Memory's fragile power: crises of memory, identity and narrative in contemporary British novels
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Trier
WVT, Wiss. Verl. Trier
2008
|
| Schriftenreihe: | Studies in English literary and cultural history
32 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 218 S. |
| ISBN: | 9783868210323 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Table
of Contents
I. Introduction: Memory s Fragile Power
.............................................1
1.
A Short Survey of Research on the Representation
of Memory and Identity in Literature
...................................................................8
2.
Aims and Structure
..............................................................................................13
II. Sociological and Psychological Perspectives
on Crises of Memory, Identity and Narrative
.................................19
1.
Identity Formation Today: Risky Opportunities
.................................................19
2.
Assumptions and Contradictions
in Notions about Memory and Their Role in Crises
...........................................25
3.
Beyond Storage and Retrieval :
Memory as a Dynamic Product of Past and Present
...........................................31
4.
Accuracy, Authenticity and Individuality:
Memory s Truth and Its Relation to Memory Crises
.......................................36
5.
The Special Properties of Autobiographical Memory:
Narrative and Its Role in Crises of Memory
.......................................................43
6.
Conclusion
...........................................................................................................53
III. The Representation of Crises of Memory in the Novel:
A Cognitive Narratological Approach
.............................................55
1.
The Complex Relations of Past and Present:
Staging Crises of Memory by Means of the Representation of Time
.................66
2.
Transparent Minds and Opaque Memories: Present and Past Self
.....................72
3.
Unreliable Narration and the Constructive Character of Memory
......................80
4.
Place as Trigger and Content of Remembering
..................................................87
5.
Creating Causality and Coherence by Imposing Plot Structures
........................89
IV. Milestones in the Staging of Memory in the British Novel:
Two Models
...................................................................................................93
1.
David Copperfield as a
Prototype of Nineteenth-Century Fictional
Autobiography: The Successful Formation of Identity through Narrative
.........94
1.1
Time Structure and Focalization: The Present Self in Control
.....................96
1.2
The Representation of Place: Continuity and Change
................................103
1.3
The Representation of Minor Characters: Potential Crises of Memory
.....105
1.4
Conclusion
...................................................................................................107
2.
Mrs Dalloway: Associative Memory
as an Integral Part of Present Consciousness
....................................................
Ill
2.1
Focalization and Temporal Structure: Fusing Present and Past
..................112
2.2
Clock Time and Mind Time : Transcending Individual Memory
..........116
2.3
The Trauma of Septimus Warren Smith:
Crisis of Memory in Mrs Dalloway
............................................................120
2.4
Conclusion
...................................................................................................121
V. Memory between Surplus and Repression:
Model Analyses of Contemporary Novels
.....................................123
1.
Guy Burt s The Dandelion Clock: A Precarious Reconstruction of Memory
.... 123
1.1
The Journey into the Past: Remembering as a Destabilising Experience...
124
1.2
Confusion and Order: The Kaleidoscope of Time Levels
..........................127
1.3
Between Agency and Victimhood: Alex Carlisle s Narrative Logic
..........130
1.4
A Clock Without Hands :
The Dandelion Clock as an Ambiguous Leitmotif
.....................................134
1.5
Resolving the Crisis of Memory and Identity
.............................................135
1.6
Conclusion
...................................................................................................138
2.
The Contaminating Past:
The Neo-Gothic Decomposition of Memory in Patrick McGrath s Spider
......139
2.1
The Present Self and Its Fabrication of the Past:
Between Authority and Unreliability
..........................................................139
2.2
The Relation between Past and Present: Contamination and Digestion
.....144
2.3
The Neogothic Genre as an Expression of Contemporary Crises of
Memory and Identity
...................................................................................149
2.4
Conclusion
...................................................................................................153
3.
The Past Takes Over the Present: The Perpetuation of Traumatic Memory
in Kazuo Ishiguro s When We Were Orphans
..................................................157
3.1
Representation of Time and Narrative Mediation:
The Elusive Present and Memory as Self-Protection
.................................158
3.2
The Dialectic of Christopher Banks Traumatic Memory
..........................163
3.3
The Detective Approach Towards the Past: Very Private Investigations...
167
3.4
Representation of Place and the Intrusive Past:
Lost in the Chinese District
.........................................................................172
3.5
Empire Orphans : From an Individual to a Collective Crisis
of Memory and Identity
..............................................................................180
3.6
Conclusion
...................................................................................................181
4.
Amnesia as Cure?
Memory as a Site of Social Pressure in Eva
Figes
Nelly s Version
................183
4.1
Nelly Dean s Unreliability:
Staging an Unsuccessful Attempt to Reject the Past
..................................184
4.2
Patterns of Place and Plot: Staging the Social Conditioning of Memory
... 189
4.3
Conclusion
...................................................................................................193
VI. Conclusion
......................................................................................................197
VII.
Works Cited and Consulted
...................................................................203
1.
Primary Literature
.............................................................................................203
2.
Secondary Literature
.........................................................................................203
|
| adam_txt |
Table
of Contents
I. Introduction: Memory's Fragile Power
.1
1.
A Short Survey of Research on the Representation
of Memory and Identity in Literature
.8
2.
Aims and Structure
.13
II. Sociological and Psychological Perspectives
on Crises of Memory, Identity and Narrative
.19
1.
Identity Formation Today: Risky Opportunities
.19
2.
Assumptions and Contradictions
in Notions about Memory and Their Role in Crises
.25
3.
Beyond'Storage'and'Retrieval':
Memory as a Dynamic Product of Past and Present
.31
4.
Accuracy, Authenticity and Individuality:
'Memory's Truth' and Its Relation to Memory Crises
.36
5.
