Verfügbarkeit: The art and science of digital compositing

The art and science of digital compositing: techniques for visual effects, animation and motion graphics

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Bibliographische Detailangaben
1. Verfasser:	Brinkmann, Ron (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Amsterdam [u.a.] Elsevier [u.a.] 2008
Ausgabe:	2. ed.
Schlagworte:	Infographie Traitement d'images - Techniques numériques Computer graphics Image processing > Digital techniques Digitale Filmtechnik Spezialeffekt Bildverarbeitung Computergrafik
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XIX, 684 S. Ill. 1 DVD (12 cm)
ISBN:	9780123706386

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Datensatz im Suchindex

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adam_text	Contents Introduction to the Second Edition ..................................................................................xiii Chapter 1 Introduction to Digital Compositing ............................................................1 Definition ....................................................................................................................................2 Historical Perspective ...............................................................................................................3 Terminology ...............................................................................................................................7 Organization of the Book .......................................................................................................11 Chapter 2 Learning to See ...........................................................................................15 Judging Color, Brightness, and Contrast .............................................................................16 Light and Shadow ...................................................................................................................19 The Camera ..............................................................................................................................27 Resolution Limits ...............................................................................................................27 Focus and Depth of Field ...................................................................................................30 Lens Flares and Other Lens Artifacts ................................................................................32 Motion Blur .......................................................................................................................39 Depth, Distance, and Perspective .........................................................................................41 Perspective and the Camera ...............................................................................................42 Depth Cues .........................................................................................................................45 Visual Correctness ...............................................................................................................51 Chapter 3 The Digital Representation of Visual Information ....................................53 Image Generation ....................................................................................................................53 Pixels, Components, and Channels ......................................................................................55 Spatial Resolution ...................................................................................................................59 Bit Depth ...................................................................................................................................60 Normalized Values ..................................................................................................................63 Beyond Black and White ........................................................................................................64 Floating-point and High Dynamic Range Imagery (HDRI) .............................................71 The HSV Color Representation .............................................................................................74 The YUV Color Representation .............................................................................................77 Image Input Devices ...............................................................................................................80 Digital Image File Formats ....................................................................................................81 File Format Features ...............................................................................................................82 Variable Bit Depths ............................................................................................................82 Different Spatial Resolutions .............................................................................................82 Compression .......................................................................................................................82 Comment Information in a Header ....................................................................................82 Additional Image Channels ...............................................................................................82 vi Contents Vendor-specific File Format Implementations ....................................................................83 Compression ............................................................................................................................83 Run-length Encoding ........................................................................................................83 Lossy Compression .............................................................................................................86 Chroma Subsampling .........................................................................................................87 Image Sequence Compression ............................................................................................90 Choosing a File Format ..........................................................................................................90 Nonlinear Color Encoding .....................................................................................................91 Chapter 4 Basic Image Manipulation .........................................................................93 Terminology .............................................................................................................................94 Color Manipulations ...............................................................................................................97 RGB Multipli/ ....................................................................................................................97 Add ............... ......................................................................................................................98 Gamma Correction ........................................................................................................... WO Invert ................................................................................................................................202 Contrast ...........................................................................................................................103 Channel Swapping ...........................................................................................................206 HSV Manipulations ........................................................................................................107 Look-up Table Manipulations ..........................................................................................108 Expression Language .......................................................................................................110 Spatial Filters .........................................................................................................................113 Convolves .........................................................................................................................113 Blurring ...........................................................................................................................116 Sharpen ............................................................................................................................119 Median Filter ...................................................................................................................124 Geometric Transformations .................................................................................................125 Panning ............................................................................................................................226 Rotation ............................................................................................................................729 Scale .................................................................................................................................230 3D Transforms .................................................................................................................233 Warping ...........................................................................................................................235 Expression Language .......................................................................................................238 Filtering Algorithms ........................................................................................................239 Motion Blur .....................................................................................................................244 Chapter 5 Basic Image Compositing .........................................................................149 Multisource Operators .........................................................................................................149 Add ...................................................................................................................................249 Subtract ............................................................................................................................252 Mix ...................................................................................................................................253 The Matte Image ....................................................................................................................154 The Integrated Matte Channel ............................................................................................157 Over .................................................................................................................................158 Additíonal Operators ...........................................................................................................160 Multipli/ ...........................................................................................................................262 Contents vii Screen ...............................................................................................................................262 Maximum and Minimum ................................................................................................266 In ......................................................................................................................................268 Out ...................................................................................................................................169 Atop ..................................................................................................................................170 Masks ......................................................................................................................................172 Compositing with Premultiplied Images ..........................................................................174 Color Correcting and Combining Premultiplied Images .................................................178 Luminosity and the Image-Matte Relationship ..............................................................181 Morphing ................................................................................................................................183 Chapter 6 Matte Creation and Manipulation ..........................................................189 Rotoscoping ...........................................................................................................................192 Techniques ........................................................................................................................295 Motion Blur .....................................................................................................................203 Limitations .......................................................................................................................206 Procedural Matte Extraction ................................................................................................206 Keying Based on Luminance ............................................................................................207 Keying Based on Chrominance ........................................................................................220 The Color Difference Method ...........................................................................................224 Difference Matting ...........................................................................................................228 Specialized Keying Software ............................................................................................229 Matte Manipulations ............................................................................................................222 Checking the Solidity of your Matte ................................................................................223 Garbage Mattes ................................................................................................................223 Edge Mattes .....................................................................................................................227 Combining Mattes ...........................................................................................................228 Image Processing on Mattes ............................................................................................228 Chapter 7 Time and Temporal Manipulations ..........................................................233 Apparent Motion ...................................................................................................................233 Temporal Resolution .............................................................................................................234 Temporal Artifacts .................................................................................................................235 Changing the Length or Timing of a Sequence ................................................................236 Keyframing ............................................................................................................................244 Chapter 8 Image Tracking and Stabilization ............................................................249 Tracking an Element into a Plate ........................................................................................250 Choosing the Feature to Track ..........................................................................................252 Limiting the Search Area .................................................................................................254 Human Intervention .............................................................................................................255 Using Tracking Curves Manually ...................................................................................256 Tracking Multiple Points ......................................................................................................257 Stabilizing a Plate ..................................................................................................................258 Camera Tracking ...................................................................................................................262 viii Contents Chapter 9 Interface Interactions ...............................................................................263 Workflow ................................................................................................................................264 The Evolution of Interactivity .............................................................................................266 Methods of Representing the Compositing Process ........................................................268 Layer Lists ........................................................................................................................269 Trees .................................................................................................................................270 Compressed Brandies .......................................................................................................273 Timelines ................................................................................................................................275 Curve Editors .........................................................................................................................277 