Calls and responses: the American novel of slavery since Gone with the wind
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Baton Rouge
Louisiana State Univ. Press
2008
|
| Ausgabe: | 1. print. |
| Schriftenreihe: | Southern literary studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references (S. 237 - 247) and index |
| Beschreibung: | IX, 260 S. |
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| adam_text | CONTENTS
PREFACE Vil
Introduction: Calls and Responses
ι
ι
Designs against
Tara:
Representing Slavery
in American Culture,
1936-1944 20
2
From
Tara
to Turner: Slavery and Slave Psychologies
in American Fiction and History, 1945-1968
63
3
You Shall See How a Slave Was Made a Woman: The Development
of the Contemporary Novel of Slavery, 1976-1987
114
4
Scarlett and Mammy Done Gone: Complications of the
Contemporary Novel of Slavery,
1986—2003 149
5
Mapping the Unrepresentable: Slavery Fiction
in the New Millennium
185
Conclusion: Beyond Black and White
209
CONTENTS
APPENDIX
Major Historical Studies, Fiction,
Drama, Films,
and TV Presentations
since 1918 concerning Slavery in the United States
215
NOTES
227
WORKS CITED
237
INDEX
249
Winner
of the
2008
Jules and Frances
Landry
Award
CALLS
RESPONSES
The American Novel of Slavery since
Gone with the Wind
TIM A, RYAN
η
this comprehensive, groundbreaking study, Tim A.
Ryan explores how American novelists since World
War I have imagined the institution of slavery and the
experience of those involved in it. Complicating the
common assumption that authentic black-authored
fiction about slavery is starkly opposed to the tradi¬
tional, racist fiction (and history) created by whites,
Ryan suggests that discourses about American slavery
are
—
and have always been
—
defined by connections
rather than disjunctions. Ryan contends that African
American writers didn t merely reject and move be¬
yond traditional portrayals of the black past but rather
actively engaged in a dynamic dialogue with white-
authored versions of slavery and existing historio-
graphical debates. The result is an ongoing cultural
conversation that transcends both racial and disciplin¬
ary boundaries and is akin to the call-and-response
style of African American gospel music.
Ryan addresses in detail more than a dozen ma¬
jor American novels of slavery, from the first signifi¬
cant modern fiction about the institution
—
Margaret
Mitchell s Gone with the Wind and
Ama
Bontemps s
Brack Thunder (both published in
1936)—
to recent
noteworthy novels on the topic
—
Edward P. Jones s
The Known World and Valerie Martins Property (both
published in
2003).
His insistence upon the necessity
of interpreting novels about the past directly in relation
to specific historical scholarship makes Catts and Re¬
sponses especially compelling. He reads
Toni
Morrisons
Beloved not in opposition to a monolithic orthodoxy
about slavery but in relation to specific arguments
of controversial historian Stanley Elkins. Similarly,
he analyzes William Styron s The Confessions of Nat
Turner in terms of its rhetorical echoes of Frederick
Douglass s famous autobiographical narrative. Ryan
shows throughout CalL· and Responses how a variety of
novelists
—
including Alex Haley,
Octavia
Butler, Ish-
mael Reed, Margaret Walker, and Frances Gaither
—
engage in a dynamic debate with each other and with
such historians as Herbert Aptheker, Charles Joyner,
Eugene and Elizabeth
Genovese,
and many others.
A substantially new account of the development of
American slavery fiction in the last century, Calls and
Responses goes beyond merely exalting the expression
of black voices and experiences and actually reconfig¬
ures the existing view of the American novel of slavery.
|
| adam_txt |
CONTENTS
PREFACE Vil
Introduction: Calls and Responses
ι
ι
Designs against
Tara:
Representing Slavery
in American Culture,
1936-1944 20
2
From
Tara
to Turner: Slavery and Slave Psychologies
in American Fiction and History, 1945-1968
63
3
You Shall See How a Slave Was Made a Woman: The Development
of the Contemporary Novel of Slavery, 1976-1987
114
4
Scarlett and Mammy Done Gone: Complications of the
Contemporary Novel of Slavery,
1986—2003 149
5
Mapping the Unrepresentable: Slavery Fiction
in the New Millennium
185
Conclusion: Beyond Black and White
209
CONTENTS
APPENDIX
Major Historical Studies, Fiction,
Drama, Films,
and TV Presentations
since 1918 concerning Slavery in the United States
215
NOTES
227
WORKS CITED
237
INDEX
249
Winner
of the
2008
Jules and Frances
Landry
Award
CALLS
RESPONSES
The American Novel of Slavery since
Gone with the Wind
TIM A, RYAN
η
this comprehensive, groundbreaking study, Tim A.
