Music of the Baroque:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford Univ. Press
2008
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (p. 343-359) and index |
| Beschreibung: | XIV, 370 S. Ill. 25 cm |
| ISBN: | 9780195331066 0195331060 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface
xi
1
Introduction
1
Music History,
1600-1750:
Some Basic Ideas
1
Historical Background: Western Europe,
1600-1750 3
Music in European History,
1600-1750 7
The Place of Music and Musicians in Society
8
Performance Practices
12
2
A Sixteenth-Century Prologue: Motet and Madrigal
15
The Late Renaissance Motet: Palestrina and Lassus
18
The Madrigal: Gesualdo and Monteverdi
34
3
Transitions around
1600 41
Some General Developments
42
The Basso
Continuo
45
Instruments
46
Monody
50
4
Monteverdi and Early Baroque Musical Drama
61
Claudio
Monteverdi
61
Monteverdi s Orfeo
65
The
Combattimento di
Τ
attendi e
С
brinda
76
Venetian
Opera
82
viii CONTENTS
5
Secular Vocal
Music of the Later Seventeenth Century
90
Barbara
Strozzi
91
Alessandro
Scarlatti and the Later Cantata
95
The Dissemination of Italian Baroque Style
106
6
Lully and French Musical Drama
112
The French Style
113
Lully s Armide
125
7
Seventeenth-Century Sacred Music
135
Sacred Music in Venice: Giovanni
Gabrieli
136
Sacred Music in Germany:
Heinrich Schütz 144
Seventeenth-Century Oratorio
151
Sacred Music in France:
Michel-Richard de Lalande
154
8
Late Baroque Opera
158
Handel
167
Rameau
175
9
Late Baroque Sacred Music
185
J. S. Bach
187
Handel and the Eighteenth-Century Oratorio
204
10
Music for Solo Instruments I: Toccata and Suite
214
The Lute and Its Repertory
216
Keyboard Instruments of the Seventeenth and Eighteenth Centuries
225
Baroque Keyboard Music in Italy
230
Baroque Keyboard Music in France and Germany
236
11
Music for Solo Instruments II: Fugues and
Pièces
248
Later Baroque Keyboard Music in Germany
248
J. S. Bach s Music for Solo Instruments
259
Eighteenth-Century Keyboard Music in France
265
Other Eighteenth-Century Keyboard Composers
269
CONTENTS
12
Music for Instrumental Ensemble I: The Sonata
272
The Chief Ensemble Instruments of the Baroque
273
Types of Baroque Music for Instrumental Ensemble
285
The Baroque Sonata
289
13
Music for Instrumental Ensemble II:
Sinfonia
and Concerto
310
The
Bolognese
Trumpet
Sinfonia
310
The Baroque Concerto
312
14
A Mid-Eighteenth-Century Epilogue: The
Galant
Style
326
The
Galant
Style
327
Telemann
330
Carl Philipp
Emanuel
Bach
334
Bibliography
Index
360
|
| adam_txt |
Contents
Preface
xi
1
Introduction
1
Music History,
1600-1750:
Some Basic Ideas
1
Historical Background: Western Europe,
1600-1750 3
Music in European History,
1600-1750 7
The Place of Music and Musicians in Society
8
Performance Practices
12
2
A Sixteenth-Century Prologue: Motet and Madrigal
15
The Late Renaissance Motet: Palestrina and Lassus
18
The Madrigal: Gesualdo and Monteverdi
34
3
Transitions around
1600 41
Some General Developments
42
The Basso
Continuo
45
Instruments
46
Monody
50
4
Monteverdi and Early Baroque Musical Drama
61
Claudio
Monteverdi
61
Monteverdi's Orfeo
65
The
Combattimento di
Τ
attendi e
С
brinda
76
Venetian
Opera
82
viii CONTENTS
5
Secular Vocal
Music of the Later Seventeenth Century
90
Barbara
Strozzi
91
Alessandro
Scarlatti and the Later Cantata
95
The Dissemination of Italian Baroque Style
106
6
Lully and French Musical Drama
112
The French Style
113
Lully's Armide
125
7
Seventeenth-Century Sacred Music
135
Sacred Music in Venice: Giovanni
Gabrieli
136
Sacred Music in Germany:
Heinrich Schütz 144
Seventeenth-Century Oratorio
151
Sacred Music in France:
Michel-Richard de Lalande
154
8
Late Baroque Opera
158
Handel
167
Rameau
175
9
Late Baroque Sacred Music
185
J. S. Bach
187
Handel and the Eighteenth-Century Oratorio
204
10
Music for Solo Instruments I: Toccata and Suite
214
The Lute and Its Repertory
216
Keyboard Instruments of the Seventeenth and Eighteenth Centuries
225
Baroque Keyboard Music in Italy
230
Baroque Keyboard Music in France and Germany
236
11
Music for Solo Instruments II: Fugues and
Pièces
248
Later Baroque Keyboard Music in Germany
248
J. S. Bach's Music for Solo Instruments
259
Eighteenth-Century Keyboard Music in France
265
Other Eighteenth-Century Keyboard Composers
269
CONTENTS
12
Music for Instrumental Ensemble I: The Sonata
272
The Chief Ensemble Instruments of the Baroque
273
Types of Baroque Music for Instrumental Ensemble
285
The Baroque Sonata
289
13
Music for Instrumental Ensemble II:
Sinfonia
and Concerto
310
The
Bolognese
Trumpet
Sinfonia
310
The Baroque Concerto
312
14
A Mid-Eighteenth-Century Epilogue: The
Galant
Style
326
The
Galant
Style
327
Telemann
330
Carl Philipp
Emanuel
Bach
334
Bibliography
Index
360 |
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| spellingShingle | Schulenberg, David Music of the Baroque Musique - 17e siècle - Histoire et critique Musique - 17e siècle - Histoire et critique ram Musique - 18e siècle - Histoire et critique Musique - 18e siècle - Histoire et critique ram Musik Music 17th century History and criticism Music 18th century History and criticism Barock (DE-588)4004541-9 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4004541-9 (DE-588)4040802-4 |
| title | Music of the Baroque |
| title_auth | Music of the Baroque |
| title_exact_search | Music of the Baroque |
| title_exact_search_txtP | Music of the Baroque |
| title_full | Music of the Baroque David Schulenberg |
| title_fullStr | Music of the Baroque David Schulenberg |
| title_full_unstemmed | Music of the Baroque David Schulenberg |
| title_short | Music of the Baroque |
| title_sort | music of the baroque |
| topic | Musique - 17e siècle - Histoire et critique Musique - 17e siècle - Histoire et critique ram Musique - 18e siècle - Histoire et critique Musique - 18e siècle - Histoire et critique ram Musik Music 17th century History and criticism Music 18th century History and criticism Barock (DE-588)4004541-9 gnd Musik (DE-588)4040802-4 gnd |
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