Working with Proxy Images ................................................................................................281 Image Viewing and Analysis Tools ....................................................................................282 Image Viewers ..................................................................................................................283 Pixel or Regional Information Tools ................................................................................285 Histograms .......................................................................................................................287 Chapter 10 Film Formats: Media, Resolution, and Aspect Ratios ...........................292 Aspect Ratio ...........................................................................................................................293 Nonsqiiare Pixels .............................................................................................................294 Deciding on a Resolution When You Have an Aspect Ratio ...........................................296 Format Conversion Pipeline ................................................................................................297 A Format Conversion Example ........................................................................................299 Film Formats ..........................................................................................................................302 Common 35 mm Formats .................................................................................................303 16 mm Formats ................................................................................................................305 Specialized Film Formats .................................................................................................306 Video Formats ........................................................................................................................308 Fields ................................................................................................................................308 Color Resolution ..............................................................................................................311 Gamma .............................................................................................................................322 Common Video Formats ...................................................................................................322 Other Formats ........................................................................................................................314 Working with Nonsquare Pixels .........................................................................................314 Converting and Combining Formats .................................................................................319 Converting between Film and Video ................................................................................323 Chapter 11 Quality and Efficiency .............................................................................327 Quality ....................................................................................................................................327 Efficiency ................................................................................................................................328 Production Methodologies ..................................................................................................328 Minimizing Data Loss ..........................................................................................................329 Internal Software Accuracy .................................................................................................333 Consolidating Operations ....................................................................................................336 Region of Interest ..................................................................................................................340 Working in a Networked Environment .............................................................................341 Disk Usage .............................................................................................................................341 Precompositing ......................................................................................................................342 Contents ix Chapter 12 Creating Elements..................................................................................345 Lighting ..................................................................................................................................346 Interactive Lighting ..............................................................................................................348 Matched Cameras .................................................................................................................349 The Reference Stand-in .........................................................................................................351 Clean Plates ............................................................................................................................353 Film Stock ...............................................................................................................................353 Filters ......................................................................................................................................356 Choosing a Format ................................................................................................................356 Lighting and Shooting with Bluescreens ...........................................................................358 Bluescreen versus Greenscreen ...........................................................................................364 Shooting Order ......................................................................................................................366 Chapter 13 Additional Integration Techniques .........................................................367 Scene Continuity ...................................................................................................................369 Color and Lighting ................................................................................................................369 Lighting ............................................................................................................................370 Light Wrapping ................................................................................................................377 Shadows ...........................................................................................................................376 Digital Color Matching ...................................................................................................379 Spill Suppression .............................................................................................................382 Atmosphere ......................................................................................................................388 Camera Characteristics .........................................................................................................389 Camera Mismatches .........................................................................................................389 Camera Movements .........................................................................................................393 Scale and Perspective .......................................................................................................394 Focus ................................................................................................................................395 Motion Blur .....................................................................................................................397 Lens Flares .......................................................................................................................398 Film Grain and Sensor Noise ..........................................................................................399 Chapter 14 Advanced and Related Topics .................................................................405 The Digital Representation of Images, Revisited .............................................................405 High Dynamic Range Imaging ........................................................................................406 Color Reproduction .......................................................................................................... 