, Viktor Vasilʹevič 1942- |
| author_GND | (DE-588)123248086 |
| author_facet | Byčkov, Viktor Vasilʹevič 1942- |
| author_role | aut |
| author_sort | Byčkov, Viktor Vasilʹevič 1942- |
| author_variant | v v b vv vvb |
| building | Verbundindex |
| bvnumber | BV023404084 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7956 |
| callnumber-raw | N7956.A1 |
| callnumber-search | N7956.A1 |
| callnumber-sort | N 47956 A1 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | CC 6900 KI 1090 |
| ctrlnum | (OCoLC)177187462 (DE-599)BVBBV023404084 |
| discipline | Slavistik Philosophie |
| discipline_str_mv | Slavistik Philosophie |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-1900 gnd Geschichte 1800-1950 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-1950 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03796nam a2200937 c 4500</leader><controlfield tag="001">BV023404084</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20110506 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">080718s2007 a||| |||| 00||| rus d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9785862184686</subfield><subfield code="9">978-5-86218-468-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">5862184686</subfield><subfield code="9">5-86218-468-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)177187462</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV023404084</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">rus</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N7956.A1</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CC 6900</subfield><subfield code="0">(DE-625)17665:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KI 1090</subfield><subfield code="0">(DE-625)76775:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">5,1</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Byčkov, Viktor Vasilʹevič</subfield><subfield code="d">1942-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)123248086</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Russkaja teurgičeskaja ėstetika</subfield><subfield code="c">V. V. Byčkov</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Moskva</subfield><subfield code="b">Naučno-Izdat. Centr "Ladomir"</subfield><subfield code="c">2007</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">737 S.</subfield><subfield code="b">Ill.</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">In kyrill. Schr., russ. - Zsfassung in engl. Sprache</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1950</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Christian art and symbolism / Russia</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Christian art and symbolism / Modern period, 1500-</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics / Religious aspects / Christianity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics, Modern / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics, Modern / 20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Modern / 19th century / Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts, Modern / 20th century / Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Christentum</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Religion</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ästhetik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics</subfield><subfield code="x">Religious aspects</subfield><subfield code="x">Christianity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics, Modern</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics, Modern</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art, Modern</subfield><subfield code="y">19th century</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts, Modern</subfield><subfield code="y">20th century</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Christian art and symbolism</subfield><subfield code="y">Modern period, 1500-</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Christian art and symbolism</subfield><subfield code="z">Russia</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Religionsphilosophie</subfield><subfield code="0">(DE-588)4049415-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Russisch</subfield><subfield code="0">(DE-588)4051038-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theurgie</subfield><subfield code="0">(DE-588)4384007-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Russland</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Theurgie</subfield><subfield code="0">(DE-588)4384007-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1800-1950</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Russisch</subfield><subfield code="0">(DE-588)4051038-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Theurgie</subfield><subfield code="0">(DE-588)4384007-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Russland</subfield><subfield code="0">(DE-588)4076899-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Religionsphilosophie</subfield><subfield code="0">(DE-588)4049415-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Theurgie</subfield><subfield code="0">(DE-588)4384007-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="3"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSBMuenchen</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586810&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586810&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Abstract</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-016586810</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">471</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">809</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">471</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">001.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">471</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">001.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">471</subfield></datafield></record></collection> |