Ryan explores how American novelists since World
War I have imagined the institution of slavery and the
experience of those involved in it. Complicating the
common assumption that authentic black-authored
fiction about slavery is starkly opposed to the tradi¬
tional, racist fiction (and history) created by whites,
Ryan suggests that discourses about American slavery
are
—
and have always been
—
defined by connections
rather than disjunctions. Ryan contends that African
American writers didn't merely reject and move be¬
yond traditional portrayals of the black past but rather
actively engaged in a dynamic dialogue with white-
authored versions of slavery and existing historio-
graphical debates. The result is an ongoing cultural
conversation that transcends both racial and disciplin¬
ary boundaries and is akin to the call-and-response
style of African American gospel music.
Ryan addresses in detail more than a dozen ma¬
jor American novels of slavery, from the first signifi¬
cant modern fiction about the institution
—
Margaret
Mitchell's Gone with the Wind and
Ama
Bontemps's
Brack Thunder (both published in
1936)—
to recent
noteworthy novels on the topic
—
Edward P. Jones's
The Known World and Valerie Martins Property (both
published in
2003).
His insistence upon the necessity
of interpreting novels about the past directly in relation
to specific historical scholarship makes Catts and Re¬
sponses especially compelling. He reads
Toni
Morrisons
Beloved not in opposition to a monolithic orthodoxy
about slavery but in relation to specific arguments
of controversial historian Stanley Elkins. Similarly,
he analyzes William Styron's The Confessions of Nat
Turner in terms of its rhetorical echoes of Frederick
Douglass's famous autobiographical narrative. Ryan
shows throughout CalL· and Responses how a variety of
novelists
—
including Alex Haley,
Octavia
Butler, Ish-
mael Reed, Margaret Walker, and Frances Gaither
—
engage in a dynamic debate with each other and with
such historians as Herbert Aptheker, Charles Joyner,
Eugene and Elizabeth
Genovese,
and many others.
A substantially new account of the development of
American slavery fiction in the last century, Calls and
Responses goes beyond merely exalting the expression
of black voices and experiences and actually reconfig¬
ures the existing view of the American novel of slavery. |
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| spelling | Ryan, Tim A. 1971- Verfasser (DE-588)137179251 aut Calls and responses the American novel of slavery since Gone with the wind Tim A. Ryan 1. print. Baton Rouge Louisiana State Univ. Press 2008 IX, 260 S. txt rdacontent n rdamedia nc rdacarrier Southern literary studies Includes bibliographical references (S. 237 - 247) and index Geschichte 1900-2000 Geschichte 1936-2007 gnd rswk-swf American fiction / 20th century / History and criticism Slavery in literature Esclavage - Dans la littérature ram Roman américain - 20e siècle - Histoire et critique ram Romans gtt Slavernij gtt American fiction 20th century History and criticism Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Verenigde Staten gtt USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Roman (DE-588)4050479-7 s Sklaverei Motiv (DE-588)4204853-9 s Geschichte 1936-2007 z DE-604 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016563326&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016563326&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Ryan, Tim A. 1971- Calls and responses the American novel of slavery since Gone with the wind American fiction / 20th century / History and criticism Slavery in literature Esclavage - Dans la littérature ram Roman américain - 20e siècle - Histoire et critique ram Romans gtt Slavernij gtt American fiction 20th century History and criticism Sklaverei Motiv (DE-588)4204853-9 gnd Roman (DE-588)4050479-7 gnd |
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| title | Calls and responses the American novel of slavery since Gone with the wind |
| title_auth | Calls and responses the American novel of slavery since Gone with the wind |
| title_exact_search | Calls and responses the American novel of slavery since Gone with the wind |
| title_exact_search_txtP | Calls and responses the American novel of slavery since Gone with the wind |
| title_full | Calls and responses the American novel of slavery since Gone with the wind Tim A. Ryan |
| title_fullStr | Calls and responses the American novel of slavery since Gone with the wind Tim A. Ryan |
| title_full_unstemmed | Calls and responses the American novel of slavery since Gone with the wind Tim A. Ryan |
| title_short | Calls and responses |
| title_sort | calls and responses the american novel of slavery since gone with the wind |
| title_sub | the American novel of slavery since Gone with the wind |
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