4Ί4 Working with Limited Bit Depth .....................................................................................417 Conclusions ......................................................................................................................428 3D Compositing ....................................................................................................................428 Working with CG Elements .................................................................................................435 Z-Depth Compositing ......................................................................................................437 Multi-pass Rendering ......................................................................................................448 Related 2D Disciplines .........................................................................................................455 Digital Painting ...............................................................................................................456 Editing .............................................................................................................................457 The Digital Intermediate ..................................................................................................458 χ Contents Chapter 15 Case Studies .................................................................................................462 James and the Giant Peach ..................................................................................................461 Speed .......................................................................................................................................464 Independence Day ................................................................................................................466 The Prince of Egypt ...............................................................................................................470 Budweiser Lizards Commercial ..........................................................................................476 Titanic ......................................................................................................................................478 A Gentlemen s Duel ..............................................................................................................483 Battlestar Galactica ................................................................................................................490 Carlton Draught Big Ad ...................................................................................................494 Chronicles of Narnia: The Lion, the Witch, and the Wardrobe ......................................499 Golden Compass ...................................................................................................................504 The Incredibles ......................................................................................................................507 I, Robot ....................................................................................................................................510 King Kong ..............................................................................................................................514 Lost ..........................................................................................................................................520 The Lord of the Rings: The Return of the King .................................................................524 The Orion Nebula from The Hubble Space Telescope .....................................................528 Sin City ...................................................................................................................................536 Sky Captain and the World of Tomorrow ..........................................................................539 Spider-Man 2..........................................................................................................................547 Underworld: Evolution ........................................................................................................554 Wallace and Gromit: The Curse of the Were-Rabbit ........................................................561 Star Wars: Episode 3— Revenge of the Sith .......................................................................567 Breaking Down the Shot — ccm436 ..................................................................................568 Creating the Background .................................................................................................570 Creating the Foreground ..................................................................................................574 Effects ...............................................................................................................................586 Final Assembly and Refraining .......................................................................................591 Summary ..........................................................................................................................593 Appendix A Digital Compositing Software: Tools and Features .............................595 Color Corrections ..................................................................................................................596 Filters ......................................................................................................................................597 Geometric Transformationsand Warps .............................................................................598 Image Combination ..............................................................................................................599 Field Controls ........................................................................................................................600 Matte Generation ..................................................................................................................600 Timing and Animation .........................................................................................................601 Image Generation ...............................................................................................................601 Tracking ..................................................................................................................................601 Control ..................................................................................................................................602 Other .......................................................................................................................................602 Contents xi Appendix В Digital Image File Formats ..................................................................605 Common Image File Formats ..............................................................................................605 The CineonFile Format ........................................................................................................606 The OpenExr File Format .....................................................................................................612 Using OpenEXRfor Visual Effects Production ..............................................................612 Abstract ............................................................................................................................612 Floating-point Pixels .......................................................................................................613 Compression .....................................................................................................................674 Open Source .....................................................................................................................615 How OpenEXR is used at ILM .......................................................................................675 Color Management ..........................................................................................................675 Win/ not Cineon/DPX? ...................................................................................................676 Real-time Playback ...........................................................................................................677 References .........................................................................................................................678 Appendix С Common Film and Video Formats .......................................................619 Film .........................................................................................................................................619 Scanning Resolutions and File Sizes ...............................................................................620 Digital Cinema Projection ....................................................................................................624 Video .......................................................................................................................................624 Aspect Ratios ...................................................................................................................625 Resolutions .......................................................................................................................625 Interlacing ........................................................................................................................626 Frame Rates .....................................................................................................................626 Bibliography .....................................................................................................................627 Glossary ...........................................................................................................................631 Index ........■........................................................................................................................675