| geographic | Russland Russland (DE-588)4076899-5 gnd |
| geographic_facet | Russland |
| id | DE-604.BV023404084 |
| illustrated | Illustrated |
| index_date | 2024-07-02T21:24:49Z |
| indexdate | 2024-07-09T21:17:51Z |
| institution | BVB |
| isbn | 9785862184686 5862184686 |
| language | Russian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016586810 |
| oclc_num | 177187462 |
| open_access_boolean | |
| owner | DE-29 DE-12 DE-11 DE-473 DE-BY-UBG |
| owner_facet | DE-29 DE-12 DE-11 DE-473 DE-BY-UBG |
| physical | 737 S. Ill. 23 cm |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Naučno-Izdat. Centr "Ladomir" |
| record_format | marc |
| spelling | Byčkov, Viktor Vasilʹevič 1942- Verfasser (DE-588)123248086 aut Russkaja teurgičeskaja ėstetika V. V. Byčkov Moskva Naučno-Izdat. Centr "Ladomir" 2007 737 S. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier In kyrill. Schr., russ. - Zsfassung in engl. Sprache Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Geschichte 1800-1950 gnd rswk-swf Christian art and symbolism / Russia Christian art and symbolism / Modern period, 1500- Aesthetics / Religious aspects / Christianity Aesthetics, Modern / 19th century Aesthetics, Modern / 20th century Art, Modern / 19th century / Philosophy Arts, Modern / 20th century / Philosophy Christentum Philosophie Religion Ästhetik Aesthetics Religious aspects Christianity Aesthetics, Modern 19th century Aesthetics, Modern 20th century Art, Modern 19th century Philosophy Arts, Modern 20th century Philosophy Christian art and symbolism Modern period, 1500- Christian art and symbolism Russia Religionsphilosophie (DE-588)4049415-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Russisch (DE-588)4051038-4 gnd rswk-swf Theurgie (DE-588)4384007-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Russland Russland (DE-588)4076899-5 gnd rswk-swf Russland (DE-588)4076899-5 g Theurgie (DE-588)4384007-3 s Ästhetik (DE-588)4000626-8 s Geschichte 1800-1950 z DE-604 Russisch (DE-588)4051038-4 s Literatur (DE-588)4035964-5 s Geschichte 1800-1900 z Religionsphilosophie (DE-588)4049415-9 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586810&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586810&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Byčkov, Viktor Vasilʹevič 1942- Russkaja teurgičeskaja ėstetika Christian art and symbolism / Russia Christian art and symbolism / Modern period, 1500- Aesthetics / Religious aspects / Christianity Aesthetics, Modern / 19th century Aesthetics, Modern / 20th century Art, Modern / 19th century / Philosophy Arts, Modern / 20th century / Philosophy Christentum Philosophie Religion Ästhetik Aesthetics Religious aspects Christianity Aesthetics, Modern 19th century Aesthetics, Modern 20th century Art, Modern 19th century Philosophy Arts, Modern 20th century Philosophy Christian art and symbolism Modern period, 1500- Christian art and symbolism Russia Religionsphilosophie (DE-588)4049415-9 gnd Literatur (DE-588)4035964-5 gnd Russisch (DE-588)4051038-4 gnd Theurgie (DE-588)4384007-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4049415-9 (DE-588)4035964-5 (DE-588)4051038-4 (DE-588)4384007-3 (DE-588)4000626-8 (DE-588)4076899-5 |
| title | Russkaja teurgičeskaja ėstetika |
| title_auth | Russkaja teurgičeskaja ėstetika |
| title_exact_search | Russkaja teurgičeskaja ėstetika |
| title_exact_search_txtP | Russkaja teurgičeskaja ėstetika |
| title_full | Russkaja teurgičeskaja ėstetika V. V. Byčkov |
| title_fullStr | Russkaja teurgičeskaja ėstetika V. V. Byčkov |
| title_full_unstemmed | Russkaja teurgičeskaja ėstetika V. V. Byčkov |
| title_short | Russkaja teurgičeskaja ėstetika |
| title_sort | russkaja teurgiceskaja estetika |
| topic | Christian art and symbolism / Russia Christian art and symbolism / Modern period, 1500- Aesthetics / Religious aspects / Christianity Aesthetics, Modern / 19th century Aesthetics, Modern / 20th century Art, Modern / 19th century / Philosophy Arts, Modern / 20th century / Philosophy Christentum Philosophie Religion Ästhetik Aesthetics Religious aspects Christianity Aesthetics, Modern 19th century Aesthetics, Modern 20th century Art, Modern 19th century Philosophy Arts, Modern 20th century Philosophy Christian art and symbolism Modern period, 1500- Christian art and symbolism Russia Religionsphilosophie (DE-588)4049415-9 gnd Literatur (DE-588)4035964-5 gnd Russisch (DE-588)4051038-4 gnd Theurgie (DE-588)4384007-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Christian art and symbolism / Russia Christian art and symbolism / Modern period, 1500- Aesthetics / Religious aspects / Christianity Aesthetics, Modern / 19th century Aesthetics, Modern / 20th century Art, Modern / 19th century / Philosophy Arts, Modern / 20th century / Philosophy Christentum Philosophie Religion Ästhetik Aesthetics Religious aspects Christianity Aesthetics, Modern 19th century Aesthetics, Modern 20th century Art, Modern 19th century Philosophy Arts, Modern 20th century Philosophy Christian art and symbolism Modern period, 1500- Christian art and symbolism Russia Religionsphilosophie Literatur Russisch Theurgie Russland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586810&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016586810&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT byckovviktorvasilʹevic russkajateurgiceskajaestetika |