The Special Properties of Autobiographical Memory:
Narrative and Its Role in Crises of Memory
.43
6.
Conclusion
.53
III. The Representation of Crises of Memory in the Novel:
A Cognitive Narratological Approach
.55
1.
The Complex Relations of Past and Present:
Staging Crises of Memory by Means of the Representation of Time
.66
2.
Transparent Minds and Opaque Memories: Present and Past Self
.72
3.
Unreliable Narration and the Constructive Character of Memory
.80
4.
Place as Trigger and Content of Remembering
.87
5.
Creating Causality and Coherence by Imposing Plot Structures
.89
IV. Milestones in the Staging of Memory in the British Novel:
Two Models
.93
1.
David Copperfield as a
Prototype of Nineteenth-Century Fictional
Autobiography: The Successful Formation of Identity through Narrative
.94
1.1
Time Structure and Focalization: The Present Self in Control
.96
1.2
The Representation of Place: Continuity and Change
.103
1.3
The Representation of Minor Characters: Potential Crises of Memory
.105
1.4
Conclusion
.107
2.
Mrs Dalloway: Associative Memory
as an Integral Part of Present Consciousness
.
Ill
2.1
Focalization and Temporal Structure: Fusing Present and Past
.112
2.2
'Clock Time' and 'Mind Time': Transcending Individual Memory
.116
2.3
The Trauma of Septimus Warren Smith:
Crisis of Memory in Mrs Dalloway
.120
2.4
Conclusion
.121
V. Memory between Surplus and Repression:
Model Analyses of Contemporary Novels
.123
1.
Guy Burt's The Dandelion Clock: A Precarious Reconstruction of Memory
. 123
1.1
The Journey into the Past: Remembering as a Destabilising Experience.
124
1.2
Confusion and Order: The Kaleidoscope of Time Levels
.127
1.3
Between Agency and Victimhood: Alex Carlisle's Narrative Logic
.130
1.4
'A Clock Without Hands':
The Dandelion Clock as an Ambiguous Leitmotif
.134
1.5
Resolving the Crisis of Memory and Identity
.135
1.6
Conclusion
.138
2.
The Contaminating Past:
The Neo-Gothic Decomposition of Memory in Patrick McGrath's Spider
.139
2.1
The Present Self and Its Fabrication of the Past:
Between Authority and Unreliability
.139
2.2
The Relation between Past and Present: Contamination and Digestion
.144
2.3
The Neogothic Genre as an Expression of Contemporary Crises of
Memory and Identity
.149
2.4
Conclusion
.153
3.
The Past Takes Over the Present: The Perpetuation of Traumatic Memory
in Kazuo Ishiguro's When We Were Orphans
.157
3.1
Representation of Time and Narrative Mediation:
The Elusive Present and Memory as Self-Protection
.158
3.2
The Dialectic of Christopher Banks' Traumatic Memory
.163
3.3
The Detective Approach Towards the Past: Very Private Investigations.
167
3.4
Representation of Place and the Intrusive Past:
Lost in the Chinese District
.172
3.5
'Empire Orphans': From an Individual to a Collective Crisis
of Memory and Identity
.180
3.6
Conclusion
.181
4.
Amnesia as Cure?
Memory as a Site of Social Pressure in Eva
Figes'
Nelly's Version
.183
4.1
Nelly Dean's Unreliability:
Staging an Unsuccessful Attempt to Reject the Past
.184
4.2
Patterns of Place and Plot: Staging the Social Conditioning of Memory
. 189
4.3
Conclusion
.193
VI. Conclusion
.197
VII.
Works Cited and Consulted
.203
1.
Primary Literature
.203
2.
Secondary Literature
.203 |
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| spellingShingle | Birke, Dorothee 1975- Memory's fragile power crises of memory, identity and narrative in contemporary British novels Studies in English literary and cultural history English fiction History and criticism Identity (Psychology) in literature Memory in literature Erinnerung Motiv (DE-588)4193441-6 gnd Ich-Form (DE-588)4072707-5 gnd Roman (DE-588)4050479-7 gnd Identitätsfindung Motiv (DE-588)4333652-8 gnd Englisch (DE-588)4014777-0 gnd |
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| title | Memory's fragile power crises of memory, identity and narrative in contemporary British novels |
| title_auth | Memory's fragile power crises of memory, identity and narrative in contemporary British novels |
| title_exact_search | Memory's fragile power crises of memory, identity and narrative in contemporary British novels |
| title_exact_search_txtP | Memory's fragile power crises of memory, identity and narrative in contemporary British novels |
| title_full | Memory's fragile power crises of memory, identity and narrative in contemporary British novels Dorothee Birke |
| title_fullStr | Memory's fragile power crises of memory, identity and narrative in contemporary British novels Dorothee Birke |
| title_full_unstemmed | Memory's fragile power crises of memory, identity and narrative in contemporary British novels Dorothee Birke |
| title_short | Memory's fragile power |
| title_sort | memory s fragile power crises of memory identity and narrative in contemporary british novels |
| title_sub | crises of memory, identity and narrative in contemporary British novels |
| topic | English fiction History and criticism Identity (Psychology) in literature Memory in literature Erinnerung Motiv (DE-588)4193441-6 gnd Ich-Form (DE-588)4072707-5 gnd Roman (DE-588)4050479-7 gnd Identitätsfindung Motiv (DE-588)4333652-8 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | English fiction History and criticism Identity (Psychology) in literature Memory in literature Erinnerung Motiv Ich-Form Roman Identitätsfindung Motiv Englisch Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016562218&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV013959706 |
| work_keys_str_mv | AT birkedorothee memorysfragilepowercrisesofmemoryidentityandnarrativeincontemporarybritishnovels |