adam_txt	Contents Introduction to the Second Edition .xiii Chapter 1 Introduction to Digital Compositing .1 Definition .2 Historical Perspective .3 Terminology .7 Organization of the Book .11 Chapter 2 Learning to See .15 Judging Color, Brightness, and Contrast .16 Light and Shadow .19 The Camera .27 Resolution Limits .27 Focus and Depth of Field .30 Lens Flares and Other Lens Artifacts .32 Motion Blur .39 Depth, Distance, and Perspective .41 Perspective and the Camera .42 Depth Cues .45 Visual "Correctness" .51 Chapter 3 The Digital Representation of Visual Information .53 Image Generation .53 Pixels, Components, and Channels .55 Spatial Resolution .59 Bit Depth .60 Normalized Values .63 Beyond Black and White .64 Floating-point and High Dynamic Range Imagery (HDRI) .71 The HSV Color Representation .74 The YUV Color Representation .77 Image Input Devices .80 Digital Image File Formats .81 File Format Features .82 Variable Bit Depths .82 Different Spatial Resolutions .82 Compression .82 Comment Information in a Header .82 Additional Image Channels .82 vi Contents Vendor-specific File Format Implementations .83 Compression .83 Run-length Encoding .83 Lossy Compression .86 Chroma Subsampling .87 Image Sequence Compression .90 Choosing a File Format .90 Nonlinear Color Encoding .91 Chapter 4 Basic Image Manipulation .93 Terminology .94 Color Manipulations .97 RGB Multipli/ .97 Add .".98 Gamma Correction . WO Invert .202 Contrast .103 Channel Swapping .206 HSV Manipulations .107 Look-up Table Manipulations .108 Expression Language .110 Spatial Filters .113 Convolves .113 Blurring .116 Sharpen .119 Median Filter .124 Geometric Transformations .125 Panning .226 Rotation .729 Scale .230 3D Transforms .233 Warping .235 Expression Language .238 Filtering Algorithms .239 Motion Blur .244 Chapter 5 Basic Image Compositing .149 Multisource Operators .149 Add .249 Subtract .252 Mix .253 The Matte Image .154 The Integrated Matte Channel .157 Over .158 Additíonal Operators .160 Multipli/ .262 Contents vii Screen .262 Maximum and Minimum .266 In .268 Out .169 Atop .170 Masks .172 Compositing with Premultiplied Images .174 Color Correcting and Combining Premultiplied Images .178 Luminosity and the Image-Matte Relationship .181 Morphing .183 Chapter 6 Matte Creation and Manipulation .189 Rotoscoping .192 Techniques .295 Motion Blur .203 Limitations .206 Procedural Matte Extraction .206 Keying Based on Luminance .207 Keying Based on Chrominance .220 The Color Difference Method .224 Difference Matting .228 Specialized Keying Software .229 Matte Manipulations .222 Checking the Solidity of your Matte .223 Garbage Mattes .223 Edge Mattes .227 Combining Mattes .228 Image Processing on Mattes .228 Chapter 7 Time and Temporal Manipulations .233 Apparent Motion .233 Temporal Resolution .234 Temporal Artifacts .235 Changing the Length or Timing of a Sequence .236 Keyframing .244 Chapter 8 Image Tracking and Stabilization .249 Tracking an Element into a Plate .250 Choosing the Feature to Track .252 Limiting the Search Area .254 Human Intervention .255 Using Tracking Curves Manually .256 Tracking Multiple Points .257 Stabilizing a Plate .258 Camera Tracking .262 viii Contents Chapter 9 Interface Interactions .263 Workflow .264 The Evolution of Interactivity .266 Methods of Representing the Compositing Process .268 Layer Lists .269 Trees .270 Compressed Brandies .273 Timelines .275 Curve Editors .277 Working with Proxy Images .281 Image Viewing and Analysis Tools .282 Image Viewers .283 Pixel or Regional Information Tools .285 Histograms .287 Chapter 10 Film Formats: Media, Resolution, and Aspect Ratios .292 Aspect Ratio .293 Nonsqiiare Pixels .294 Deciding on a Resolution When You Have an Aspect Ratio .296 Format Conversion Pipeline .297 A Format Conversion Example .299 Film Formats .302 Common 35 mm Formats .303 16 mm Formats .305 Specialized Film Formats .306 Video Formats .308 Fields .308 Color Resolution .311 Gamma .322 Common Video Formats .322 Other Formats .314 Working with Nonsquare Pixels .314 Converting and Combining Formats .319 Converting between Film and Video .323 Chapter 11 Quality and Efficiency .327 Quality .327 Efficiency .328 Production Methodologies .328 Minimizing Data Loss .329 Internal Software Accuracy .333 Consolidating Operations .336 Region of Interest .340 Working in a Networked Environment .341 Disk Usage .341 Precompositing .342 Contents ix Chapter 12 Creating Elements.345 Lighting .346 Interactive Lighting .348 Matched Cameras .349 The Reference Stand-in .351 Clean Plates .353 Film Stock .353 Filters .356 Choosing a Format .356 Lighting and Shooting with Bluescreens .358 Bluescreen versus Greenscreen .364 Shooting Order .366 Chapter 13 Additional Integration Techniques .367 Scene Continuity .369 Color and Lighting .369 Lighting .370 Light Wrapping .377 Shadows .376 Digital Color Matching .379 Spill Suppression .382 Atmosphere .388 Camera Characteristics .389 Camera Mismatches .389 Camera Movements .393 Scale and Perspective .394 Focus .395 Motion Blur .397 Lens Flares .398 Film Grain and Sensor Noise .399 Chapter 14 Advanced and Related Topics .405 The Digital Representation of Images, Revisited .405 High Dynamic Range Imaging .406 Color Reproduction . 4Ί4 Working with Limited Bit Depth .417 Conclusions .428 3D Compositing .428 Working with CG Elements .435 Z-Depth Compositing .437 Multi-pass Rendering .448 Related 2D Disciplines .455 Digital Painting .456 Editing .457 The Digital Intermediate .458 χ Contents Chapter 15 Case Studies .462 James and the Giant Peach .461 Speed .464 Independence Day .466 The Prince of Egypt .470 Budweiser Lizards Commercial .476 Titanic .478 A Gentlemen's Duel .483 Battlestar Galactica .490 Carlton Draught "Big Ad" .494 Chronicles of Narnia: The Lion, the Witch, and the Wardrobe .499 Golden Compass .504 The Incredibles .507 I, Robot .510 King Kong .514 Lost .520 The Lord of the Rings: The Return of the King .524 The Orion Nebula from The Hubble Space Telescope .528 Sin City .536 Sky Captain and the World of Tomorrow .539 Spider-Man 2.547 Underworld: Evolution .554 Wallace and Gromit: The Curse of the Were-Rabbit .561 Star Wars: Episode 3— Revenge of the Sith .567 Breaking Down the Shot — ccm436 .568 Creating the Background .570 Creating the Foreground .574 Effects .586 Final Assembly and Refraining .591 Summary .593 Appendix A Digital Compositing Software: Tools and Features .595 Color Corrections .596 Filters .597 Geometric Transformationsand Warps .598 Image Combination .599 Field Controls .600 Matte Generation .600 Timing and Animation .601 Image Generation .601 Tracking .601 Control .602 Other .602 Contents xi Appendix В Digital Image File Formats .605 Common Image File Formats .605 The CineonFile Format .606 The OpenExr File Format .612 Using OpenEXRfor Visual Effects Production .612 Abstract .612 Floating-point Pixels .613 Compression .674 Open Source .615 How OpenEXR is used at ILM .675 Color Management .675 Win/ not Cineon/DPX? .676 Real-time Playback .677 References .678 Appendix С Common Film and Video Formats .619 Film .619 Scanning Resolutions and File Sizes .620 Digital Cinema Projection .624 Video .624 Aspect Ratios .625 Resolutions .625 Interlacing .626 Frame Rates .626 Bibliography .627 Glossary .631 Index .■.675
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id	DE-604.BV023375958
illustrated	Illustrated
index_date	2024-07-02T21:14:31Z
indexdate	2024-07-09T21:17:11Z
institution	BVB
isbn	9780123706386
language	English
lccn	2007053015
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-016559140
oclc_num	186961893
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physical	XIX, 684 S. Ill. 1 DVD (12 cm)
publishDate	2008
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publisher	Elsevier [u.a.]
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spelling	Brinkmann, Ron Verfasser aut The art and science of digital compositing techniques for visual effects, animation and motion graphics Ron Brinkmann 2. ed. Amsterdam [u.a.] Elsevier [u.a.] 2008 XIX, 684 S. Ill. 1 DVD (12 cm) txt rdacontent n rdamedia nc rdacarrier Infographie Traitement d'images - Techniques numériques Computer graphics Image processing Digital techniques Digitale Filmtechnik (DE-588)4763566-6 gnd rswk-swf Spezialeffekt (DE-588)4260107-1 gnd rswk-swf Bildverarbeitung (DE-588)4006684-8 gnd rswk-swf Computergrafik (DE-588)4010450-3 gnd rswk-swf Bildverarbeitung (DE-588)4006684-8 s Computergrafik (DE-588)4010450-3 s DE-604 Digitale Filmtechnik (DE-588)4763566-6 s Spezialeffekt (DE-588)4260107-1 s Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016559140&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Brinkmann, Ron The art and science of digital compositing techniques for visual effects, animation and motion graphics Infographie Traitement d'images - Techniques numériques Computer graphics Image processing Digital techniques Digitale Filmtechnik (DE-588)4763566-6 gnd Spezialeffekt (DE-588)4260107-1 gnd Bildverarbeitung (DE-588)4006684-8 gnd Computergrafik (DE-588)4010450-3 gnd
subject_GND	(DE-588)4763566-6 (DE-588)4260107-1 (DE-588)4006684-8 (DE-588)4010450-3
title	The art and science of digital compositing techniques for visual effects, animation and motion graphics
title_auth	The art and science of digital compositing techniques for visual effects, animation and motion graphics
title_exact_search	The art and science of digital compositing techniques for visual effects, animation and motion graphics
title_exact_search_txtP	The art and science of digital compositing techniques for visual effects, animation and motion graphics
title_full	The art and science of digital compositing techniques for visual effects, animation and motion graphics Ron Brinkmann
title_fullStr	The art and science of digital compositing techniques for visual effects, animation and motion graphics Ron Brinkmann
title_full_unstemmed	The art and science of digital compositing techniques for visual effects, animation and motion graphics Ron Brinkmann
title_short	The art and science of digital compositing
title_sort	the art and science of digital compositing techniques for visual effects animation and motion graphics
title_sub	techniques for visual effects, animation and motion graphics
topic	Infographie Traitement d'images - Techniques numériques Computer graphics Image processing Digital techniques Digitale Filmtechnik (DE-588)4763566-6 gnd Spezialeffekt (DE-588)4260107-1 gnd Bildverarbeitung (DE-588)4006684-8 gnd Computergrafik (DE-588)4010450-3 gnd
topic_facet	Infographie Traitement d'images - Techniques numériques Computer graphics Image processing Digital techniques Digitale Filmtechnik Spezialeffekt Bildverarbeitung Computergrafik
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016559140&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT brinkmannron theartandscienceofdigitalcompositingtechniquesforvisualeffectsanimationandmotiongraphics

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